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Call for Submissions: Travel scholarships, deadline 31 January 2019

Thanks to the generous support of art dealers Coll & Cortés, ARTES offers travel scholarships for BA and postgraduate students at UK universities who are working on any aspect of Spanish, Portuguese or Latin American visual culture before 1800.

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Final year undergraduates and postgraduate students registered for a full or part-time degree course at a UK university may apply for up to £600 towards the costs of travel to Spain, Portugal or Latin America for research purposes (which may include field work, attendance at a conference, or other recognised forms of research). Reports by those previously awarded travel scholarships are available here.

The deadline for these awards is 31st January 2019.

Scholarship application guidelines.

  1. Applications should be made in English as a single MS Word or PDF file and sent to artesscholarships@gmail.com . Applicants are requested to include ‘Travel Scholarship’ in the email subject, but should not expect acknowledgement of receipt.
  2. All applications should include: a) project title, b) a max 100-word project summary, c) a max 600-word explanation of the research to be conducted (including explanation of the necessity of travel); d) a short breakdown of how the money will be spent, together with details of any other funding received; e) an academic CV. Applicants should ensure that an academic advisor sends a reference to the same email address by the 31st January deadline: this may be in English, Spanish or Portuguese. Applications without a reference will not be considered.
  3. Candidates may apply for any other scholarship or award offered by ARTES, but are unlikely to be successful in more than one category in any one year.
  4. Application is open to any student or scholar who can demonstrate compliance with the criteria set out above, other than employees of Coll & Cortés, committee members of ARTES, or their immediate families. Scholarships are not awarded to students who have not yet begun their programme of study, are valid for one year only, and are not renewable. Applications may be submitted for travel conducted in the 12 months prior to the submission deadline, though funding for such trips is likely to be considered less urgent than for forthcoming trips that would not be possible without funding.
  5. Applications will be assessed according to the following criteria: Originality of research, significance of research, feasibility of successful completion, academic rigour (command of the field, spelling, fluency etc), potential of the applicant (an assessment of the strength of the CV, taking into account the student’s current status), financial need, value for money, strength of reference, necessity of travel.
  6. Successful scholarship winners are normally informed by 1st March, and are invited to attend a presentation in London in July (exceptions may be made if the costs of attendance at this event are prohibitive). They are required to write a 600-word report on their funded research project, to be sent to artesscholarships@gmail.com within nine months of receipt of the scholarship.
  7. Any publications arising from research supported by these scholarships should include acknowledgement of ARTES.
  8. The scholarships come with no institutional affiliation, and ARTES and Coll & Cortés cannot take responsibility for the support or welfare of scholarship holders.
  9. The decision of the Scholarship Committee shall be final. The Committee reserves the right to make no awards in cases where it deems that applications are not of satisfactory quality. Coll & Cortés and ARTES accept no legal responsibility to any applicant or third party arising from this notice, or the award or otherwise of a scholarship.  The Scholarship Committee will not enter into correspondence with unsuccessful applicants or their academic advisors regarding its decisions.
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The Juan Facundo Riaño Essay Medal: Call for Submissions, deadline 31 January 2019

sa&c_londres_color_ing_fileteTo encourage emerging scholars that are based in the UK, ARTES, in collaboration with the Embassy of Spain, awards an annual essay medal to the author of the best art-historical essay on a Hispanic theme, which must be submitted in competition and judged by a reading Sub-Committee. The medal is named after Juan Facundo Riaño (1829-1901), the distinguished art historian who was partly responsible for a growing interest in Spanish culture in late nineteenth-century Britain. The winner is also awarded a cash prize of £400, and the runner-up is awarded a certificate and prize of £100 – both prizes are generously sponsored by the Office for Cultural and Scientific Affairs of the Embassy of Spain. Prize-winners also receive a year’s free membership to ARTES, and the winning essays are considered for publication in the annual visual arts issue of Hispanic Research Journal. See the information about eligibility and rules of competition. The deadline is 31st January 2019. 

Entering the Essay Competition

The judges will be looking for evidence of originality of thought and high academic and literary quality. Essays must focus on the production or reception of the art, architecture or visual culture of the Hispanic world, defined in the broadest possible terms.

