You are cordially invited to self-guided tours of Artemisia and Titian. ARTES members will be able to access both exhibitions free of charge during the event (7 spaces are available).
Entry via the Sainsbury Wing to the Artemisia exhibition (accessible via the Sainsbury Wing Entrance, to the far left of the main portico on Trafalgar Square, and descend to level -2). Names will be checked off a security list.
10:00 – 10:30 am
Coffee break at the National Gallery café.
10:30 – 11:30 am
Meet at the Titian exhibition entrance (via room 5) where exhibition curator Matthias Wivel will provide a brief introduction before the members’ self-guided tour.
Attendees may check their belongings into one of the Gallery’s cloakrooms. Large bags and suitcases may not be brought into the Gallery. Please note that this event is by invitation only. Places will be allocated on a first-come, first-served basis.
The School of Art History at the University of St Andrews is delighted to invite applications for the John Phillip Doctoral Scholarship in Spanish Art and Visual Culture, to start in September 2020.
Generously funded by the Centro de Estudios Europa Hispánica (CEEH), the doctoral scholarship is named after the nineteenth-century Scottish artist John Phillip (1817-1867), who travelled extensively in Spain, and whose work was strongly inspired by the art of Velázquez and Murillo.
The scholarship is available to both Home/EU and Overseas candidates, and is tenable for three years (full-time). It is a full scholarship, covering tuition fees, plus an annual stipend of £15,285 for living expenses, and an annual research allowance of £5,000.
The scholarship will fund a doctoral research project that focuses on the history of Spanish art and visual culture between ca. 1600 and 1700. We will also consider research projects devoted to the reception of seventeenth-century Spanish art in later periods, up to ca. 1900.
Six remarkable paintings by one of the most celebrated painters of the Spanish Golden Age, Bartolomé Esteban Murillo (1617–1682), have been conserved and researched at the National Gallery of Ireland. They depict the parable of the Prodigal Son. Fascinating details uncovered during the conservation project and a number of related prints will be displayed alongside the series, revealing the secrets of the artistic process of this master storyteller.
The 2020 Annual Conference and General Assembly of ICOM International Committee for Museums and Collections of Decorative Arts and Design will take place at the National Palace of Ajuda in Lisbon, Portugal, from October 14th to 16th (plus two days—October 17th and 18th—for the post conference tour to Coimbra and Porto).
The good men of every age are those who dig the old ideas deep down and bear fruit with them – the farmers of the spirit. Friedrich Nietzsche, in The Gay Science
Revivals as the socio-cultural phenomenon that has occurred many times throughout universal history and that seeks to rescue principles and traditions of times gone by. In this conference we approach the term Revivals with regard to Decorative Arts and Design.
Decorative Arts and Design are to be interpreted as any domestic or public furnishings including but not limited to textiles, silverware, furniture, wallpaper, tableware, interior decoration as a whole, graphic design, as well as personal accessories (excluding fashion). We also welcome presentations on revivals within decorative and applied art traditions (ceramics, lacquer, metalwork, textiles, woodwork, etc.) made for utilitarian or connoisseurial purposes.
Hence we encourage papers proposals on a wide variety of topics including a broad array of Asian, European or North and South American Revival styles. We also include the retro design styles of the 20th and 21st centuries, referring to the resurgence of old yet relatively recent styles.
It is fascinating how heritage is being used and valued, reconsidered both from the positions of a curator, artist or a designer. We are interested in the examples, phenomena and notions that reflect upon the relation to the past, treating it with both unsentimental and sentimental nostalgia, introducing ways of dealing with the recent past from different periods in history.
The conference will feature presentations of 15 minutesinEnglish.
Please send an abstract of 250–300 words, including your name, title, institution and ICOM membership number to:
Maria José Gaivão Tavares, Curator of the Furniture Collection at National Palace of Ajuda and ICDAD Secretary:
Picasso didn’t just draw on paper – he tore it, burnt it, and made it three-dimensional. From studies for ‘Guernica’ to a 4.8-metre-wide collage, this major exhibition, open until 13 April 2020 at the Royal Academy, brings together more than 300 works on paper spanning the artist’s 80-year career. Click here for more information.
In conjunction with the exhibition, the Instituto Cervantes has organised a programme of talks and concerts paying homage to the famous Spanish artist.
This event will feature an afternoon of presentations and a special exhibition preview in celebration of the opening of Murillo: The Prodigal Son Restored at the National Gallery of Ireland.
Showcasing a unique series of works by one of the most celebrated artists of the Spanish Golden Age, Bartolomé Esteban Murillo (1617-1682), this in-focus exhibition explores themes of sin, repentance and forgiveness across six remarkable canvases. Donated to the National Gallery of Ireland by the Beit family in 1987, the six works have not been displayed together publicly for several decades. Murillo: The Prodigal SonRestored will celebrate the recent conservation of the series, which has revived the splendour of Murillo’s colours, brushwork, and mastery of narrative.
12pm – 1.15pm
Exhibition preview (Present your ticket for admission) Hugh Lane Room, Beit Wing, Level 3
1.15pm – 1.25pm
Registration Lecture Theatre, Beit Wing, Level -1
Welcome Sean Rainbird, Director, National Gallery of Ireland
Introduction Dr Aoife Brady, Curator, National Gallery of Ireland
Murillo: The Prodigal Son Revisited Muirne Lydon, Conservator, National Gallery of Ireland
The Prodigal Son series. “Quatro cuadritos” by Murillo in the Museo del Prado. Elena Cenalmor Bruquetas, Researcher, Museo del Prado
Discoveries and Display: Murillo’s Virgin and Child in Glory Kate O’Donoghue, Curator, National Museums Liverpool, Walker Art Gallery
Questions and discussion
Tea / coffee Courtyard
Introduction Prof. Stefano Cracolici, Director, Zurbarán Centre
“All rooms are furnished with great works of art” – the Beit collection Pauline Swords, Curator, Russborough, Co. Wicklow
A Painter of Street Urchins and Beggars? The perception of Murillo in Britain. Isabelle Kent, Independent scholar
“Something of immortal value”: Murillo at the Meadows Museum Dr Amanda Dotseth, Curator, Meadows Museum, Dallas
Questions and discussion
Click here for more information and to book tickets (Full price €25, students/OAPs €22.50,Friends €20)