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MARILYNN THOMA FELLOWSHIP IN SPANISH COLONIAL ART
The Carl & Marilynn Thoma Art Foundation offers Pre-doctoral and Post-doctoral fellowships annually in support of projects and research initiatives that will advance the field of Spanish colonial art. The Marilynn Thoma Fellowship is the only unrestricted research funding in the United States devoted exclusively to the field of Spanish Colonial art. Scholars may come from any discipline, but all projects must relate to the study of art and art history. Exceptionally accomplished scholars holding an MA may also apply. International scholars, particularly from Latin America, are strongly encouraged to apply.
Applicants should propose projects that exhibit original scholarship and/or will make a significant contribution to the understanding of colonial Spanish American art and its history. Fellowships range in duration from one to two years, and eventuate in major measurable outcomes, including museum exhibitions, dissertations, book publications, scholarly essays, and lecture series. Projects will be considered from all of Spanish colonial Latin America and the Caribbean, however the Foundation will give strong preference to projects that make specific contributions to the history of painting and sculpture in colonial South America.
Pre-doctoral Dissertation Research Fellowship–$45,000 (1–year award)
Post-doctoral Fellowship–$60,000/year (1–2 year award; indicate project length in application)
*Applicants should hold a PhD conferred between 2009-2019
Applications are open from May 15 to October 25, 2019. Click here for more information.
THOMA FOUNDATION RESEARCH AND TRAVEL AWARDS IN SPANISH COLONIAL ART
Congruent with the Marilynn Thoma Fellowship, the Thoma Foundation offers annual grants to scholars, curators, art historians and advanced graduate students working on MA or PhD dissertations in support of projects and research initiatives that will advance the field of colonial art of Spanish America. These grants are meant to help defray the costs of research-related expenses. Funding is provided each year to several scholars selected by an international jury of undisclosed experts in the field, with travel commencing within one year + one month from the date of notification.
Grants of up to $25,000 are available for projects lasting up to six months.
Applications are open from May 15 to October 25, 2019. Click here for more information.
Click here for the Thoma Foundation website
Latin American and Latinx Visual Culture is a quarterly peer-reviewed journal dedicated to publishing the most current international research on the visual culture of Mexico, Central America, South America, and the Caribbean, as well as that created in diaspora. A defining focus of the journal is its concentration of current scholarship on both Latin American and Latinx visual culture in a single publication. The journal aims to approach ancient, colonial, modern and contemporary Latin American and Latinx visual culture from a range of interdisciplinary methodologies and perspectives. The journal was first published in January 2019, and three issues are now available on the journal’s website.
The Metropolitan Museum Journal presents richly illustrated studies of works in the Museum’s collection, including prominent as well as lesser known pieces, and relating them to works in other collections. The journal’s editorial board has recently announced that starting with volume 55, authors who publish in the Metropolitan Museum Journal (MMJ) will no longer be responsible to provide or pay for high-resolution images. The editorial office at the Metropolitan Museum of Art will acquire all high-resolution images and obtain English-language, world publication rights for print and electronic editions of MMJ. Journal authors will no longer need to spend time and effort on securing images. Click here for more information on this innovative policy.
This award provides support for travel related to research on Spanish, Portuguese, or Ibero-American architecture.
The awards consist of a $2,000 fellowship for an advanced graduate student and a $6,000 fellowship for a senior or emerging scholar. The awardees will be notified in December and will be recognized at the SAH 73rd Annual International Conference in Seattle, Washington (April 29–May 2, 2020). The awards also will be announced in the May 2020 issue of the SAH Newsletter.
Criteria for Application
These annual fellowships are intended to support the research of graduate students who have completed their coursework and are engaged in doctoral dissertation research, and senior or emerging scholars who have completed their PhD or equivalent terminal degree. The research to be supported must focus on Spanish, Portuguese, or Ibero-American architecture, including colonial architecture produced by the Spaniards in the Philippines and what is today the United States. The applicant must be a current member of SAH.
Following completion of travel and research supported by the fellowship, each de Montêquin Fellowship awardee must submit a written report summarizing their research and explaining what travel was undertaken and how funds were spent. The report will be submitted to the SAH office no later than three months following the completion of work related to the fellowship. Awardees are required to upload images to SAHARA (a minimum of 50 for junior scholars and a minimum of 150 for senior scholars).
