Tag Archives: Sculpture

Featured Exhibitions: Lucio Fontana. On the Threshold, Met Breuer/Lucio Fontana: Spatial Environment (1968), El Museo del Barrio, New York, until 14 April 2019

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Spatial Concept, The Bread (Concetto Spaziale, Il Pane) Lucio Fontana (Italian, 1899–1968) | Fondazione Lucio Fontana, Milan

The first major survey of Lucio Fontana (1899–1968) in the United States in more than forty years, this exhibition will reexamine the career of one of the most innovative artists of the twentieth century. The Argentine-Italian artist is widely known for his Cuts series, slashed paintings that became symbols of the postwar era. The exhibition will present extraordinary examples of this iconic body of work. It will also explore Fontana’s beginnings as a sculptor, including his exquisite work in ceramic, as well as his pioneering environments, contextualizing the radical gesture of his Cuts as part of the artist’s broader search to integrate the space of art and the space of the viewer.

Click here for more information.

Another striking work by Fontana will is on show at El Museo del Barrio during the run of the Met exhibition. Presented at Documenta 4 in Kassel, Germany, in 1968, Spatial Environment [Ambiente Spaziale] is an immersive, all-white, labyrinthine work of art conceived in relation to the artist’s innovative Spatialism movement.

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Images: Lucio Fontana, Ambiente spaziale in Documenta 4, a Kassel, 1968/2017, installation view at Pirelli, HangarBicocca, Milan, 2017. Courtesy Pirelli, HangarBicocca, Milan. ©Fondazione Lucio Fontana | Photo: Lorenzo Palmieri

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Closing Soon: Cristina Iglesias: entrǝspacios/interspaces, Fundación Botín, Santander, closes 3 March 2019

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Corredor Suspendido I, 2006 925 x 795 cm Hierro dulce trenzado, cables de acero y sombra. Vista de instalación Museo Nacional Centro de Arte Reina Sofía, 2013 Foto: Attilio Maranzano

A recipient of Spain’s National Visual Arts Award in 1999, Cristina Iglesias (San Sebastián, 1956) is an internationally renowned Spanish artist. This exhibition consists of a huge collection of pieces that will be on display on the second floor of the west wing of the Centro Botín. Well-known for her sculptural pieces with hanging pavilions, latticework, corridors and labyrinths, Iglesias combines industrial materials and natural elements to create unusual, experiential spaces.

Cristina Iglesias has developed a close relationship with the Fundación Botín and its recently opened arts centre in Santander. This relationship translated into a site-specific sculptural intervention at the Centro Botín and the Pereda Gardens, titled Desde lo subterráneo (From the Underground), which features four pools and a pond in stone, iron and water. Moreover, in September 2018, Iglesias led a Villa Iris Visual Arts Workshop, an annual project sponsored by the Botín Foundation since 1994. The latest grand exhibition by Cristina Iglesias in Spain was on at the Reina Sofía Museum and Arts Centre in 2013. Her upcoming exhibition at the Centro Botín will offer a great chance to enjoy both her older and more recent pieces.

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CFP: The Saint Enshrined: European Tabernacle-altarpieces, c.1150-1400, Valladolid, June 7–8, 2019

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 Tabernacle-shrine from Mule,
Iceland, now in the Nationalmuseet
in Conpenhagen; c.1250.
Photo: Justin Kroesen

Almost every Medieval church had one or more sculptures of saints, many of which were placed on altars, in wall niches or in so-called tabernacle-altarpieces. This last category refers to three-dimensional, canopied structures, embellished with bright colours and equipped with movable wings that housed cult images of the Virgin and Child or saints. This early type of altarpiece became widespread in Europe between c.1150 and 1400. Nowadays, examples are scarce and often fragmented, overpainted and reconstructed. Most of them come from the geographical periphery of Europe and almost all of them are now without their original context, as they hang on museum walls or in churches as isolated relics.

The purpose of this international symposium is to explore and discuss early tabernacle-altarpieces in different regions of Europe: their provenance, patronage, function, and role in popular piety. We invite speakers to submit proposals for 15-minute papers to be presented during the symposium. Proposals should go beyond case studies and look at such topics as the use and re-use of tabernacle-altarpieces, media involved in their creation, regional differences, etc.

How to Submit: Proposals of c.300 words should be submitted to Fernando Gutiérrez Baños, fbanos@fyl.uva.es.

Deadline: Friday 18th of January 2019.

All proposals will be examined by the Scientific Committee. It is hoped that an edited volume of the symposium proceedings will be published. Successful candidates will be offered free registration.

SCIENTIFIC COMMITTEE: Fernando Gutiérrez Baños, Universidad de Valladolid; Justin Kroesen, Universitetsmuseet i Bergen; Elisabeth Andersen, Norsk institutt for kulturminneforskning.

