Category Archives: Conversation

Curators in Conversation: Looking at Spanish Old Masters Today, Colnaghi Foundation, 6 December 2018, 6:30–8:30pm

Michael Petry, Libation to Apollo (IX), 2018, 24k gold leaf on acrylic on canvas, 20 x 1 cm

Curators in Conversation: Looking at Spanish Old Masters Today

with

Nicola Jennings, Director, Colnaghi Foundation 

and 

Michael Petry, Artist & Director, MoCA London 

Discussing the lasting influence of Spanish Old Masters in contemporary arts practice. This event is part of Spain NOW! – celebrating the 10th anniversary of the season of contemporary arts and culture in London. 

Thursday 6th December 
6:30 – 8:30 pm


Colnaghi Foundation
26 Bury Street
St James’s
London, SW1Y 6AL

Michael Petry studied at Rice University, Houston (BA), London Guildhall University (MA), and has a Doctor in Arts from Middlesex University. Petry is an artist, author and Director of the Museum of Contemporary Art (MOCA) London. Petry co-founded the Museum of Installation, was Guest Curator at the Kunstakademiet, Oslo, and was Curator of the Royal Academy Schools Gallery. Petry co-authored Installation Art (1994), and Installation in the New Millennium (2003), and authored Abstract Eroticism (1996) and A Thing of Beauty is…(1997), The Trouble with Michael. His book Hidden Histories: 20th century male same sex lovers in the visual arts (2004) was the first comprehensive survey of its kind, and accompanied Hidden Historieswhich he curated for The New Art Gallery Walsall. Golden Rain (2008) accompanied his installation for the On the Edge exhibition for Stavanger 2008, European Capital of Culture. Petry was the first Artist in Residence at Sir John Soane’s Museum (2010/11) and his one man show The Touch of the Oracle at the Palm Springs Art Museum (2012) was accompanied by a ten year career review book. Petry’s work was included in the 2015 Frontiers Reimagined at the Venice Biennale, and his one-man show AT the Core of the Algorithm accompanied his Campbell Lectures at Rice University. Petry’s books include The Art of Not Making: The New Artist Artisan Relationship (2011), Nature Morte: Contemporary Artists reinvigorate the Still-Life tradition (2013) and The WORD is ART (2018).

Nicola Jennings is Director of the Colnaghi Foundation and Associate Lecturer at the Courtauld Institute of Art. She completed her MA and doctorate at the Courtauld, and has worked at the National Gallery and City University in London. Her research and publications focus on art and patronage in Spain in the fifteenth, sixteenth and early seventeenth centuries, with a particular interest in northern European artists working in Iberia, conversos, and polychrome sculpture. She is a co-author of the first two volumes in the Coll & Cortés Studies series, Lorenzo Mercadante: Virgen del Buen Fin, and Alonso Berruguete: Renaissance Sculptor.

RSVP to info@colnaghifoundation.org

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Thinking Ibero-America: Modernity and Indigenism

juandowneyThinking Ibero-America: Modernity and Indigenism,’ Birkbeck, University of London,

Malet St, Bloomsbury, WC1E 7HX, 23/11/2017, 6:30 pm – 8:30 pm

Ticio Escobar in conversation with John Kraniauskas

Under the dominance of European and then Creole elites, the people of Latin America have historically looked to Europe and North America as referents for cultural modernity. Until recently, everything related to indigenous people and culture was associated with the idea of underdevelopment. However, with globalisation, contemporary cultural discourses have begun incorporating notions of diversity, difference, inclusion and cultural rights; this allows for the articulation of new critical visions such as that of Paraguayan Ticio Escobar.

A lawyer, curator, teacher, art critic and cultural promoter, Ticio Escobar was Minister of Culture of Paraguay (2008-2012). Prior to that, he was Director of Culture of the Municipality of Asuncion (1991-1996) and founder of the Museum of Indigenous Art. He is the author of the National Law of Culture of Paraguay and President of the Paraguayan Section of the International Association of Art Critics. He has published numerous books on Paraguayan and Latin American art. He currently directs the Centro de Artes Visuales/Museo del Barro in Asunción.

John Kraniauskas is Professor of Latin American Studies at Birkbeck (UL). Expert in literature and cultural studies, he is the author of numerous essays and translations. His latest book is Capitalism and its Discontents: Power and Accumulation in Latin American Culture (University of Wales Press, 2017). He met Ticio Escobar on a trip to Paraguay during the days of Stroessner, as a member of the Parliamentary Group on Human Rights.

The Thinking Ibero-America cycle is a cooperation between the Instituto Cervantes and Canning House, with the collaboration of the Center for Iberian and Latin American Visual Studies (CILAVS), Birkbeck, University of London, and Birkbeck Institute of the Humanities (BIH).

The event will be held in the Clore Lecture Theatre, Birkbeck, University of London (access through Torrington Square).

In Spanish and English.