As a permanent reminder of the winner’s achievement, an essay medal is awarded, together with a cash prize of £400. The winning essay will be considered for publication in the annual visual arts issue of Hispanic Research Journal. The runner-up may be awarded the ARTES commendation certificate, together with a prize of £100, and an essay so commended may also be considered for publication in Hispanic Research Journal. Both prize-winners also receive a year’s free membership to ARTES.

Essays are submitted by 31st January each year, and are read by the Essay Medal Committee, appointed by ARTES. The decision of the Committee shall be final. Presentation of the medal is usually made at a special ceremony in London in July the same year, and the result is announced on the ARTES website.

Previous Winners

2018: Javier Vicente Arenas, a Masters student at the Warburg Institute, for ‘Constructing a “Transmediterranean” Identity: Rodrigo de Borgia’s Italian Angels in Valencia Cathedral (1472-81)’.

2017: David Cambronero, a MA student at The Courtauld, for ‘Lighting the Great Mosque of Cordoba in the Caliphal Period’.

2016: Leah McBride, a PhD student at Glasgow University, for ‘‘The grave is only half full; who will help us fill it?’: The Politics of Trauma in Alfredo Jaar’s Rwanda Project‘.

2015: Rebekah Lee, a PhD student at the University of York, for ‘Catherine of Austria, Queen of Portugal and the Courtly Portrayal of Middle Age’.

2014: Lesley Thornton-Cronin, a first year PhD student at Glasgow University, for ‘Image-Making by Means of Metaphoric Transposition in the Work of Joan Miró’.

2013: Maite Usoz, a third year PhD student at King’s College, London, for  ‘Sex and the City: Urban Eroticism in Rodrigo Muñoz Ballester’s Manuel Series’.

Regulations for the Essay Medal

1. Essays must be anonymous. Entrants must select a pseudonym under which to submit their text, with a sealed envelope bearing the pseudonym and containing their real name, address and telephone number. Please note that because of the anonymity of the submissions, no acknowledgement of receipt will normally be sent. If a receipt is required, please send a stamped envelope addressed to your pseudonym or to a friend.

2. There is no age limit for entrants, but the Essay Medal Committee reserves the right to give preference to entrants who have not previously published in the field of Hispanic visual arts. We welcome submissions from researchers in a variety of circumstances, but envisage that most essays will be submitted from early career scholars, post-graduate students or undergraduates with exceptionally good end-of-degree dissertations. Details of degrees or qualifications, as well as previous publications, must be submitted with the entrant’s real name and address. Entrants should ideally be resident or studying in the UK, but exceptions may be made if entrants can demonstrate sustained engagement with students, scholars, objects or materials in the UK.

3. The Hispanic world is defined in its broadest sense to include all Hispanic and Lusophone regions (including, for example, Latin America). Visual arts are defined in their broadest sense to include all material and visual culture, including film and photography.

4. The essay must not have been previously published and must not have been awarded any national or international prize. A note of any departmental prizes awarded to it must accompany the entrant’s real name and address.

5. Essays may be up to 8,000 words in length, including bibliography (though this is not not necessary if full footnotes are given), all notes and appendices. Entrants are encouraged to submit shorter pieces, however. Shorter submissions will not be penalised on grounds of length, but overlength essays will be refused. A word count and a summary of up to 250 words (additional to the work total) must be included.

6. The essay should demonstrate original thinking. It may be based on a dissertation, and may involve original research, although essays based on a survey of secondary material will also be considered if they are of suitable quality. However, the essay should be self-contained and especially prepared for this competition.

7. Entries must be written in English. They must be typed or printed, double-spaced, and contained in a simple folder. Pages should not be stapled or bound together, and each page should be numbered. Diagrams or illustrations may be included and should be captioned. They may take the form of photocopies, provided they can be easily read. Sources of information and images must be acknowledged. Entrants are advised that their essays and illustrations will need to be photocopied.

8. The winning essay may be  considered for publication in the visual arts issue of Hispanic Research Journal, subject to the usual process of refereeing, and to acceptance by the Editors, whose decision on this is final. In the event of the essay being accepted for publication, some reworking may be required. Essays may not be offered for publication elsewhere while they are sub judice.

9. In the case of any dispute about the award, the decision of the ARTES Essay Medal Committee shall be final.

10. ARTES reserves the right to make no award if none of the entries is considered worthy.

11. The closing date for entries is 31st January each year. Essays received after this date will not be considered.

12. Two identical copies of the essay should be sent to: Dr Tom Nickson, Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN, UK. Envelopes should be clearly marked ‘Artes Essay Medal’. Electronic copies cannot be accepted.