KEYNOTE SPEAKERS: These will include members of the Scientific Committee; Stephan Kemperdick, Staatliche Museen zu Berlin, Gemäldegalerie; Teresa Laguna Paúl, Universidad de Sevilla; Cristiana Pasqualetti, Università degli Studi dell’Aquila; and Alberto Velasco Gonzàlez, Museu de Lleida: diocesà i comarcal.

PROGRAM (PROVISIONAL): Friday 7th  of June, session held in the Universidad de Valladolid (Facultad de Filosofía y Letras, Sala de Juntas); Saturday 8th  of June, field trip to sites in the Diocese of Vitoria.

Call for Applications: Sculptural Workshops, Botín Foundation, Santander, 17–28 September 2018—deadline 10 August

901c9487cb6fed6497d73096ee245fbd-cristina-iglesias-land-artSince 1994, the Sculptural Workshops of the Botín Foundation have brought together in Santander young artists from all over the world, to work alongside major figures from the art world. For its next edition, which will take place between September 17 and 28, 2018, the sculptor Cristina Iglesias (San Sebastián, 1958) proposes a research workshop based on her work process, from intimate reflection in the studio through to the implementation of the project in the public sphere. Cristina Iglesias (winner of Spain’s National Sculpture Prize in 1999) is one of the most internationally recognized Spanish artists. Famous for her sculptural works, with suspended pavilions, lattices, corridors and labyrinths, the artist combines industrial materials and elements of nature in her works to create unusual places and spaces of experience. For two weeks, 15 artists will live with Iglesias exchanging experiences and shared work while developing their own personal project, which can also be shared with the public in an open day. The participants in the workshop will propose a project on a topic involving drawings, texts, plans, models or video, and in a place chosen by them that they will develop during their stay. Participants will also visit the city of Santander and its surroundings to discover places or contexts that will help them to develop their project. In addition the artists will visit the foundry in Éibar where Iglesias works, and her installation on the island of Santa Clara de San Sebastián.

The installation of the exhibition CRISTINA IGLESIAS: ENTRƎSPACIOS / INTERSPACES at the Botín Center 6 October 2018 – 24 February 2019 will allow them to discover in a practical way how the artist’s work occupies the space. As a final point of the workshop, the artists will present and defend their project before a panel of professionals who will study and evaluate the projects. The deadline for submitting applications to the workshop is August 10, 2018.

For further information about the workshop and grants towards accommodation and maintenance click here.

A New Acquisition on Display at the Museo Nacional de Escultura, Valladolid

dsc_0008Now on display at the Museo Nacional de Escultura in Valladolid the museum’s newly acquired group of 19 individual polychrome sculptures by the Seville-born Luisa Roldán (1652-1706), forming the unusual subject of the Cavalcade of the Kings. These small-scale cedar-wood painted and gilded figures were acquired in December 2017 after being export-stopped and are the first examples of La Roldana’s work to enter the Valladolid museum. Amongst the mixed-race cavalcade, which is presumed to have formed the cortege for a much larger, but now dismantled, group, there is a fourth king, the King of Tharsis, the mythical Hispanic region cited in the Bible. The group is believed to have been carved before the sculptress moved to the Madrid court in 1689. A video clip showing some of the figures can be viewed here.

Fellowships for Spanish Colonial Art

 

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Virgin of Carmel Saving Souls in Purgatory, Peru. Circle of Diego Quispe Tito, 17th century, collection of the Brooklyn Museum

Marilynn Thoma Fellowship 

The Marilynn Thoma Fellowship is the only unrestricted research funding in the United States devoted exclusively to the field of Spanish Colonial art. Each year from May 1 to October 15, pre- and post-doctoral scholars from across the world are invited to apply for research support in the amounts of $45,000 and $60,000, respectively. Recipients are selected by an international jury of three undisclosed experts in the field and notified in mid-December, with travel commencing within 18 months following notification. Selected scholars design their research projects independently, using funding in any reasonable way to accomplish their goals.

Fellowships range in duration from one to two years, and eventuate in major measurable outcomes, including museum exhibitions, dissertations, book publications, scholarly essays, and lecture series. While proposals are accepted from all of Spanish colonial Latin America and the Caribbean, the Foundation gives strong preference to projects that contribute to the history of painting and sculpture in colonial South America.

To apply, please complete the application via Slideroom.
Research and Travel Awards in Spanish Colonial Art 

Congruent with the Marilynn Thoma Fellowship, applications for the Thoma Foundation Research and Travel Awards in Spanish Colonial art are open from May 1 to October 15 of every year. Awards of up to $15,000 are available to independent scholars and advanced graduate students completing MA or PhD dissertations to help defray the costs of research-related expenses. Funding is provided each year to several scholars selected by an international jury of undisclosed experts in the field, with travel commencing within one year + one month from the date of notification. The Awards support research projects ranging in duration from 1 week to 3 months.

To apply, please complete the application via Slideroom.

Please contact info@thomafoundation.org if you have questions.

