Tag Archives: Spanish Art

'Picasso and Paper': An Exhibition at the RA and a Programme of Events Organised by the Instituto Cervantes London

Picasso didn’t just draw on paper – he tore it, burnt it, and made it three-dimensional. From studies for ‘Guernica’ to a 4.8-metre-wide collage, this major exhibition, open until 13 April 2020 at the Royal Academy, brings together more than 300 works on paper spanning the artist’s 80-year career. Click here for more information.

In conjunction with the exhibition, the Instituto Cervantes has organised a programme of talks and concerts paying homage to the famous Spanish artist.

Murillo Study Day, National Gallery of Ireland, Dublin, 28 February 13.30–17.30

This event will feature an afternoon of presentations and a special exhibition preview in celebration of the opening of Murillo: The Prodigal Son Restored at the National Gallery of Ireland.

Showcasing a unique series of works by one of the most celebrated artists of the Spanish Golden Age, Bartolomé Esteban Murillo (1617-1682), this in-focus exhibition explores themes of sin, repentance and forgiveness across six remarkable canvases. Donated to the National Gallery of Ireland by the Beit family in 1987, the six works have not been displayed together publicly for several decades. Murillo: The Prodigal Son Restored will celebrate the recent conservation of the series, which has revived the splendour of Murillo’s colours, brushwork, and mastery of narrative.

12pm – 1.15pmExhibition preview (Present your ticket for admission) Hugh Lane Room, Beit Wing, Level 3
1.15pm – 1.25pmRegistration Lecture Theatre, Beit Wing, Level -1
1.30pmWelcome Sean Rainbird, Director, National Gallery of Ireland
1.35pmIntroduction  Dr Aoife Brady, Curator, National Gallery of Ireland
1.50pmMurillo: The Prodigal Son Revisited Muirne Lydon, Conservator, National Gallery of Ireland
2.10pmThe Prodigal Son series. “Quatro cuadritos” by Murillo in the Museo del Prado. Elena Cenalmor Bruquetas, Researcher, Museo del Prado
2.30pmDiscoveries and Display: Murillo’s Virgin and Child in Glory Kate O’Donoghue, Curator, National Museums Liverpool, Walker Art Gallery
2.55pmQuestions and discussion
3.10pmTea / coffee Courtyard
3.50pmIntroduction Prof. Stefano Cracolici, Director, Zurbarán Centre
4pm“All rooms are furnished with great works of art” – the Beit collection Pauline Swords, Curator, Russborough, Co. Wicklow
4.20pmA Painter of Street Urchins and Beggars? The perception of Murillo in Britain. Isabelle Kent, Independent scholar
4.40pm“Something of immortal value”: Murillo at the Meadows Museum Dr Amanda Dotseth, Curator, Meadows Museum, Dallas
5.05pmQuestions and discussion
5.20pmClose

Click here for more information and to book tickets (Full price €25, students/OAPs €22.50, Friends €20)

Closing Soon: 'Goya, génie d'avant-garde, le maître et son école', Agen, France, until 10 February 2020

The City of Agen and its Fine Arts Museum, located between Bordeaux and Toulouse in the South-west of France, will present, over the winter of 2019–2020, an outstanding exhibition with a fresh and unexpected view on Francisco de Goya y Lucientes (1746–1828) and his work.


Through a selection of works in several media (paintings, drawings, engravings), the exhibition will demonstrate the essential characteristics that remain constant in Goya’s work and reveal the role played by his collaborators in his studio.


The Museum’s scientific team is assisted in this project by one of the specialists of Goya’s work, Juliet Wilson-Bareau, and the event has received personal support from the French Minister of Culture.


Nearly 90 works loaned by museums and private collections around the world (France, Germany, Hungary, Spain, Switzerland, UK, USA) will be on display in the Jacobins’ Church (Église des Jacobins), an Agen architectural jewel and an emblematic place for the Museum’s temporary exhibitions.


Click here for an exhibition leaflet, and here for practical information.

Job: Professor and Director of the Zurbarán Centre for Spanish and Latin American Art, School of Modern Languages and Cultures Durham University, UK, deadline 17th January 2020

Responsible to: Head of Department

Grade: Grade 10

Salary Range: Competitive salary based on our professorial Pay Scales (starting at £64,606 and going considerably higher based on experience)

Working arrangements: The role is full time, but we will consider requests for flexible working arrangements including potential job shares.

