CFP: ICDAD-ICOM Annual Conference: 'Revivals', Lisbon, 14-16 October 2020

Deadline: April 15th

The 2020 Annual Conference and General Assembly of ICOM International Committee for Museums and Collections of Decorative Arts and Design will take place at the National Palace of Ajuda in Lisbon, Portugal, from October 14th to 16th (plus two days—October 17th and 18th—for the post conference tour to Coimbra and Porto).

 Theme: ‘Revivals’

 The good men of every age are those who dig the old ideas deep down and bear fruit with them – the farmers of the spirit. Friedrich Nietzsche, in The Gay Science

Revivals as the socio-cultural phenomenon that has occurred many times throughout universal history and that seeks to rescue principles and traditions of times gone by. In this conference we approach the term Revivals with regard to Decorative Arts and Design.

Decorative Arts and Design are to be interpreted as any domestic or public furnishings including but not limited to textiles, silverware, furniture, wallpaper, tableware, interior decoration as a whole, graphic design, as well as personal accessories (excluding fashion). We also welcome presentations on revivals within decorative and applied art traditions (ceramics, lacquer, metalwork, textiles, woodwork, etc.) made for utilitarian or connoisseurial purposes.

 Hence we encourage papers proposals on a wide variety of topics including a broad array of Asian, European or North and South American Revival styles. We also include the retro design styles of the 20th and 21st centuries, referring to the resurgence of old yet relatively recent styles.

It is fascinating how heritage is being used and valued, reconsidered both from the positions of a curator, artist or a designer. We are interested in the examples, phenomena and notions that reflect upon the relation to the past, treating it with both unsentimental and sentimental nostalgia, introducing ways of dealing with the recent past from different periods in history.

The conference will feature presentations of 15 minutes in English.

Abstracts

Please send an abstract of 250–300 words, including your name, title, institution and ICOM membership number to:

Contacts

Maria José Gaivão Tavares, Curator of the Furniture Collection at National Palace of Ajuda and ICDAD Secretary:

icdad.secretariat@gmail.com

Deadline for papers proposition: April 15th  

Final notification for acceptance: June 30th

ICDAD Scholarship Young curators (under 35) and graduate students members of ICDAD are encouraged to submit papers and apply for the ICDAD conference scholarships:

Portuguese Scholar: 400 € + free conference registration

European Scholar: 1000 € + free conference registration

Non-European Scholar: 2000 € + free conference registration

Scholarship does not include post-conference tour or conference dinner.

Note: If you are going to present a paper you must be a member of ICOM/ICDAD at the moment of registration.

Click here for more information.

'Picasso and Paper': An Exhibition at the RA and a Programme of Events Organised by the Instituto Cervantes London

Picasso didn’t just draw on paper – he tore it, burnt it, and made it three-dimensional. From studies for ‘Guernica’ to a 4.8-metre-wide collage, this major exhibition, open until 13 April 2020 at the Royal Academy, brings together more than 300 works on paper spanning the artist’s 80-year career. Click here for more information.

In conjunction with the exhibition, the Instituto Cervantes has organised a programme of talks and concerts paying homage to the famous Spanish artist.

Murillo Study Day, National Gallery of Ireland, Dublin, 28 February 13.30–17.30

This event will feature an afternoon of presentations and a special exhibition preview in celebration of the opening of Murillo: The Prodigal Son Restored at the National Gallery of Ireland.

Showcasing a unique series of works by one of the most celebrated artists of the Spanish Golden Age, Bartolomé Esteban Murillo (1617-1682), this in-focus exhibition explores themes of sin, repentance and forgiveness across six remarkable canvases. Donated to the National Gallery of Ireland by the Beit family in 1987, the six works have not been displayed together publicly for several decades. Murillo: The Prodigal Son Restored will celebrate the recent conservation of the series, which has revived the splendour of Murillo’s colours, brushwork, and mastery of narrative.

12pm – 1.15pmExhibition preview (Present your ticket for admission) Hugh Lane Room, Beit Wing, Level 3
1.15pm – 1.25pmRegistration Lecture Theatre, Beit Wing, Level -1
1.30pmWelcome Sean Rainbird, Director, National Gallery of Ireland
1.35pmIntroduction  Dr Aoife Brady, Curator, National Gallery of Ireland
1.50pmMurillo: The Prodigal Son Revisited Muirne Lydon, Conservator, National Gallery of Ireland
2.10pmThe Prodigal Son series. “Quatro cuadritos” by Murillo in the Museo del Prado. Elena Cenalmor Bruquetas, Researcher, Museo del Prado
2.30pmDiscoveries and Display: Murillo’s Virgin and Child in Glory Kate O’Donoghue, Curator, National Museums Liverpool, Walker Art Gallery
2.55pmQuestions and discussion
3.10pmTea / coffee Courtyard
3.50pmIntroduction Prof. Stefano Cracolici, Director, Zurbarán Centre
4pm“All rooms are furnished with great works of art” – the Beit collection Pauline Swords, Curator, Russborough, Co. Wicklow
4.20pmA Painter of Street Urchins and Beggars? The perception of Murillo in Britain. Isabelle Kent, Independent scholar
4.40pm“Something of immortal value”: Murillo at the Meadows Museum Dr Amanda Dotseth, Curator, Meadows Museum, Dallas
5.05pmQuestions and discussion
5.20pmClose

Click here for more information and to book tickets (Full price €25, students/OAPs €22.50, Friends €20)

Several spaces still available for the 'Bomberg and Spain' discussion with exhibition curator Richard Cork at the National Gallery on Tuesday 25 February, 10:05 to 11 am [RSVP by Friday 21st]

You are cordially invited to an informal study morning in the exhibition Young Bomberg and the Old Masters (27 November 2019 – 1 March 2020)

David Bomberg
Study for ‘Sappers at Work: A Canadian Tunnelling Company, Hill 60, St Eloi’, about 1918–9
Oil on canvas
304.2 × 243.8 cm
Tate, London (T00319)
Purchased 1959
© Tate

10:05 am            

Meet at the exhibition in Gallery 1 (accessible via the Getty Entrance to the right of the main portico on Trafalgar Square).

