Tag Archives: Research

Clark Fellowships: CENTER FOR SPAIN IN AMERICA FELLOWSHIP, The Clark, deadline October 15, 2018

unnamed

The Clark Art Institute combines a public art museum with a complex of research and academic programs, including a major art history library. The Clark is an international center for discussion on the nature of art and its history.

Fellowships are awarded every year to established and promising scholars with the aim of fostering a critical commitment to inquiry in the theory, history, and interpretation of art and visual culture. In addition to providing an opportunity for sustained research for fellows, outside of their usual professional obligations, the Clark encourages them to participate in a variety of collaborative and public discussions on diverse art historical topics as well as on larger questions and motivations that shape the practice of art history.

Sponsored by the Center for Spain in America, this one-semester fellowship is intended to support the study of all aspects of Spanish art from the early medieval period to the beginning of the twentieth century, as well as the worldwide impact of Spanish art and artists. In addition to research for a publication and/or exhibition on specific artists or periods, we welcome projects examining collecting and connoisseurship of Spanish art—particularly in the Americas—and the influence and importance of Spanish art and its reception throughout the world.

Deadline: October 15, 2018

Click here for more information

Advertisements

Workshop: Nuevos caminos del hispanismo, 16–17 October 2018, Casa de Velázquez, Madrid

ehehi-bis-500x191Click here for more information on a three-day residential workshop at the Casa Velázquez in Madrid. Intended for young researchers, the workshop will explore new currents in Hispanic studies. It is organised around a series of lectures by the following scholars:

Carlos MARTÍNEZ SHAW (Universidad Nacional de Educación a Distancia, Madrid / Real Academia de la Historia).
Alicia ALTED VIGIL (Universidad Nacional de Educación a Distancia, Madrid)
Louise BÉNAT-TACHOT (Université Paris – Sorbonne)
Fernando BOUZA ÁLVAREZ (Universidad Complutense de Madrid)
Serge GRUZINSKI (École des hautes études en sciences sociales, Paris)
Roberto MONDOLA (Università degli Studi l’Orientale di Napoli)
José Luis SÁNCHEZ NORIEGA (Universidad Complutense de Madrid)
Jesusa VEGA GONZÁLEZ (Universidad Autónoma de Madrid)

followed by extensive discussion in Spanish and French.

The deadline for enrolment is 12 July 2018 at 5pm. Applicants are required to fill an application form, which will be evaluated on the basis of academic record and language fluency. The 20 selected candidates will be notified after 20 July 2018. The workshop costs 50 euros inclusive of accommodation and lunch. African and Latin American applicants may be selected for a scholarship of 300 euros, intended as a contribution towards travel costs.

 

The Maius Workshop’s first meeting: report

MaiusfirstmeetingThe first meeting of the Maius Workshop took place last Monday, 16 October, at the Warburg Institute. It was a well-attended event where we presented the aims of the research group, discussed our shared interests and needs and shared ideas about the most useful format for future sessions.

The Maius Workshop aims to bring together young researchers (MAs, PhDs and early career academics) working on Iberian and Latin American topics. It aims to create a collaborative network of researchers where shared problems and research obstacles can be discussed informally, and where personal encounters can foster interdisciplinary collaboration.

During our first meeting we decided that the network will:

  1. Share training resources and specific knowledge on e.g. archives, museum collections, languages, paleography…both in person during our meetings and online through our website.
  2. Offer an online platform for members to present themselves and their work on the web.
  3. Favour the creation of spin-off subject specific events to better cater to members’ very wid
    e interests.
  4. Run general meetings where members will have an opportunity to present problematic documents and objects from their current research in a friendly, collaborative and creative environment.

The first of these meetings, loosely titles ‘Sacred Encounters,’ will take place on 11 December (place TBC). Further information on this event will soon be published on our website. If you are interested in discussing your research at this event, please contact maiusworkshop@gmail.com.

 

Introducing the Maius Workshop

Morgan Beatus Angel Sun Rev 19The Maius Workshop is an interdisciplinary group that brings together graduate students and early career scholars dealing with Hispanic art (broadly considered to include literature, theatre, music, etc.) and history from the Middle Ages to the Early Modern Period. The aim of the Maius Workshop is to encourage dialogue among specialists in different stages of their academic life and to provide a forum for discussing methods of information gathering and research news. The group is kindly supported by ARTES.

