Tag Archives: Architecture

CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020

CALL FOR PAPERS

Deadline – Friday 10 January 2020

Anonymous Portuguese cartographer, Cantino Planisphere (detail), ca. 1502. Map on parchment, 220 x 105 cm. Biblioteca Estense Universitaria, Modena, Italy. Source: Wikimedia Commons.

Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia. Traditional narratives hold that late fifteenth-century Iberian art and architecture were transformed by the arrival of artists, objects and ideas from France and the Low Countries, while 1492 marked a chronological rupture and the beginning of global encounters. Challenging these perceptions, this conference will reconsider the dynamics of artistic influence in late medieval Iberia, and place European exchanges in a global context, from Madeira to Santo Domingo. Bringing together international scholars working on Spain, Portugal and a range of related geographies, it seeks to address the impact of ‘itinerant’ artworks, artists and ideas, and issues of migration and non-linear transfers of materials, techniques and iconographies.

The theme of ‘travellers’—artists who reached or departed the region, at times more than once in their lives, but also objects and concepts imported and exported—will expand and inflect traditional narratives of late medieval and Renaissance art, underscoring the complexity of global interactions and exchanges which connected the Iberian peninsula to Europe and beyond. Bringing together international scholars working on Iberia and a range of related geographies, the conference seeks to address the impact of ‘itinerant’ artworks, artists and ideas, and to expand the field of analysis beyond Europe to encompass relationships with newly acquired dominions, from Madeira to Santo Domingo.

Topics for papers may include, but are not limited to:

  • Iberian artists employed abroad, from the master mason Guillelm Sagrera in Naples, to the sculptor Juan de la Huerta at the Chartreuse de Champmol
  • The close imitation of northern artists in such works as the Portuguese copies of Quentin Metsys’s The Angel Appearing to Saints Clara, Colette and Agnes (early 16th century, Museu de Setúbal / Convento de Jesus, Portugal)
  • ‘Iberian’ objects produced elsewhere, for example Christian ivory carvings made in Goa or Kongo, Afro-Portuguese spoons, and Mexican ‘feather-work’ adopting the vocabulary of northern European late Gothic painting
  • Works made for a non-Iberian audience but purchased and displayed by local patrons.

By encouraging conversations across such seemingly disparate topics and geographies, the conference aims to position the Iberian artistic landscape within the networks of artistic exchange that spanned the medieval and Renaissance worlds, challenging the significance of 1492 as a moment of rupture between the Middle Ages and Early Modern periods.

Proposals are welcome from postgraduate, early-career and established researchers working in all relevant disciplines. Please send a title and an abstract of no more than 300 words together with a short CV and 100-word biography to Costanza.Beltrami@courtauld.ac.uk and Sylvia.Alvares-Correa@history.ox.ac.uk by Friday 10 January 2020.

Papers should not exceed 20 minutes in length. Successful candidates will be notified by 17 February. In the first instance, applicants are encouraged to apply to their home institution for travel and accommodation funding. The organisers hope to provide financial support for travel and accommodation to speakers who require it. This conference is made possible by the kind generosity of Sam Fogg.

Please click here for more information.

Edilia and François-Auguste de Montêquin Fellowship, Society of Architectural Historians, deadline September 30, 2019

The latern tower of Teruel cathedral. By Escarlati – ACDSee for Pentax, CC BY 2.5, https://commons.wikimedia.org/w/index.php?curid=1284830

Purpose
This award provides support for travel related to research on Spanish, Portuguese, or Ibero-American architecture.  

The Awards
The awards consist of a $2,000 fellowship for an advanced graduate student and a $6,000 fellowship for a senior or emerging scholar. The awardees will be notified in December and will be recognized at the SAH 73rd Annual International Conference in Seattle, Washington (April 29–May 2, 2020). The awards also will be announced in the May 2020 issue of the SAH Newsletter. 

