Tag Archives: Prado

Closing Soon: The challenge of white. Goya and Esteve, portraitists to the House of Osuna

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Francisco de Goya, The Duke and Duchess of Osuna and their Children, 1787 – 1788. Oil on unlined canvas, 225 x 174 cm.

El desafío del blanco. Goya and Esteve, retratistas de la Casa de Osuna/portraitists to the House of Osuna, Museo Nacional del Prado, Madrid. Closes 1 October 2017

This displays presents for the first time in the Prado the portrait of Manuela Isidra Téllez-Girón, the future Duchess of Abrantes, which was painted in 1797 by Agustín Esteve y Marqués, and which was recently acquired with the help of funds from the donation by Óscar Alzaga Villaamil. The child’s portrait is considered one of the finest works by the Valencian-born Esteve, the most important court portraitist after Goya. The exhibition brings together for the first time all the portraits painted by Agustín Esteve of the children of the Duke and Duchess of Osuna, on loan from private collections such as the Fundación Casa Ducal de Medinaceli, the Colección Duque del Infantado, Colección Masaveu and Colección Martínez Lanzas-de las Heras. In addition the display is accompanied by portraits of the 9th Duke Osuna, Pedro de Alcántara Téllez-Girón (1755-1807) and his wife and cousin, María Josefa de la Soledad Alonso-Pimentel (1752-1834), and their five children by other court artists including Goya’s family portrait of 1787-88 and a miniature by Guillermo Ducker (fl. 1795-1830) of Joaquina Téllez-Girón, Marchioness of Santa Cruz. The exhibition’s title refers to Esteve’s and Goya’s ability to meet the challenge of representing the transparent and pristine white materials worn by their sitters.

This is the final purchase with the Alzaga funds and in October 2017 the Prado will display the other six paintings in the Alzaga donation, which range from the sixteenth-century to the middle of the nineteenth-century and include works by Sánchez Cotán, Herrera “el Viejo,” Antonio del Castillo, and Eugenio Lucas Velázquez. The display will be accompanied by a catalogue of the donation.
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Closing Soon: Lightness and Boldness. Goya’s Drawings

 

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Francisco de Goya, I am still learning. Album G, 54
Ca. 1826. Black chalk, Lithographic crayon on grey laid paper, 192 x 145 mm.

Ligereza y atrevimiento. Dibujos de Goya, Centro Botín, Santander. Closes 24 September 2017.
One of the first exhibition’s in the  recently opened Renzo Piano designed Centro Botín, this show is curated by the Prado’s Head of Drawings and Prints, José Manuel Matilla, and the Chief Curator of the Goya and 18th-century Art Department, Manuela Mena. The exhibition includes 80 drawings, from the Prado’s holdings of some 520, selected as representative of the different periods of Goya’s artistic activity from 1796 to his death in 1828. Also shown are preparatory drawings for a selection of prints from his series, Sueños, Caprichos, Desastres de la guerra, Tauromaquia and Disparates. This exhibition is the result of an ambitious research and cataloguing project based on the drawings of Francisco de Goya, thanks to the collaboration agreement entered into by the Fundación Botín and  Prado Museum in 2014. The first volume of the catalogue raisonné is due to appear later in 2017 and a larger exhibition is provisionally scheduled at the Prado in 2019.

 

Featured Exhibition: Lightness and Boldness. Goya’s Drawings

 

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Francisco de Goya, I am still learning. Album G, 54
Ca. 1826. Black chalk, Lithographic crayon on grey laid paper, 192 x 145 mm.

Ligereza y atrevimiento. Dibujos de Goya, Centro Botín, Santander. Closes 24 September 2017.
One of the first exhibitions in the  recently opened Renzo Piano designed Centro Botín, this show is curated by the Prado’s Head of Drawings and Prints, José Manuel Matilla, and the Chief Curator of the Goya and 18th-century Art Department, Manuela Mena. The exhibition includes 80 drawings, from the Prado’s holdings of some 520, selected as representative of the different periods of Goya’s artistic activity from 1796 to his death in 1828. Also shown are preparatory drawings for a selection of prints from his series, Sueños, Caprichos, Desastres de la guerra, Tauromaquia and Disparates. This exhibition is the result of an ambitious research and cataloguing project based on the drawings of Francisco de Goya, thanks to the collaboration agreement entered into by the Fundación Botín and  Prado Museum in 2014. The first volume of the catalogue raisonné is due to appear later in 2017 and a larger exhibition is provisionally scheduled at the Prado in 2019.

 

Featured Exhibition: The challenge of white. Goya and Esteve, portraitists to the House of Osuna

d546d401-9747-4467-b080-19800ce5bc4d

Francisco de Goya, The Duke and Duchess of Osuna and their Children, 1787 – 1788. Oil on unlined canvas, 225 x 174 cm.