13. Any queries should be directed to tom.nickson@courtauld.ac.uk

JOB: Post-Doc Fellowship, Clark Art Institute, Williamstown, MA, USA

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Bartolomé Estebán Murillo, Fray Julián of Alcalá’s vision of the Ascension of the Soul of King Philip II of Spain 

Starting Date: September 02, 2019
Application deadline: Feb 1, 2019

The Research and Academic Program at the Clark Art Institute announces a postdoctoral fellowship in the history and theory of art. The successful candidate will join a small, committed staff in initiating and implementing a series of programs—colloquia, conferences, workshops, and other collaborations—designed to expand links among institutions engaged in art history, visual studies, art, and curatorial practice. The fellow also provides general support for Research and Academic Program operations.

Applicants must hold the PhD in art history or a related field, as well as possess a knowledge of critical and methodological issues in art history and a demonstrable commitment to issues concerning the discipline’s expanding geography. The position entails no restrictions concerning geographic or historical specialization.

In addition to outstanding academic credentials, the programme seeks a candidate with the following qualities: proven organizational competence; an eye for detail; an ability to manage and coordinate multiple projects simultaneously; exceptional interpersonal skills; an ability to collaborate with large and varied sets of colleagues; and a clear investment in issues of methodology and critical art history.

This is a two-year full-time position that will begin at the start of the academic year 2019-2020. There is the possibility of renewal for a third year.

The fellow will also have access both to a leading art research library and the Research and Academic Program, which is among the country’s most active and stimulating research institutions. The fellow also will have the opportunity to co-host a colloquium related to their research in their second year; for examples of recent events, please consult: https://www.clarkart.edu/rap/events

To apply, please send: cover letter, a current curriculum vitae, a 1-page description of a possible colloquium, and one publication (it may be under review), and (under separate cover) two academic references to the humanresources@clarkart.edu.

Application Deadline: February 1, 2019

Featured Exhibition: After ’68. Art and artistic practices in the Basque Country 1968–2018, Museo de Bellas Artes, Bilbao, until 28 April 2019

exposicion-2-800-268Survey exhibition of some 150 works, including painting, sculpture, photography, video art and works on paper, by nearly 100 artists, covering the five decades from 1968, when a new generation of Basque artists born in the 1940s was joining the art scene, to 2018 when art made by women has become increasingly prominent. It also assesses the importance that the individual and collective careers that emerged in the region have had on both Spanish and international art. The show’s point of departure will be the collection of the Bilbao Fine Arts Museum, which will be joined by important loans from private collections and fellow public institutions—such as the Museo Nacional Centro de Arte Reina Sofía, the Museu d’Art Contemporani de Barcelona, ARTIUM and the Kunstmuseum of Basel—that have placed particular emphasis on acquiring contemporary Basque art. The exhibition, which is curated in-house by Miriam Alzuri, Begoña González and Miguel Zugaza, will be accompanied by a catalogue. Click here for more information.

After ’68. Art and Practices in the Basque Country 1968–2018 is completed in gallery 33 by an exhibition space curated by the musician, producer, journalist and sound artist Xabier Erkizia. This gallery presents original materials—record covers, posters, sound recordings, etc.—which provide a historical view of the musical and sound practices in the Basque Country over these past five decades. This section of the exhibition can be explored through a dedicated microsite at this link.

Opening Event: Enrique Vila-Matas in conversation with Dominique Gonzalez-Foerster, Whitechapel Gallery, London, 17 January 2019

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Carlos Pazos, Milonga, 1980 (detail), Hand-coloured photograph with collage and fluorescent light, 105 × 100 cm. © Carlos Pazos, A+V Agencia de Creadores Visuales, 2019

An exhibition dedicated to “la Caixa” Collection of Contemporary Art opens today at the Whitechapel Gallery, London (17 January–28 April 2019).

