Category Archives: Private visit

ARTES Visit – Exhibition – El Greco at the National Gallery – 18 June 2015

ARTES Members Private Visit

EL GRECO Adoration in the Name of Jesus

The National Gallery London 

El Greco at the National Gallery

Thursday 18 June 2015

8.50 am – 10.00 am (meeting at West Entrance)

This visit is at the kind invitation of Curator Letizia Treves of the National Gallery will be talking about the El Greco display. She will be joined by Xavier Bray from the Dulwich Picture Gallery will be talking about El Greco’s interest in sculpture and by Véronique Gerard Powell will be talking about the Louvre Crucifixion.

Please note, numbers for this event are limited. If you would like to attend or are interested in membership , please contact Morlin at artesiberia@gmail.com . While this visit is free for ARTES members, there will be a charge for guests.

Advertisements

ARTES Members Private Visit- Goya Drawings Exhibition – Courtauld Gallery – Thurs 5 March 2015

ARTES Members
are invited to a private visit of the exhibition

GOYA
The Witches and Old Women Album

with curator & ARTES member
Juliet Wilson Bareau

Thursday 5 March 2015
8.50 am
The Courtauld Institute

Please contact Morlin at artesiberia@gmail.com, if you would like to attend. Numbers are limited. Guests of members are very welcome to join us for a donation of £10 (payable on the day), or without charge if they become members (£35 /£20 students – see Join Us tab)

GoyaDrawingsCourtauld

ARTES Malta visit: Wed 5 November – Mon 10 November 2014

ARTES is visiting Malta from 5-10 November 2014. This visit is being organised by Marjorie Trusted of the V&A (ARTES Hon Vice-President) and Giuseppe Schembri Bonaci of the University of Malta (ARTES member). The programme is detailed below and includes a symposium on Spanish Baroque Art in Malta being hosted by the Spanish Embassy.

Valetta Harbour, Malta

Valetta Harbour, Malta

ARTES Visit to Malta: 5 – 10 November 2014

Programme

Wednesday 5 November
Day: Arrival
Evening: 5.30 pm – Talk by Fr Dun Edgar Vella
The Baroque Neapolitan Crib in Malta
Followed by drinks reception and dinner

Thursday 6 November
Day Spanish Art on Malta Symposium at the Spanish Embassy
See link below for the provisional schedule:
Spanish Art on Malta Symposium – Thurs 6 Nov 2014

Malta Symposium Nov 2014

Evening Reception at the Spanish Embassy 

Friday 7 November
Day Visit to St John’s Co-Cathedral with Professor Keith Sciberras
Followed by tour of Valletta (including the Wignacourt Museum)
Lunch With transport to Mdina
Afternoon Visit to Mdina Cathedral Museum with Fr. Dun Edgar Vella
& to St Paul’s Church, Rabat
Evening Santa Caterina Church, Valletta & Lecture by Peter Vassallo
The Sojourn of Ángel de Saavedra, Duque de Rivas, in Malta (1825-30)
& the Composition of Al faro de Malta and El moro expósito

Saturday 8 November
Day 
Visit to Gozo to see churches & private collections with Mark Sagona

Sunday 9 November
Day Three cities tour
Lunch at Vittoriosa Quay
Afternoon Visit to National Museum of Fine Arts
& St Paul’s Shipwreck Church

Monday 10 November
Departure

St John's Co-Cathedral Malta

St John’s Co-Cathedral, Malta

Spanish embassy logo

ARTES visit: Contemplation of the Divine, Sotheby’s, London

2014-06-ContemplationDivineSothebysContemplation of the Divine, Sotheby’s, New Bond Street Galleries, 5-16 July 2014

ARTES Members’ visit: Monday, 7 July, 2:30PM.

Comprises a selection of predominantly Spanish, Italian and Early Netherlandish paintings and sculpture ranging in period from the Early Renaissance through until the late Baroque.
Link to the web catalogue
Link to the catalogue (page-turner version)

ARTES visit to Madrid, 28-29 January 2014

Portrait of Pope Innocent X

Portrait of Pope Innocent X

We have been kindly invited by Deputy Director of the Prado and ARTES member Gabriele Finaldi to visit the current exhibition in Madrid on Velázquez and the Family of Philip IV.  Javier Portús, Chief Curator of Spanish Painting and Curator of the exhibition will kindly take us on a private tour on Tuesday 28th January 2014, starting at 10.00 and meeting at the Puerta de Jerónimos. After the tour, members will have the opportunity to view for themselves some of the paintings highlighted in Gabriele’s 2012 ARTES Lecture, The Collections of the Prado: new works and restored paintings Director of Conservation and Research at the Prado (featured in InformARTES, 2012, pp. 6-8).

The following day (for those able to stay another night) Mercedes González Amezúa Curator of Paintings at the Real Academia de Bellas Artes de San Fernando has also kindly agreed to take us on a tour of the Academia to tie in with the popular talk she gave earlier this year for the 2013 ARTES Lecture, Highlights from the Collection of Manuel Godoy & Recent Acquisitions of the Real Academia de Bellas Artes de San Fernando (featured in the forthcoming edition of InformARTES). We will meet at the ticket office at the entrance to the Academia, in front of the Hércules Farnese at 10.30am.

