ARTES committee member Akemi Herráez Vossbrink, assistant curator of the exhibition “Bartolomé Bermejo. Master of the Spanish Renaissance” at The National Gallery, will give a lecture on the life and works of this Spanish painter. Bartolomé Bermejo was a fifteenth-century Spanish artist whose painting technique, mixing Spanish and Netherlandish features, was unparalleled amongst his IberianContinue reading “Lecture: ‘Bartolomé Bermejo. Master of the Spanish Renaissance’, by Akemi Herráez Vossbrink, Conference Room 1, National Gallery, London, 4 September 2019, 2:30–3:30pm”
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Opens Today: Bartolomé Bermejo: Master of the Spanish Renaissance, National Gallery, London, until 29 September 2019
Bermejo is one of the greatest Spanish artists of the second half of the 15th century. This exhibition, in the National Gallery’s Room 1, brings two of his masterpieces: the triptych of the ‘Madonna of Montserrat’ from the cathedral at Acqui Terme, Alessandria (Italy) and the ‘Piedad Desplà’ from Barcelona Cathedral, to the UK for theContinue reading “Opens Today: Bartolomé Bermejo: Master of the Spanish Renaissance, National Gallery, London, until 29 September 2019”
‘Bartolomé Bermejo: Master of the Spanish Renaissance’ Study Morning, Thursday 27 June 2019, 9:00 am, The National Gallery, London
ARTES members are cordially invited to an informal study morning in the exhibition Bartolomé Bermejo: Master of the Spanish Renaissance, which will open on 12 June at the National Gallery, London (until 29 September 2019). Programme (27 June 2019) 9:00 am: Meet at The National Gallery’s West Entrance (Staff Entrance to the left of theContinue reading “‘Bartolomé Bermejo: Master of the Spanish Renaissance’ Study Morning, Thursday 27 June 2019, 9:00 am, The National Gallery, London”
CFP: Arts and Models of Democracy in post-authoritarian Iberian Peninsula, University of Huddersfield, 28–29 November 2019
The process of democratisation in Portugal and Spain originated from a similar socio-political context. Besides having an almost identical geographical context, two long authoritarian and military dictatorships shaped the two counties on the basis of a nationalist and deeply catholic identity. From the point of view of popular culture, both dictatorships promoted a disengaged culture, based on songs, football matches, bullfights andContinue reading “CFP: Arts and Models of Democracy in post-authoritarian Iberian Peninsula, University of Huddersfield, 28–29 November 2019”
New Web Resource: Latin American and Caribbean Contemporary Art Web Archive
The Latin American and Caribbean Contemporary Art Web Archive is a collection developed by the Ivy Plus Libraries Confederation‘s Art & Architecture Librarians, and is an extension of an existing effort focused on collecting publications in all formats that document contemporary art and artists of Latin America and the Caribbean. The agreement defines contemporary artContinue reading “New Web Resource: Latin American and Caribbean Contemporary Art Web Archive”
ARTES Event: Visit to Kingston Lacy, Dorset, May 9, 2019
ARTES has organised a tour of Kingston Lacy, the country estate of the Bankes family. The house has an important art collection, including works by Velázquez, Tintoretto, Rubens, Van Dyck and Brueghel. It is also famous for its ‘Golden’ or ‘Spanish Room’, featuring an early 17th-century Venetian ceiling and hangings of gilded leather. In 1857 Gustav WaagenContinue reading “ARTES Event: Visit to Kingston Lacy, Dorset, May 9, 2019”
Maius Workshop Meeting: Alex Letvin, ‘Baroque Rivals? Zurbarán and Murillo Between Seville and Madrid’
The next meeting of the Maius Workshop will take place on 18 February, 5–6pm, in the Research Forum, Courtauld Institute of Art, Vernon Square, Penton Rise, Kings Cross, London WC1X 9EW (*Please note the change of address). Alex Letvin, Andrew W. Mellon and Maude de Schauensee Postdoctoral Curatorial Fellow in the Department of European Painting and Sculpture at the Philadelphia MuseumContinue reading “Maius Workshop Meeting: Alex Letvin, ‘Baroque Rivals? Zurbarán and Murillo Between Seville and Madrid’”
200 Years of the Museo del Prado, 1819–2019
On 19 November 1819 Ferdinand VII of Spain inaugurated the Museo Real de Pinturas. Over the following two centuries, the new institution would turn into the Museo Nacional del Prado, one of the world’s most visited museums with an unparalleled collection of around 8,200 drawings, 7,600 paintings, 4,800 prints, and 1,000 sculptures. The Museum will celebrateContinue reading “200 Years of the Museo del Prado, 1819–2019”
Closing Soon! ‘Ribera: Art of Violence’, Dulwich Picture Gallery, London, until 27 January 2019
This is the first exhibition in the UK dedicated to the Spanish Baroque painter, draughtsman and printmaker Jusepe de Ribera (1591–1652). Born in Játiva, Valencia, Ribera emigrated to Italy as a young artist. Proud of his Spanish heritage, he eventually settled in Naples, then a Spanish territory, but never again returned to Spain. A hybrid figure,Continue reading “Closing Soon! ‘Ribera: Art of Violence’, Dulwich Picture Gallery, London, until 27 January 2019”
Featured Exhibition: After ’68. Art and artistic practices in the Basque Country 1968–2018, Museo de Bellas Artes, Bilbao, until 28 April 2019
Survey exhibition of some 150 works, including painting, sculpture, photography, video art and works on paper, by nearly 100 artists, covering the five decades from 1968, when a new generation of Basque artists born in the 1940s was joining the art scene, to 2018 when art made by women has become increasingly prominent. It alsoContinue reading “Featured Exhibition: After ’68. Art and artistic practices in the Basque Country 1968–2018, Museo de Bellas Artes, Bilbao, until 28 April 2019”
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