Category Archives: Conference

Programme and Registration Details: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, 20th–21st June 2019, Senate Suite, Durham University Castle, Durham, UK


Organised by Stefano Cracolici and Edward Payne (Zurbarán Centre for Spanish and Latin American Art, Durham University)

Free, but please register at this link: https://www.eventbrite.co.uk/e/canons-and-repertoires-constructing-the-visual-arts-in-the-hispanic-world-registration-62569293441

The visual arts in Spain have long been haunted by the spectres of six giants: El Greco, Ribera, Velázquez, Murillo, Goya and Picasso. Still today, these canonical figures tower over all others and continue to shape the story of Spanish art, which has been traditionally told in monographic form. Although the strength of the Spanish canon has informed different disciplines (literature, aesthetics, performing arts), given the recent ‘material turn’, the prosopographical dimension of the visual arts in Spain poses a disciplinary challenge. Similarly, following the ‘global turn’, the visual arts of Iberia pose a geographical challenge, intersecting with the Mediterranean, Arabic, Latin American, British and continental European worlds. The notions of ‘Spain’ and ‘Spanish art’, therefore, are necessarily nebulous and problematic, raising a host of questions: To what extent does Spanish art exist before the establishment of Spain as a nation state? To what extent is the art of the Habsburg and Bourbon empires a Spanish art outside Spain? What is the role of Spain in the wider canon of European art? Who has exploited the visual arts of the Hispanic world, geographically, politically and intellectually? These questions ultimately point to a tension between canons and repertoires; between centres and peripheries; and between consolidating the ‘core’ and expanding the ‘remit’ of the so-called Spanish school.

This conference will explode the disciplinary, material and geographical limits of Spanish art, inaugurating the Zurbarán Centre as a critical and innovative research institution for the study of Spanish and Latin American art in the twenty-first century. Papers will challenge the canonical construction of Spanish art, which can be traced back to writings from Palomino’s Lives of the Eminent Spanish Painters and Sculptors (1724) to Stirling Maxwell’s Annals of the Artists of Spain (1848), to more recent publications by scholars in the field. Papers will also probe the chronological, geographical and material boundaries of the ‘El Greco to Goya’ survey, interrogating the ways in which academics, curators, scholars and teachers narrate this material through various platforms, including publications, museum displays, exhibitions, lectures, gallery talks and academic courses. Speakers will address the various ‘terrains’ of Spanish art, from geographical constructions of Iberia as Europe’s frontier or edge, to exchange with all that lies beyond the Pillars of Hercules.

PROGRAMME

Thursday 20 June 2019

09.30 – 10.00 Registration & Coffee
10.00 – 10.05Introduction & Welcome
10.05 – 11.20 Session 1: Historiographies
Chair: Stefano Cracolici (Durham University)
10.05 – 10.25 Why El Greco to Goya?
Edward Payne (Durham University)
10.25 – 10.45Frederic Leighton’s Vision of Spain
Véronique Gerard Powell (Sorbonne Université, Paris)
10.45 – 11.05  Nigel Glendinning and the Hispanic Research Journal: A Unique Voice in Spanish Cultural
History
Sarah Symmons (University of Essex)
11.05 – 11.20 Discussion
11.20 – 11.50 Tea & Coffee
11.50 – 12.50 Keynote Lecture:
Passion and Prejudice: Attitudes to Spanish Sculpture in Nineteenth-Century Britain
Holly Trusted (Victoria & Albert Museum, London)
13.00 – 14.00 Lunch
14.00 – 15.15 Session 2: Geographies
Chair: Edward Payne (Durham University)
14.00 – 14.20 Beyond El Greco: The Travelling Artist between Italy and Spain—Artistic Translation and the
Sixteenth-Century Hispanic Canon
Piers Baker-Bates (The Open University)
14.20 – 14.40Maestros españoles en Chile: Espacios y repertorios
Marcela Drien (Universidad Adolfo Ibáñez, Santiago de Chile)
14.40 – 15.00 Geographic Limits and the History of the Spanish Avant-Garde
Maite Barragán (Albright College, Reading PA)
15.00 – 15.15 Discussion
15.15 – 16.30Session 3: Strategies
Chair: Tom Stammers (Durham University)
15.15 – 15.35Genaro Pérez Villaamil: Navigating Stereotypes
Claudia Hopkins (University of Edinburgh)
15.35 – 15.55 Imaginary Architecture as Imagined Community: ‘The Market’ by Jenaro Pérez Villaamil
Matilde Mateo (Syracuse University)
15.55 – 16.15 Hieroglyphs of Providence: Pelegrín Clavé and Isabella I of Castile
Stefano Cracolici (Durham University)
16.15 – 16.30 Discussion
16.30 – 17.00 Tea & Coffee
17.00 – 18.00 Keynote Lecture
Canons and Repertoires in Hispanic Art: What does Stirling Maxwell have to do with them?
Hilary Macartney (University of Glasgow)

