Tag Archives: Latin America

Tomorrow: Artistic Trade between Spain and its Viceroyalties from 1500 to 1800, King’s College, Cambridge, 22 June 2018

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This is the first conference in the United Kingdom devoted to artistic trade between Spain and its viceroyalties. Referring to Cambridge’s Spanish and colonial art collections and with the indispensable support of the Nigel Glendinning studentship for Spanish studies, this conference brings together scholars specialized in the art from the Spanish Viceroyalties. The speakers will trace the artworks from their production, their movement with the help of agents and their collection and display at their destination. Such approach avoids setting an epicentre and periphery but establishes an equalitarian platform on the movement of art within the Spanish Empire.

8:30- 9:15 – Registration.

Introductory remarks:

9:15- 9:30 – Akemi Herráez Vossbrink (University of Cambridge)

Keynote speaker:

9:30- 10:00 – Luisa Elena Alcalá (Universidad Autónoma de Madrid)

Passageways of Art in the Atlantic world: Artists, Patrons and Agents.

  1. Workshops and Artists Producing Art for the Spanish Viceroyalties and Transitory Spaces.

Chaired by Akemi Herráez Vossbrink (University of Cambridge)

10:00- 10:30 – Holly Trusted (Victoria and Albert Museum), Shipwrecked Ivories: The Confluence of East and West.

10:30- 11:00 – Piers Baker Bates (The Open University), Traveling between the Viceroyalties: Artistic Translation in the Sixteenth-century Hispanic World.

11:00- 11:30 – Escardiel González Estevez (Universidad de Sevilla), Alonso Vázquez between Seville, Mexico and Manila (1603-1608): The Paradigm of a “Global Artist”.

11:30- 12:00- Questions.

12:00-13:30- Lunch break.

  1. The Role of Agents Commercializing Artworks between Spain and its Viceroyalties

Chaired by José Ramón Marcaida López (University of Saint Andrews)

13:30-14:00 – Sandra Van Ginhoven (Getty Research Institute, Research Associate), Spanish Transatlantic Agents and the Flemish Guilliam Forchondt in the Overseas Paintings Trade.

14:00- 14:30 – Corinna Gramatke (Technical University of Munich Chair of Conservation-Restoration), “The Portable Europe”: European Artworks for the Jesuit Province of Paraguay (1608-1767).

14:30-15:00 – Eduardo Lamas Delgado (Royal Institute for Cultural Heritage, Brussels), Madrilenian Painters and America: Artistic Production for Overseas Trade Networks and their possible Agents.

15:00- 16:00- Questions followed by a coffee break.

  1. Collecting and Display in Private, Civil and Religious Spaces in the Spanish Viceroyalties.

Chaired by Jean Michel Massing (University of Cambridge)

16:00-16:30 – Kathryn Santner (Leverhulme Trust Fellow, ILAS, London), Conventual Art Collections and Artistic Exchange in the Colonial Viceroyalties.

16:30-17:00 – Isabel Oleas Mogollón (University of Delaware), The Divine and the Self: Uses and Meanings of Mirrors in Quito’s Jesuit Church.

17:00-17:30 – Veronika Winkler (Ludwig-Maximilians-Universität, München), Witnessing the Saint’s Life: Patrons and Hagiographical Painting Cycles of Viceregal Peru.

17:30- 18:00- Final questions and closing remarks.

For further information please contact Akemi Herráez Vossbrink at alh64@cam.ac.uk.

To book your place, please click here

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Opens today: Frida Kahlo: Making Her Self Up, V&A Museum, London

640Open until 4 November 2018, this exhibition presents an extraordinary collection of personal artefacts and clothing belonging to the iconic Mexican artist Frida Kahlo. Locked away for 50 years after her death, this collection has never before been exhibited outside Mexico. Click here to book tickets and see related events.

 

Postgraduate Research Scholarship in Renaissance Studies at Birkbeck, U of London—Deadline 15 June 2018

Postgraduate Research Scholarship in Renaissance Studies 18-19

Birkbeck School of Arts will award one fully funded Birkbeck Postgraduate Research Scholarship in Renaissance Studies beginning in 2018-19. 

We invite outstanding applicants working in one or more than one of the constituent disciplines of Renaissance Studies (ca. 1400-1670) in the School of Arts at Birkbeck. Applications are welcomed within the fields of History of Art; English Literature; Drama and Theatre Studies; Intellectual History; Early Modern French Studies; Iberian and Latin American Studies and Visual Culture. The scholarship is equally open to candidates wishing to work in interdisciplinary ways and to those located within one of the single disciplines.

Supervision in Renaissance Studies in the School of Arts is wide in scope. For a list of Renaissance Studies specialists, who can act as supervisors, please visit the academic staff pages on the School’s departmental websites.

