Tag Archives: Spain

Featured Exhibition: Nápoles en Osuna: José de Ribera en el legado artístico de los duques de Osuna (1618-2018), Colegiata de Osuna (Seville), until 18 April 2018

ribera-osunaThe collegiate church of Osuna, established in the 16th century by Juan Téllez-Girón, 4th Count of Ureña, contains important artworks commissioned and donated by the Dukes of Osuna. Several members of the family held important position in the government of such Spanish imperial domains as Sicily, Milan and Naples.

Works acquired in the latter city are the focus of a fascinating exhibition in the collegiate church, Nápoles en Osuna: José de Ribera en el legado artístico de los duques de Osuna (1618-2018). Curated by Pedro Jaime Moreno de Soto, the exhibition is open until 28 April 2018. Stars of the exhibition are five paintings by the Spanish-Neapolitan artist Jusepe de Ribera. They were commissioned by Pedro Téllez Girón, 3rd Duke of Osuna, and donated to the church by his widow Catalina Enríquez de Ribera. Among the works on show is a breathtaking Crucifixion which decorated the collegiate church’s high altar for almost a century.

The exhibition in the collegiate church is complemented by a small display of Italian artworks in the nearby Monasterio de la Encarnación.

Click here for opening hours and more information.

 

 

 

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International Study Day: Iberian Polychromed Sculpture, Musée L (Université Catholique de Louvain), Louvain, December 7, 2018

The Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels, in collaboration with the Université Catholique de Louvain (UCL), organises  the first conference in Belgium devoted to Iberian polychromed sculpture and its relation to other Europeans regions. Referring to UCL’s Spanish sculpture collections, this conference brings together scholars specialised in the sculpture from Spain, Belgium, Italy and Mexico. The speakers will trace the sculptures from their production, their technics, their links and reception in other European regions.

1. Lectures (Auditoire du Musée L)

09:15-09:50 –  Welcome

09:50-10:00  – Introduction remarks – Eduardo Lamas-Delgado (Royal Institute for Cultural Heritage, Brussels)

The polychrome Sculpture in Spain and Latin America (chairwoman, Abigail Newman, Universiteit Antwerpen)

10:00-10:20 – Manuel García Luque (Universidad de Granada), El escultor Pedro de Mena y el naturalismo matérico

10:20-10:40 – Pablo Amador (Instituto de Investigaciones Estéticas, Universidad Nacional de México), Aspectos técnicos de la escultura policromada hispánica

10:40-11:00 – Géraldine Patigny (Université Libre de Bruxelles – Royal Institute for Cultural Heritage, Brussels), La sculpture polychromée espagnole dans les collections belges

11:00-11:15 – Questions and debate

11:15-11:30 – Coffee break

The Spanish polychrome Sculpture and Europe (chairman, Ralph Dekoninck, Université Catholique de Louvain)

11:30-11:50 – Roberto Alonso Moral (Universidad Complutense de Madrid), La migración de escultura entre Nápoles y España durante el siglo XVII y su impacto: algunos problemas de identificación

11:50-12:10 – Wendy Frère (Université Libre de Bruxelles), La polychromie dans la sculpture baroque des anciens Pays-Bas méridionaux et la Principauté de Liège

12:10-12:30 – Holly Trusted (Victoria and Albert Museum, London), Passion and Prejudice: Attitudes towards Spanish Sculpture in Britain in the Nineteenth Century

12:30-12:40 – Questions and debate

12:45-13:45 – Lunch

2. Study session: the Spanish Medieval and Early Renaissance Sculptures from Val-Duchesse (chairwoman, Corinne Van Hauwermeiren, CONSERVART)

14:00-15:00 Emmanuelle Mercier (Royal Institute for Cultural Heritage, Brussels), Erika Rabello (Royal Institute for Cultural Heritage, Brussels), Mathieu Somon (Université Catholique de Louvain).

15:00-15:15 – Questions and debate

15:15-15:30 – Concluding remarks

3. Visit to the Museum Collection

Free, booking required. Click here to reserve a place and for more information.

ARTES Members’ Visit to the Año Murillo in Seville (30 November – 2 December 2018)

murillo

ARTES have organised a trip to Seville for members from 30th November to 2nd December 2018, the main aim being a curator-led tour of the exhibition Murillo IV Centenario, opening that week, as well as visits to the Cathedral, Hospital de los Venerables and de la Caridad, Alcázar, Casa de Pilatos and other sites of art historical significance.

Members must make their own travel and accommodation arrangements but should plan to arrive by Friday evening. A full programme (from Friday night to Sunday early evening) will be posted nearer the time.

murilloII

 ARTES members wishing to join the trip should RSVP to artesiberia@gmail.com.    Places will be limited to 15 and will be allocated on a first come first serve basis.*

*We may ask for a deposit to secure a place with the money put towards the cost of dinner on Saturday night.