Criteria for Application

These annual fellowships are intended to support the research of graduate students who have completed their coursework and are engaged in doctoral dissertation research, and senior or emerging scholars who have completed their PhD or equivalent terminal degree. The research to be supported must focus on Spanish, Portuguese, or Ibero-American architecture, including colonial architecture produced by the Spaniards in the Philippines and what is today the United States. The applicant must be a current member of SAH. 

Reporting Requirements
Following completion of travel and research supported by the fellowship, each de Montêquin Fellowship awardee must submit a written report summarizing their research and explaining what travel was undertaken and how funds were spent. The report will be submitted to the SAH office no later than three months following the completion of work related to the fellowship. Awardees are required to upload images to SAHARA (a minimum of 50 for junior scholars and a minimum of 150 for senior scholars).  

Application Details
You will need two recommendations to apply for this fellowship, a description of the research project on Iberian or Ibero-American architecture to be funded (500 words maximum), a current curriculum vitae (5 pages max), and a statement of purpose.

SAH is accepting applications for the 2020 Edilia and François-Auguste de Montêquin Fellowship. The application deadline is September 30, 2019.

Visit sah.org/research-fellowships to apply.

Casa Batlló, Barcelona: Restoration Project Open House, until 30 April 2019

By ChristianSchd – This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940

Less than a month remains to go on a one-hour guided tour of Antoni Gaudí’s Casa Battló in Barcelona, covering its history and the recent renovation of architectural features and interior fittings, such as lighting, windows and hangings. The visit also offers the opportunity to walk along the ‘Pasarela’ at 30 metres above ground level.

Click here for more information on the restoration and visit.

More News from ARTES Scholars

ARTES warmly congratulates Ignacio J. López Hernández on a successful viva of his PhD thesis, and on the publication of a monograph based on his doctoral research, Ingeniería e ingenieros en Matanzas. Defensa y obras públicas entre 1693 y 1868 (Seville: Athenaica, 2019). Ignacio’s research was supported by ARTES through an ARTES Coll&Cortés Travel Scholarship which allowed him to conduct research at the University of Lincoln in 2017. This stay in the UK also helped Ignacio shape his current postdoctoral project at the Politecnico di Torino.

ARTES accepts applications for a number of awards each year, including an essay prize and travel scholarships. We also collaborate with CEEH to support PhD scholarships at The Courtauld Institute of Art and Durham University. Click here for more information on our awards. 

ARTES is a Registered Charity (no. 1112883) dedicated to raising awareness and understanding of Iberian and Latin American Visual Culture. You can support our work by becoming a member of our friendly, enthusiastic and international community.


Conference: Las mujeres y las artes en la corte española, Madrid, 20–22 February 2019, Universidad Complutense, Madrid

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Programme

MIÉRCOLES, 20 DE FEBRERO

09:30 Registro de participantes

10:00 Inauguración. Jaime M. de los Santos. Consejero de Cultura, Turismo y Deporte. Comunidad de Madrid. Presentación.  Miguel Luque. Decano de la Facultad.

MESA I. MUJERES PROTAGONISTAS DE LAS ARTES.
MODERA FÉLIX DÍAZ MORENO (UCM)

10:30 Plautilla Bricci: cronaca di un oblio. Consuelo Lollobrigida (Univ. of Arkansas – William J. Fulbright School of Arts and Sciences)

11:00  Pintoras flamencas en los siglos XVI y XVII: las sagas familiares y el talento. Ana Diéguez-Rodríguez (Instituto Moll. Centro de investigación en pintura flamenca Univ. de Burgos)

11:30  Pausa café

12:30  Vidas y afanes de las dos impresoras novohispanas del siglo XVIII: Rosa Teresa Poveda y Manuela de la Ascensión Cerezo. Marina Garone Gravier (Instituto de Investigaciones Bibliográficas, Univ. Nacional Autónoma de México)

13:00  Mujeres artistas en la Real Academia de Bellas Artes de San Carlos de Valencia. Mariángeles Pérez-Martín (Univ. de València)

