Fellowship: Rosaria Cigliano Fellowships at the Fondazione 1563

 

drawing_06_big

Claude Lorrain                                                View of La Crescenza, 1648–1650
The Metropolitan Museum of Art

The Fondazione 1563 per l’Arte e la Cultura of the Compagnia di San Paolo launches a competition for 5 Fellowships on the Age and the Culture of Baroque, part of the Rosaria Cigliano Fellowships Program.Disci

 

Research proposals for the 2018 call will need to pertain to the following theme: ‘Landscape and nature (1680-1750).’

The competition is open to researchers born after 1st January 1983 holding a university or master’s degree, or other equivalent degrees, issued by an Italian or equivalent foreign University.
Priority will be given to applicants holding a PhD or equivalent from an Italian or foreign university.

The Foundation seeks studies focused on the following disciplines, which can be approached in a multi- or cross-disciplinary lens:

– social and demographic history
– political history
– history of economics and history of economic thought
– history of science and technology
– history of literature
– history of philosophy
– history of music
– history of theater
– art history
– history of architecture
– military history.

A complete description of the 2018 competition is available online.

Applications will be submitted exclusively using the forms available online and following the procedure indicated on the Foundation’s website under Bandi/ Borse di studio sull’Età e la Cultura del Barocco 2018
at http://www.fondazione1563.it.

Applications must be submitted by 22 July 2018 at 12 am (midnight).

 

Info: elisabetta.ballaira@fondazione1563.it – info@fondazione1563.it

Advertisements

ARTES AGM in Oxford, Thursday 14 June, 2018

taylorian

10:00 Campion Hall, Brewer St, Oxford OX1 1QS — http://www.campion.ox.ac.uk
Established in 1896, Campion Hall holds extensive collections, including in the areas of Iberian & Latin American art.
Visit Led by Professor Peter Davidson, Senior Research Fellow & Archivist
***Attendees are asked to arrive punctually, as late arrivals may be difficult to  accommodate***
12:00 Taylor Institution
St. Giles’, Oxford, OX1 3NA — https://www.bodleian.ox.ac.uk/taylor & http://blogs.bodleian.ox.ac.uk/taylorian
Established through the legacy of architect Sir Robert Taylor (1714-1788), the ‘Taylorian’ is the University’s centre for the study of Modern European languages and literatures, other than English.
AGM and Prize Giving — Sandwich lunch provided
15:00 Magdalen College
High Street, Oxford, OX1 4 AU — http://www.magd.ox.ac.uk
Founded by William Waynflete in 1458, the College holds wide-ranging art collections.  Visit Led by the Dean, the Revd Dr Jonathan Arnold: Chapel altarpiece, Christ Carrying the Cross (attrib. Valdés Leal/Seville School, 17thC; for in situ discussion)
Venues can accommodate limited numbers only, so book early to avoid disappointment. To book, please email artesiberia@gmail.com, stating

(1) Whether you will arrive in time for the Campion Hall visit
(2) Your membership status

Once your place has been confirmed please pay a small charge to cover costs: £7 for members, or £20 for non-members

  • by credit or debit card (via the CAF website )
  • by cheque made out to ARTES and sent to: 58 Manor Road, Woodstock, Oxon OX20 1XJ
  • by Paypal – simply click the button below.

Donate

 

 

murilloheader

13:00 – 14:30   Registration and opportunity to visit the drawings by Murillo and other Spanish masters in the Courtauld Prints and Drawings Study Room (Please note: directions to the Study Room and information on the visit will be provided upon registration)

14:30   Welcome

14:35 – 15:05   Manuela Mena Marqués, Senior Curator of 18th Century Painting and Goya, Museo Nacional del Prado, Madrid: “Murillo the Draughtsman”

15:05 – 15:35   Xanthe Brooke, Curator of Continental European Art, Walker Art Gallery, Liverpool: “Murillo’s Virgin and Child in Glory: The Afterlife of a Great Baroque Altarpiece”

15:35 – 16:05   Benito Navarrete Prieto, Professor, History of Art at the University of Alcala and Director of the Department of History and Philosophy: “Empathy and Prestige: The Real Reasons for Collecting Murillo’s Work in the Seville of his Patrons”

16:05 – 16:35   Tea

16:35 – 17:05   Laura Alba Carcelén, Conservation Scientist, Museo Nacional del Prado, Madrid’: “At Murillo’s Workshop: Pictorial Materials and Procedures”

17:05 – 17:35   Mairi Macdonald, Birkbeck College, University of London: “Murillo and Depictions of Poverty”

17:35 – 17:55   Discussion and close

18:00 – 19:00   Drinks and tapas

19:30   Invitation to attend a free concert of Spanish Renaissance and Baroque music organised by the Instituto Cervantes in Kings College Chapel (next door to the Courtauld). Please visit this link to book tickets

For tickets to the conference, please click here

General public £16

Students £11

 

Featured Exhibition: ‘The Art of Diplomacy: Brazilian Modernism Painted for War’

pinturas-thea-haberfeld_landscape-01

Thea Haberfeld                Landscape, 1943

Oil on canvas
35 x 52 cm
Doncaster Museum and Art Gallery

‘‘The Art of Diplomacy: Brazilian Modernism Painted for War,’ on show at the at the Sala Brasil of London’s Brazilian Embassy until 22 June, recreates an exhibition of modern Brazilian painting held at the Royal Academy and seven regional galleries in 1944. The show was part of a concerted politic and cultural effort to cement Brazilian-British relations after the South American country’s entrance in the Allied coalition in 1942. Having successfully eluded German U-boats during the trans-Atlantic crossing and overcome the reservations of major museum directors, the paintings in the exhibitions introduced more than 100.000 visitors to the nuances of a country which was then largely unknown. Attended by such major intellectuals as T.S. Eliot and H.G. Wells, the show was a major success, resulting in several new acquisitions by British museums.

