Tag Archives: Exhibition

Featured Exhibition: 'Montañés, maestro de maestros', Museo de Bellas Artes, Seville, until 15 March 2020

Juan Martínez Montañés (Alcalá la Real, 1568–Seville, 1649) marked a milestone in Spanish Baroque sculpture and a timeless model in the Sevillian school. This exhibition provides an insight into a select repre­sentation of 44 sculptures and reliefs by the brilliant artist, of a total of 58 works on display. Divided into three sections, the itinerary presents an exceptional repertoire of works that bear witness to the ambition of the major commissions he undertook, the sublime quality of his devotional images and the novelty of his iconographic models. The first section features works from his most outstanding groups or altarpieces, such as those from San Isidoro del Campo and the convent of San Leandro. The second one offers key examples of his magnificent religious imagery, such as Saint Christopher and Saint Jerome, and the third one highlights his most significant contributions to Sevillian Baroque iconography, as exemplified by the Infant Jesus from the Cathedral Side­ Chapel, ‘La Cieguecita’ (Little Blind One), and the Christ of Clemency.

The connections with the artistic and intellectual world of the day reveal the collaboration between Montañés and other artists, also represented here by paintings that formed part of altarpieces or were the pictorial ex­pression of the new iconographies which the sculptor helped to establish. Many of the works on display have undergone con­servation and restoration works specifically for the exhibition, enabling us to appreciate the extraordinary quality and beauty of the grand masterís work in all its glory. Thanks to the generous collaboration of the Archbishopric of Seville, the exhibition also includes works which the general public rarely have the op­portunity to admire, either because they are located high up on altarpieces or hidden away in convents and monasteries.

Featured Exhibition: Art on Display. Formas de expor 1949-69, Gulbenkian Museum, Lisbon, until 2 March 2020

Central case for the Islamic East section of the Calouste Gulbenkian Museum, 196?, Gulbenkian Archives, GV A2-00336

Marking the 50th anniversary of the Gulbenkian Museum, this exhibition takes as its starting point the display solutions found for the opening of the Museum in 1969. It also recreates different exhibition design ideas created by Franco Albini and Franca Helg, Carlo Scarpa, Lina Bo Bardi, Aldo van Eyck and Alison and Peter Smithson in other countries.

This exhibition takes the museography of the Calouste Gulbenkian Museum as its starting point, marking its 50th anniversary.

The Italian designer Franco Albini advised the Calouste Gulbenkian Foundation on the most contemporary examples of good museum design. The museum, which opened in 1969, was strongly influenced by his background in contemporary Italian design, notably that of Carlo Scarpa.

The exhibition recreates some of the period’s classic solutions to the display of art, contrasting the stasis and fixity of 1950s’ design with some of the more playful and immersive designs, by Aldo van Eyck and the Smithsons, which had already emerged by the time the Museum opened.

This exhibition allows the viewer to experience these different ways of looking at and being with art. It is accompanied by archival photographs and drawings, revealing  display solutions conceived for the Museum.

The exhibition is an associate project of the Lisbon Architecture Triennale 2019. In 2020, it will also be held at the Het Nieuwe Instituut, Rotterdam.

Curators: Penelope Curtis (Calouste Gulbenkian Museum) and Dirk van den Heuvel (Jaap Bakema Study Centre/Het Nieuwe Instituut)

In association with: Het Nieuwe Instituut, Rotterdam

Click here for more information

New Exhibition and CEEH Publication: VALENTÍN CARDERERA Y SOLANO, Biblioteca Nacional de España, Madrid, September 27, 2019 – January 12, 2020

VALENTÍN CARDERERA Y SOLANO (Huesca, 1796 – Madrid, 1880) was a painter, scholar, communicator, collector and traveller. His life was marked by his efforts to safeguard Spain’s historical heritage and he journeyed around much of the Spanish mainland to bear witness in his drawings and watercolours to significant monuments, many at risk of disappearance as a result of the modernising drive ushered in by the new liberal order. Member of the Romantic generation and friends with the Madrazo family, Carderera was also in contact with some other figures like Richard Ford and Prosper Mérimée, with whom he shared the same nostalgia for the past and the need to define his position in the complex debate between tradition and progress.

The exhibition—featuring more than a hundred pieces including paintings, drawings, engravings, manuscripts, books, maps and objects—pays tribute to Carderera’s work and the significant legacy he left in the Biblioteca Nacional de España. In 1867 the Spanish State adquired his collection of drawings and prints: more than 45.000 pieces which enriched the department of Fine Arts with engravings of Mantegna, Dürer and Rembrandt, among others, along with one of the very few drawings attributed to Velázquez. Click here for more information.

