CFP: Through, From, To Latin America: Networks, circulations and artistic transits from the 1960s to the present

1923933798International Conference: Through, From, To Latin America: Networks, circulations and artistic transits from the 1960s to the present, Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa, Lisbon, Portugal, 27 and 28 November 2017
Deadline for paper proposals: 15 July

The project “Through, From, To Latin America: Networks, circulations
and artistic transits from the 1960s to the present” emerges from the
collaboration of three research groups engaged in the development of
transnational perspectives in contemporary art history and curating and
in the study of relations between artistic production and migratory
processes – with a particular focus on Latin America and Southern
Europe. More specifically, the organization of this project involves:
the group “Transnational Perspectives on Contemporary Art” associated
to the research line Contemporary Art Studies at IHA/FCSH-UNL, the
group “Art in a Global Perspective” at CIEBA / FBAUL and the research
project “Decentralized Modernities: art, politics and counterculture in
the transatlantic axis during the Cold War/ MoDe(s)” (HAR2014-53834-P),
at the University of Barcelona.

Through, From, To Latin America: Networks, circulations and artistic
transits from the 1960s to the present – inscribed in the program of
Lisbon 2017 Ibero-American Capital of Culture – aims at opening a
critical space of debate by engaging art historians, curators and
artists of different generations and nationalities to discuss the role
of different forms of dislocation – such as artistic migrations,
exiles, networking, circulations of ideas and theoretical
articulations, artworks and exhibitions – in the shaping of
contemporary art in and beyond Latin America. In this sense, the very
diverse and heterogeneous set of geographical and cultural areas
incorporated by the term “Latin America” are envisioned here as
specific and at the same time as territories strongly connected with
other locations through a complex network of itineraries, circulations,
appropriations and translations. In this network, different historical,
political and economic processes – among them, colonization and
decolonization – play significant roles. This project seeks to explore
the tensions and interrelations between local inscription and
connectivity, habitation and circulation, present enunciation and
revisiting the past.

Two different actions articulate the project Through, From, To Latin
America: Networks, circulations and artistic transits from the 1960s to
the present: an international conference and a set of workshops in the
field of curating, artistic practice and art history. In fact, it aims
to offer different possibilities and forms of engagement to the
participants.

Call for papers
The group “Transnational Perspectives on Contemporary Art”
(Contemporary Art Studies – IHA/FCSH-UNL), the group “Arte numa
perspectiva global/Art in a global perspective” (CIEBA/FBAUL) and the
project “Decentralized Modernities: art, politics and counterculture in
the transatlantic axis during the Cold War/ MoDe(s)” (HAR2014-53834-P)
(University of Barcelona), together with the Program of Lisbon 2017
Ibero-American Capital of Culture, welcome communication proposals from
art historians, curators, art critics and artists for the international
conference Through, From, To Latin America: Networks, circulations and
artistic transits from the 1960s to the present (Lisbon, Auditorium of
Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa,
27 and 28 November 2017).
Proposals for communications can address, but are not limited to, the
following topics:
– The role of different forms of dislocation in the shaping of
contemporary art in and beyond Latin America;
– Interrelations between local inscription and connectivity, habitation
and circulation, present enunciation and revisiting the past;
– Analysis of artistic and curatorial projects that relate to the
questions proposed;
– Exploration of South-South transits and circulations between Latin
America, Southern Europe, Africa and Asia;
– Interconnections between artistic networks and social and political
movements since the Cold War;
– Analysis of how artistic and cultural networks interfered with (or
participated in) the geopolitics of Cold War and globalization.

Submissions
This two-days conference invites proposals of up to 400 words for
communications of 20 minutes. Please also include a brief biographical
note (150 words), institutional affiliation (or independent) and your
contact information. All documents sent should be in word or pdf format.
We can only accept one proposal for each applicant.

Proposals should be emailed by the 15th of July 2017 to the following
e-mail address:
americalatinaconferencia2017@gmail.com
The languages of the conference are Spanish, Portuguese and English.

Applicants will be notified of the results of the selection by late
July / early August 2017.

An edited volume with selected papers presented at the conference will
be proposed for publication.

