Applications are invited for a 0.7 FTE (24.5 hours per week) Teaching Fellow in History of Art (19th century Europe), to start on 1 August 2020, fixed term for 1 year.
There is a preference for specialism in Spanish art or orientalism, but specialists in any area of nineteenth-century European or Latin American art are invited to apply. We welcome versatile applicants who have secondary interests in areas of high student need, for example curation, museum studies or the theory and historiography of art history.
The Arts Society Connected (formerly NADFAS, the National Association of Decorative & Fine Arts Societies) is a new digital platform being launched on 7th April by The Arts Society, the UK’s leading arts education charity. Free to both The Arts Society’s 90,000 Members as well as the general public, The Arts Society Connected will host a series of fortnightly lectures by the UK’s leading art historians, as well as film screenings, live author Q&As and a community forum for anyone using the platform. The aim of the platform is to help older Members of the population stay connected, educated, entertained and informed over the next three months. The core aims of the charity are to create a better, healthier and more connected society through the power of the arts to nourish and empower. The platform will create a welcoming community for both existing Members as well as the general public.
The Arts Society has moved quickly in response to the COVID-19 crisis to create this digital platform as a large proportion of Members are aged 70 and above and will be forced to isolate over the coming months. The Arts Society consists of 380 individual Membership groups, who organise regular lectures and educational trips to museums and galleries throughout the year. With the inability of Members to meet in person, The Arts Society Connected will ensure that Members are able to stay connected online even while they remain in isolation. The Arts Society is working with its directory of Accredited Lecturers to create exclusive video lectures for the new platform. Lectures will be uploaded every other Tuesday at 11am. Members will be encouraged to take part in a community moment, when anyone planning on watching the talk can make a cup of tea at home and join the community forums online for a chat before and after the lecture. The lecturer will also be available to answer questions in the community forums following their lecture.
The platform features an inaugural lectureon Las Meninas by Velázquez by Arts Society Accredited Lecturer, art historian and linguist, Jacqueline Cockburn.
ARTES members are invited to join this Facebook group, to request and share scans (insofar as they do not violate U.S. or international copyright laws) of scholarly texts and primary sources in aid of remote research by independent and affiliated scholars of early modern Spain. The focus of this group is history and history of art, but all scholars of early modern Spain are welcome.
The School of Art History at the University of St Andrews is delighted to invite applications for the John Phillip Doctoral Scholarship in Spanish Art and Visual Culture, to start in September 2020.
Generously funded by the Centro de Estudios Europa Hispánica (CEEH), the doctoral scholarship is named after the nineteenth-century Scottish artist John Phillip (1817-1867), who travelled extensively in Spain, and whose work was strongly inspired by the art of Velázquez and Murillo.
The scholarship is available to both Home/EU and Overseas candidates, and is tenable for three years (full-time). It is a full scholarship, covering tuition fees, plus an annual stipend of £15,285 for living expenses, and an annual research allowance of £5,000.
The scholarship will fund a doctoral research project that focuses on the history of Spanish art and visual culture between ca. 1600 and 1700. We will also consider research projects devoted to the reception of seventeenth-century Spanish art in later periods, up to ca. 1900.
Six remarkable paintings by one of the most celebrated painters of the Spanish Golden Age, Bartolomé Esteban Murillo (1617–1682), have been conserved and researched at the National Gallery of Ireland. They depict the parable of the Prodigal Son. Fascinating details uncovered during the conservation project and a number of related prints will be displayed alongside the series, revealing the secrets of the artistic process of this master storyteller.
Picasso didn’t just draw on paper – he tore it, burnt it, and made it three-dimensional. From studies for ‘Guernica’ to a 4.8-metre-wide collage, this major exhibition, open until 13 April 2020 at the Royal Academy, brings together more than 300 works on paper spanning the artist’s 80-year career. Click here for more information.
In conjunction with the exhibition, the Instituto Cervantes has organised a programme of talks and concerts paying homage to the famous Spanish artist.
This event will feature an afternoon of presentations and a special exhibition preview in celebration of the opening of Murillo: The Prodigal Son Restored at the National Gallery of Ireland.
Showcasing a unique series of works by one of the most celebrated artists of the Spanish Golden Age, Bartolomé Esteban Murillo (1617-1682), this in-focus exhibition explores themes of sin, repentance and forgiveness across six remarkable canvases. Donated to the National Gallery of Ireland by the Beit family in 1987, the six works have not been displayed together publicly for several decades. Murillo: The Prodigal SonRestored will celebrate the recent conservation of the series, which has revived the splendour of Murillo’s colours, brushwork, and mastery of narrative.
