Tag Archives: usa

Edilia and François-Auguste de Montêquin Fellowship, Society of Architectural Historians, deadline September 30, 2019

The latern tower of Teruel cathedral. By Escarlati – ACDSee for Pentax, CC BY 2.5, https://commons.wikimedia.org/w/index.php?curid=1284830

Purpose
This award provides support for travel related to research on Spanish, Portuguese, or Ibero-American architecture.  

The Awards
The awards consist of a $2,000 fellowship for an advanced graduate student and a $6,000 fellowship for a senior or emerging scholar. The awardees will be notified in December and will be recognized at the SAH 73rd Annual International Conference in Seattle, Washington (April 29–May 2, 2020). The awards also will be announced in the May 2020 issue of the SAH Newsletter. 

Criteria for Application

These annual fellowships are intended to support the research of graduate students who have completed their coursework and are engaged in doctoral dissertation research, and senior or emerging scholars who have completed their PhD or equivalent terminal degree. The research to be supported must focus on Spanish, Portuguese, or Ibero-American architecture, including colonial architecture produced by the Spaniards in the Philippines and what is today the United States. The applicant must be a current member of SAH. 

Reporting Requirements
Following completion of travel and research supported by the fellowship, each de Montêquin Fellowship awardee must submit a written report summarizing their research and explaining what travel was undertaken and how funds were spent. The report will be submitted to the SAH office no later than three months following the completion of work related to the fellowship. Awardees are required to upload images to SAHARA (a minimum of 50 for junior scholars and a minimum of 150 for senior scholars).  

Application Details
You will need two recommendations to apply for this fellowship, a description of the research project on Iberian or Ibero-American architecture to be funded (500 words maximum), a current curriculum vitae (5 pages max), and a statement of purpose.

SAH is accepting applications for the 2020 Edilia and François-Auguste de Montêquin Fellowship. The application deadline is September 30, 2019.

Visit sah.org/research-fellowships to apply.

Pre- and Post-Doctoral Fellowships at the Meadows Museum, Dallas, Texas

Center for Spain in America (CSA) Curatorial Fellowship

Pre-doctoral fellowships are supported by the Center for Spain in America (CSA). The Centro de Estudios Europa Hispánica (CEEH) and the Center for Spain in America (CSA) encourage studies on Spanish history, art and literature by establishing doctoral and postdoctoral scholarships at European and American universities, as well as at research centers whose holdings are particularly relevant to the knowledge of Spanish culture. They likewise establish assistantships for curatorial work at museums with significant holdings of Spanish painting.

Requirements:

  • Pre-doctoral students who have completed their course work
  • At least one year of curatorial experience in an art museum; demonstrated knowledge in the field of Spanish art; proficient in Spanish (reading, writing, and speaking).
  • Is appointed by and reports to the director and curatorial staff of the Meadows Museum.
  • Serves a full-time appointment of one year, beginning in September 2020.
  • Performs curatorial research and is responsible for projects as assigned.
  • Travel stipend for research as well as trips to Spain and other destinations as directed by the museum director to perform research and project-based assignments.

Applicants must submit:

  • A full résumé
  • Three letters of recommendation
  • A statement (not to exceed 1500 words) specifying:
    • 1) the applicant’s research goals;
    • 2) how these goals relate to or will benefit the Meadows Museum; and
    • 3) how resources at the Meadows Museum, Southern Methodist University and travel related research might be used to accomplish those goals.
  • Applications and letters of recommendation must be received by November 22, 2019. Electronic submissions will not be accepted.

Mail to:

Anne Kindseth
Interim Director of Education
Meadows Museum
P.O. Box 750357
Dallas, Texas 75275-0357

For more information, please contact: akindseth@smu.edu

Mellon Curatorial Fellowship

Post-doctoral fellowships are supported by The Andrew W. Mellon Foundation, which seeks to strengthen, promote, and defend the centrality of the humanities and the arts to human flourishing and to the well-being of diverse, fair, and democratic societies. To this end, its core programs support exemplary and inspiring institutions of higher education and culture.