13:30  Debate. Comida

MESA II. IDENTIDADES FEMENINAS, GENERADORAS DE ESPACIOS.
MODERAN CONCEPCIÓN LOPEZOSA APARICIO (UCM) Y SARA FUENTES LÁZARO (UNIV. A DISTANCIA DE MADRID)

16:00 De la casa al hogar. Aposentos femeninos en la Edad Moderna. Gloria Franco Rubio (UCM)

16:30 “Fare scena della casa”. Isabel de Farnesio y la arquitectura pintada en La Granja de San Ildefonso. Sara Fuentes Lázaro (Univ. a Distancia de Madrid)

17:00 Sociabilidad, ciudad y género en la crisis del Antiguo Régimen. Aproximaciones desde la cultura visual y material. Álvaro Molina (Univ. Nacional de Educación a Distancia)

17:30 “Mujeres en el límite”. Presencias femeninas en el Paseo del Prado de Madrid. Concepción Lopezosa Aparicio (UCM)

18:00 Debate

JUEVES, 21 DE FEBRERO

MESA III. LAS ARTES Y LA PRÁCTICA DEL PODER
MODERAN MAGDALENA DE LAPUERTA (UCM) Y MIGUEL HERMOSO CUESTA (UCM)

10:00 Il mecenatismo di Bona Sforza alla corte di Bari nella prima metà del ‘500. Mimma Pasculli (Univ. degli Studi di Bari Aldo Moro. Dpto. Lettere, Lingue e Arti)

10:30 Sofonisba Anguissola y la construcción de una imagen femenina para la familia Habsburgo. Jorge Sebastián Lozano (Univ. de València)

11:00 Patrimonio y encargos artísticos de Juana Cortés, II duquesa de Alcalá. Sergio Ramiro Ramírez (UCM)

11:30 Debate

12:00 Pausa café

12:30 La perla de la Monarquía hispana: Margarita de Austria y el retrato cortesano. Magdalena de Lapuerta Montoya (UCM)

13:00  Sor Ana Dorotea de Austria y la exaltación de las mujeres fuertes. Cipriano García-Hidalgo Villena (UCM)

13:30  María Isabel de Braganza y la música. Judith Ortega Rodríguez (ICCMU-UCM)

14:00  Debate. Comida

WORKSHOP (LUGAR: SALA DE JUNTAS). CUARTOS DE MUJERES. ESPACIOS DONDE VIVIR Y TRABAJAR EN EL SIGLO XVI

16:30  Presentación a cargo de Beatriz Blasco Esquivias (UCM). Intervienen: Elena Díez Jorge (Univ. de Granada), Ana Aranda Bernal (Univ. Pablo Olavide, Sevilla), María Núñez – González (Univ. de Sevilla)

18:00  Debate

VIERNES, 22 DE FEBRERO

MESA IV. EL ARTE EN SUS MANOS.  LOS MUSEOS Y LA GESTIÓN DEL PATRIMONIO
MODERA JONATAN JAIR LÓPEZ MUÑOZ (UCM)

10:00 Las mujeres y la arqueología en Europa: de la aristocracia a las clases medias. Margarita Díaz-Andreu (ICREA y Univ. de Barcelona)

10:30 Mujeres y museos en Europa  del Este. Laura Coltofean-Arizancu (Univ. de Barcelona)

11:00 Las profesionales de museos en España, una historia envuelta en silencios. Margarita Moreno Conde (Museo Arqueológico Nacional)

11:30 Debate. Pausa café

WORKSHOP
INVESTIGACIONES PREDOCTORALES
Presentación a cargo de María Ángeles Toajas Roger (UCM)

12:00 Aproximación al estudio de las mujeres en los talleres artísticos de la Villa de Madrid (1561–1700). Alba Gómez de Zamora Sanz  (UCM)