El desafío del blanco. Goya and Esteve, retratistas de la Casa de Osuna/portraitists to the House of Osuna, Museo Nacional del Prado, Madrid. Closes 1 October 2017

This displays presents for the first time in the Prado the portrait of Manuela Isidra Téllez-Girón, the future Duchess of Abrantes, which was painted in 1797 by Agustín Esteve y Marqués, and which was recently acquired with the help of funds from the donation by Óscar Alzaga Villaamil. The child’s portrait is considered one of the finest works by the Valencian-born Esteve, the most important court portraitist after Goya. The exhibition brings together for the first time all the portraits painted by Agustín Esteve of the children of the Duke and Duchess of Osuna, on loan from private collections such as the Fundación Casa Ducal de Medinaceli, the Colección Duque del Infantado, Colección Masaveu and Colección Martínez Lanzas-de las Heras. In addition the display is accompanied by portraits of the 9th Duke Osuna, Pedro de Alcántara Téllez-Girón (1755-1807) and his wife and cousin, María Josefa de la Soledad Alonso-Pimentel (1752-1834), and their five children by other court artists including Goya’s family portrait of 1787-88 and a miniature by Guillermo Ducker (fl. 1795-1830) of Joaquina Téllez-Girón, Marchioness of Santa Cruz. The exhibition’s title refers to Esteve’s and Goya’s ability to meet the challenge of representing the transparent and pristine white materials worn by their sitters.

This is the final purchase with the Alzaga funds and in October 2017 the Prado will display the other six paintings in the Alzaga donation, which range from the sixteenth-century to the middle of the nineteenth-century and include works by Sánchez Cotán, Herrera “el Viejo,” Antonio del Castillo, and Eugenio Lucas Velázquez. The display will be accompanied by a catalogue of the donation.

Opening soon: Hispanic Society of America at the Prado

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Visions of the Hispanic World
Treasures from the Hispanic Society Museum and Library

Museo del Prado
Madrid, 4/4/2017 – 9/10/2017

The exhibition will present around 200 works from the holdings of the Hispanic Society of America in New York. Founded in 1904 by Archer Milton Huntington (1870-1955), a passionate collector and Hispanic art enthusiast, the Hispanic Society houses the most important collections of Spanish, Portuguese and Latin American art to be found outside the Iberian Peninsula.

The selection of works in the exhibition includes some of the most celebrated objects from the Hispanic Society’s collections, including archaeological items, Islamic art and Spanish medieval art, works from the Spanish Golden Age, examples of Latin American colonial period and 19th-century art, and Spanish paintings from the 19th and 20th centuries.

ARTES visit to the Museo del Prado (14 January 2017)*

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ARTES VISIT TO MADRID
RIBERA DRAWINGS, MUSEO del PRADO
With Dr Edward Payne, Senior Curator, Spanish Art, Auckland Castle Trust

Saturday 14th January 2017, 9:30 – 11:00 A.M.

Rendezvous at Museo del Prado (at main entrance at the back of the building)

 

  • *Due to unforeseen circumstances, the visit to El Escorial
  • on Friday 13th January 2017 has been cancelled

 

ARTES members wishing to travel should RSVP to artesiberia@gmail.com and arrange their own travel and accommodation.

 

Miguel Zugaza: from Madrid to Bilbao

2014-06-Museo del Prado

Miguel Zugaza announces his decision to step down from the Prado and reassume the directorship of the Bilbao Fine Arts Museum next year

This morning, Miguel Zugaza informed the Permanent Committee of the Royal Board of Trustees of his decision to conclude his term next year as director of the Museo del Prado after fifteen years in the position. He also announced his intention to reassume the post of director of the Bilbao Fine Arts Museum on the retirement of its present director.

In a text addressed to Iñigo Méndez de Vigo, the Minister of Education, Culture and Sport, and to Unai Rementeria, Chairman of the Provincial Council of Bizkaia, Miguel Zugaza stated that he “considers the goals established during his term of office to have been fulfilled and expresses his thanks for all the support received.” The Museum’s Director for the past fifteen years considers that “the Museum is now embarking on a new and exciting phase with the focus on its bicentenary and on the completion of the Museo del Prado Campus with the addition of the Hall of Realms.” At the same time, he considers himself “extremely fortunate to have the opportunity to return to the Bilbao Fine Arts Museum (of which he was director between 1995 and 2001) and offer it all the experience he has acquired.”

The Minister of Education, Culture and Sport has personally thanked Miguel Zugaza for the services he has rendered the Museum over so many years and has asked him to continue to be involved in its bicentenary project through the Committee for the 2nd centenary of the Museo Nacional del Prado in 2019.

For his part and in the name of the Bilbao museum’s founding institutions (the City Council of Bilbao, the Provincial Government of Bizkaia and the Basque Government), the Chairman of the Provincial Council of Bizkaia and current president of the Bilbao museum’s Board of Trustees expressed his satisfaction at being able to count on Miguel Zugaza for leading the museum forward after the outstanding contribution made over the past years by Javier Viar Olloqui.

Both institutions have agreed to stay in contact in order to facilitate the transition of directorship of the respective museums. With this aim in mind, the Minister will propose to the Prado’s Royal Board of Trustees the creation of a specific committee at the Museum. As established in its statutes, it will initiate the selection procedure prior to the proposal of a new appointment to the Council of Ministers. Mr Zugaza will remain in his position with all the powers authorised by it until a new director is appointed.

José Pedro Pérez-Llorca, president of the Museum’s Royal Board of Trustees, wished to emphasise that “the Museo del Prado will never be able to sufficiently express its thanks to Miguel Zugaza for his intelligence, wisdom and imagination and the authority with which he has led the Museum”, and that “the results of his efforts, namely the great success of the Prado, speak for themselves.”