The exhibition opens on 27 September in the Biblioteca Nacional de España’s Sala Hipóstila. It was curated by José María Lanzarote Guiral and organised by the Biblioteca Nacional de España and Centro de Estudios Europa Hispánica.

It is accompanied by a an exhibition catalogue which reconstructs Carderera’s intense life in six thematic sections, published by CEEH. Until 25 September, the catalogue can be purchased from the CEEH website at special discount price. Click here for more information.

Featured Exhibition: Balenciaga, Shaping Fashion, Bendigo Art Gallery, Bendigo, Victoria, Australia, until 10 November 2019

A version of the V&A’s exhibition Balenciaga, Shaping Fashion is now showing at the Bendigo Art Gallery, Bendigo, Victoria, Australia, until 10 November 2019. The Spanish couturier, whose female dress and master tailoring was admired by Coco Chanel and Christian Dior, was one of the most innovative and influential fashion designers of the 20th century. The Australian exhibition shows highlights of the V&A’s display including garments crafted by Balenciaga from the 1950s and 1960s—arguably the most creative period of his career, when he dressed some of the most renowned women of the time—through to pieces designed by protégés and contemporary designers working in the same innovative way today. The exhibition features examples of Balenciaga’s revolutionary shapes—the tunic, sack, baby doll and shift dresses—all of which remain style staples today, and marks the centenary of the opening of Balenciaga’s first fashion house in San Sebastian, and the 80th anniversary of the opening of his famous fashion house in Paris.

Click here for more information

Featured Exhibition: ‘De Mena, Murillo, Zurbarán. Masters of the Spanish Baroque’, Sint-Janshospitaal, Bruges, until 6 October and MNHA, Luxembourg, 24 January–07 June 2020

20 works of Spanish religious sculpture and painting are currently on display in the monumental wards of the ancient hospital of Bruges. It is a rare opportunity to become acquainted with some lesser-known aspects of Spain’s Golden Age. The highlight of the exhibition, in addition to paintings by famous Spanish masters like Murillo and Zurbaran, is a group of six hyper-realistic sculptures by the greatest sculptor of the Spanish Baroque, Pedro de Mena.
This project is in collaboration with the Luxemburg Musée National d’Histoire et d’Art and the exhibition will travel to this museum in 2020.
The exhibition is accompanied by a catalogue in English, with texts by Ruud Priem, Sibylla Goegebuer, Malgorzata Nowara, Gilles Zeimat, and Noël Geirnaert. Click here for more information on the exhibition and here for the catalogue.

‘Bartolomé Bermejo: Master of the Spanish Renaissance’ Study Morning, Thursday 27 June 2019, 9:00 am, The National Gallery, London

ARTES members are cordially invited to an informal study morning in the exhibition Bartolomé Bermejo: Master of the Spanish Renaissance, which will open on 12 June at the National Gallery, London (until 29 September 2019).

Programme (27 June 2019)

9:00 am: Meet at The National Gallery’s West Entrance (Staff Entrance to the left of the main portico on Trafalgar Square)

9:15 am: Welcome, curator’s introduction and discussion in the exhibition (led by Letizia Treves)

11:00–11:20 am: Complimentary tea and coffee in the Former Viewing Room, Wilkins Building

11:20–11:30 am: Brief overview of the exhibition Sorolla: Spanish Master of Light (Akemi Herráez) in the Former Viewing Room

11:30 am: Self-guided tour (complimentary tickets will be provided) of Sorolla: Spanish Master of Light (Sainsbury Wing, Level -2)

Attendees may leave their belongings at the West Entrance on arrival. After 11.30 am these must be checked into the Gallery’s cloakrooms. Large bags and suitcases may not be brought into the Gallery.

Please note that this study morning is by invitation only. Numbers are strictly limited and places will be allocated on a first-come, first-served basis. We kindly ask you to RSVP to colloquia.RSVP@ng-london.org.uk by Thursday 6 June 2019.

Opening on Monday: Sorolla: Spanish Master of Light, National Gallery, London, until 7 July 2019, and National Gallery of Ireland 10 August – 3 November 2019

The first UK exhibition of Joaquín Sorolla y Bastida (1863–1923), Spain’s most prominent Impressionist painter, opens today at the National Gallery, London. Born in Valencia, the artist is known as the ‘master of light’ for his iridescent canvases. From the vivid seascapes, garden views, and bather scenes for which he is most renowned, to portraits, landscapes and genre scenes of Spanish life, the exhibition features more than 60 works spanning Sorolla’s career—many of which are travelling from private collections and from afar.

The exhibition has been organised by the National Gallery and the National Gallery of Ireland, in collaboration with Museo Sorolla. Click here for more informati and to buy tickets.

The exhibition will then travel to the National Gallery of Ireland, 10 August–3 November 2019. Click here for more information