Friday 21 June 2019

9.30 – 10.00 Tea & Coffee
10.00 – 11.15 Session 4: Identities
Chair: Giovanna Capitelli (Università Roma Tre)
10.00 – 10.20 El arte español más allá de la península ibérica: ¿Qué significa ser un ‘artista español en la Nueva España’?
Luis Javier Cuesta Hernández (Universidad Iberoamericana, Ciudad de México)
10.20 – 10.40 Constructing the Monuments of the Nation: Victor Balaguer and the Struggle to Shape Monasteries as Spanishness
Josep-Maria Garcia-Fuentes (Newcastle University)
10.40 – 11.00 Thinking Spain from Barcelona: The Iconographic Repertoire of Spanish Art (1918–1922)
Lucila Mallart (Universitat Pompeu Fabra, Barcelona)
11.00 – 11.15 Discussion
11.15 – 11.45Tea & Coffee
11.45 – 13.00Session 5: Remediations
Chair: Ludmilla Jordanova (Durham University)
11.45 – 12.05 Thinking through Painting: Artistic Practice as Metaphor in the Early Modern Hispanic World
Adam Jasienski (Southern Methodist University, Dallas TX)
12.05 – 12.25 From Mimesis to Montage: Sergei Eisenstein on El Greco
Dušan Radunović (Durham University)
12.25 – 12.45 ‘Ese Velázquez sí que era un genio’: el canon del arte español y la ficción televisiva
Luis Vives-Ferrándiz Sánchez (Universitat de València)
12.45 – 13.00 Discussion
13.00 – 14.00 Lunch
14.00 – 14.20Concluding Remarks
Amaya Alzaga Ruiz (Universidad Nacional de Educación a Distancia, Madrid)
14.20 – 15.00 Roundtable Discussion
15.00 – 16.00 Refreshment

Save the Date: Oxford Sorolla Symposium, 1 July 2019

A symposium to accompany the National Gallery’s major exhibition “Sorolla: Spanish Master of Light” (18 March–7th July 2019) will take place on at the Lecture Theatre, Weston Library, on 1 July 2019. The programme will include guest speakers such as Gabriele Finaldi, Director of the National Gallery, Richard Ormond, former Deputy Director of the National Portrait Gallery, Blanca Pons-Sorolla, co-curator of the exhibition and Sorolla’s great grand-daughter, amongst others. The symposium will be followed by a musical soirée and the projection of the award-winning “Sorolla: Viajes de la luz” documentary at St Cross College and Pusey Chapel, Oxford.

Detailed information will be posted shortly.

Conference: Las mujeres y las artes en la corte española, Madrid, 20–22 February 2019, Universidad Complutense, Madrid

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Programme

MIÉRCOLES, 20 DE FEBRERO

09:30 Registro de participantes

10:00 Inauguración. Jaime M. de los Santos. Consejero de Cultura, Turismo y Deporte. Comunidad de Madrid. Presentación.  Miguel Luque. Decano de la Facultad.