For more in formation please check the website:
http://americalatinaconferenciainternacional2017.weebly.com

Conference: Visual culture and women’s political identity in the early modern Iberian world II

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Diego Velázquez, Queen Isabel of Bourbon, 1634-35, Oil on canvas, 301 x 314 cm, Museo del Prado, Madrid. Source: Web Gallery of Art

Conference: Visual culture and women’s political identity in the early modern Iberian world II, Department of Spanish, Portuguese and Latin American Studies at the University of Nottingham, 21-22 September 2017


Following the opening conference devoted to this theme, held at CHAM, in November 2016, this second conference brings together an international group of researchers from a range of scholarly perspectives to explore, discuss and debate a series of case studies on the visual construction and projection of women’s political identity in medieval and early modern Spain and Portugal. The papers explore a number of critical perspectives that range from the portrayal of Queens and their household to the discourse on female piety and spirituality, both in the court and beyond to lower social strata. The role of women’s agency within the structures of patriarchal society and discourse that underscored much of visual culture is addressed in a number of insightful ways. Furthermore, the range of papers engages with prescient methodological issues facing the study of the visual dimensions of female political identity.

In addition this conference is pleased to announce a plenary lecture by Juliet Perkins, King’s College London.

Programme
Thursday 21st September

9:15 Welcome
9:30-11:00 Session 1) Iconographies of authority 
Chair: Jean Andrews
María Morrás, Departament d’Humanitats, Universitat Pompeu Fabra
La iconografía mariana en la Corona de Aragón y la orden de la Jarra

Inmaculada Rodríguez Moya, Universitat Jaume I
Reinas Fuertes: Poder, Religión Y Familia En La Representación De Las Mujeres Habsburgo

11:00-11:30 Coffee

11:30 – 1:00 Session 2) Religious identity in word and image
Chair: Jeremy Roe

Jean Andrews, University of Nottingham
Josefa in Óbidos: painting under the sign of Luisa de Guzmán 

Joana Serrado, University of Oxford
Six characters in search of a Canon: Saintliness as Feminist Subjectivity in the Early Modern Portuguese Empire

Lunch 1:00-2:00

2:00 – 4:00 Session 3) Iberian Queens and their courts
Chair: Carla Alferes Pinto, Universidade Nova de Lisboa

Laura Oliván, Universidad de Granada
Dresses, Portraits and Spaces: Female Identities at the Alcázar (1621-1665)

Mercedes Llorente, Universidade Nova de Lisboa
The portrayal of two Iberian Queens: Luisa Gusmão and Mariana of Austria

Susana Varela Flor, Universidade Nova de Lisboa
Catherine of Braganza: the iconographic strategies of a Catholic Queen in a Protestant Kingdom (1662-1693)

4:00-4:30 Tea

4:30 Plenary Lecture

Juliet Perkins, King’s College London
Guilherme Debrie’s engravings for Theatro Comico Portuguez

Friday 22nd September

9:30-11:00 Session 4) The Queen’s household
Chair: Jeremy Lawrance

Vanessa de Cruz Medina, Universitat Pompeu Fabra
Objects and Agency: Visual Culture and the Political Identity of Ladies-in-Waiting to the Habsburg Courts

Jeremy Roe, Universidade Nova de Lisboa
Luisa de Gusmão and the staging of political identity 

11:00- 11:30 Coffee

11:30-1:00 Session 5) Discussion
Concluding address: Jeremy Lawrance, University of Nottingham
Roundtable discussion

For enquiries please contact Jeremy Roe, jeremy.roe@fcsh.unl.pt

Velázquez at Kingston Lacy: Lecture by Dr Gabriele Finaldi, 21 July

Philip IV hunting Wild Boar (La Tela Real)
Diego Velázquez, Philip IV hunting Wild Boar (La Tela Real), probably 1632-7, oil on canvas, 182 x 302 cm. The National Gallery, London, inventory no. NG197

A unique landscape by artist Diego Velázquez, painted for King Philip IV of Spain, is on loan from the National Gallery in London for the first time, and is exhibited at the National Trust’s Kingston Lacy in Dorset.
La Tela Real takes pride of place in the dining room, while Kingston Lacy’s The Judgement of Solomon by Sebastiano del Piombo is on loan to the National Gallery, where it joined a major exhibition charting Sebastiano’s extraordinary friendship with Michelangelo, master of the Italian High Renaissance.

La Tela Real is a landscape scene depicting a type of boar hunt, staged by the Spanish kings on feast days and to honour special guests. The quarry was hunted within a canvas (tela) enclosure (so giving the name La Tela Real, i.e. ‘The Royal Enclosure’). Owing to the tremendous expense and labour involved, only the king could afford such a spectacle.
Identifiable figures include Philip IV, in the right mid-ground, meeting the charge of the boar. Immediately to his left is the powerful Count-Duke of Olivares (first minister to the king) and beyond him most likely the Infante Don Carlos, Philip’s brother. The king’s first wife, Isabella of Bourbon, watches the events from the comfort and safety of one of the carriages inside the enclosure.

