The Maius Workshop’s next event will take place at 4:30–5:30 pm on 3 June 2019 at QMUL (Arts Two, room 2.18).
We are delighted to welcome Emily Floyd, Lecturer in Visual Culture
and Art before 1700 at UCL, for a conversation on her forthcoming
article, ‘The Word as Object in Colonial South America’. A draft of the article will be pre-circulated, and Emily looks forward to the group’s comments and questions.
Please email firstname.lastname@example.org to sign up to this free event.
***How to find Arts Two, room 2.18: the Arts Two building is number 35 on the campus map at this link.
The campus is best accessed through the East Gate entrance. Please note
that the Arts Two building does not have an entrance on Mile End Road.
The next meeting of the Maius Workshop will take place tomorrow,26 March, 4:30–5:30pm, in room Law G3 at QMUL (335 Mile End Rd, London E1 4FQ). Click here for a map of the Campus.
Jessica Barker, Lecturer in Medieval History at the Courtauld Institute of Art, will lead a seminar entitled Inscribing Colonialism in Fifteenth-Century Portugal. The session will consider inscriptions, readability and visibility in funerary monuments, and their intersections with early Portuguese explorations in West Africa.
Maius is a friendly platform for informal dialogue and collaborative research. Our sessions are open to all, and research in early stages of development is especially welcome. We look forward to seeing you at this event, and please feel free to email us with ideas and suggestions for future meetings.
Image: Detail of inscription on the north side of the monument to João I and Philippa of Lancaster, 1426–34. Founder’s Chapel, monastery of Santa Maria da Vitória, Batalha. Photo: Jessica Barker.
The next meeting of the Maius Workshop will take place on 18 February, 5–6pm, in the Research Forum, Courtauld Institute of Art, Vernon Square, Penton Rise, Kings Cross, London WC1X 9EW (*Please note the change of address).
Alex Letvin, Andrew W. Mellon and Maude de Schauensee Postdoctoral Curatorial Fellow in the Department of European Painting and Sculpture at the Philadelphia Museum of Art, will discuss work-in-progress research on Spanish Golden Age painters Zurbarán and Murillo.
Maius is a friendly platform for informal dialogue and collaborative research. Our sessions are open to all, and research in early stages of development is especially welcome. We look forward to seeing you at Alex’s presentation, and please feel free to email us with ideas and suggestions for future events.
Fernando Gutiérrez Baños (University of Valladolid), ‘Images, devotion and emotion in 13th- and 14th-century Castile’.
5pm, Wednesday 18th April 2018. Courtauld Institute of Art
What was the role of images in the religious experience of Castilian people of the 13th and 14th centuries? There is no clear answer, and the scarcity of written evidence has prompted much problematic speculation. However, on the basis of the images themselves and of relevant literary sources, including the well-known Cantigas de Santa María and works by 14th-century authors such as Juan Ruiz and Juan Manuel, it is possible to explore a number of key issues. The talk will be divided into three sections. One focuses on the 13thcentury: ‘Active images: the Cantigas de Santa María and their aftermath’. Another looks to the 14th century: ‘Passive images: the reception and dissemination of the Crucifixus dolorosus in Castile’. And it concludes by looking ‘beyond’ Art History. In the 1960s a Spanish politician coined the (in)famous tourist slog, ‘Spain is different’. His aim was to encourage foreigners to visit Spain, but the slogan is representative of a commonplace that has been repeated time and again since the Romantic era. Ultimately, my talk offers an invitation to reconsider whether Castilian and Spanish devotional practices are really so very different from those recorded elsewhere in medieval western Europe.
Fernando Gutiérrez Baños is Senior Lecturer in the Department of Art History of the University of Valladolid (Spain). He has been Frances A. Yates Short-Term Research Fellow at London’s Warburg Institute (2006) and Visiting Fellow at Princeton’s Index of Christian Art (2013). He specialises in art of the 13th and 14th centuries, focusing mainly on painting and art patronage. He is currently developing a research project on Castilian tabernacle-altarpieces of the Late Middle Ages, funded by the Spanish Ministry of Economy, Industry and Competitiveness and by the European Union through the ERDF (reference HAR2017-82949-P).
This is the second lecture in the Coll & Cortes Medieval Spain Seminar Series 2018-20, focused on images and devotion in late medieval Spain.
Felipe Pereda (Harvard), will give the inaugural lecture for the 2018-19 Coll & Cortes Medieval Spain Seminar Series at 4pm on Thursday 25th January in the Kenneth Clark Lecture Theatre of the Courtauld Institute of Art, London.
An old narrative tradition going back to Ancient Egypt but documented across the Mediterranean – from the Middle East to Greece — shows women attending funerals performing theatrical, but also highly ritualized gestures that express unbearable pain. This visual trope corresponds to a practice that was surveyed and prosecuted in this part of the world well before the arrival of Christianity. The practice continued in Iberia throughout the Middle Ages, producing from the 12th century onwards an extraordinary tradition of painting and monumental sculpture. This lecture will explore the persistence, survival and repression of this practice and discuss the contribution of the visual arts to the production of cultural memory.
Felipe Pereda is Fernando Zóbel de Ayala Professor of Spanish Art at Harvard University. Born in Madrid, he studied at the Universidad Complutense, and the Autónoma University where he received his PhD (1995) and taught until 2011. In more recent years, he has also taught at the Instituto de Investigaciones Estéticas (Universidad Autónoma de México), and Johns Hopkins University (2011-15). He has worked on Spanish late medieval and early modern art, art theory, image theory and history of architecture.
His books include, La arquitectura elocuente (1999), El atlas del Rey Planeta (3rd. ed. 2003), and Images of Discord. Poetics and Politics of the Sacred Image in 15th century Spain (Spanish ed. 2007; English translation, Harvey Miller, forthcoming). He has recently published on artists such as Luis de Morales, Ribera, or Zurbarán.