Tag Archives: Skin

Conference: ‘Ribera’s Art of Violence: New Intersections and Interventions’, Dulwich Picture Gallery, London, December 10, 2018

INTERNATIONAL STUDY DAY

Ribera’s Art of Violence: New Intersections and Interventions

Dulwich Picture Gallery is holding a study day inspired by the exhibition Ribera: Art of ViolenceExamining Ribera’s art from various interdisciplinary perspectives, the event will bring together established and emerging voices to explore new approaches to the artist, his works, myths and audiences. The study day will be structured around the exhibition’s five thematic sections: Religious Violence; Skin and the Five Senses; Crime and Punishment; The Bound Figure; and Mythological Violence. Situating his paintings, prints and drawings within their historical context, this event will address the relevance of Ribera’s violent imagery in contemporary art and thought.

PROGRAMME
[Chaired by Edward Payne and Xavier Bray]

2-2.10pm
Introduction and Welcome: Edward Payne (Durham University) and Xavier Bray (Wallace Collection)

Session 1: Religious Violence

2.10-2.25pm
Jack Hartnell (University of East Anglia)
Backwards through Bartholomews: Tools and Techniques of Stripping Skin

2.25-2.35pm
Respondent: Helen Hills (University of York)

Session 2: Skin and the Five Senses

2.35-2.50pm
Carlo Avilio (University of Warwick)
See with the Fingers, Touch with the Eyes: Ribera and the Failure of Painting

2.50-3pm
Respondent: Joanna Woodall (Courtauld Institute of Art)

Session 3: Crime and Punishment

3-3.15pm
Stephen Cummins (Max Planck Institute)
Punishing Bodies in Ribera’s Naples: Torture, Incarceration and Slavery

3.15-3.25pm
Respondent: TBC

3.30-4pm: Tea Break

Session 4: The Bound Figure

4-4.15pm
Caroline Fowler (Clark Art Institute)
Losing Control: Ribera’s Examination of Desire and Will

4.15-4.25pm
Respondent: Gabriele Finaldi (National Gallery, London)

Session 5: Mythological Violence

4.25-4.40pm
Bogdan Cornea (University of York)
Opening the Body, Opening Touch: Rethinking Violence in Ribera’s Apollo and Marsyas

4.40-4.50pm
Respondent: Mechthild Fend (University College London)

Keynote Address

4.50-5.20pm
Javier Moscoso (Centro de Ciencias Humanas y Sociales)
The Liminality of Skin in the History of Pain

5.20-5.30pm
Concluding Remarks: Edward Payne (Durham University) and Xavier Bray (Wallace Collection)

Click here to buy a ticket for this event

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1 week to go! ‘Ribera: Art of Violence’ opens 26 September 2018 at Dulwich Picture Gallery, London

ribera-martiri-de-sant-bartomeu-large-bannerThis autumn, Dulwich Picture Gallery will present the first exhibition in the UK dedicated to the Spanish Baroque painter, draughtsman and printmaker Jusepe de Ribera (1591–1652). Born in Játiva, Valencia, Ribera emigrated to Italy as a young artist. Proud of his Spanish heritage, he eventually settled in Naples, then a Spanish territory, but never again returned to Spain. A hybrid figure, Ribera had a significant influence on the art of both countries in the seventeenth century.

Introducing this artist to a UK audience, the exhibition will focus on some of Ribera’s most powerful images featuring saints and sinners, flaying and flogging. Ribera’s images of pain have often been described as shocking and even grotesque in their realism. In a common historiographical trope, the artist himself has been labelled as sadistic and violent. Challenging this long-standing interpretation, Ribera: Art of Violence will reveal the complex artistic, religious and cultural discourses underpinning the artist’s violent imagery in paint and on paper. This exploration will be anchored by a number of major loans from North American and European collections, with some works travelling to the UK for the first time.

613cmo6qaylA scholarly catalogue will accompany the exhibition, showcasing the new research which has informed the display.

Ribera: Art of Violence is co-curated by ARTES committee member Dr Edward Payne, author of a PhD thesis on the theme of violence in Ribera’s art (2012) and contributor to the catalogue raisonné of Ribera’s drawings (2016), and Dr Xavier Bray (Director, The Wallace Collection), former Arturo and Holly Melosi Chief Curator at Dulwich Picture Gallery, and curator of the National Gallery’s exhibitions The Sacred Made Real: Spanish Painting and Sculpture 1600–1700 (2009) and Goya: The Portraits (2015).

