The second Maius Masterclass will take place on 10 July 2020, 4–5pm on Zoom. We will welcome ProfessorRocío Sánchez Ameijeiras (Universidad de Santiago de Compostela), who will explore the theme of visual genres as one of the recurring threads of her academic career.
Please click here tojoin (you will be asked to register and download Zoom, so we recommend you sign up in advance). You can use your PC, Mac, iPad, iPhone or Android device.
The series is kindly supported by a Hispanex Grant from the Spanish Ministry of Culture and SPAIN Arts & Culture/Embassy of Spain in London.
The Covid-19 pandemic has forced us all to rethink our ways to travel, gather, and socialize. Museums and exhibition venues have not been exempt from necessary adjustments. These four informal early evening conversations are an occasion for reflecting upon the role of social media and the arts during lockdown and upon the challenges that the times post Covid-19 context will pose to the museum experience. They are intended as a dialogue on undertaking or prospect about the dialogue for new initiatives and positive responses to cope with the current uncertainty.
We are delighted to be discussing these challenges with academics and curators, including representatives from the Real Academia de San Fernando, the Meadows Museum, the Sir John Soane’s Museum, the Bowes Museum, and the Royal Academy of Arts.
We are pleased to announce below the speakers for our talks, scheduled at 6-7 pm (UK time) every Tuesday in July. Each session will include talks from experts on the topic. The 15-minute presentations will be followed by half an hour of informal conversation with the attendees.
Advanced registration is required for access to the webinar. Please send an email to one of the organisers Elisabetta Maistri (firstname.lastname@example.org), or to Patricia Manzano Rodríguez (email@example.com), both Ph.D. candidates at the Zurbarán Centre for Spanish and Latin American Art, University College, MLAC, Durham University.
The four sessions will be:
JULY 7: Social Media and the Art Museum
Irene Llorca, José Guerrero and Emma Calvo, Managers of the Covid Art Museum on Instagram.
Isabel Sánchez-Bella Solís, Real Academia de San Fernando (Madrid).
JULY 14: Temporary Exhibitions after Covid-19 Outbreak
Dr Amanda W. Dotseth, Curator in the Meadows Museum (Dallas, Texas).
Patrizia Piscitello, Head of Exhibitions and Loans in Museo di Capodimonte (Naples).
JULY 21: Impact of Covid-19 in Temporary Exhibitions
Helen Dorey MBE, FSA, Deputy Director and Inspectress at Sir John Soane’s Museum (London).
Dr Jane Whittaker, Head of Collections at the Bowes Museum (co. Durham).
JULY 28: Educational Mission of Museums and Covid-19
Dr Rebecca Lyons, Director of Collections & Learning, Royal Academy of Arts (London)
Prof. Nuria Rodríguez Ortega, Head of the Art History Department of the Universidad de Málaga (Málaga).
Leonardo Impett, Bibliotheca Hertziana (Rome) and Durham University (to be confirmed).
There is a new page on the ARTES website dedicated to 3D models of architecture and objects from the Iberian Peninsula (click here). A page dedicated to 3D models for Latin America is coming soon. Find them under the ‘Online Resources’ tab on the top of the site. These lists are not exhaustive, and will be updated regularly.
Have anything to add to the Iberian list, or ideas for the Latin American list? Please comment on this post with your suggestions (‘leave a reply’).
This series of masterclasses encourages creative dialogue between early-career and established scholars. We have invited historians of art and culture who have challenged established classifications, chronologies and geographies. Discussing texts and objects from their research, they will share experiences of investigating the Iberian and Latin American past, reflect on their academic journeys, and provide both intellectual and practical advice.
The Gallery is scheduled to reopen on July 20th, but until then you can visit virtually. The online version features a 360 degree image of the exhibition with the possibility to zoom in on the paintings and read the accompanying labels and text panels.
The museum’s director, conservators, curators, archivists, and other experts present 5-10 minute talks focused on key aspects of the permanent collection, including individual works and entire areas, such as the rare books from the museum’s library (in Spanish).