Works in the exhibition have been selected from one of Spain’s leading collections of contemporary art by the Spanish novelist Enrique Vila-Matas (born 1948). During 2019 the Caixa collection will be explored at the Whitechapel in four separate displays curated by internationally acclaimed authors, who have also been invited by the Gallery to contribute a fictional text based on their selection. Vila-Matas seeks truth through fiction and values ‘the ambiguity of experience’. Among his selected works is a video by Dora García (b. 1965, Spain) featuring a girl receiving strict instruction on how to perform breathing exercises. In a staged self-portrait by Carlos Pazos (b. 1949, Spain) the artist appears lost in melancholic reverie at a Barcelona nightclub. These small dramas contrast with seemingly timeless landscapes. A mixed media painting by Miquel Barceló (b. 1957, Spain) and a digitally collaged photograph by Andreas Gursky (b. 1955, Germany) take a ground level and an aerial perspective on the land, where the human figure is absent or minute. Click here for more information.

At 7pm on 17 January Vila-Matas will be in conversation in French (with English translation) with his long-time friend the artist Dominique Gonzalez-Foerster and signing copies of his specially written novel Cabinet d’Amateur. Click here for further information and tickets (£9.50).

 

Featured exhibition: Hermen Anglada-Camarasa. Una revisión pictórica de la colección, Caixaforum, Palma de Mallorca, until 30 August 2020

AngladaCamarasaRevisioPictorica_cartell_desktop-v3-esThroughout his career the Catalan painter Hermen Anglada-Camarasa (Barcelona 1871–1959 Pollença) worked mainly in the ‘modernista’ style. During WWI he travelled to Mallorca for the first time and eventually settled for the rest of his life in the north of the island, where in 1967, following the artist’s wishes his house in Pollença was turned into a museum. This exhibition in Palma de Mallorca displays a wide range of his paintings alongside his collection of costume, furniture and Japanese prints, in a setting evocative of his house. 

Click here for more information.

Closing Soon: Antonio María Esquivel (1806-1857): his religious paintings, Museo Nacional del Prado, Madrid, until 20 January

a5493bac-737a-4370-a42f-fafd1725c7dbThe Museo del Prado has restored three paintings considered to be among the most important religious compositions by the leading Spanish Romantic artist Antonio María Esquivel. Esquivel’s work as the creator of religious paintings is barely known despite being among his principal artistic concerns. Now visitors can see The Fall of Lucifer, Christ the Saviour and other works, including a Self-Portrait. The exhibition has been curated by Javier Barón, Prado Senior Curator Nineteenth-century Painting at the Prado. 

Click here to find out more.

Research Seminar: Inigo Thomas, ‘Who was Tomàs Harris?’, UCL, London, 24 January 2019

Harris, Tomas, 1908-1964; Two Olive Trees Grown Together

Tomàs Harris, Two Olive Trees Grown Together, UCL Art Museum © the artist’s estate. Photo credit: UCL Art Museum

This seminar will be dedicated to Tomàs Harris (1908–1964). Harris was a MI5 spy, but also a painter of Spanish landscapes and a scholar of Spanish art. His outstanding collection of prints by Goya is now at the British Museum.

The lecture will take place in Seminar Room 3, UCL History of Art, 20 Gordon Square, London, 6–8pm. Works made or collected by Harris will be on display at UCL Art Museum on the afternoon on the lecture, 2–5:30pm.

Click here for more information.

 

 

What’s your favourite book of 2018? The Mr. and Mrs. Raymond J. Horowitz Book Prize, deadline 1 March 2019

Horowitz_2018Bard Graduate Center welcomes submissions for the 2018 Mr. and Mrs. Raymond J. Horowitz Book Prize, awarded annually to the best book on the decorative arts, design history, or material culture of the Americas. The prize will reward scholarly excellence and commitment to cross-disciplinary conversation. Eligible titles include monographs, exhibition catalogues, and collections of essays in any language, published in print or in digital format. The winning author(s) or editor(s) will be chosen by a committee of Bard Graduate Center faculty and will be honored with a symposium on the subject of the book. Submissions must have a 2018 publication date.

Three copies of each print title should be sent to the below address along with an entry submission form. For digital publications, please email a copy of the form along with a link to the publication and a PDF of the publication to horowitz.prize@bgc.bard.edu.

Horowitz Book Prize Committee
Bard Graduate Center
38 West 86th Street
New York, NY 10024

Submissions must be postmarked by March 1, 2019. There is no limit to the number of submissions, but please note we are unable to return items submitted for review. Incomplete submissions will not be considered. Shipping is the responsibility of the applicant and we are not able to confirm receipt of submissions. The winning title will be announced in later summer 2019.

For questions, contact Laura Minsky, Assistant Director for Research Programs, at horowitz.prize@bgc.bard.edu.

Click here for more information