12:20 La decoración del Cuarto de la Reina en el Alcázar Real de Madrid bajo Isabel de Borbón- Introducción y reflexiones. Audrey-Caroline Michielon (UCM / Univ. de Toulouse –  Jean Jaurès )

12:40 El estudio de la moda femenina en la corte: Cuestiones metodológicas. María Redondo Solance  (UCM)

13:00 Las mujeres y las artes en “la hora navarra del XVIII”. Sergio Rodero Jiménez (UCM)

13:20 Mujeres en las actas de la Real Academia de Bellas Artes de San Fernando. Daniel Lavín González (UCM)

13:40 Debate y conclusiones del Segundo Seminario. Comida

VISITA GUIADA: REAL MONASTERIO DE LA ENCARNACIÓN
16:30 Encuentro frente al Monasterio. Plaza de la Encarnación, 1 (28013 Madrid)

Practical information 

Location: Salón de Grados y Sala de Juntas, Facultad de Geografía e Historia, Universidad Complutense de Madrid, February 20–22, 2019

Registration deadline: Feb 20, 2019

Scientific committee:
Antonio Bonet Correa, Rosario Camacho, Benito Navarrete, Mª Ángeles Pérez Samper, Javier Rivera Blanco.

Organisers:
Gloria Del Val, Sara Fuentes, Daniel Lavín, Jonatan Jair López, Sergio Ramiro, Sergio Rodero.

Supported by the Proyecto de Investigación I+D+i FEMENINO SINGULAR. Las mujeres y las artes en la Corte española de la Edad Moderna (reinas, nobles, artistas y empresarias) [HAR2015-65166-P MINECO/FEDER]

Email the organisers: lasmujeresylasartes@gmail.com

Website: https://www.ucm.es/femenino_singular/

Conference: Gotik global – kolonial – postkolonial, Dresden, October 26–7, 2018

prac3a7a_da_se_03Gotik global – kolonial – postkolonial: Gotisierende Sakralarchitektur auf der Iberischen Halbinsel und in Lateinamerika vom 19. bis zum 21. Jahrhundert

Dresden, Technische Universität, Institut für Kunst und Musikwissenschaft, Raum ABS/E08/H, 26. – 27.10.2018
Tagung der Technischen Universität Dresden, Institut für Kunst- und Musikwissenschaft der Philosophischen Fakultät in Zusammenarbeit mit der Carl Justi-Vereinigung e.V.

Immer wieder werden im iberischen und iberoamerikanischen Raum – wie weltweit –  auch heute noch gotisierende Kirchen errichtet. Einige sind typisch für die Neugotik, andere, wie die Almudena-Kathedrale in Madrid oder diejenige von Vitoria-Gasteiz, scheinen als verspätete Bauten des 20. Jahrhundert aus europäischer Sicht aus der Zeit gefallen zu sein. Doch wird gerade in Lateinamerika bis heute an zahlreichen solcher Projekte weitergebaut.
So scheint es zunächst sinnvoll zu überprüfen, ob die stillschweigende Annahme, „die Gotik“ sei eine abgeschlossene Stilepoche, aus globaler Perspektive überhaupt stimmt. Wie ging die zweifellos zunächst kolonial begründete Gotik-Ausbreitung in den überseeischen Gebieten der ehemals spanischen und portugiesischen Weltreiche in eine eigene postkoloniale Adaption über, welche Gründe gab es hierfür und welche stilistischen Ausprägungen wurden und werden gefunden? Wie begann die Entwicklung in den „Mutterländern“? Ist sie dort und in den ehemaligen Kolonien ähnlich oder unterschiedlich verlaufen, gibt es fortdauernde Verbindungen? Lassen sich Parallelen in anderen Weltregionen beobachten? Sind die Phänomene alleine auf die Gotik beschränkt oder gibt es Parallelen für andere Stile?
Im Workshop der Carl Justi-Vereinigung e.V. soll diese Problematik stichprobenartig untersucht werden. Denn ein systematischer Gesamtüberblick ist zur Zeit kaum möglich, sind doch nicht einmal die potenziell wichtigsten Bauten bekannt.