You will need two recommendations to apply for this fellowship, a description of the research project on Iberian or Ibero-American architecture to be funded (500 words maximum), a current curriculum vitae (5 pages max), and a statement of purpose.
SAH is accepting applications for the 2020 Edilia and François-Auguste de Montêquin Fellowship. The application deadline is September 30, 2019.
Visit sah.org/research-fellowships to apply.
Starting Date: September 02, 2019
Application deadline: Feb 1, 2019
The Research and Academic Program at the Clark Art Institute announces a postdoctoral fellowship in the history and theory of art. The successful candidate will join a small, committed staff in initiating and implementing a series of programs—colloquia, conferences, workshops, and other collaborations—designed to expand links among institutions engaged in art history, visual studies, art, and curatorial practice. The fellow also provides general support for Research and Academic Program operations.
Applicants must hold the PhD in art history or a related field, as well as possess a knowledge of critical and methodological issues in art history and a demonstrable commitment to issues concerning the discipline’s expanding geography. The position entails no restrictions concerning geographic or historical specialization.
In addition to outstanding academic credentials, the programme seeks a candidate with the following qualities: proven organizational competence; an eye for detail; an ability to manage and coordinate multiple projects simultaneously; exceptional interpersonal skills; an ability to collaborate with large and varied sets of colleagues; and a clear investment in issues of methodology and critical art history.
This is a two-year full-time position that will begin at the start of the academic year 2019-2020. There is the possibility of renewal for a third year.
The fellow will also have access both to a leading art research library and the Research and Academic Program, which is among the country’s most active and stimulating research institutions. The fellow also will have the opportunity to co-host a colloquium related to their research in their second year; for examples of recent events, please consult: https://www.clarkart.edu/rap/events
To apply, please send: cover letter, a current curriculum vitae, a 1-page description of a possible colloquium, and one publication (it may be under review), and (under separate cover) two academic references to the email@example.com.
Application Deadline: February 1, 2019
The Clark Art Institute combines a public art museum with a complex of research and academic programs, including a major art history library. The Clark is an international center for discussion on the nature of art and its history.
Fellowships are awarded every year to established and promising scholars with the aim of fostering a critical commitment to inquiry in the theory, history, and interpretation of art and visual culture. In addition to providing an opportunity for sustained research for fellows, outside of their usual professional obligations, the Clark encourages them to participate in a variety of collaborative and public discussions on diverse art historical topics as well as on larger questions and motivations that shape the practice of art history.
Sponsored by the Center for Spain in America, this one-semester fellowship is intended to support the study of all aspects of Spanish art from the early medieval period to the beginning of the twentieth century, as well as the worldwide impact of Spanish art and artists. In addition to research for a publication and/or exhibition on specific artists or periods, we welcome projects examining collecting and connoisseurship of Spanish art—particularly in the Americas—and the influence and importance of Spanish art and its reception throughout the world.
Deadline: October 15, 2018
Click here for more information
Click here for more information on a three-day residential workshop at the Casa Velázquez in Madrid. Intended for young researchers, the workshop will explore new currents in Hispanic studies. It is organised around a series of lectures by the following scholars:
Carlos MARTÍNEZ SHAW (Universidad Nacional de Educación a Distancia, Madrid / Real Academia de la Historia).
Alicia ALTED VIGIL (Universidad Nacional de Educación a Distancia, Madrid)
Louise BÉNAT-TACHOT (Université Paris – Sorbonne)
Fernando BOUZA ÁLVAREZ (Universidad Complutense de Madrid)
Serge GRUZINSKI (École des hautes études en sciences sociales, Paris)
Roberto MONDOLA (Università degli Studi l’Orientale di Napoli)
José Luis SÁNCHEZ NORIEGA (Universidad Complutense de Madrid)
Jesusa VEGA GONZÁLEZ (Universidad Autónoma de Madrid)
followed by extensive discussion in Spanish and French.