Open date: 30 September 2019

Closing date: 17 January 2020 at 12pm midday     

Preferred start date: Successful candidates will ideally be in post by 01 September 2020.

We are seeking an outstanding academic leader and scholar in Spanish and Latin American Art and/or Visual Culture to direct the interdisciplinary Zurbarán Centre for Spanish and Latin American Art, a collaborative venture with The Auckland Project.

The Director will be an internationally recognised authority in her/his field who will act as an intellectual entrepreneur, developing academic contacts within Durham University, as well as nationally and internationally, and work in close collaboration with The Auckland Project’s forthcoming Spanish Gallery in Bishop Auckland – the central impetus for the creation of the Zurbarán Centre – on research, programming, and the development of joint initiatives. The Director will be located in an appropriate academic department of Durham University (Faculty of Arts and Humanities).

Auckland Castle, at the heart of The Auckland Project, is one of the most important working episcopal palaces in Europe, the seat of the Prince Bishops of Durham since the twelfth century. For more than 250 years, Auckland Castle has been home to the internationally significant cycle of masterpieces from the Spanish Golden Age, Jacob and his Twelve Sons by Francisco de Zurbarán, the inspiration for The Zurbarán Centre. Financier Jonathan Ruffer set up Auckland Castle Trust in 2012 (now The Auckland Project) to secure the future of the Zurbaráns in Bishop Auckland.

Durham University formally established the Zurbarán Centre in October 2016. The Centre’s collaboration with the Spanish Gallery will provide an unusual opportunity to combine engagement with connoisseurship of a new permanent collection with scholarship of, particularly, Golden Age art, playing to Durham University’s established strengths in Spanish and Latin American studies. The Centre is an embedded part of Durham University located in Bishop Auckland, where the Director will be primarily based.

This represents an exciting opportunity to further the ambitions of both partner organisations to become the leading home for the study and appreciation of Spanish and Latin American art. Over the past three years, the Centre has fostered research in Spanish and Latin American art in a global context, with a special focus on the art of Medieval Spain, the Spanish Golden Age, Mexican national art, the 19th-century history of collecting, and Spanish and Latin American cinema and photography.

New Exhibition and CEEH Publication: VALENTÍN CARDERERA Y SOLANO, Biblioteca Nacional de España, Madrid, September 27, 2019 – January 12, 2020

VALENTÍN CARDERERA Y SOLANO (Huesca, 1796 – Madrid, 1880) was a painter, scholar, communicator, collector and traveller. His life was marked by his efforts to safeguard Spain’s historical heritage and he journeyed around much of the Spanish mainland to bear witness in his drawings and watercolours to significant monuments, many at risk of disappearance as a result of the modernising drive ushered in by the new liberal order. Member of the Romantic generation and friends with the Madrazo family, Carderera was also in contact with some other figures like Richard Ford and Prosper Mérimée, with whom he shared the same nostalgia for the past and the need to define his position in the complex debate between tradition and progress.

The exhibition—featuring more than a hundred pieces including paintings, drawings, engravings, manuscripts, books, maps and objects—pays tribute to Carderera’s work and the significant legacy he left in the Biblioteca Nacional de España. In 1867 the Spanish State adquired his collection of drawings and prints: more than 45.000 pieces which enriched the department of Fine Arts with engravings of Mantegna, Dürer and Rembrandt, among others, along with one of the very few drawings attributed to Velázquez. Click here for more information.

The exhibition opens on 27 September in the Biblioteca Nacional de España’s Sala Hipóstila. It was curated by José María Lanzarote Guiral and organised by the Biblioteca Nacional de España and Centro de Estudios Europa Hispánica.

It is accompanied by a an exhibition catalogue which reconstructs Carderera’s intense life in six thematic sections, published by CEEH. Until 25 September, the catalogue can be purchased from the CEEH website at special discount price. Click here for more information.

Lecture: ‘Bartolomé Bermejo. Master of the Spanish Renaissance’, by Akemi Herráez Vossbrink, Conference Room 1, National Gallery, London, 4 September 2019, 2:30–3:30pm

ARTES committee member Akemi Herráez Vossbrink, assistant curator of the exhibition “Bartolomé Bermejo. Master of the Spanish Renaissance” at The National Gallery, will give a lecture on the life and works of this Spanish painter.