We will try and organise a meal together on the Tuesday evening. Please contact Morlin.Ellis@tiscali.co.uk as soon as possible if you are interested and are able to join us for both or either of these two visits.

Artes visit to Beyond El Dorado at the British Museum

Bird pectoral, Popayan, gold alloy, AD100-1600, Copyright the Trustees of the British Museum

Bird pectoral, Popayan, gold alloy, AD100-1600. Copyright the Trustees of the British Museum

We are pleased to announce a private Artes visit to the British Museum’s Beyond El Dorado exhibition on Thursday 20 February 2014. We shall be meeting at 8.20 am for a 8.30 am at the main front gates (the museum is not open to the public at this time). Curator Elisenda Vila Llonch has kindly agreed to give us an introduction to the exhibition.

Please contact Morlin if you would like to attend – morlin.ellis@Tiscali.co.uk.  Members are very welcome to bring guests. There is no charge for members but we do ask for a £6 donation per person for guests. 

Velázquez portraits exhibition at the Prado

Velazquez, Juan Martínez Montañés, Prado

Velazquez, Juan Martínez Montañés, Prado

Tues 8 Oct 2013 – Sat 9 Feb 2014, The Prado, Madrid. Velázquez y la familia de Felipe IV 1650-1680 (the English catalogue is titled, Velázquez, Las Meninas and the Late Royal Portraits).  Jerónimos Building, Room C, El Museo del Prado, Ruiz de Alarcón, 23, 28014 Madrid. www.museodelprado.es . Curated by Javier Portús, Chief Curator of Spanish Painting at the Museo del Prado.

In chronological terms, the exhibition opens in 1650 during Velázquez’s second period in Rome, at which date he had already spent more than a year outside Spain. In Rome, the artist painted around a dozen portraits of individuals associated with the papal court, of which four of the surviving six are included in the exhibition.

They constitute a separate chapter within the artist’s oeuvre and one in which he markedly extended his expressive registers in order to brilliantly convey the personalities and concerns of these sitters.

Portrait of Pope Innocent X

Portrait of Pope Innocent X

The exhibition opens with the Portrait of Innocent X from Apsley House, London. A version of the celebrated portrait in the Doria Pamphilj Gallery, Velázquez brought it back with him to Madrid. It will now be exhibited in Spain for the first time.

Also on display in this gallery are the portraits of Cardinal Camillo Massimo (The Bankes Collection, National Trust, UK), Cardinal Camillo Astalli Pamphilj (Hispanic Society of America, New York), and Ferdinando Brandani (Museo del Prado), chief clerk to the papal secretariat, the latter a new identification of a work previously known as “the Pope’s Barber”.

While Velázquez was in Rome, Mariana of Austria had married Philip IV and the city welcomed the arrival of the new Queen in late 1649. The second section in the exhibition focuses on the artist’s return to the capital in 1651 after much insisting on the King’s part. It presents comparisons between some of the Roman portraits and those Velázquez executed for the court after his return. Philip IV (Museo del Prado), The Infanta María Teresa (Metropolitan Museum of Art, New York) and Queen Mariana of Austria (Museo del Prado) reveal how the painter once again deployed the hieratic distance evident in his earlier royal portraits as opposed to the expressivity of the Roman period.

This return to the court constitutes the core of the exhibition, comprising the royal portraits that Velázquez produced from his arrival in Madrid until his death in 1660. Together they form a separate chapter in his career due to their technical and iconographic uniqueness and exceptionally high quality.

The Infanta Margarita in blue and gold

The Infanta Margarita in blue and gold

At this period the world of women and children makes its appearance in the artist’s work and is the subject of the third room, which includes The Infanta María Teresa, Prince Felipe Próspero and The Infanta Margarita in blue and gold, all loaned from the Kunsthistorisches Museum in Vienna. During this period Velázquez’s colour became denser and more rich and varied, while the compositions included spatial references arising from the settings. Particularly outstanding within this group is Las Meninas, which will not be hung in the exhibition (remaining in its habitual location in the Museum) but which is a key element in this group given that it represents a remarkable defence of the genre of portrait painting. Its complexity makes its comparable to the most erudite type of “history painting” and it can be seen as the finest example of the level of sophistication achieved by the Spanish court at a high point of cultural creativity. In addition, Las Meninas also represents a profound exercise of social and professional affirmation on Velázquez’s part through the inclusion of his self-portrait.

The demand for images following the new Queen’s arrival and the birth of infants and princes meant that Velázquez was obliged to produce more portraits, to which he responded by setting up an active studio that is represented in this exhibition by various studio versions of originals by the artist, created under his supervision. They include The Infanta Margarita and Queen Mariana of Austria (both Musée du Louvre, Paris). The exhibition concludes with examples of court portraiture by Velázquez’s successors Martínez del Mazo and Carreño. Both artists looked to their predecessor’s solutions in order to move royal iconography towards a more complex, Baroque style and to create a particularly Spanish typology for the court portrait that differs from other European schools in its inclusion of particular rooms in the royal palaces as the settings for these works.

The catalogue

The accompanying catalogue –Spanish and English editions – includes three essays: the principal one by the exhibition’s curator Javier Portús; another on painting at the Spanish court after the death of Velázquez by Miguel Morán Turina of the Universidad Complutense, Madrid; and a third that analyses aspects of the court in Vienna by Andrea Sommer-Mathis of the Austrian Academy of Sciences.