The exhibition will be accompanied by an exciting series of events, from an international study day to Animalisa contemporary dance performance. Here is a selection of the most interesting…

  • Ribera: Curator’s Introduction with Dr Edward Payne, 27 September 2018, 12.30pm–1.30pm
  • Skin Deepa workshop on tattoos and skin art led by Dr Matt Lodder, tattoo historian, and Alex Binnie, tattoo artist. 19 October 2018, 7–9.30pm
  • From the Collection: The Aftermath of Violencea journey through shock, grief, acceptance and healing, led by Jennifer Scott, The Sackler Director of Dulwich Picture Gallery, and based on works by Carlo Dolci, Rubens, Van Dyck and Poussin in the Gallery’s collection. 2 November 2018, 12.30–1.30pm
  •  Ribera: Curator’s Introduction with Dr Xavier Bray, 8 November 2018, 7.30pm–8.30pm
  • Beneath The Skin of Ribera’s Bodiesa lecture by Dr Jack Hartnell, Lecturer in Art History at the University of East Anglia. The lecture will reveal the complex and fascinating ways in which the people of the Middle Ages thought about, explored and experienced their physical selves. 30 November 2018, 12.30pm–1.30pm
  • Ribera Study Day, a day of in-depth discussions around the role of violence in art, which will bring together a range of multi-disciplined creative and scholarly minds to prod, probe and discuss profound questions exploring the many facets of Ribera’s work. 10 December 2018, 2.00pm–5.00pm
  • Art and Violence in Renaissance Florence, a lecture by Dr Scott Nethersole, Senior Lecturer in Italian Renaissance Art at The Courtauld Institute of Art in London. This event will explore the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. 18 January 2019, 12.30–1.30pm

And last but not least, a curator-led tour for ARTES members, which will take place on 28 September 2018 from 9.00am.

4 months to go! ‘Ribera: Art of Violence’ opens 26 September 2018 at Dulwich Picture Gallery, London

ribera-martiri-de-sant-bartomeu-large-bannerThis autumn, Dulwich Picture Gallery will present the first exhibition in the UK dedicated to the Spanish Baroque painter, draughtsman and printmaker Jusepe de Ribera (1591–1652). Born in Játiva, Valencia, Ribera emigrated to Italy as a young artist. Proud of his Spanish heritage, he eventually settled in Naples, then a Spanish territory, but never again returned to Spain. A hybrid figure, Ribera had a significant influence on the art of both countries in the seventeenth century.

Introducing this artist to a UK audience, the exhibition will focus on some of Ribera’s most powerful images featuring saints and sinners, flaying and flogging. Ribera’s images of pain have often been described as shocking and even grotesque in their realism. In a common historiographical trope, the artist himself has been labelled as sadistic and violent. Challenging this long-standing interpretation, Ribera: Art of Violence will reveal the complex artistic, religious and cultural discourses underpinning the artist’s violent imagery in paint and on paper. This exploration will be anchored by a number of major loans from North American and European collections, with some works travelling to the UK for the first time.

A scholarly catalogue will accompany the exhibition, showcasing the new research which has informed the display.

Ribera: Art of Violence is co-curated by ARTES committee member Dr Edward Payne (Head Curator of Spanish Art, The Auckland Project), author of a PhD thesis on the theme of violence in Ribera’s art (2012) and contributor to the catalogue raisonné of Ribera’s drawings (2016), and Dr Xavier Bray (Director, The Wallace Collection), former Arturo and Holly Melosi Chief Curator at Dulwich Picture Gallery, and curator of the National Gallery’s exhibitions The Sacred Made Real: Spanish Painting and Sculpture 1600–1700 (2009) and Goya: The Portraits (2015).

Click here for a video presenting the exhibition, and here for a preview article in The Guardian. 

SKIN: A ONE DAY SYMPOSIUM ON HISPANIC ARTS AND CULTURES. Friday, 22nd May 2015

FlayingSKIN: A ONE DAY SYMPOSIUM ON HISPANIC ARTS AND CULTURES

Institute of Advanced Study, Palace Green, Durham  Friday, 22 May 2015

To register for the event, please email the organizer (a.m.beresford@durham.ac.uk) indicating if you have any special dietary requirements. There is no registration fee, but all participants will be asked to complete a short impact questionnaire. There are a maximum of 20 places available.

09.30–09.40 Welcome and Introduction

09.40–10.20 Edward Payne (Meadows Museum, Dallas), ‘Skin as Subject and Surface: Flaying in the Art of Ribera, Carreño and Giordano’

10.20–11.00 Yarí Pérez Marín (Durham University), ‘Skin and Markers of Disease in the Medical Literature of Early Colonial Mexico’

11.00–11.20 Coffee

11.20–12.00 Andy Beresford (Durham University), ‘The Flaying of St Bartholomew in Early Spanish Altarpieces’

12.00–12.40 Tom Nickson (Courtauld Institute), ‘“Stuffed in the most artistic manner”: The Sacred Made Real in Medieval Castile’

12.40–13.40 Lunch

13.40–14.20 Bogdan Cornea (University of York), ‘Skin and Surfaces in Jusepe de Ribera’s Paintings of Flaying’

14.20–15.00 Lesley Twomey (Northumbria University), ‘Decorated Exteriors and Resplendent Interiors: The Ark, the Tabernacle, and the Reliquary as Figures for the Virgin Mary’s Physical and Spiritual Beauty in Late-Medieval Spain’

15.00–15.40 Piers Baker-Bates Open University), ‘Sebastiano del Piombo: The Suffering Skin between Italy and Spain’

15.40–16.00 Tea

16.00–17.00 Round Table Discussion