Bartolomé Bermejo was a fifteenth-century Spanish artist whose painting technique, mixing Spanish and Netherlandish features, was unparalleled amongst his Iberian contemporaries. He had a limited output of less than twenty paintings of which seven are featured in the current National Gallery exhibition. This is the first time that six of these paintings are shown in the UK and the restoration of the National Gallery’s painting of Saint Michael Triumphs over the Devil (1468) has enabled the Gallery to showcase Bermejo’s earliest masterpiece. Following the two major Bermejo retrospectives at the Prado Museum and the MNAC (Barcelona), this exhibition features paintings ranging from different periods of Bermejo’s career demonstrating his development as he moved throughout the Crown of Aragon (mostly encompassing territories in eastern Spain). This talk will focus on the seven paintings shown in the exhibition considering them within their context and retracing Bermejo’s artistic career. Bermejo’s Saint Michael, the Acqui Terme triptych and the Desplà Pietà (reproduced above), will receive special attention in the lecture, which will compare their donors, production, intended location and historical context.

This event is for a general audience and is organised by the Instituto Cervantes — London. Free, reistration required. Click here to register.

Pre- and Post-Doctoral Fellowships at the Meadows Museum, Dallas, Texas

Center for Spain in America (CSA) Curatorial Fellowship

Pre-doctoral fellowships are supported by the Center for Spain in America (CSA). The Centro de Estudios Europa Hispánica (CEEH) and the Center for Spain in America (CSA) encourage studies on Spanish history, art and literature by establishing doctoral and postdoctoral scholarships at European and American universities, as well as at research centers whose holdings are particularly relevant to the knowledge of Spanish culture. They likewise establish assistantships for curatorial work at museums with significant holdings of Spanish painting.

Requirements:

  • Pre-doctoral students who have completed their course work
  • At least one year of curatorial experience in an art museum; demonstrated knowledge in the field of Spanish art; proficient in Spanish (reading, writing, and speaking).
  • Is appointed by and reports to the director and curatorial staff of the Meadows Museum.
  • Serves a full-time appointment of one year, beginning in September 2020.
  • Performs curatorial research and is responsible for projects as assigned.
  • Travel stipend for research as well as trips to Spain and other destinations as directed by the museum director to perform research and project-based assignments.

Applicants must submit:

  • A full résumé
  • Three letters of recommendation
  • A statement (not to exceed 1500 words) specifying:
    • 1) the applicant’s research goals;
    • 2) how these goals relate to or will benefit the Meadows Museum; and
    • 3) how resources at the Meadows Museum, Southern Methodist University and travel related research might be used to accomplish those goals.
  • Applications and letters of recommendation must be received by November 22, 2019. Electronic submissions will not be accepted.

Mail to:

Anne Kindseth
Interim Director of Education
Meadows Museum
P.O. Box 750357
Dallas, Texas 75275-0357

For more information, please contact: akindseth@smu.edu

Mellon Curatorial Fellowship

Post-doctoral fellowships are supported by The Andrew W. Mellon Foundation, which seeks to strengthen, promote, and defend the centrality of the humanities and the arts to human flourishing and to the well-being of diverse, fair, and democratic societies. To this end, its core programs support exemplary and inspiring institutions of higher education and culture.

Requirements:

  • Post-doctoral students who have earned their Ph.D. within the last five years
  • At least one year of curatorial experience in an art museum; demonstrated knowledge in the field of Spanish art; proficient in Spanish (reading, writing, and speaking).
  • Is appointed by and reports to the director and curatorial staff of the Meadows Museum.
  • Serves a full-time appointment of two years, beginning in September 2020.
  • Performs curatorial research and is responsible for projects as assigned.
  • Travel stipend for research as well as trips to Spain and other destinations as directed by the museum director to perform research and project-based assignments.
  • Author a scholarly article for publication and present at least two public lectures, as well as actively participate in the research and organization of special exhibitions or projects.
  • Culminate fellowship by organizing a scholarly, international, two-day colloquium focusing on new research in Spanish art history.

Applicants must submit:

  • A full résumé
  • Three letters of recommendation
  • A statement (not to exceed 1500 words) specifying:
    • 1) the applicant’s research goals;
    • 2) how these goals relate to or will benefit the Meadows Museum; and
    • 3) how resources at the Meadows Museum, Southern Methodist University and travel related research might be used to accomplish those goals.
  • Applications and letters of recommendation must be received by November 22, 2019. Electronic submissions will not be accepted.

Click here for more information