MESA I. MUJERES PROTAGONISTAS DE LAS ARTES.
MODERA FÉLIX DÍAZ MORENO (UCM)

10:30 Plautilla Bricci: cronaca di un oblio. Consuelo Lollobrigida (Univ. of Arkansas – William J. Fulbright School of Arts and Sciences)

11:00  Pintoras flamencas en los siglos XVI y XVII: las sagas familiares y el talento. Ana Diéguez-Rodríguez (Instituto Moll. Centro de investigación en pintura flamenca Univ. de Burgos)

11:30  Pausa café

12:30  Vidas y afanes de las dos impresoras novohispanas del siglo XVIII: Rosa Teresa Poveda y Manuela de la Ascensión Cerezo. Marina Garone Gravier (Instituto de Investigaciones Bibliográficas, Univ. Nacional Autónoma de México)

13:00  Mujeres artistas en la Real Academia de Bellas Artes de San Carlos de Valencia. Mariángeles Pérez-Martín (Univ. de València)

13:30  Debate. Comida

MESA II. IDENTIDADES FEMENINAS, GENERADORAS DE ESPACIOS.
MODERAN CONCEPCIÓN LOPEZOSA APARICIO (UCM) Y SARA FUENTES LÁZARO (UNIV. A DISTANCIA DE MADRID)

16:00 De la casa al hogar. Aposentos femeninos en la Edad Moderna. Gloria Franco Rubio (UCM)

16:30 “Fare scena della casa”. Isabel de Farnesio y la arquitectura pintada en La Granja de San Ildefonso. Sara Fuentes Lázaro (Univ. a Distancia de Madrid)

17:00 Sociabilidad, ciudad y género en la crisis del Antiguo Régimen. Aproximaciones desde la cultura visual y material. Álvaro Molina (Univ. Nacional de Educación a Distancia)

17:30 “Mujeres en el límite”. Presencias femeninas en el Paseo del Prado de Madrid. Concepción Lopezosa Aparicio (UCM)

18:00 Debate

JUEVES, 21 DE FEBRERO

MESA III. LAS ARTES Y LA PRÁCTICA DEL PODER
MODERAN MAGDALENA DE LAPUERTA (UCM) Y MIGUEL HERMOSO CUESTA (UCM)

10:00 Il mecenatismo di Bona Sforza alla corte di Bari nella prima metà del ‘500. Mimma Pasculli (Univ. degli Studi di Bari Aldo Moro. Dpto. Lettere, Lingue e Arti)

10:30 Sofonisba Anguissola y la construcción de una imagen femenina para la familia Habsburgo. Jorge Sebastián Lozano (Univ. de València)

11:00 Patrimonio y encargos artísticos de Juana Cortés, II duquesa de Alcalá. Sergio Ramiro Ramírez (UCM)

11:30 Debate

12:00 Pausa café

12:30 La perla de la Monarquía hispana: Margarita de Austria y el retrato cortesano. Magdalena de Lapuerta Montoya (UCM)

13:00  Sor Ana Dorotea de Austria y la exaltación de las mujeres fuertes. Cipriano García-Hidalgo Villena (UCM)

13:30  María Isabel de Braganza y la música. Judith Ortega Rodríguez (ICCMU-UCM)

14:00  Debate. Comida

WORKSHOP (LUGAR: SALA DE JUNTAS). CUARTOS DE MUJERES. ESPACIOS DONDE VIVIR Y TRABAJAR EN EL SIGLO XVI

16:30  Presentación a cargo de Beatriz Blasco Esquivias (UCM). Intervienen: Elena Díez Jorge (Univ. de Granada), Ana Aranda Bernal (Univ. Pablo Olavide, Sevilla), María Núñez – González (Univ. de Sevilla)

18:00  Debate

VIERNES, 22 DE FEBRERO

MESA IV. EL ARTE EN SUS MANOS.  LOS MUSEOS Y LA GESTIÓN DEL PATRIMONIO
MODERA JONATAN JAIR LÓPEZ MUÑOZ (UCM)

10:00 Las mujeres y la arqueología en Europa: de la aristocracia a las clases medias. Margarita Díaz-Andreu (ICREA y Univ. de Barcelona)

10:30 Mujeres y museos en Europa  del Este. Laura Coltofean-Arizancu (Univ. de Barcelona)

11:00 Las profesionales de museos en España, una historia envuelta en silencios. Margarita Moreno Conde (Museo Arqueológico Nacional)

11:30 Debate. Pausa café

WORKSHOP
INVESTIGACIONES PREDOCTORALES
Presentación a cargo de María Ángeles Toajas Roger (UCM)