Requirements:

  • Post-doctoral students who have earned their Ph.D. within the last five years
  • At least one year of curatorial experience in an art museum; demonstrated knowledge in the field of Spanish art; proficient in Spanish (reading, writing, and speaking).
  • Is appointed by and reports to the director and curatorial staff of the Meadows Museum.
  • Serves a full-time appointment of two years, beginning in September 2020.
  • Performs curatorial research and is responsible for projects as assigned.
  • Travel stipend for research as well as trips to Spain and other destinations as directed by the museum director to perform research and project-based assignments.
  • Author a scholarly article for publication and present at least two public lectures, as well as actively participate in the research and organization of special exhibitions or projects.
  • Culminate fellowship by organizing a scholarly, international, two-day colloquium focusing on new research in Spanish art history.

Applicants must submit:

  • A full résumé
  • Three letters of recommendation
  • A statement (not to exceed 1500 words) specifying:
    • 1) the applicant’s research goals;
    • 2) how these goals relate to or will benefit the Meadows Museum; and
    • 3) how resources at the Meadows Museum, Southern Methodist University and travel related research might be used to accomplish those goals.
  • Applications and letters of recommendation must be received by November 22, 2019. Electronic submissions will not be accepted.

Click here for more information

Featured Exhibition: ‘Art and Empire: The Golden Age of Spain’, The San Diego Museum of Art, CA, until 2 September 2019

The neo-plateresque façade of the museum, begun in 1924 and designed by William Templeton Johnson and Robert W. Snyder, with sculptures by Chris Muelle

This new exhibition features a diverse selection of more than 100 outstanding works produced by leading artists from Spain and its global territories.

Spain’s Golden Age may be defined as the extraordinary moment when the visual arts, architecture, literature, and music all reached unprecedented heights.

Art & Empire: The Golden Age of Spain is the first exhibition in the United States to expand the notion of “Golden Age” to include the Hispanic world beyond the shores of the Iberian Peninsula. Such far-flung Spanish-controlled centers as Antwerp, Naples, Mexico, Lima, and the Philippines are represented by paintings, sculpture and decorative arts of astounding quality and variety from the pivotal years of about 1660 to 1750.

Artists featured in the exhibition include Diego Velázquez, Peter Paul Rubens, Bartolomé Esteban Murillo, Francisco de Zurbarán, Jusepe de Ribera, El Greco, Juan de Valdés Leal, Juan Sánchez Cotán, and many more. This exhibition also marks the first time in the Museum’s history that all five of the Spanish masters represented on the Museum’s building façade —Velázquez, Murillo, Zurbarán, Ribera and El Greco— will be shown together at the Museum.

Also on display is a contemporary response to Art and Empire: The Golden Age of Spain, featuring a group of 12 encaustic-on-canvas “portraits” of Christ’s disciples by contemporary Spanish artist José-María Cano.

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Featured Exhibition: Picasso’s Women: Fernande to Jacqueline, Gagosian, New York, until 22 June 2019

The art dealers Gagosian, New York, in partnership with members of the Picasso family, present an exhibition in honour of their late friend and colleague, Sir John Richardson, the eminent biographer of Picasso who died in March 2019. The exhibition Picasso’s Women: Fernande to Jacqueline, features paintings and sculptures showing the central role and influence of the many women in Picasso’s life.

The exhibition runs until 22 June 2019 at Gagosian, 980 Madison Avenue, New York. Richardson had previously organized six major exhibitions of Picasso’s work at Gagosian. In the early 1960s, John Richardson was planning to write a study of Picasso’s portraits and spent hours with the artist, poring over reproductions of his works. As Picasso spoke about the complexities of his pictorial thinking—pointing out, for example, that a portrait of Dora Maar might also contain elements referring to her romantic predecessor Marie-Thérèse Walter, and her successor Françoise Gilot—Richardson began to believe that a detailed biographical treatment of Picasso’s portraiture would close a notable gap in Picasso scholarship. Decades later he would sit down to write what would become the monumental multivolume biography, A Life of Picasso.

Picasso was as eclectic in his choice of muse as he was in style: the bohemian Fernande Olivier; disciplined Olga Khokhlova; blonde Venus Marie-Thérèse; passionate artists Dora and Françoise; Sylvette David, the young woman with a high ponytail; and Jacqueline Roque, the devoted, romantic beauty. Not merely mute muses, Fernande and Françoise published memoirs; Olga and Marie-Thérèse kept extensive archives of photographs and letters over decades; Dora gave interviews to researchers and documented Picasso’s work and private life in photographs.