La Tela Real is exceptional amongst Velázquez’s body of work. An extremely rare and individual landscape, it was designed around 1636-8 for The Torre de la Parada, Philip IV’s hunting lodge near Madrid. At Kingston Lacey it will be possible to enjoy an intimate encounter with this artwork, similar to that enjoyed by the king and his court in its original private, royal setting.

Moreover, it will be possible to enjoy the painting together with Kingston Lacy’s remarkable collection of Spanish paintings, assembled by William John Bankes and proudly displayed in his opulent ‘Spanish Room’. The finest works include Velázquez’s portrait of Cardinal Camillo Massimi, and a near-contemporary copy of the artist’s Las Meninas, one of the most enigmatic and famous images in the history of Western art.

To reveal the story of La Tela Real and the fascinating associations with Kingston Lacy’s own outstanding collections, Dr Gabriele Finaldi, Director of the National Gallery,  will give a lecture  looking at Velázquez as an artist along with the history surrounding Philip IV of Spain and the art of boar hunting.

The lecture will take place on 21 July. Tickets are £12 per person, with a welcome drink from 6.30pm, time to explore the state rooms at Kingston Lacy, before the lectures start at 7pm.

Tickets must be booked in advance on 0344 249 1895 or online.
Visitors can see La Tela Real on display until September. The house at Kingston Lacy opens via a timed ticket system. Tickets can be booked online.

Conference: III International Seminar on Sacred Heritage, São Paulo, Brasil, 26-29 July 2017

5 wikimedia pic church from left accross the lakeIII International Seminar on Sacred Heritage, Monastery of São Bento de São Paulo, Brasil, 26-29 July 2017

This Seminar, the third organised by the Grupo de Pesquisas Barroco
Memória Viva do Instituto de Artes of the UNESP and coordinated by Prof. Dr. Percival Tirapeli in collaboration with the Faculdade São Bento, discusses relevant aspects of 20th century sacred architecture until 1970.

Programme:

26 July
Teatro do Colégio de São Bento

14h – Recepção, credenciamento e inscrições

Abertura de Exposição
Escultura Sacra Moderna, Murilo Sá Toledo, Santana do Parnaíba
Curadoria de Rafael Schunk (IA-UNESP)

14h30 – Conferência
Os espaços litúrgicos e o Concílio Vaticano II
Prof. Dr. Gabriel Frade

15h30 – Lançamento dos livros
II Seminário Internacional da América Latina
Grupo de Pesquisa Barroco Memória Viva, IA-UNESP/CNPq

Quatro ensaios sobre Niemeyer
Rodrigo Queiroz e Hugo Segawa, FAU-USP; Ingrid Quintana Guerreiro,
Universidad de Los Andes, Bogotá

16h – Conferência
Atuação da Igreja no século XX
Abade Dom Matthias Tolentino Braga, OSB

17h – Visita técnica
Basílica Abacial de Nossa Senhora da Assunção,
Mosteiro de São    Bento
Dom Carlos Eduardo Uchôa, OSB

18h – Vésperas
Basílica Abacial de Nossa Senhora da Assunção,
Mosteiro de São Bento
________________________________________________

27 July
Teatro do Mosteiro de São Bento

9h às 11h30 – Conferências
Arquitetura neocolonial em São Paulo
Profa Dra. Maria Lucia Bressan Pinheiro, FAU-USP

Arquitetura sacra moderna em Buenos Aires
Profa Drª Graciela Viñuales Gutierrez, CEDODAL, Buenos Aires

Aspectos da arquitetura sacra na América
Profa Drª Ingrid Quintana Guerreiro, Universidad de Los Andes, Bogotá

11h30 às 12h – Intervalo

12h às 13h30 – Mesa-redonda: Arquitetura e América Latina
Arquitetura do período Entre guerras: igrejas de São Raphael na  Moóca
e Nsa. Sra. da Paz no Glicério
Pesquisadora Drª Milene Chiovatto, Pinacoteca do Estado de São Paulo

Da Pampulha à Catedral de Brasília: a projeção da arquitetura  moderna
brasileira no cenário internacional
Prof. Dr. Rodrigo Queiroz, FAU-USP

Arte contemporânea na América Latina e suas raízes sacras
Dra Cláudia Fazzolari. Prolam/ABCA

13h30 – Almoço

14h30 às 16h – Mesa-redonda: Imaginária Sacra
Marino Del Favero – Estabelecimento de Esculptura e Entalho
Profª Ms. Cristiana Cavaterra

Modernidade e tradição: a indústria e a imaginária religiosa no início
do século XX
Profª Drª Maria José Spiteri T. Passos, Universidade Cruzeiro do Sul