12:00 Aproximación al estudio de las mujeres en los talleres artísticos de la Villa de Madrid (1561–1700). Alba Gómez de Zamora Sanz  (UCM)

12:20 La decoración del Cuarto de la Reina en el Alcázar Real de Madrid bajo Isabel de Borbón- Introducción y reflexiones. Audrey-Caroline Michielon (UCM / Univ. de Toulouse –  Jean Jaurès )

12:40 El estudio de la moda femenina en la corte: Cuestiones metodológicas. María Redondo Solance  (UCM)

13:00 Las mujeres y las artes en “la hora navarra del XVIII”. Sergio Rodero Jiménez (UCM)

13:20 Mujeres en las actas de la Real Academia de Bellas Artes de San Fernando. Daniel Lavín González (UCM)

13:40 Debate y conclusiones del Segundo Seminario. Comida

VISITA GUIADA: REAL MONASTERIO DE LA ENCARNACIÓN
16:30 Encuentro frente al Monasterio. Plaza de la Encarnación, 1 (28013 Madrid)

Practical information 

Location: Salón de Grados y Sala de Juntas, Facultad de Geografía e Historia, Universidad Complutense de Madrid, February 20–22, 2019

Registration deadline: Feb 20, 2019

Scientific committee:
Antonio Bonet Correa, Rosario Camacho, Benito Navarrete, Mª Ángeles Pérez Samper, Javier Rivera Blanco.

Organisers:
Gloria Del Val, Sara Fuentes, Daniel Lavín, Jonatan Jair López, Sergio Ramiro, Sergio Rodero.

Supported by the Proyecto de Investigación I+D+i FEMENINO SINGULAR. Las mujeres y las artes en la Corte española de la Edad Moderna (reinas, nobles, artistas y empresarias) [HAR2015-65166-P MINECO/FEDER]

Email the organisers: lasmujeresylasartes@gmail.com

Website: https://www.ucm.es/femenino_singular/

Conference: Islamic Heritage in Italy and Spain, Venice, 1–2 Feb 2019

coverIUAV, Venice, February 1 – 02, 2019

Negotiating the Past. Islamic Heritage in Italy and Spain
International Conference, Venice

Organizers: Prof. Dr. Guido Zucconi (IUAV) / Prof. Dr. Francine Giese (UZH) / Prof. Dr. Juan Calatrava (UGR) / Dr. Ariane Varela Braga (UZH)

Friday 1 February 2019, Palazzo Badoer, Santa Croce 2468, Venice

9.00 Welcome and registration

9.30 Opening Remarks
Guido Zucconi, Francine Giese, Juan Calatrava, Ariane Varela Braga

KEYNOTE LECTURE
Chair: Juan Calatrava (Universidad de Granada)

10.00-11.00 Antonio Almagro (Consejo Superior de Investigaciones Científicas Escuela de Estudios Árabes)
Emulación o asimilación. La arquitectura palatina entre Castilla y al-Andalus

SESSION I: Islamic heritage in Italy and Spain
Chair: Juan Calatrava (Universidad de Granada)

11.00-11.30 Susanna Calvo Capilla (Universidad Complutense de Madrid)
El mundo clásico y la construcción de la identidad en la Córdoba omeya y en Bizancio en el siglo X: escenarios y objetos

11.30-12.00 Anna McSweeney (University of Sussex) and Arianna D’Ottone Rambach (Sapienza – Università di Roma)
From al-Andalus to Rome: Hadith Bayad wa Riyad

Coffee Break

12.30-13.00 Laura Rodríguez Peinado (Museo de Artes Decorativas, Madrid)
Textiles andalusíes y sicilianos: la problemática de su estudio

13.00-13.30 Lamia Hadda (Università di Napoli “Suor Orsola Benincasa”)
La tradizione dell’iwan nell’architettura palaziale arabo-normanna in Sicilia

Lunch Break

SESSION II: Cross-cultural exchange in the Middle Age
Chair: Francine Giese (University of Zurich)

15.00-15.30 Luis Rueda Galán (EPHE, Paris / Universidad de Jaén)
La cristianización de aljamas en Castilla durante la Baja Edad Media. La catedral de Baeza