Opens Today: Zilia Sánchez: Soy Isla (I Am an Island), The Phillips Collection, Washington DC, until 19 May 2019

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Zilia Sánchez Afrocubano (1957) Oil on canvas, 27 ½ × 21 ½ in., Private collection, Madrid

The Phillips Collection presents the first museum retrospective of Cuban artist Zilia Sánchez (b. 1926, Havana). This long-overdue exhibition examines the artist’s prolific yet largely unknown career that spans almost 70 years, featuring more than 60 works including paintings, works on paper, shaped canvases, and sculptural pieces, alongside illustrations, design sketches, and ephemera. The exhibition traces Sánchez’s artistic journey from her early days in Cuba to her extended visits to Europe and residence in New York, and finally her move to Puerto Rico, where she now lives and works. Many of Sánchez’s works reference protagonists from ancient mythology (such as Trojans, Amazonians, and Antigone—all warriors and female heroines). Others have reoccurring motifs of lunar shapes, erotic topologies, and tattoo drawings that map physical and psychological spaces and add another dimension to her curvilinear geometry, rich with metaphorical meaning. The exhibition title, Soy Isla (I Am an Island),​ serves as a personal metaphor for Sanchez’s experience as an islander—connected to and disconnected from both the mainland and mainstream art currents.

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Opens Today: Frida Kahlo: Appearances Can Be Deceiving, Brooklyn Museum of Art, New York, until 12 May 2019

frida_kahlo_appearances_can_be_deceiving_2010.80_nickolas_muray_frida_in_new_york_large_jpeg_2004w_600_814

Nickolas Muray (American, born Hungary, 1892–1965). Frida in New York, 1946; printed 2006. Carbon pigment print, image: 14 x 11 in. (35.6 x 27.9 cm). Brooklyn Museum; Emily Winthrop Miles Fund, 2010.80. © Nickolas Muray Photo Archives. (Photo: Brooklyn Museum)

Mexican artist Frida Kahlo’s unique and immediately recognizable style was an integral part of her identity. Kahlo came to define herself through her ethnicity, disability, and politics, all of which were at the heart of her work. Frida Kahlo: Appearances Can Be Deceiving is the largest U.S. exhibition in ten years devoted to the iconic painter and the first in the United States to display a collection of her clothing and other personal possessions, which were rediscovered and inventoried in 2004 after being locked away since Kahlo’s death, in 1954. They are displayed alongside important paintings, drawings, and photographs from the celebrated Jacques and Natasha Gelman Collection of 20th Century Mexican Art, as well as related historical film and ephemera. To highlight the collecting interests of Kahlo and her husband, muralist Diego Rivera, works from the museum’s extensive holdings of Mesoamerican art are also included.

 

Kahlo’s personal artifacts—which range from noteworthy examples of Kahlo’s Tehuana clothing, contemporary and pre-Colonial jewelry, and some of the many hand-painted corsets and prosthetics used by the artist during her lifetime—had been stored in the Casa Azul (Blue House), the longtime Mexico City home of Kahlo and Rivera, who had stipulated that their possessions not be disclosed until 15 years after Rivera’s death. The objects shed new light on how Kahlo crafted her appearance and shaped her personal and public identity to reflect her cultural heritage and political beliefs, while also addressing and incorporating her physical disabilities.

Frida Kahlo: Appearances Can Be Deceiving is based on an exhibition at the V&A London curated by Claire Wilcox and Circe Henestrosa, with Gannit Ankori as curatorial advisor. Their continued participation has been essential to presenting the Brooklyn exhibition, which is organized by Catherine Morris, Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art, and Lisa Small, Senior Curator, European Art, Brooklyn Museum, in collaboration with the Banco de México Diego Rivera and Frida Kahlo Museums Trust, and The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and The Vergel Foundation.

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Opens Today: Fortuny: Friends and Followers, Meadows Museum, Dallas, until June 2, 2019

Mariano-Fortuny-The-Choice-of-a-Model

Mariano Fortuny y Marsal (Spanish, 1838–1874), The Choice of a Model, 1868–74. Oil on wood. National Gallery of Art, Washington. Corcoran Collection (William A. Clark Collection), 2015.143.12.