The deadline for enrolment is 12 July 2018 at 5pm. Applicants are required to fill an application form, which will be evaluated on the basis of academic record and language fluency. The 20 selected candidates will be notified after 20 July 2018. The workshop costs 50 euros inclusive of accommodation and lunch. African and Latin American applicants may be selected for a scholarship of 300 euros, intended as a contribution towards travel costs.
The first meeting of the Maius Workshop took place last Monday, 16 October, at the Warburg Institute. It was a well-attended event where we presented the aims of the research group, discussed our shared interests and needs and shared ideas about the most useful format for future sessions.
The Maius Workshop aims to bring together young researchers (MAs, PhDs and early career academics) working on Iberian and Latin American topics. It aims to create a collaborative network of researchers where shared problems and research obstacles can be discussed informally, and where personal encounters can foster interdisciplinary collaboration.
During our first meeting we decided that the network will:
- Share training resources and specific knowledge on e.g. archives, museum collections, languages, paleography…both in person during our meetings and online through our website.
- Offer an online platform for members to present themselves and their work on the web.
- Favour the creation of spin-off subject specific events to better cater to members’ very wid
- Run general meetings where members will have an opportunity to present problematic documents and objects from their current research in a friendly, collaborative and creative environment.
The first of these meetings, loosely titles ‘Sacred Encounters,’ will take place on 11 December (place TBC). Further information on this event will soon be published on our website. If you are interested in discussing your research at this event, please contact firstname.lastname@example.org.
The Maius Workshop is an interdisciplinary group that brings together graduate students and early career scholars dealing with Hispanic art (broadly considered to include literature, theatre, music, etc.) and history from the Middle Ages to the Early Modern Period. The aim of the Maius Workshop is to encourage dialogue among specialists in different stages of their academic life and to provide a forum for discussing methods of information gathering and research news. The group is kindly supported by ARTES.
The workshop is named after the tenth-century painter of the Morgan Beatus manuscript as it wishes to create an interdisciplinary space where scholars of art and history can interact. Through a series of reading group meetings, the Workshop aims to bring together young researchers tackling the study of Hispanic culture and history and to create a strong network of specialists of Medieval and Early Modern Iberia and Latin America.
Thanks to the new connections that the group will create, the meetings will develop current research rather than present finished projects. The group’s activities are directed to the diffusion of the interest in Iberian and Latin American cultural creations, with the long-term aim of establishing a permanent community open to all students of Hispanic art and history.
The Maius Workshop’s first meeting will take place on Monday 16 October at 6 pm at the Warburg Institute. This will be an informal meeting and an opportunity to meet postgraduate researchers with similar interests, to discuss how these interests can be drawn together in a reading group setting. The meeting is open to MA, PhD and early career researchers. Refreshments will be provided.
If you are interested in the activities of this research group or would like to attend the meeting, please fill in this form
Institute of Advanced Study, Palace Green, Durham Friday, 22 May 2015
To register for the event, please email the organizer (email@example.com) indicating if you have any special dietary requirements. There is no registration fee, but all participants will be asked to complete a short impact questionnaire. There are a maximum of 20 places available.
09.30–09.40 Welcome and Introduction
09.40–10.20 Edward Payne (Meadows Museum, Dallas), ‘Skin as Subject and Surface: Flaying in the Art of Ribera, Carreño and Giordano’
10.20–11.00 Yarí Pérez Marín (Durham University), ‘Skin and Markers of Disease in the Medical Literature of Early Colonial Mexico’
11.20–12.00 Andy Beresford (Durham University), ‘The Flaying of St Bartholomew in Early Spanish Altarpieces’
12.00–12.40 Tom Nickson (Courtauld Institute), ‘“Stuffed in the most artistic manner”: The Sacred Made Real in Medieval Castile’
13.40–14.20 Bogdan Cornea (University of York), ‘Skin and Surfaces in Jusepe de Ribera’s Paintings of Flaying’
14.20–15.00 Lesley Twomey (Northumbria University), ‘Decorated Exteriors and Resplendent Interiors: The Ark, the Tabernacle, and the Reliquary as Figures for the Virgin Mary’s Physical and Spiritual Beauty in Late-Medieval Spain’
15.00–15.40 Piers Baker-Bates Open University), ‘Sebastiano del Piombo: The Suffering Skin between Italy and Spain’
16.00–17.00 Round Table Discussion