The workshop is named after the tenth-century painter of the Morgan Beatus manuscript as it wishes to create an interdisciplinary space where scholars of art and history can interact. Through a series of reading group meetings, the Workshop aims to bring together young researchers tackling the study of Hispanic culture and history and to create a strong network of specialists of Medieval and Early Modern Iberia and Latin America.

Thanks to the new connections that the group will create, the meetings will develop current research rather than present finished projects. The group’s activities are directed to the diffusion of the interest in Iberian and Latin American cultural creations, with the long-term aim of establishing a permanent community open to all students of Hispanic art and history.

The Maius Workshop’s first meeting will take place on Monday 16 October at 6 pm at the Warburg Institute. This will be an informal meeting and an opportunity to meet postgraduate researchers with similar interests, to discuss how these interests can be drawn together in a reading group setting. The meeting is open to MA, PhD and early career researchers. Refreshments will be provided.

If you are interested in the activities of this research group or would like to attend the meeting, please fill in this form

SKIN: A ONE DAY SYMPOSIUM ON HISPANIC ARTS AND CULTURES. Friday, 22nd May 2015

FlayingSKIN: A ONE DAY SYMPOSIUM ON HISPANIC ARTS AND CULTURES

Institute of Advanced Study, Palace Green, Durham  Friday, 22 May 2015

To register for the event, please email the organizer (a.m.beresford@durham.ac.uk) indicating if you have any special dietary requirements. There is no registration fee, but all participants will be asked to complete a short impact questionnaire. There are a maximum of 20 places available.

09.30–09.40 Welcome and Introduction

09.40–10.20 Edward Payne (Meadows Museum, Dallas), ‘Skin as Subject and Surface: Flaying in the Art of Ribera, Carreño and Giordano’

10.20–11.00 Yarí Pérez Marín (Durham University), ‘Skin and Markers of Disease in the Medical Literature of Early Colonial Mexico’

11.00–11.20 Coffee

11.20–12.00 Andy Beresford (Durham University), ‘The Flaying of St Bartholomew in Early Spanish Altarpieces’

12.00–12.40 Tom Nickson (Courtauld Institute), ‘“Stuffed in the most artistic manner”: The Sacred Made Real in Medieval Castile’

12.40–13.40 Lunch

13.40–14.20 Bogdan Cornea (University of York), ‘Skin and Surfaces in Jusepe de Ribera’s Paintings of Flaying’

14.20–15.00 Lesley Twomey (Northumbria University), ‘Decorated Exteriors and Resplendent Interiors: The Ark, the Tabernacle, and the Reliquary as Figures for the Virgin Mary’s Physical and Spiritual Beauty in Late-Medieval Spain’

15.00–15.40 Piers Baker-Bates Open University), ‘Sebastiano del Piombo: The Suffering Skin between Italy and Spain’

15.40–16.00 Tea

16.00–17.00 Round Table Discussion

Scholarship report from Ana Hernández, winner of the 2014 ARTES Coll y Cortes Scholarships for students wishing to conduct research in the UK

© The British Library Board, Ms. Add. 39924 f. 9v

© The British Library Board, Ms. Add. 39924 f. 9v

The research undertaken in the United Kingdom thanks to the ARTES / Coll&Cortés scholarship has been included in the framework of my doctoral thesis, ‘Tradition and copy in biblical manuscript illumination in the Iberian Peninsula. The Bibles of San Isidoro de León (1162) and San Millán de la Cogolla (ca. 1200)’, supervised by Dr. José Luis Senra at the Universidad Complutense de Madrid.

The main body of research had already been completed before being awarded the scholarship: I had thoroughly examined the Bibles of San Isidoro de León and San Millán de la Cogolla, which form the core of the project, as well as their model, the 10th-century Bible of San Isidoro. I had also been able to analyse many other Iberian and French 12th-century manuscripts in order to establish possible influences. Still, the work I carried out in London has allowed me to deepen my understanding of manuscript illumination in Romanesque Europe in general, and of the scriptorium of San Isidoro de León in particular.