12pm – 1.15pm
Exhibition preview (Present your ticket for admission) Hugh Lane Room, Beit Wing, Level 3
1.15pm – 1.25pm
Registration Lecture Theatre, Beit Wing, Level -1
Welcome Sean Rainbird, Director, National Gallery of Ireland
Introduction Dr Aoife Brady, Curator, National Gallery of Ireland
Murillo: The Prodigal Son Revisited Muirne Lydon, Conservator, National Gallery of Ireland
The Prodigal Son series. “Quatro cuadritos” by Murillo in the Museo del Prado. Elena Cenalmor Bruquetas, Researcher, Museo del Prado
Discoveries and Display: Murillo’s Virgin and Child in Glory Kate O’Donoghue, Curator, National Museums Liverpool, Walker Art Gallery
Questions and discussion
Tea / coffee Courtyard
Introduction Prof. Stefano Cracolici, Director, Zurbarán Centre
“All rooms are furnished with great works of art” – the Beit collection Pauline Swords, Curator, Russborough, Co. Wicklow
A Painter of Street Urchins and Beggars? The perception of Murillo in Britain. Isabelle Kent, Independent scholar
“Something of immortal value”: Murillo at the Meadows Museum Dr Amanda Dotseth, Curator, Meadows Museum, Dallas
Questions and discussion
Click here for more information and to book tickets (Full price €25, students/OAPs €22.50,Friends €20)
The City of Agen and its Fine Arts Museum, located between Bordeaux and Toulouse in the South-west of France, will present, over the winter of 2019–2020, an outstanding exhibition with a fresh and unexpected view on Francisco de Goya y Lucientes (1746–1828) and his work.
Through a selection of works in several media (paintings, drawings, engravings), the exhibition will demonstrate the essential characteristics that remain constant in Goya’s work and reveal the role played by his collaborators in his studio.
The Museum’s scientific team is assisted in this project by one of the specialists of Goya’s work, Juliet Wilson-Bareau, and the event has received personal support from the French Minister of Culture.
Nearly 90 works loaned by museums and private collections around the world (France, Germany, Hungary, Spain, Switzerland, UK, USA) will be on display in the Jacobins’ Church (Église des Jacobins), an Agen architectural jewel and an emblematic place for the Museum’s temporary exhibitions.
Click here for an exhibition leaflet, and here for practical information.
Salary Range: Competitive salary based on our professorial Pay Scales (starting at £64,606 and going considerably higher based on experience)
Working arrangements: The role is full time, but we will consider requests for flexible working arrangements including potential job shares.
Open date: 30 September 2019
Closing date:17 January 2020 at 12pm midday
Preferred start date: Successful candidates will ideally be in post by 01 September 2020.
We are seeking an outstanding academic leader and scholar in Spanish and Latin American Art and/or Visual Culture to direct the interdisciplinary Zurbarán Centre for Spanish and Latin American Art, a collaborative venture with The Auckland Project.
The Director will be an internationally recognised authority in
her/his field who will act as an intellectual entrepreneur, developing
academic contacts within Durham University, as well as nationally and
internationally, and work in close collaboration with The Auckland
Project’s forthcoming Spanish Gallery in Bishop Auckland – the central
impetus for the creation of the Zurbarán Centre – on research,
programming, and the development of joint initiatives. The Director will
be located in an appropriate academic department of Durham University
(Faculty of Arts and Humanities).
Auckland Castle, at the heart of The Auckland Project, is one of the
most important working episcopal palaces in Europe, the seat of the
Prince Bishops of Durham since the twelfth century. For more than 250
years, Auckland Castle has been home to the internationally significant
cycle of masterpieces from the Spanish Golden Age, Jacob and his Twelve Sons
by Francisco de Zurbarán, the inspiration for The Zurbarán Centre.
Financier Jonathan Ruffer set up Auckland Castle Trust in 2012 (now The
Auckland Project) to secure the future of the Zurbaráns in Bishop
Durham University formally established the Zurbarán Centre in October 2016. The Centre’s collaboration with the Spanish Gallery will provide an unusual opportunity to combine engagement with connoisseurship of a new permanent collection with scholarship of, particularly, Golden Age art, playing to Durham University’s established strengths in Spanish and Latin American studies. The Centre is an embedded part of Durham University located in Bishop Auckland, where the Director will be primarily based.
This represents an exciting opportunity to further the ambitions of both partner organisations to become the leading home for the study and appreciation of Spanish and Latin American art. Over the past three years, the Centre has fostered research in Spanish and Latin American art in a global context, with a special focus on the art of Medieval Spain, the Spanish Golden Age, Mexican national art, the 19th-century history of collecting, and Spanish and Latin American cinema and photography.
VALENTÍN CARDERERA Y SOLANO (Huesca, 1796 – Madrid, 1880) was a painter, scholar, communicator, collector and traveller. His life was marked by his efforts to safeguard Spain’s historical heritage and he journeyed around much of the Spanish mainland to bear witness in his drawings and watercolours to significant monuments, many at risk of disappearance as a result of the modernising drive ushered in by the new liberal order. Member of the Romantic generation and friends with the Madrazo family, Carderera was also in contact with some other figures like Richard Ford and Prosper Mérimée, with whom he shared the same nostalgia for the past and the need to define his position in the complex debate between tradition and progress.
The exhibition—featuring more than a hundred pieces including paintings, drawings, engravings, manuscripts, books, maps and objects—pays tribute to Carderera’s work and the significant legacy he left in the Biblioteca Nacional de España. In 1867 the Spanish State adquired his collection of drawings and prints: more than 45.000 pieces which enriched the department of Fine Arts with engravings of Mantegna, Dürer and Rembrandt, among others, along with one of the very few drawings attributed to Velázquez. Click here for more information.
The exhibition opens on 27 September in the Biblioteca Nacional de España’s Sala Hipóstila. It was curated by José María Lanzarote Guiral and organised by the Biblioteca Nacional de España and Centro de Estudios Europa Hispánica.
It is accompanied by a an exhibition catalogue which reconstructs Carderera’s intense life in six thematic sections, published by CEEH. Until 25 September, the catalogue can be purchased from the CEEH website at special discount price. Click here for more information.