Self-led tour of the exhibition and discussion (coordinated by National Gallery Spanish Paintings Curatorial Fellow Akemi Herráez). The discussion will take place during normal museum opening hours so please be mindful of other visitors.

10:30 – 11:00 am

Followed by curator Richard Cork’s overview of the exhibition and further discussion with a presentation including Bomberg’s paintings of Spain in the Wilkins Boardroom, Wilkins Building (Akemi Herráez will take the group from the exhibition to the conference room).

Attendees may check their belongings into one of the Gallery’s cloakrooms. Large bags and suitcases may not be brought into the Gallery. There is a bench in the exhibition for those who wish to sit. Please note that this study morning is by invitation only. Numbers are strictly limited to a quota of 13 people and places will be allocated on a first-come, first-served basis.

We kindly ask you to RSVP to akemi.herraezvossbrink@ng-london.org.uk by Friday 21 February 2020.

ARTES Members' Event: Discussion on Bomberg and Spain, The National Gallery, London, 25 February 2020, 10:05–11:00am (RSVP by 21 February)

You are cordially invited to an informal study morning in the exhibition Young Bomberg and the Old Masters (27 November 2019 – 1 March 2020)

David Bomberg
Study for ‘Sappers at Work: A Canadian Tunnelling Company, Hill 60, St Eloi’, about 1918–9
Oil on canvas
304.2 × 243.8 cm
Tate, London (T00319)
Purchased 1959
© Tate

10:05 am            

Meet at the exhibition in Gallery 1 (accessible via the Getty Entrance to the right of the main portico on Trafalgar Square).

Self-led tour of the exhibition and discussion (coordinated by National Gallery Spanish Paintings Curatorial Fellow Akemi Herráez). The discussion will take place during normal museum opening hours so please be mindful of other visitors.

10:30 – 11:00 am

Followed by curator Richard Cork’s overview of the exhibition and further discussion with a presentation including Bomberg’s paintings of Spain in the Wilkins Boardroom, Wilkins Building (Akemi Herráez will take the group from the exhibition to the conference room).

Attendees may check their belongings into one of the Gallery’s cloakrooms. Large bags and suitcases may not be brought into the Gallery. There is a bench in the exhibition for those who wish to sit. Please note that this study morning is by invitation only. Numbers are strictly limited to a quota of 13 people and places will be allocated on a first-come, first-served basis.

We kindly ask you to RSVP to akemi.herraezvossbrink@ng-london.org.uk by Friday 21 February 2020.

Professor Trevor Dadson, 1948-2020

ARTES records with regret the death of Professor Trevor Dadson in January 2020. As Editor-in-Chief of the Hispanic Research Journal from 2012 to 2017, Trevor was a tremendous enthusiast of the annual visual arts issue, and a great supporter of its editors, Tom Nickson and Sarah Symmons.

Trevor was also an incredibly distinguished scholar whose work encompassed cultural, literary and social history. He dedicated his career to the study of the Spanish Golden Age, becoming one of the world’s foremost experts on the era. He  published dozens of books, chapters and research papers throughout his career and was made a Fellow of the British Academy in 2008. In that same year, the Spanish town of Villarrubia de los Ojos named a new street after him, and in 2015 he was awarded the title of Encomienda de la Orden de Isabel la Católica by King Felipe VI of Spain for his services to Spanish culture. In 2016, he was elected a Corresponding Fellow of the Real Academia Española and the Real Academia de la Historia.

His monographs include a major study in Spanish of the Moriscos of the Campo de Calatrava in Spain (2007), a history of the printing of the ‘Rimas’ by Lupercio and Bartolomé Leonardo de Argensola (2010), a study of Diego de Silva y Mendoza, Count of Salinas (2011), and an edition in Spanish of the travel diaries of Elizabeth Lady Holland and the novelist George Eliot, who both visited Spain in the nineteenth century (2012). Other books include the letters memorials of the Count of Salinas (Marcial Pons-CEEH, 2015), an edition of the Count’s unedited poetry based on the autograph originals (Real Academia Española, 2016), and a revised and updated second edition of his book on the Moriscos of Villarrubia de los Ojos (Iberoamericana-Vervuert.

In 2014 he published a book in English on the Moriscos of the Campo de Calatrava: Tolerance and Coexistence in Early Modern Spain (Tamesis Books); a revised edition of this work in Spanish was published by Cátedra in 2017. His latest projects included an edition of the more than 500 letters the Count of Salinas sent as Viceroy from Lisbon between 1617 and 1622, as well as editing a volume of studies on Islamic Culture in Spain to 1614 by L. P. Harvey (former Professor of Spanish at Queen Mary).

Trevor will be remembered as an exceptional scholar and energetic scholar. Our thoughts are with his family at this time.

[this obituary is adapted from one published by Queen Mary, where Trevor taught for many years: https://www.qmul.ac.uk/sllf/news/stories/remembering-trevor-dadson.html%5D