 

 

Click here to read an extensive review of this exhibition on Apollo, or visit the exhibition’s website.

The Art of Diplomacy: Brazilian Modernism Painted for War’ is at the Sala Brasil Arts Centre, Embassy of Brazil, until 22 June.

Workshop: New Work on Books and Readers in the Spanish Speaking World, The Warburg Institute, London, 20 April 2018

 

On 20 April 2018, the Warburg Institute (in conjunction with the Cervantes Institute) will host an event on books and readers in the Spanish-speaking world, with the theme ‘The Book as World, the World as Book’. The day will culminate in a conversation between Alberto Manguel, Director of the National Library of Argentina, and Bill Sherman, Director of the Warburg.

 

 

Programme

Workshop: 2:00-5:30

Keynote and Reception: 6.00-8.00

2:00-3:00: WORKSHOP

Matthew Coneys (postdoctoral fellow, Institute of Modern Languages Research, University of London): Reorienting the East: Paratextual Developments in C16th Spanish Editions of Marco Polo and John Mandeville 

Marta Mansila Martín (PhD candidate, Universidad Complutense Madrid): ‘The world is a book and those who do not travel read only one page’: Cities and travels in Literature

3:00-4:00: WORKSHOP

Alexandra Nowosiad (PhD candidate, King’s College London): Aiming the Spanish Canon: Printing [inter]national Literature in the Habsburg Low Countries

Professor Linda Newson (Director, Institute of Latin American Studies, University of London): Medical books, apothecaries and the practice of medicine in early colonial Lima, Peru

4:00-4:30: TEA

4:30-5:30: WORKSHOP

Edward Wilson-Lee (Director of Studies, Sidney Sussex College, Cambridge): Life in the Library: Hernando Colón and the Universe of Books

Roberto Casazza (Head of Research, National Library of Argentina): Warburg and the celestial sphere: some new ideas on an old topic

5:30-6:00: BREAK

6:00-7:00: KEYNOTE

Alberto Manguel (Director, National Library of Argentina), in conversation with Bill Sherman (Director, The Warburg Institute)

7:00-8:00: RECEPTION sponsored by the Cervantes Institute

Attendance is free of charge. To book please click here

 

Marvel or monster? Madrid’s Torres Colón to become protected architectural heritage

1024px-torres_de_colc3b3n2c_madrid2c_2017-11-012c_triplecac3b1a_04

El País reports that the Colón Towers, two high-rise buildings in the vicinity of Madrid’s Plaza de Colón and Biblioteca Nacional, may soon become listed. Designed by Antonio Lamela (December 1, 1926–April 1, 2017), the towers’ suspended structure was innovative at the time of their construction, between 1967 and 1976. In the 1990s new fire regulations resulted in the construction of an art nouveau roof, known as ‘el enchufe’ (‘the plug’), which links the towers and provides access to an emergency staircase.  

According to the Asociación para la Protección de las Torres Colón, which is campaigning for the recognition of the towers’ architectural importance, ‘su valor arquitectónico, del que su sistema estructural es parte indiscutible y esencial, además de su proyección nacional e internacional, merece ser reconocido como parte del patrimonio arquitectónico madrileño.’

torres_colon

murilloheader

13:00 – 14:30   Opportunity to visit the drawings by Murillo and other Spanish masters in the Courtauld Prints and Drawings Study Room

14:30   Welcome

14:35 – 15:05   Manuela Mena Marqués, Senior Curator of 18th Century Painting and Goya, Museo Nacional del Prado, Madrid: “Murillo the Draughtsman”

15:05 – 15:35   Xanthe Brooke, Curator of Continental European Art, Walker Art Gallery, Liverpool: “Murillo’s Virgin and Child in Glory: The Afterlife of a Great Baroque Altarpiece”

15:35 – 16:05   Benito Navarrete Prieto, Professor, History of Art at the University of Alcala and Director of the Department of History and Philosophy: “Empathy and Prestige: The Real Reasons for Collecting Murillo’s Work in the Seville of his Patrons”

16:05 – 16:35   Tea

16:35 – 17:05   Laura Alba Carcelén, Conservation Scientist, Museo Nacional del Prado, Madrid’: “At Murillo’s Workshop: Pictorial Materials and Procedures”

17:05 – 17:35   Mairi Macdonald, Birkbeck College, University of London: “Murillo and Depictions of Poverty”

17:35 – 17:55   Discussion and close

18:00 – 19:00   Drinks and tapas

19:30   Invitation to attend a free concert of Spanish Renaissance and Baroque music organised by the Instituto Cervantes in Kings College Chapel (next door to the Courtauld). Please visit the Instituto’s website for information on how to book:

For tickets to the conference, please click here

General public £16

Students £11