Images: Moses Striking the Rock at Horeb, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad

Jesus Multiplies the Loaves and Fishes, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad

Conference: Gotik global – kolonial – postkolonial, Dresden, October 26–7, 2018

prac3a7a_da_se_03Gotik global – kolonial – postkolonial: Gotisierende Sakralarchitektur auf der Iberischen Halbinsel und in Lateinamerika vom 19. bis zum 21. Jahrhundert

Dresden, Technische Universität, Institut für Kunst und Musikwissenschaft, Raum ABS/E08/H, 26. – 27.10.2018
Tagung der Technischen Universität Dresden, Institut für Kunst- und Musikwissenschaft der Philosophischen Fakultät in Zusammenarbeit mit der Carl Justi-Vereinigung e.V.

Immer wieder werden im iberischen und iberoamerikanischen Raum – wie weltweit –  auch heute noch gotisierende Kirchen errichtet. Einige sind typisch für die Neugotik, andere, wie die Almudena-Kathedrale in Madrid oder diejenige von Vitoria-Gasteiz, scheinen als verspätete Bauten des 20. Jahrhundert aus europäischer Sicht aus der Zeit gefallen zu sein. Doch wird gerade in Lateinamerika bis heute an zahlreichen solcher Projekte weitergebaut.
So scheint es zunächst sinnvoll zu überprüfen, ob die stillschweigende Annahme, „die Gotik“ sei eine abgeschlossene Stilepoche, aus globaler Perspektive überhaupt stimmt. Wie ging die zweifellos zunächst kolonial begründete Gotik-Ausbreitung in den überseeischen Gebieten der ehemals spanischen und portugiesischen Weltreiche in eine eigene postkoloniale Adaption über, welche Gründe gab es hierfür und welche stilistischen Ausprägungen wurden und werden gefunden? Wie begann die Entwicklung in den „Mutterländern“? Ist sie dort und in den ehemaligen Kolonien ähnlich oder unterschiedlich verlaufen, gibt es fortdauernde Verbindungen? Lassen sich Parallelen in anderen Weltregionen beobachten? Sind die Phänomene alleine auf die Gotik beschränkt oder gibt es Parallelen für andere Stile?
Im Workshop der Carl Justi-Vereinigung e.V. soll diese Problematik stichprobenartig untersucht werden. Denn ein systematischer Gesamtüberblick ist zur Zeit kaum möglich, sind doch nicht einmal die potenziell wichtigsten Bauten bekannt.

PROGRAMM:
FREITAG, DEN 26.10.2018

Eröffnung / Begrüßung / Einführung
9.30 Uhr
Grußworte
Prof. Dr. Antonio Hurtado (Dresden), Prorektor der TU Dresden
Prof. Dr. Lutz Hagen (Dresden), Dekan der Philosophischen Fakultät
Prof. Dr. Margit Kern (Hamburg), Vorstand der Carl Justi-Vereinigung e.V.

10.00 Uhr
Bruno Klein (Dresden): Gotische Architektur des 20. und 21. Jahrhunderts –
global – kolonial − postkolonial

10.45 Uhr
Pablo de la Riestra (Nürnberg/Buenos Aires): Einmal Gotik – immer Gotik

11.30 Uhr Pause

Von der Neugotik zur Moderne:
Kastilische und katalanische Beispiele
12.00 Uhr
Henrik Karge (Dresden):
Vicente Lampérez y Romea – Gotik als Idealbild und historisches Phänomen

12.45 Uhr
Judith Urbano (Barcelona): La finalización de la Catedral de Barcelona y otros proyectos neogóticos de Augusto Font y Carreras

13.30 Uhr Pause

15.30
Joan Molet Petit (Barcelona):
Las interpretaciones del gótico en la obra del arquitecto Josep Vilaseca, entre lo arqueologista y lo victoriano

16.15 Uhr
Sergio Fuentes Mila (Barcelona): Revisitar el gótico en la arquitectura civil barcelonesa de finales del siglo XIX. El caso del arquitecto José Doménech y Estapá (1858-1917)

17.00 Uhr
Bettina Marten (Bonn/Dresden): Considerations on the Almudena-Cathedral at Madrid

18.00 Mitgliederversammlung der CJV

20.00 Uhr
Gemeinsames Abendessen

SAMSTAG,  DEN 27.10.2018

Die „moderne“ Neugotik in Lateinamerika
10.00 Uhr
Bruno Klein: Einführung

10.15 Uhr
Martín Checa Artasu (Mexiko-Stadt/Barcelona):
The religious orders as diffusers of the neo-gothic architecture in Latin America

11.00 Uhr
María Aranda Alonso (Madrid/Dresden):
El templo de la Merced de San José de Costa Rica : Punto de partida para estudiar el neogótico en Centroamérica

11.45 Uhr
Paula Vermeersch (São Paulo):
O processo construtivo da Catedral da Sé, São Paulo, 1911-1954

12.30 Uhr
Barbara Borngässer (Dresden):
Neugotik und Moderne im Süden Brasiliens: Die Kirchenbauten Gottfried Böhms

13.15 Uhr
Abschlussdiskussion

16.00 Uhr
Besichtigung aktueller „gotischer“ Architektur in Dresden (Schlosskapelle,  Sophienkirchen-Monument)

Kontakt:
bruno.klein@tu-dresden.de
barbara.borngaesser@online.de
bettina.marten1@tu-dresden.de

Opens today: Bartolomé Bermejo at the Prado Museum, Madrid

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Open until 27 January 2019, this exhibition explores the career of Bartolomé Bermejo, one of the most fascinating figures within Spanish art of the second half of the 15th century. Bringing together a remarkable group of paintings from Spanish, European and American museums, the Prado is able to present this survey exhibition, which has been organized with the collaboration of the Museu Nacional d’Art de Catalunya and, for the first time, allows for an appreciation of the technical virtuosity and distinctive visual universe of this Cordovan painter active in the Kingdom of Aragon.