A painting by Mariano Fortuny y Marsal (1838–1874), The Choice of a Model (1868–74), is on long-term loan from the National Gallery of Art, DC, to the Meadows Museum. In honor of this prestigious loan, the Museum will host an exhibition dedicated to Fortuny and his world, drawing from its rich holdings of works on paper as well as key loans from private and public collections, including the Dallas Museum of Art and the Museum of Fine Arts, Houston, in order to showcase many of the friends, family, and followers who engaged with the popular Spanish painter’s work. Fortuny’s paintings were especially prized by nineteenth-century American collectors as well as by contemporaneous artists. The legacy of that popularity resonates with the distinctly American provenance of both the Meadows’s Beach at Portici and the National Gallery’s The Choice of a Model, and their current ownership by American museums.

 

Though today Fortuny is lesser known outside the country of his birth, the Spanish painter was extremely popular in both Europe and the United States during his lifetime and well into the early twentieth century. Imitators of his characteristically proto-Impressionist, painterly style and eclectic, “exotic” genre scenes were so plentiful that their style came to be described with its very own “ism”: “Fortunismo” (Fortuny-ism). Fortuny: Friends and Followers explores that legacy by bringing together a diverse group of artists, including the important French artists Jean-Léon Gérôme (1824–1904), James Tissot (1836–1902), Jean Louis Ernest Meissonier (1815– 1891). Fortuny’s sphere of influence is explored through a variety of themes including intimate representations of family and home, trends of modern life in European cosmopolitan centers like Paris and Venice, cultural arts from Spain and beyond, and much more.

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JOB: Post-Doc Fellowship, Clark Art Institute, Williamstown, MA, USA

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Bartolomé Estebán Murillo, Fray Julián of Alcalá’s vision of the Ascension of the Soul of King Philip II of Spain 

Starting Date: September 02, 2019
Application deadline: Feb 1, 2019

The Research and Academic Program at the Clark Art Institute announces a postdoctoral fellowship in the history and theory of art. The successful candidate will join a small, committed staff in initiating and implementing a series of programs—colloquia, conferences, workshops, and other collaborations—designed to expand links among institutions engaged in art history, visual studies, art, and curatorial practice. The fellow also provides general support for Research and Academic Program operations.

Applicants must hold the PhD in art history or a related field, as well as possess a knowledge of critical and methodological issues in art history and a demonstrable commitment to issues concerning the discipline’s expanding geography. The position entails no restrictions concerning geographic or historical specialization.

In addition to outstanding academic credentials, the programme seeks a candidate with the following qualities: proven organizational competence; an eye for detail; an ability to manage and coordinate multiple projects simultaneously; exceptional interpersonal skills; an ability to collaborate with large and varied sets of colleagues; and a clear investment in issues of methodology and critical art history.

This is a two-year full-time position that will begin at the start of the academic year 2019-2020. There is the possibility of renewal for a third year.

The fellow will also have access both to a leading art research library and the Research and Academic Program, which is among the country’s most active and stimulating research institutions. The fellow also will have the opportunity to co-host a colloquium related to their research in their second year; for examples of recent events, please consult: https://www.clarkart.edu/rap/events

To apply, please send: cover letter, a current curriculum vitae, a 1-page description of a possible colloquium, and one publication (it may be under review), and (under separate cover) two academic references to the humanresources@clarkart.edu.

Application Deadline: February 1, 2019

Clark Fellowships: CENTER FOR SPAIN IN AMERICA FELLOWSHIP, The Clark, deadline October 15, 2018

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The Clark Art Institute combines a public art museum with a complex of research and academic programs, including a major art history library. The Clark is an international center for discussion on the nature of art and its history.

Fellowships are awarded every year to established and promising scholars with the aim of fostering a critical commitment to inquiry in the theory, history, and interpretation of art and visual culture. In addition to providing an opportunity for sustained research for fellows, outside of their usual professional obligations, the Clark encourages them to participate in a variety of collaborative and public discussions on diverse art historical topics as well as on larger questions and motivations that shape the practice of art history.

Sponsored by the Center for Spain in America, this one-semester fellowship is intended to support the study of all aspects of Spanish art from the early medieval period to the beginning of the twentieth century, as well as the worldwide impact of Spanish art and artists. In addition to research for a publication and/or exhibition on specific artists or periods, we welcome projects examining collecting and connoisseurship of Spanish art—particularly in the Americas—and the influence and importance of Spanish art and its reception throughout the world.

Deadline: October 15, 2018

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