O apogeu da escultura em bronze em São Paulo
Prof. Dr. Mozart Bonazzi da Costa, PUC-SP

16h – Intervalo

16h30 às 18h – Palestras
Aspectos da arte sacra popular
Prof. Dr. Oscar D´Ambrosio, UNESP

Mário de Andrade e o Modernismo: tombamentos da arte sacra pelo IPHAN
Victor Hugo Mori, IPHAN/CONDEPHAAT
________________________________________________

28 July
Teatro do Mosteiro de São Bento

9h – Conferência
Panorama da arquitetura eclética em São Paulo
Prof. Dr. Percival Tirapeli, IA-UNESP

10h – Palestra
O traço moderno na arquitetura religiosa paulista
Prof. Ms. Márcio Antonio Lima Junior, FAU-USP

10h30 – Intervalo

11h às 13h – Mesa-redonda: Ações de Restauro
Aspectos executivos da conservação e restauro e o papel das entidades
da área
Francisco Zorzete, presidente da Associação de Empresas de Restauro
(ASSEER)

Restauro e Arte Sacra: Igreja do Cristo Operário
Paula Tabañez, Julio Moraes Conservação e Restauro

Restauro dos afrescos e Capela da Casa Portinari
JM Conservação e Restauro

13h – Almoço
14h – Conferência
Música sacra moderna
Prof. Dr. Acchile Picchi/Alfredo Zaine

15h às 16h – Mesa-redonda: Formação e importância de coleções públicas
Dom Duarte Leopoldo e Silva e a formação do Museu de Arte Sacra de São
Paulo – importância na preservação da arte sacra no século XX
Museu de Arte Sacra de São Paulo (MAS)

Obra sacra nos acervos dos Palácios do Governo e a capela de São Pedro
em Campos de Jordão
Pesquisadora DraAna Cristina de Carvalho, diretora do Acervo Histórico
Artístico dos Palácios do Governo de São Paulo

16h – Intervalo

16h30 às 18h – Mesa-redonda: Pintura sacra
A obra sacra de Candido Portinari
Profa Dra Elza Ajzenberg, USP, Pós-Graduação Interunidades

Pintura sacra no Grupo Santa Helena
Profa Dra Lisbeth Rebolo Gonçalves, USP/ABCA

Pinturas Murais de Emeric Marcier na capela da Santa Casa de Mauá
Profª Me. Rosângela Aparecida da Conceição (UNIP)
Ms. Rafael Schunk (IA-UNESP)

18h – Encerramento do III Seminário sobre o Patrimônio Sacro na América
Latina, Prof. Dr. Percival Tirapeli
________________________________________________

29 July
9h às 12h – Visitas técnicas
Visita opcional ao Mosteiro das Beneditinas, acompanhado por Abade Dom
Matthias Tolentino Braga, OSB e pelo Prof. Márcio Antonio Lima Junior.

Visita à exposição Santos devocionais: o barro como fé, com esculturas
de Stella Kehde, curadoria de Percival Tirapeli, Museu de Arte Sacra,
Sala do Metrô Tiradentes.

Exhibition: Picasso and the Mediterranean, @ Fundación Canal, Madrid

_CACHE_20-FPCN-1858-PAN-R-BAJA_415x0Picasso and the Mediterranean
Fundación Canal, Calle Mateo Inurria, Madrid
1 June – 15 August 2017

Free exhibition of 91 works, mainly ceramics and prints, selected from the Picasso Museo Casa Natal in Málaga. About half the exhibition is devoted to the inspiration Picasso drew from bull-fighting and its rituals and includes his series of Toro lithographs from 1945-1946, which encompass naturalistic, cubist and surreal representations of the animal. Two other sections focus on the influence of Greco-Roman antiquity on Picasso’s nudes and mythological figures and the final section includes works showing the influence of ancient cultures including that of the Arab world.

For more information, click here: Picasso and the Mediterranean

Image: © Sucesión Pablo Picasso, VEGAP, Madrid, 2017. Source: Fundación Canal

Closing Soon: Lygia Pape: A Multitude of Forms @ Met Breuer, New York, 21 March – 23 July 2017

The first monographic exhibition in the United States devoted to Brazilian artist Lygia Pape (1927–2004). A critical figure in the development of Brazilian modern art, and a pioneer of the Neo-Concrete movement. Pape combined geometric abstraction with notions of body, time, and space in unique ways that radically transformed the nature of the art object in the late 1950s and early 1960s. Covering a prolific career that spanned five decades, this exhibition examines Pape’s rich oeuvre as manifest across varied media—from sculpture, prints, and painting to installation, photography, performance, and film.

