This exhibition is the first in-depth examination of the pioneering role played by South American artists in the international Kinetic Art movement of the 1950s and 1960s. Grounded by scholarly research into experimental art movements of the late 1940s and early 1950s in Buenos Aires, Caracas, and Rio de Janeiro. Kinesthesia begins its survey with the layered “vibrational” works created by Jesús Rafael Soto for the historic Le Mouvement exhibition at Galerie Denise René in Paris (1955) and goes on to explore more than fifty examples by nine artists, including the works of internationally well-known figures, such as Carlos Cruz-Diez, Gyula Kosice, and Julio Le Parc, alongside the less well known Martha Boto, Horacio García-Rossi, Alejandro Otero, Abraham Palatnik, and Gregorio Vardánega. The exhibition like that at Santa Barbara is part of the Getty Foundation supported Pacific Standard Time: LA/LA, an exploration of Latin American and Latino art in dialogue with Los Angeles.
The Maius Workshop is an interdisciplinary group that brings together graduate students and early career scholars dealing with Hispanic art (broadly considered to include literature, theatre, music, etc.) and history from the Middle Ages to the Early Modern Period. The aim of the Maius Workshop is to encourage dialogue among specialists in different stages of their academic life and to provide a forum for discussing methods of information gathering and research news. The group is kindly supported by ARTES.
The workshop is named after the tenth-century painter of the Morgan Beatus manuscript as it wishes to create an interdisciplinary space where scholars of art and history can interact. Through a series of reading group meetings, the Workshop aims to bring together young researchers tackling the study of Hispanic culture and history and to create a strong network of specialists of Medieval and Early Modern Iberia and Latin America.
Thanks to the new connections that the group will create, the meetings will develop current research rather than present finished projects. The group’s activities are directed to the diffusion of the interest in Iberian and Latin American cultural creations, with the long-term aim of establishing a permanent community open to all students of Hispanic art and history.
The Maius Workshop’s first meeting will take place on Monday 16 October at 6 pm at the Warburg Institute. This will be an informal meeting and an opportunity to meet postgraduate researchers with similar interests, to discuss how these interests can be drawn together in a reading group setting. The meeting is open to MA, PhD and early career researchers. Refreshments will be provided.
If you are interested in the activities of this research group or would like to attend the meeting, please fill in this form
Francisco de Goya, The Duke and Duchess of Osuna and their Children, 1787 – 1788. Oil on unlined canvas, 225 x 174 cm.
El desafío del blanco. Goya and Esteve, retratistas de la Casa de Osuna/portraitists to the House of Osuna, Museo Nacional del Prado, Madrid. Closes 1 October 2017
This displays presents for the first time in the Prado the portrait of Manuela Isidra Téllez-Girón, the future Duchess of Abrantes, which was painted in 1797 by Agustín Esteve y Marqués, and which was recently acquired with the help of funds from the donation by Óscar Alzaga Villaamil. The child’s portrait is considered one of the finest works by the Valencian-born Esteve, the most important court portraitist after Goya. The exhibition brings together for the first time all the portraits painted by Agustín Esteve of the children of the Duke and Duchess of Osuna, on loan from private collections such as the Fundación Casa Ducal de Medinaceli, the Colección Duque del Infantado, Colección Masaveu and Colección Martínez Lanzas-de las Heras. In addition the display is accompanied by portraits of the 9th Duke Osuna, Pedro de Alcántara Téllez-Girón (1755-1807) and his wife and cousin, María Josefa de la Soledad Alonso-Pimentel (1752-1834), and their five children by other court artists including Goya’s family portrait of 1787-88 and a miniature by Guillermo Ducker (fl. 1795-1830) of Joaquina Téllez-Girón, Marchioness of Santa Cruz. The exhibition’s title refers to Esteve’s and Goya’s ability to meet the challenge of representing the transparent and pristine white materials worn by their sitters.
This is the final purchase with the Alzaga funds and in October 2017 the Prado will display the other six paintings in the Alzaga donation, which range from the sixteenth-century to the middle of the nineteenth-century and include works by Sánchez Cotán, Herrera “el Viejo,” Antonio del Castillo, and Eugenio Lucas Velázquez. The display will be accompanied by a catalogue of the donation.
BSS Concert, VIII Edition: Murillo Sacred and Secular in Spanish Art and Song, Guildhall School of Music, London, Monday 23rd October, 6pm to 7pm followed by reception
The concert will be a one-hour illustrated performance titled ‘Sacred and Secular in Spanish Art and Song.’ Curated by Ricardo Gosalbo and Professor Barry Ife, it will commemorate the 400th anniversary of the birth of Murillo. The programme features a rich and varied programme of songs and images celebrating four hundred years of the birth of the Spanish painter Bartolomé Esteban Murillo in 1617. Guildhall postgraduate singers perform settings of Spanish Golden-Age lyrics by Joaquín Turina, Eduard Toldrá, Joaquín Rodrigo, Joaquín Nin, Amadeo Vives, Fernando Obradors and Frederic Mompou against a vibrant backdrop of some of Murillo’s finest drawings and paintings.
Following the stunning performance, guests will have the opportunity to have a small wine reception with the performers.
Tickets: BSS members £15, non members: £25.
Tickets include a glass of wine.
55 tickets available. Book early to avoid disappointment.
Any benefits from ticket sales will go towards the BSS Grants which some of the Guildhall School of Music artists have won. This event is supported by the Guild Hall School of Music and the Embassy of Spain.
Intended to celebrate the Museum’s 150th anniversary, this display focuses on the most important Roman monument in the city, whose architectural and sculptural fragments have formed part of the Museum’s collections since its early history. The exhibition also includes archival documents, sketches, plans and notes made by the mid-nineteenth century excavators of the Roman temple.
The Museu Nacional d’Art de Catalunya has made two major acquisition during the summer.
At an auction held in Barcelona on 31 May 2017 they acquired a panel painting representing the Decapitation of Saint Baudilus, painted by Lluís Dalmau for the old Gothic high altarpiece in the parish church of Sant Boi de Llobregat (Baix Llobregat), one of the few works by the painter to have been conserved.
Lluís Dalmau was one of the principal artists working in Barcelona in the mid 15th century, and was employed at the court of King Alfonso IV. There are only two surviving documented works by this outstanding painter: the famous Virgin of the “Consellers”, made between 1443 and 1445, and the altarpiece from Sant Boi, dated to 1448. The Museu Nacional was able to purchase this exceptional work thanks to a donation by the Palarq Foundation. It will certainly become a well-loved masterpiece of the Museum’s impressive collection of Catalan Gothic painting.
They also acquired 200 photographs by Catalan photographer Oriol Maspons (Barcelona, 1928-2013), thanks to the Nando and Elsa Peretti Foundation. The new acquisition will enable the organisation of a major retrospective dedicated to this photographer in 2019. Moreover, the generosity of the Nando and Elsa Peretti fundation will enable researchers to study the over 7000 photographs and other photographic material deposited at the Museum by the photographer in 2010.
This is the first exhibition to explore the ‘pagan soul’ of sixteenth century sculptor Alonso Berruguete. The exhibition focuses on his fascination with the works of antiquity, which he saw on his sojourn in Italy between about 1508 and 1518, and in particular the influence of the newly discovered group of the struggling Laocoon on Berruguete’s own sacred and secular work in Spain.
The exhibition of sculptures, paintings, drawings and prints is selected from Spanish and international collections and accompanied by a full programme of conferences, guided tours, and concerts as well as a multi-essayed catalogue edited by the exhibition’s curator and deputy director of the Museum, Manuel Arias Martínez.