Between 1906, when he settled in Paris, and 1912, Gris made his living as a cartoonist and illustrator for Spanish and French magazines. His drawings were narrative and, mostly, comical and satirical in tone. In his Cubist collages and papiers collés of 1912-14 figures are absent but narrative situations and social and political references areContinue reading “TONIGHT: 2022 Glendinning Lecture | Juan Gris: the environment of collage, by Prof. Elizabeth Cowling (University of Edinburgh)”
Monthly Archives: March 2022
TOMORROW: Zurbaran Centre-ARTES Seminar Series | Dr Juan Ricardo Rey-Márquez (Buenos Aires), ‘Simulated Nature: Colour and texture in the eighteenth-century botanical drawings of José Celestino Mutis and his circle’, 9 March, 6.00 PM (GMT)
We are pleased to announce the sixth seminar of our Research Seminar Series: 9 March, 6.00 PM (GMT), Dr Juan Ricardo Rey-Márquez (Buenos Aires), ‘Simulated Nature: Colour and texture in the eighteenth-century botanical drawings of José Celestino Mutis and his circle‘ Abstract: During the last quarter of the 18th century, the Spanish crown sponsored several expeditions throughoutContinue reading “TOMORROW: Zurbaran Centre-ARTES Seminar Series | Dr Juan Ricardo Rey-Márquez (Buenos Aires), ‘Simulated Nature: Colour and texture in the eighteenth-century botanical drawings of José Celestino Mutis and his circle’, 9 March, 6.00 PM (GMT)”
Zurbarán Centre-ARTES Online Seminar Series | Colonial Latin America and Materiality
Jointly organised by Durham University’s Zurbarán Centre, the ARTES Iberian & Latin American Visual Culture Group and the Instituto Cervantes, this live online seminar series provides an open forum for engaging with innovative research relating to the visual arts in the Hispanic world. The forthcoming three seminars focus on colonial Latin America and materiality. 9Continue reading “Zurbarán Centre-ARTES Online Seminar Series | Colonial Latin America and Materiality “
ARTES 