Eligibility

Birkbeck Postgraduate Research Scholarships are open to Home/EU and International applicants applying for a full-time or part time M.Phil/PhD place within the School of Arts, starting in the 2018/19 academic year.

Funding

The Birkbeck Postgraduate Research Scholarship awards will include a full fee waiver capped at the value of the full-time Home/EU rate for M.Phil/PhD degrees (currently £4,260), in addition to an annual stipend set at Research Council rates (currently £16,777; pro rata in the case of a part-time award).

Duration of Awards

Scholarships will be tenable for up to three years (subject to satisfactory academic progress) for full-time students, and at an appropriate pro rata rate and extended duration for part-time students.

How to Apply – Application Process

To apply for an award please download the funding application form here.

Please note that you will also need to apply for a place on a relevant PhD programme:

M.Phil/PhD Comparative Literature

M.Phil/PhD English and Humanities

M.Phil/PhD French

M.Phil/PhD German

M.Phil/PhD History of Art

M.Phil/PhD Iberian and Latin American Studies

Please consult the general guidance on applying online for an M.Phil/PhD place. You can find the School of Arts Guide for Applicants here. All prospective students are strongly advised to first make informal contact with a potential supervisor. For information about staff and the research environment at Birkbeck, please consult the School’s Departmental webpages.

Application Deadline: 6pm 15 June 2018.

Please be advised that all applicants wishing to be considered for funding may be required to attend an interview to discuss their proposal. Interviews will be held in w/c 18 and 25 June (if not before). Results will be announced in early July 2018.

The completed form should be emailed to SoAFA@bbk.ac.uk.

If you have any enquiries about this studentship and the scope of supervision within the School of Arts, please contact Dr Luisa Calè, Assistant Dean for Postgraduate Research (l.cale@bbk.ac.uk).

Workshop: Nuevos caminos del hispanismo, 16–17 October 2018, Casa de Velázquez, Madrid

ehehi-bis-500x191Click here for more information on a three-day residential workshop at the Casa Velázquez in Madrid. Intended for young researchers, the workshop will explore new currents in Hispanic studies. It is organised around a series of lectures by the following scholars:

Carlos MARTÍNEZ SHAW (Universidad Nacional de Educación a Distancia, Madrid / Real Academia de la Historia).
Alicia ALTED VIGIL (Universidad Nacional de Educación a Distancia, Madrid)
Louise BÉNAT-TACHOT (Université Paris – Sorbonne)
Fernando BOUZA ÁLVAREZ (Universidad Complutense de Madrid)
Serge GRUZINSKI (École des hautes études en sciences sociales, Paris)
Roberto MONDOLA (Università degli Studi l’Orientale di Napoli)
José Luis SÁNCHEZ NORIEGA (Universidad Complutense de Madrid)
Jesusa VEGA GONZÁLEZ (Universidad Autónoma de Madrid)

followed by extensive discussion in Spanish and French.

The deadline for enrolment is 12 July 2018 at 5pm. Applicants are required to fill an application form, which will be evaluated on the basis of academic record and language fluency. The 20 selected candidates will be notified after 20 July 2018. The workshop costs 50 euros inclusive of accommodation and lunch. African and Latin American applicants may be selected for a scholarship of 300 euros, intended as a contribution towards travel costs.

 

Featured Exhibition: Painted in Mexico, 1700–1790: Pinxit Mexici, Metropolitan Museum of Art, New York, until 22 July 2018

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Juan Patricio Morlete Ruiz (Mexican, 1713–1772). Portrait of Doña Tomasa Durán López de Cárdenas (detail), c. 1762. Galería Coloniart, Collection of Felipe Siegel, Anna and Andrés Siegel, Mexico City. Photo © Rafael Doniz

The vitality and inventiveness of artists in eighteenth-century New Spain (Mexico) is the focus of Pinxit Mexici, an exhibition which presents some 110 works of art (primarily paintings), many of which are unpublished and newly restored. The exhibition surveys the most important artists and stylistic developments of the period and highlights the emergence of new pictorial genres and subjects. It is the first major exhibition devoted to this neglected topic.

The exhibition is divided in thematic sections: Great Masters; Masters Storytellers and the Art of Expression; Noble Pursuits and the Academy; Paintings of the Land; The Power of Portraiture; The Allegorical World; Imagining the Sacred.

Click here to find out more.

Conference: Artistic Trade between Spain and its Viceroyalties from 1500 to 1800, King’s College, Cambridge, 22 June 2018

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This is the first conference in the United Kingdom devoted to artistic trade between Spain and its viceroyalties. Referring to Cambridge’s Spanish and colonial art collections and with the indispensable support of the Nigel Glendinning studentship for Spanish studies, this conference brings together scholars specialized in the art from the Spanish Viceroyalties. The speakers will trace the artworks from their production, their movement with the help of agents and their collection and display at their destination. Such approach avoids setting an epicentre and periphery but establishes an equalitarian platform on the movement of art within the Spanish Empire.