Firstly, in order to unveil foreign influences at work on these Spanish Bibles and assess their place in the history of medieval book illustration, I needed to study objects from all over Europe. In this process, the examination of codices preserved in British libraries was the most important task to accomplish due to the strong connections between Spain and England in the 12th century. At that time, artists and workshops travelled from one territory to the other following the path of aristocrats, clergymen and royals such as queen Eleanor Plantagenet, who married the Castilian king Alfonso VIII in 1177. Clear artistic links, such as the involvement of some of the painters from the Winchester Bible on the murals of the chapter house of Sigena, were an important starting point when tackling this issue. Therefore, I needed to look at 12th-century English manuscripts, mainly Bibles such as the ones from Lambeth, Rochester or Bury Saint Edmunds, to assess their possible influence on the Isidorian and Emilianense manuscripts. Furthermore, the British Library preserves some very important illuminated biblical codices dated around the same time as the Leonese and Riojan Bibles from outside England, such as the Bibles from Parc Abbey, Arnstein, or Floreffe, which I had to see.

The comparative analysis I undertook was focused on style, but also looked at iconography and compositions. This study verified the existence of general correspondences between late Romanesque Spanish and European manuscript illustration. However, the parallels do not apply to the details in the Isidorian and Emilianense Bibles, suggesting that there was no direct interdependence between our miniaturists and English and Flemish workshops, as has been otherwise established in relation to French illumination.

© The British Library Board, Ms. Add. 39924 f. 10r

© The British Library Board, Ms. Add. 39924 f. 10r

The other task I carried out thanks to the scholarship was the analysis of a Sacramentary, British Library, Add. Ms. 39924, the only production of the Isidorian scriptorium currently outside the canonry’s library. In order to carry out a complete study of the workshop in San Isidoro de León in the second half of the 12th century, I needed to examine this manuscript commonly ascribed to it. The codex, made around 1187, was explored from the codicological and palaeographical points of view to verify its origin, and its two full-page miniatures of the Crucifixion and Maiestas were also closely scrutinised.

These observations showed that this work is similar to the other codices issued by the Leonese scriptorium, thus supporting its ascription to it. Quite simple in its decoration, it has been rebound more than once, in view of the current disorder of the quires, which appear in a very chaotic sequence, and the loss of many folios. The analysis of the two illustrations (ff. 9v-10r) and the simple decorated initial (f. 41v), has confirmed its date in the late 12th century. The fact that the style displayed in the two full-page miniatures has no counterpart in any of the other codices made in San Isidoro, corroborated how this scriptorium had to resort to external miniaturists’ workshops to decorate their manuscripts, an instance previously evidenced in the 1162 Bible. Thus, the information gathered from the study of this Sacramentary has confirmed some of my findings about the scriptorium in the Real Colegiata de San Isidoro de León.

In conclusion, the work carried out thanks to the ARTES / Coll&Cortés scholarship has been crucial for the understanding of the place held by the Romanesque Bibles from San Isidoro de León and San Millán de la Cogolla in the wider field of European illumination in the second half of the 12th century. Moreover, it has helped me understand how the scriptorium in San Isidoro de León worked, thus lending weight to the interpretation of data carried out in my doctoral thesis.

Myths of Medieval Spain. Symposium, Courtauld Institute, 11 March

Detail of the Portico de la Gloria, Santiago de Compostela, late twelfth century

LAST MINUTE SPACES NOW AVAILABLE!

Myths of Medieval Spain. Symposium, Research Forum, Courtauld Institute of Art, 2-6.30, Weds 11 March 2015.

Attendance is free, but spaces are limited so you must register – NOW OPEN!

Four papers offer new ideas on a group of well-known sculptures and manuscripts from twelfth- and thirteenth-century Spain, exploring tensions between local and international concerns.

2: Introductory remarks, Tom Nickson (Courtauld Institute of Art)

2.10: Rose Walker (Courtauld Institute of Art)

Beatus manuscripts during the reign of Alfonso VIII of Castile and Leonor of England: a response to the fall of Jerusalem?

2.40: Rosa Rodríguez Porto (University of York)

Tvrpinus Domini gratia archiepiscopus: Notes on the Codex Calixtinus

3.10: James D’Emilio (University of South Florida)

The West Portals at Compostela and the Book of St. James: Artistic Eclecticism at a Cosmopolitan Shrine

3.40: discussion

4.15-5.15: tea

5.30-6.30:

Javier Martínez de Aguirre (Universidad Complutense de Madrid)

The voices and the echoes: Saint James, Gregory the Great and Diego Gelmírez in Santiago de Compostela’s Puerta de Platerías

6.30: drinks reception