Updated Programme: COLLECTING SPAIN: SPANISH DECORATIVE ARTS IN BRITAIN AND SPAIN, Hochhauser Auditorium, Victoria and Albert Museum, 8 and 9 June 2018

V&ACoordinators: Ana Cabrera and Lesley Miller

This conference explores collecting practices, attitudes to and perceptions of Spanish decorative arts in Britain and Spain from the 19thcentury onwards, and how these attitudes influenced the development of museums and museum collections in both countries. The case studies aredrawnfrom the British and Spanish museum collections.

The conference is organisedin joint sessions dealing with the same subject from British and then Spanish perspectives. The first day considers the collecting of particular media while the second day focuses on the dissemination, display and conservation of these collections. The conference includes poster sessions during the coffee breaks.

Click here to buy tickets

Programme

Friday, 8thJune 2008: Collecting Spanish Decorative Arts

10.00             Registration and collecting of conference packs; displaying of posters

10.20            Introduction

Ana Cabrera, V&A

10:30       Collecting, Display & Dissemination: The Changing Face of the Decorative Arts Collection at South Kensington, 1852-1873

Susanna Avery-Quash, National Gallery, London

Lustreware and Furniture

Chair: Holly Trusted, V&A

11.00             Collecting Spanish Lustreware at the Victoria and Albert Museum

Mariam Rosser-Owen, Asian Department, V&A

11:30            A Survey and History of the Collecting of Spanish Decorative Arts: Lustreware

Jaume Coll, Museo Nacional de Cerámica, Valencia

12.00-12.30.     COFFEE BREAK

12:30      Collecting Spanish Furniture, Woodwork and Leatherwork, 1850-1950

Nick Humphrey, Furniture, Textiles and Fashion department, V&A

13:00             Collecting Spanish Furniture in Madrid, 1880-1920

Sofía Rodríguez, Museo Nacional de Artes Decorativas, Madrid

13.30-14.30       LUNCH

Textiles and Fashion

Chair: Sonnet Stanfill, V&A

14:30             Following the Thread: Collecting Spanish Textiles at the Victoria and Albert Museum

Ana Cabrera, Marie S.-Curie Fellow, V&A

15:30             Textile Collecting in Catalonia

Silvia Carbonell, Centre de Documentació i Museu Tèxtil, Terrasa

16:00            Fashion and Spain at the Victoria and Albert Museum

Oriole Cullen, Furniture, Textiles and Fashion Department, V&A

16:30             From Dress to Fashion: The Collection of The Museo del Traje

Helena López del Hierro, Museo del Traje, Madrid

16.30-17.00       TEA BREAK

Sculpture and Plaster Casts

Chair: Edward Payne, Auckland Castle Project

17.00             A Vogue for St Francis

Xavier Bray, Wallace Collection, London

17:30       Spanish Monuments Displayed at South Kensington: Raising the Profile of Spanish Art through Plaster Casts

Holly Trusted, Sculpture, Metalwork, Ceramics and Glass Department, V&A

18:00       Electrical Treasuries: The Decorative Arts Collection from Antiquity at the Museo Nacional de Reproducciones, 1881-1915

María Bolaños, Museo Nacional de Escultura, Valladolid

18.30-19.00       DISCUSSION

Saturday, 9thJune 2008: Collecting Spanish decorative arts continued

Silver

Chair: Antonia Boström, V&A

10:15       The Scholar, the Scoundrel and the Skater: How the V&A Collections of Hispanic Silver were formed

Kirstin Kennedy, Sculpture, Metalwork, Ceramics and Glass Department, V&A

10:45             Collecting Spanish Silver

Jesús Rivas, Universidad de Murcia

11.15-11.45COFFEE BREAK

Displaying, Interpreting and Conserving Spanish Decorative Arts

Chair: Christopher Wilk, V&A

11.45            Displaying Decorative Arts in Britain and Spain. A Comparative Analysis

Isabel Rodríguez, Museo Nacional de Artes Decorativas, Madrid

12.15             Spain in the Europe 1600-1815 Galleries at the V&A

Lesley Miller, Furniture, Textiles and Fashion Department, V&A

12.45             The20th-century Galleries at the V&A

Corinna Gardner and Johanna Agerman Ross, Design, Architecture and Digital Department, V&A

13.15-14.15LUNCH

Displaying, Interpreting and conserving Spanish decorative arts

Chair: Joanna Norman, V&A

14.15             The Conservationof the Cast Courts. New Discoveries from Spanish Casts

Victor Borges, Conservation Department, V&A

14:45             Collecting in Action: Building a Spanish Gallery in Bishop Auckland

Edward Payne, The Auckland Project

15.15             Closing remarks

Joanna Norman, Head of the Victoria and Albert Research Institute (VARI)

Miguel González Suela, Directorate of the State Museum, Spanish Ministry of Education, Culture and Sports