15.30-16.00 Noelia Silva Santa-Cruz (Universidad Complutense de Madrid)
Propaganda regia e imagen promocional en la sicilia normanda: préstamos iconográficos llegados de al-andalus y de la corte fatimí

Coffee Break

16.30-17.00 Julie Marquer (Université de Lyon 1)
Inscripciones árabes que alaban reyes cristianos. Estudio comparativo entre Castilla y Sicilia

17.00-17.30 Antje Bosselmann-Ruickbie (Johannes Gutenberg-University Mainz/Justus-Liebig-University Gießen)
A Silver-gilt Casket from Sicily (13th Century): Cultural Transfer in the Middle Ages

Saturday 2 February 2019, Palazzo Badoer, Santa Croce 2468, Venice

KEYNOTE LECTURE
Chair: Guido Zucconi (IUAV)

9.30-10.30 Ezio Godoli (Università di Firenze)
La fortuna dell’Alhambrismo in Toscana e Emilia nella seconda metà dell’Ottocento

SESSION III: Ideologies and identity building
Chair: Guido Zucconi (IUAV)

10.30-11.00 Carlos Plaza (Universidad de Sevilla)
Memoria histórica, identidad local y arquitectura “alla moresca”. El legado islámico y la moderna arquitectura del Renacimiento entre Sevilla y Palermo

Coffee Break

11.30-12.00 Angel Jiang (Columbia University)
From Lost Time to Timelessness: Madīnat al-Zahrā and the Place of Ruin in Identity Negotiations in Spain

12.00-12.30 Juan Carlos Ruiz Souza (Universidad Autónoma de Madrid)
Relatos de inclusión y exclusión de al-andalus y la historiografía del arte español. Gestión de memoria y creación de identidades.

Lunch Break

SESSION IV: Re-appropriating the Islamic past in 19th and 20th centuries art and architecture
Chair: Ariane Varela Braga (University of Zurich)

14.30-15.00 Alessandro Diana (Università di Firenze)
Islam delle lettere / Islam delle arti: il caso di Firenze fra XIX e XX secolo

15.00-15.30 Anna Mazzanti (Politecnico di Milano)
Interni d’artista e la voga islamica. Dall’atelier alla casa fra XIX e XX secolo

15.30-16.00 Sandra S. Williams (Los Angeles County Museum of Art)
The Life of Two Ceilings

Coffee Break

16.30-17.00 Angelo Maggi (IUAV, Venezia)
Ignazio Cugnoni e la documentazione fotografica dell’Alhambra

17.00 -17.30 Antonia Fernandez Nieto (Universidad Francisco de Vitoria, Pozuelo) and Marta Garcia Carbonero (Universidad Politécnica de Madrid)
Learning from the Alhambra: Houses and Gardens in Spain between Modernism and Islamic Tradition (1953-1975)

17.30-18.00 Eleonora Charans (IUAV, Venezia)
Architettura nei paesi islamici. La seconda mostra internazionale del settore architettura della Biennale di Venezia (1982)

18.00 Final Remarks
Guido Zucconi (IUVA, Venezia)

International Study Day: Iberian Polychromed Sculpture, Musée L (Université Catholique de Louvain), Louvain, December 7, 2018

The Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels, in collaboration with the Université Catholique de Louvain (UCL), organises  the first conference in Belgium devoted to Iberian polychromed sculpture and its relation to other Europeans regions. Referring to UCL’s Spanish sculpture collections, this conference brings together scholars specialised in the sculpture from Spain, Belgium, Italy and Mexico. The speakers will trace the sculptures from their production, their technics, their links and reception in other European regions.

1. Lectures (Auditoire du Musée L)

09:15-09:50 –  Welcome

09:50-10:00  – Introduction remarks – Eduardo Lamas-Delgado (Royal Institute for Cultural Heritage, Brussels)

The polychrome Sculpture in Spain and Latin America (chairwoman, Abigail Newman, Universiteit Antwerpen)

10:00-10:20 – Manuel García Luque (Universidad de Granada), El escultor Pedro de Mena y el naturalismo matérico

10:20-10:40 – Pablo Amador (Instituto de Investigaciones Estéticas, Universidad Nacional de México), Aspectos técnicos de la escultura policromada hispánica