The director, researchers, and the heads of various departments have recorded short talks from inside the museum during the lockdown to share details about the history and conservation of various works in the collection (in Portuguese).
The Fundación Juan March presents to the public its on-line gateway to the complete content of each of the 205 catalogues accompanying the exhibitions held at its three venues since 1973, in Madrid, Cuenca (the Museo de Arte Abstracto Español) and Palma de Mallorca (the Museu Fundación Juan March). This collection of documents will be continually updated, and its principal aims are the dissemination and promotion of research and knowledge in the fields of art and art history and the advancement of public awareness of the institution’s history of exhibitions. Each catalogue will be published online in the languages in which it originally appeared one year following its corresponding exhibition’s conclusion or once all print copies have been sold.
At its inauguration, All Our Art Catalogues since 1973 offers readers over 34,000 pages of material, including essays by more than 500 authors and images of 18,500 works by nearly 1,900 artists and extending beyond 20th century and contemporary art. An advanced navigation tool allows for interconnected searches across the entire site and within each catalogue, and results may be filtered by date, title, language and relevance. The search engine also generates recommendations for consulting similar material in other catalogues.
The Arts Society Connected (formerly NADFAS, the National Association of Decorative & Fine Arts Societies) is a new digital platform being launched on 7th April by The Arts Society, the UK’s leading arts education charity. Free to both The Arts Society’s 90,000 Members as well as the general public, The Arts Society Connected will host a series of fortnightly lectures by the UK’s leading art historians, as well as film screenings, live author Q&As and a community forum for anyone using the platform. The aim of the platform is to help older Members of the population stay connected, educated, entertained and informed over the next three months. The core aims of the charity are to create a better, healthier and more connected society through the power of the arts to nourish and empower. The platform will create a welcoming community for both existing Members as well as the general public.
The Arts Society has moved quickly in response to the COVID-19 crisis to create this digital platform as a large proportion of Members are aged 70 and above and will be forced to isolate over the coming months. The Arts Society consists of 380 individual Membership groups, who organise regular lectures and educational trips to museums and galleries throughout the year. With the inability of Members to meet in person, The Arts Society Connected will ensure that Members are able to stay connected online even while they remain in isolation. The Arts Society is working with its directory of Accredited Lecturers to create exclusive video lectures for the new platform. Lectures will be uploaded every other Tuesday at 11am. Members will be encouraged to take part in a community moment, when anyone planning on watching the talk can make a cup of tea at home and join the community forums online for a chat before and after the lecture. The lecturer will also be available to answer questions in the community forums following their lecture.
The platform features an inaugural lectureon Las Meninas by Velázquez by Arts Society Accredited Lecturer, art historian and linguist, Jacqueline Cockburn.
ARTES members are invited to join this Facebook group, to request and share scans (insofar as they do not violate U.S. or international copyright laws) of scholarly texts and primary sources in aid of remote research by independent and affiliated scholars of early modern Spain. The focus of this group is history and history of art, but all scholars of early modern Spain are welcome.
From the dazzling spectacle of Burgos Cathedral to the cavernous nave of Palma Cathedral or the lacy splendour of San Juan de los Reyes, Spain preserves a remarkable variety of inventive but little understood Gothic buildings. Yet Gothic architecture in Spain and the Spanish kingdoms has traditionally been assessed in terms of its imitation of northern European architecture, dismissed for its ‘old-fashioned’ or provincial quality, and condemned for its passive receptivity to ‘Islamic influence’. But did imitation really triumph over invention in the architecture of medieval Iberia? Are the two incompatible? Can inventio and imitatio offer useful or valid analytical tools for understanding Gothic architecture? And to what extent are invention or imitation determined by patrons, architects, materials or technologies? This essay collection brings together leading scholars to examine Gothic architecture from across Iberia from the thirteenth to the sixteenth century, and provides the first significant account of Spanish Gothic architecture to be published in English since 1865.