For more information, click here.

ARTES Members’ Visit to the Año Murillo in Seville (30 November – 2 December 2018)

murillo

ARTES have organised a trip to Seville for members from 30th November to 2nd December 2018, the main aim being a curator-led tour of the exhibition Murillo IV Centenario, opening that week, as well as visits to the Cathedral, Hospital de los Venerables and de la Caridad, Alcázar, Casa de Pilatos and other sites of art historical significance.

Members must make their own travel and accommodation arrangements but should plan to arrive by Friday evening. A full programme (from Friday night to Sunday early evening) will be posted nearer the time.

murilloII

 ARTES members wishing to join the trip should RSVP to artesiberia@gmail.com.    Places will be limited to 15 and will be allocated on a first come first serve basis.*

*We may ask for a deposit to secure a place with the money put towards the cost of dinner on Saturday night.


Images: Moses Striking the Rock at Horeb, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad

Jesus Multiplies the Loaves and Fishes, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad

Conference: Performing Otherness: a Postcolonial Approach to Francoist Spain Performing Otherness: a Postcolonial Approach to Francoist Spain, Edinburgh College of Art, October 26, 2018

image001

Photomontage by Jean Harold, sent to Picasso by Jean Cocteau and captioned, on the back: by “Picasso – Negro period”

This international symposium opens up discussion of Spanish art and culture in relation to the construction of discourses of coloniality in 20th-century Spain, especially in the Francoist period.

It attempts to identify methodological approaches that would allow us to understand the consolidation of hegemonic colonial discourses and how they continue in Spain today. This examination involves an analysis of constructs of Otherness in two directions – inwards and outwards. On the one hand, how did artists, performers, writers, or other cultural brokers, based in Spain, exoticise other cultures as well as their own culture as part of official rhetoric (e.g. state-funded exhibitions relating to colonial territories in Africa; translations of Chinese texts/images, state administration of rural Spain). On the other hand, the analysis is concerned with Spanish (self-)representation as Other within international contexts (eg. Picasso in African attire; flamenco in imagery for tourism/political campaigns; Hispanic Studies as a political contestation to the dictatorship).

Organisation: María Iñigo Clavo (Universitat Oberta de Catalunya) of the R&D Research Group “Experiences of the Political in Francoist Spain” (MINECO) with Claudia Hopkins in the School of History of Art, University of Edinburgh.

Schedule

9am – 9.30am: Registration

9.30am – 10am: Welcome and introduction, Yayo Aznar (Universidad Nacional de Educación a Distancia) and María Iñigo Clavo (Universitat Oberta de Catalunya)

10am – 1pm: Panel 1:  Appropriating the exotic, Chair: Paloma Gay-Blasco (University of St Andrews)

  • 10am – 10.30am: Neil Cox (University of Edinburgh), [Talk on Picasso – title tbc]
  • 10.30am – 11am: Esther Planas (University of the Arts London), Dissociative Fugue Disorder. Auto-exoticism as bio politics: Ways of questioning the production of culture during Francoism
  • 11am – 11.15am: Tea/Coffee Break
  • 11.15am – 11.45am: Francisco Aix (Universidad de Sevilla), Flamenco as a means to identity. An Andalusian perspective
  • 11.45am – 12.15pm: Alicia Fuentes Vega (Universidad Complutense Madrid), Title to be confirmed  
  • 12.15pm – 1pm: Panel discussion

2pm – 5pm: Panel 2: On the meaning of colony in Francoism, Chair: Richard Williams (University of Edinburgh)

  • 2pm – 2.30pm: Helena Miguélez-Carballeira (Bangor University), The Spanish rural subject and the Instituto Nacional de Colonización (1939-1971): A Biopolitical Perspective
  • 2.30pm – 3pm: Claudia Hopkins (University of Edinburgh), The Dream of a Spanish-Moroccan Brotherhood. Art and Exhibitions, 1936-1956
  • 3pm – 3.15pm: Tea/Coffee Break
  • 3.15pm – 3.45pm: Carles Prado Pons (Universitat Oberta de Catalunya). A triangulated alterity: China in Spain, 1880-1930
  • 3.45pm – 4.15pm: José Saval (University of Edinburgh). Latin American Boom or Boomerang: the impact of the periphery in the metropolis.
  • 4.15pm – 5pm: Panel discussion and closing remarks

Free to attend, booking required. Click here to reserve a ticket. 

Click here for more information.