10:40-11:00 – Géraldine Patigny (Université Libre de Bruxelles – Royal Institute for Cultural Heritage, Brussels), La sculpture polychromée espagnole dans les collections belges

11:00-11:15 – Questions and debate

11:15-11:30 – Coffee break

The Spanish polychrome Sculpture and Europe (chairman, Ralph Dekoninck, Université Catholique de Louvain)

11:30-11:50 – Roberto Alonso Moral (Universidad Complutense de Madrid), La migración de escultura entre Nápoles y España durante el siglo XVII y su impacto: algunos problemas de identificación

11:50-12:10 – Wendy Frère (Université Libre de Bruxelles), La polychromie dans la sculpture baroque des anciens Pays-Bas méridionaux et la Principauté de Liège

12:10-12:30 – Holly Trusted (Victoria and Albert Museum, London), Passion and Prejudice: Attitudes towards Spanish Sculpture in Britain in the Nineteenth Century

12:30-12:40 – Questions and debate

12:45-13:45 – Lunch

2. Study session: the Spanish Medieval and Early Renaissance Sculptures from Val-Duchesse (chairwoman, Corinne Van Hauwermeiren, CONSERVART)

14:00-15:00 Emmanuelle Mercier (Royal Institute for Cultural Heritage, Brussels), Erika Rabello (Royal Institute for Cultural Heritage, Brussels), Mathieu Somon (Université Catholique de Louvain).

15:00-15:15 – Questions and debate

15:15-15:30 – Concluding remarks

3. Visit to the Museum Collection

Free, booking required. Click here to reserve a place and for more information.

Conference: ‘Ribera’s Art of Violence: New Intersections and Interventions’, Dulwich Picture Gallery, London, December 10, 2018

INTERNATIONAL STUDY DAY

Ribera’s Art of Violence: New Intersections and Interventions

Dulwich Picture Gallery is holding a study day inspired by the exhibition Ribera: Art of ViolenceExamining Ribera’s art from various interdisciplinary perspectives, the event will bring together established and emerging voices to explore new approaches to the artist, his works, myths and audiences. The study day will be structured around the exhibition’s five thematic sections: Religious Violence; Skin and the Five Senses; Crime and Punishment; The Bound Figure; and Mythological Violence. Situating his paintings, prints and drawings within their historical context, this event will address the relevance of Ribera’s violent imagery in contemporary art and thought.

PROGRAMME
[Chaired by Edward Payne and Xavier Bray]

2-2.10pm
Introduction and Welcome: Edward Payne (Durham University) and Xavier Bray (Wallace Collection)

Session 1: Religious Violence

2.10-2.25pm
Jack Hartnell (University of East Anglia)
Backwards through Bartholomews: Tools and Techniques of Stripping Skin

2.25-2.35pm
Respondent: Helen Hills (University of York)

Session 2: Skin and the Five Senses

2.35-2.50pm
Carlo Avilio (University of Warwick)
See with the Fingers, Touch with the Eyes: Ribera and the Failure of Painting

2.50-3pm
Respondent: Joanna Woodall (Courtauld Institute of Art)

Session 3: Crime and Punishment

3-3.15pm
Stephen Cummins (Max Planck Institute)
Punishing Bodies in Ribera’s Naples: Torture, Incarceration and Slavery

3.15-3.25pm
Respondent: Lorenzo Pericolo (University of Warwick)

3.30-4pm: Tea Break

Session 4: The Bound Figure

4-4.15pm
Caroline Fowler (Clark Art Institute)
Losing Control: Ribera’s Examination of Desire and Will

4.15-4.25pm
Respondent: Gabriele Finaldi (National Gallery, London)

Session 5: Mythological Violence

4.25-4.40pm
Bogdan Cornea (University of York)
Opening the Body, Opening Touch: Rethinking Violence in Ribera’s Apollo and Marsyas

4.40-4.50pm
Respondent: Mechthild Fend (University College London)

Keynote Address

4.50-5.20pm
Javier Moscoso (Centro de Ciencias Humanas y Sociales)
The Liminality of Skin in the History of Pain

5.20-5.30pm
Concluding Remarks: Edward Payne (Durham University) and Xavier Bray (Wallace Collection)

Click here to buy a ticket for this event