8:30- 9:15 – Registration.

Introductory remarks:

9:15- 9:30 – Akemi Herráez Vossbrink (University of Cambridge)

Keynote speaker:

9:30- 10:00 – Luisa Elena Alcalá (Universidad Autónoma de Madrid)

Passageways of Art in the Atlantic world: Artists, Patrons and Agents.

  1. Workshops and Artists Producing Art for the Spanish Viceroyalties and Transitory Spaces.

Chaired by Akemi Herráez Vossbrink (University of Cambridge)

10:00- 10:30 – Holly Trusted (Victoria and Albert Museum), Shipwrecked Ivories: The Confluence of East and West.

10:30- 11:00 – Piers Baker Bates (The Open University), Traveling between the Viceroyalties: Artistic Translation in the Sixteenth-century Hispanic World.

11:00- 11:30 – Escardiel González Estevez (Universidad de Sevilla), Alonso Vázquez between Seville, Mexico and Manila (1603-1608): The Paradigm of a “Global Artist”.

11:30- 12:00- Questions.

12:00-13:30- Lunch break.

  1. The Role of Agents Commercializing Artworks between Spain and its Viceroyalties

Chaired by José Ramón Marcaida López (University of Saint Andrews)

13:30-14:00 – Sandra Van Ginhoven (Getty Research Institute, Research Associate), Spanish Transatlantic Agents and the Flemish Guilliam Forchondt in the Overseas Paintings Trade.

14:00- 14:30 – Corinna Gramatke (Technical University of Munich Chair of Conservation-Restoration), “The Portable Europe”: European Artworks for the Jesuit Province of Paraguay (1608-1767).

14:30-15:00 – Eduardo Lamas Delgado (Royal Institute for Cultural Heritage, Brussels), Madrilenian Painters and America: Artistic Production for Overseas Trade Networks and their possible Agents.

15:00- 16:00- Questions followed by a coffee break.

  1. Collecting and Display in Private, Civil and Religious Spaces in the Spanish Viceroyalties.

Chaired by Jean Michel Massing (University of Cambridge)

16:00-16:30 – Kathryn Santner (Leverhulme Trust Fellow, ILAS, London), Conventual Art Collections and Artistic Exchange in the Colonial Viceroyalties.

16:30-17:00 – Isabel Oleas Mogollón (University of Delaware), The Divine and the Self: Uses and Meanings of Mirrors in Quito’s Jesuit Church.

17:00-17:30 – Veronika Winkler (Ludwig-Maximilians-Universität, München), Witnessing the Saint’s Life: Patrons and Hagiographical Painting Cycles of Viceregal Peru.

17:30- 18:00- Final questions and closing remarks.

For further information please contact Akemi Herráez Vossbrink at alh64@cam.ac.uk.

To book your place, please click here

Fellowships for Spanish Colonial Art

 

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Virgin of Carmel Saving Souls in Purgatory, Peru. Circle of Diego Quispe Tito, 17th century, collection of the Brooklyn Museum

Marilynn Thoma Fellowship 

The Marilynn Thoma Fellowship is the only unrestricted research funding in the United States devoted exclusively to the field of Spanish Colonial art. Each year from May 1 to October 15, pre- and post-doctoral scholars from across the world are invited to apply for research support in the amounts of $45,000 and $60,000, respectively. Recipients are selected by an international jury of three undisclosed experts in the field and notified in mid-December, with travel commencing within 18 months following notification. Selected scholars design their research projects independently, using funding in any reasonable way to accomplish their goals.

Fellowships range in duration from one to two years, and eventuate in major measurable outcomes, including museum exhibitions, dissertations, book publications, scholarly essays, and lecture series. While proposals are accepted from all of Spanish colonial Latin America and the Caribbean, the Foundation gives strong preference to projects that contribute to the history of painting and sculpture in colonial South America.

To apply, please complete the application via Slideroom.
Research and Travel Awards in Spanish Colonial Art 

Congruent with the Marilynn Thoma Fellowship, applications for the Thoma Foundation Research and Travel Awards in Spanish Colonial art are open from May 1 to October 15 of every year. Awards of up to $15,000 are available to independent scholars and advanced graduate students completing MA or PhD dissertations to help defray the costs of research-related expenses. Funding is provided each year to several scholars selected by an international jury of undisclosed experts in the field, with travel commencing within one year + one month from the date of notification. The Awards support research projects ranging in duration from 1 week to 3 months.

To apply, please complete the application via Slideroom.

Please contact info@thomafoundation.org if you have questions.