PROGRAMM:
FREITAG, DEN 26.10.2018

Eröffnung / Begrüßung / Einführung
9.30 Uhr
Grußworte
Prof. Dr. Antonio Hurtado (Dresden), Prorektor der TU Dresden
Prof. Dr. Lutz Hagen (Dresden), Dekan der Philosophischen Fakultät
Prof. Dr. Margit Kern (Hamburg), Vorstand der Carl Justi-Vereinigung e.V.

10.00 Uhr
Bruno Klein (Dresden): Gotische Architektur des 20. und 21. Jahrhunderts –
global – kolonial − postkolonial

10.45 Uhr
Pablo de la Riestra (Nürnberg/Buenos Aires): Einmal Gotik – immer Gotik

11.30 Uhr Pause

Von der Neugotik zur Moderne:
Kastilische und katalanische Beispiele
12.00 Uhr
Henrik Karge (Dresden):
Vicente Lampérez y Romea – Gotik als Idealbild und historisches Phänomen

12.45 Uhr
Judith Urbano (Barcelona): La finalización de la Catedral de Barcelona y otros proyectos neogóticos de Augusto Font y Carreras

13.30 Uhr Pause

15.30
Joan Molet Petit (Barcelona):
Las interpretaciones del gótico en la obra del arquitecto Josep Vilaseca, entre lo arqueologista y lo victoriano

16.15 Uhr
Sergio Fuentes Mila (Barcelona): Revisitar el gótico en la arquitectura civil barcelonesa de finales del siglo XIX. El caso del arquitecto José Doménech y Estapá (1858-1917)

17.00 Uhr
Bettina Marten (Bonn/Dresden): Considerations on the Almudena-Cathedral at Madrid

18.00 Mitgliederversammlung der CJV

20.00 Uhr
Gemeinsames Abendessen

SAMSTAG,  DEN 27.10.2018

Die „moderne“ Neugotik in Lateinamerika
10.00 Uhr
Bruno Klein: Einführung

10.15 Uhr
Martín Checa Artasu (Mexiko-Stadt/Barcelona):
The religious orders as diffusers of the neo-gothic architecture in Latin America

11.00 Uhr
María Aranda Alonso (Madrid/Dresden):
El templo de la Merced de San José de Costa Rica : Punto de partida para estudiar el neogótico en Centroamérica

11.45 Uhr
Paula Vermeersch (São Paulo):
O processo construtivo da Catedral da Sé, São Paulo, 1911-1954

12.30 Uhr
Barbara Borngässer (Dresden):
Neugotik und Moderne im Süden Brasiliens: Die Kirchenbauten Gottfried Böhms

13.15 Uhr
Abschlussdiskussion

16.00 Uhr
Besichtigung aktueller „gotischer“ Architektur in Dresden (Schlosskapelle,  Sophienkirchen-Monument)

Kontakt:
bruno.klein@tu-dresden.de
barbara.borngaesser@online.de
bettina.marten1@tu-dresden.de

Marvel or monster? Madrid’s Torres Colón to become protected architectural heritage

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El País reports that the Colón Towers, two high-rise buildings in the vicinity of Madrid’s Plaza de Colón and Biblioteca Nacional, may soon become listed. Designed by Antonio Lamela (December 1, 1926–April 1, 2017), the towers’ suspended structure was innovative at the time of their construction, between 1967 and 1976. In the 1990s new fire regulations resulted in the construction of an art nouveau roof, known as ‘el enchufe’ (‘the plug’), which links the towers and provides access to an emergency staircase.  

According to the Asociación para la Protección de las Torres Colón, which is campaigning for the recognition of the towers’ architectural importance, ‘su valor arquitectónico, del que su sistema estructural es parte indiscutible y esencial, además de su proyección nacional e internacional, merece ser reconocido como parte del patrimonio arquitectónico madrileño.’

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