For more information visit: Lygia Pape: A Multitude of Forms

Image Caption: Lygia Pape (Brazilian, 1927–2004). Divisor (Divider), 1968. Performance at Museu de Arte Moderna, Rio de Janeiro, 1990. Photo by Paula Pape. © Projeto Lygia Pape. Source: Metropolitan Museum.

Prize-Giving Ceremony at the Wallace Collection, 29 June 2017

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Some of the Prize Winners pose with the ARTES committee and members at the prize-giving ceremony

On Thursday 29 June ARTES celebrated the winners of its annual scholarships and of the Juan Facundo Riaño Essay Prize with a ceremony held at the Wallace Collection in London. The Collection’s director Xavier Bray and Carmen Brieva Rodriguez from the Cultural Office of the Spanish Embassy joined the celebration.

ARTES started offering travel and PhD scholarships three years ago, with the aim to support and nurture young scholars in the field of Iberian and Latin American studies. The prizes are sponsored by Coll y Cortés and were awarded to the following researchers:

Travel Scholarships:

  • Ana Dias, a PhD candidate at the University of Durham, working on ‘The Apocalypse in early medieval Iberia: the function and impact of the illuminated ‘Beatus’ manuscripts.’ Ana will use her prize to conduct crucial fieldwork in three libraries in Spain, where she will examine three manuscripts of Beatus’ work to analyse at first hand their codicology, illumination and palette.
  • Maria Teresa Chicote Pompanin, a PhD candidate at the Warburg Institute, who will make three trips to Spain to examine archives, buildings and objects in connection with her research project, titled ‘Patronage, Fame and Memory in Late-Medieval Castile: Juan and Diego Pacheco, Marquises of Villena (1445 – 1529).’

PhD Scholarship for PhD students at working on Hispanic visual culture before 1800 at a UK University:

  •  Maeve O’Donnell, for her PhD at the Courtauld Institute of Art: ‘The Castilian Altar in the Thirteenth and Fourteenth Centuries: A social and material history.’ Maeve’s thesis approaches the medieval altar as an assemblage of artworks with individual and cumulative religious, social and material significance. By donating or producing the different furnishings of the altar, craftsmen, merchants, bishops, and monarchs established personal links to this sacred space. In addition, objects displayed on the altar in medieval Castile functioned as barometers of political and economic shifts in this dynamic kingdom. Her analysis of Castilian altarpieces, frontals, figurative sculptures, liturgical objects, reliquaries and textiles unearths works of art that have not been studied before while offering an innovative approach to the medieval altar.

Scholarship for PhD students or post-doctoral researchers based in Spain, Portugal or Latin America who wish to conduct research in the UK:

  • Ignacio J. López Hernández, who is working on a dissertation about Architecture and Military Buildings in the Spanish Caribbean under the supervision of Dr Alfredo Morales at the University of Seville.

This year the Scholarship Committee was able to make two additional awards:

  • Francisco de Asís García García, for his travel to the UK to study reports and files held at the V&A’s Archive related to Medieval and Early Modern textile acquisitions from Spain (or of possible Spanish origin) and the iconographical analysis of selected pieces. This work is a joint collaborative study with the Marie S.-Curie project “Interwoven” (no. 703711) led by Dr Ana Cabrera Lafuente at the V&A.
  • Sylvia Alvares-Correa, a PhD candidate at Oxford, whose research considers the Flemish artworks associated with Rainha Dona Leonor of Portugal (1458-1525), including Quentin Metsys’s The Seven Sorrows of the Virgin; Goswyn van der Weyden’s Presentation at the Temple; a number of manuscripts, and the anonymous Passion of Christ in Jerusalem panorama, amongst others. By investigating the historiography, materiality, and iconography of these works and their place within the ambit of Dona Leonor’s piety and patronage, this project will contribute to the broader understanding of patterns of patronage in early modern Europe, artistic exchange between Flanders and Iberia, and the devotional climate of Renaissance Portugal.

The winner of the 2017 Juan Facundo Riaño Essay Prize was also announced. This prize was set up 5 years ago with the generous support of the Office for Scientific and Cultural Affairs of the Embassy of Spain in London, and includes a cash prize and a specially designed bronze medal. Like the scholarships, the essay prize is intended to encourage promising scholars in the study of Spanish visual culture (from any period) and is open to students at UK universities at any level of study.

This year’s winner was David Cambronero, a MA student at the Courtauld Institute of Art, who gave a short presentation based on his essay on lighting in the Great Mosque of Córdoba in the caliphal period.

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