CFP: Ibero-American Art, Identity and Resistance session at the UAAC-AAUC conference 2021(deadline May 16th)

UAAC Conference 2021, 20-23 October 2021, Online Ibero-American Art, Identity and Resistance session This panel aims to examine works by Ibero-American artists from the colonial period to contemporary times that debate migration and people’s movements across geographies. We seek to debate how artists interpret a new reality with constrained people movement in a pandemic. WeContinue reading “CFP: Ibero-American Art, Identity and Resistance session at the UAAC-AAUC conference 2021(deadline May 16th)”

Ut Pictura Poesis. An evening of Poetry, Art and Art History, Online Event by the School of History & Heritage, Lincoln University, 2 October, 7 pm BST

To register for this event please click here Ut Pictura Poesis brings together poets, performers, writers, artist and art historians to discuss their work and research. The programme will include poetry, art, discussion with two art historians. There will be also some time for questions from the audience on the day. Speakers will include: KadijaContinue reading “Ut Pictura Poesis. An evening of Poetry, Art and Art History, Online Event by the School of History & Heritage, Lincoln University, 2 October, 7 pm BST”

CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020.

CALL FOR PAPERS – deadline tomorrow Deadline – Friday 10 January 2020 Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia. Traditional narratives hold that late fifteenth-century Iberian art and architecture were transformed by the arrival of artists, objects andContinue reading “CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020.”

Islamic Art Circle Lecture: Professor Luis José García-Pulido, ‘Water to Create a Paradise on Earth. The Alhambra and its Hydraulic Supply System’, SOAS, 4 December 2019, Paul Webley Wing (Senate House), Wolfson Lecture Theatre, 7:00–9:00pm

Islamic Art Circle Lecture: Professor Luis José García-Pulido, ‘Water to Create a Paradise on Earth. The Alhambra and its Hydraulic Supply System’, SOAS, 4 December 2019, Paul Webley Wing (Senate House), Wolfson Lecture Theatre, 7:00 PM – 9:00 PM Click here for more information.

CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020

CALL FOR PAPERS Deadline – Friday 10 January 2020 Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia. Traditional narratives hold that late fifteenth-century Iberian art and architecture were transformed by the arrival of artists, objects and ideas from FranceContinue reading “CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020”

New Publication: Kirstin Kennedy, Alfonso X of Castile-León: Royal Patronage, Self-Promotion and Manuscripts in Thirteenth-century Spain (Amsterdam University Press, 2019)

Alfonso X ‘the Learned’ of Castile (1252–1284) was praised in his lifetime as a king who devoted himself to discovering all worldly and divine knowledge. He commissioned chronicles and law codes and composed poems to the Virgin Mary, he gathered together Jewish scholars to translate works of Arab astrology and astronomy, and he founded aContinue reading “New Publication: Kirstin Kennedy, Alfonso X of Castile-León: Royal Patronage, Self-Promotion and Manuscripts in Thirteenth-century Spain (Amsterdam University Press, 2019)”

Maius Workshop Welcome Meeting: Gordon House, London, 10 October 2019, 6:00pm

The Maius Workshop returns for the 2019–20 academic year! Please join us for an informal welcome meeting, which will take place on Thursday 10 October, 2019, at 6:00pm in Room 209 in Gordon House, 29 Gordon Square, Bloomsbury, London WC1H 0PP (at UCL, but just outside the main campus: click here for directions) This eventContinue reading “Maius Workshop Welcome Meeting: Gordon House, London, 10 October 2019, 6:00pm”

New Publication: Carmen Fracchia, ‘”Black but Human” Slavery and Visual Arts in Hapsburg Spain, 1480–1700’ (Oxford and New York: Oxford University Press, 2019)

In ‘Black but Human’ Carmen Fracchia, Reader in Hispanic Art History at Birkbeck, explores the emergence of the slave and freed slave subjects in the visual form of Imperial Spain. The book considers the links between visual regimes and early modern Spanish discourses on slavery and human diversity that are the historic roots of contemporaryContinue reading “New Publication: Carmen Fracchia, ‘”Black but Human” Slavery and Visual Arts in Hapsburg Spain, 1480–1700’ (Oxford and New York: Oxford University Press, 2019)”

Thoma Foundation Grants in Spanish Colonial Art, deadline 25 October 2019

MARILYNN THOMA FELLOWSHIP IN SPANISH COLONIAL ART The Carl & Marilynn Thoma Art Foundation offers Pre-doctoral and Post-doctoral fellowships annually in support of projects and research initiatives that will advance the field of Spanish colonial art. The Marilynn Thoma Fellowship is the only unrestricted research funding in the United States devoted exclusively to the fieldContinue reading “Thoma Foundation Grants in Spanish Colonial Art, deadline 25 October 2019”

Lecture: ‘Bartolomé Bermejo. Master of the Spanish Renaissance’, by Akemi Herráez Vossbrink, Conference Room 1, National Gallery, London, 4 September 2019, 2:30–3:30pm

ARTES committee member Akemi Herráez Vossbrink, assistant curator of the exhibition “Bartolomé Bermejo. Master of the Spanish Renaissance” at The National Gallery, will give a lecture on the life and works of this Spanish painter. Bartolomé Bermejo was a fifteenth-century Spanish artist whose painting technique, mixing Spanish and Netherlandish features, was unparalleled amongst his IberianContinue reading “Lecture: ‘Bartolomé Bermejo. Master of the Spanish Renaissance’, by Akemi Herráez Vossbrink, Conference Room 1, National Gallery, London, 4 September 2019, 2:30–3:30pm”