Online seminar from the Centre for Iberian and Latin American Visual Studies (CILAVS) in the School of Arts, at Birkbeck University: The destruction of images in the medieval and early modern world: Jews, Muslims, Protestants and Catholics in Iberia, by Professor Borja Franco, 20 November 2020 6-7.30pm

CILAVS warmly invites you to the seminar The destruction of images in the medieval and early modern world: Jews, Muslims, Protestants and Catholics in IberiaProfessor Borja FrancoFriday, 20 November 2020 from 6 to 7.30pm Live Online  Book your place now In this paper, Prof Borja Franco presents the main written and visual sources that capturedContinue reading “Online seminar from the Centre for Iberian and Latin American Visual Studies (CILAVS) in the School of Arts, at Birkbeck University: The destruction of images in the medieval and early modern world: Jews, Muslims, Protestants and Catholics in Iberia, by Professor Borja Franco, 20 November 2020 6-7.30pm”

[ONLINE CONFERENCE] Travelling Objects, Travelling People: Art and Artists of Late-Medieval and Renaissance Iberia and Beyond, c. 1400–1550

Thursday 10 December 2020, 1:00 pm – 5:35 pm Friday 11 December 2020, 1:00 pm – 6:00 pm Please click here to register for this live online event. Travelling Objects, Travelling Peopleaims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia. Traditional narratives hold thatContinue reading “[ONLINE CONFERENCE] Travelling Objects, Travelling People: Art and Artists of Late-Medieval and Renaissance Iberia and Beyond, c. 1400–1550”

CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020.

CALL FOR PAPERS – deadline tomorrow Deadline – Friday 10 January 2020 Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia. Traditional narratives hold that late fifteenth-century Iberian art and architecture were transformed by the arrival of artists, objects andContinue reading “CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020.”

CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020

CALL FOR PAPERS Deadline – Friday 10 January 2020 Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia. Traditional narratives hold that late fifteenth-century Iberian art and architecture were transformed by the arrival of artists, objects and ideas from FranceContinue reading “CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020”

Reminder: ARTES AGM and Group Visit, V&A, London, Thursday 13 June 2019

ARTES’s AGM will take place at the V&A at 12:30 on 13 June 2019. It will be followed by a group visit to look at objects from the Iberian world in the 16th Century. Meet at the V&A, Exhibition Road Reception, at 11:50. Sandwich lunch (GBP 5) and AGM from 12–2, followed by a groupContinue reading “Reminder: ARTES AGM and Group Visit, V&A, London, Thursday 13 June 2019”

ARTES AGM and Group Visit, V&A, London, Thursday 13 June 2019

ARTES’s AGM will take place at the V&A at 12:30 on 13 June 2019. It will be followed by a group visit to look at objects from the Iberian world in the 16th Century. Meet at the V&A, Exhibition Road Reception, at 11:50. Sandwich lunch (GBP 5) and AGM from 12–2, followed by a groupContinue reading “ARTES AGM and Group Visit, V&A, London, Thursday 13 June 2019”

CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019, deadline 31 March!

The visual arts in Spain have long been haunted by the spectres of six giants: El Greco, Ribera, Velázquez, Murillo, Goya and Picasso. Still today, these canonical figures tower over all others and continue to shape the story of Spanish art, which has been traditionally told in monographic form. Although the strength of the SpanishContinue reading “CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019, deadline 31 March!”

CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019 

CANONS AND REPERTOIRES: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019  The visual arts in Spain have long been haunted by the spectres of six giants: El Greco, Ribera, Velázquez, Murillo, Goya and Picasso. Still today, these canonical figures tower over all others and continue to shape the story of Spanish art, whichContinue reading “CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019 ”

Conference: Gotik global – kolonial – postkolonial, Dresden, October 26–7, 2018

Gotik global – kolonial – postkolonial: Gotisierende Sakralarchitektur auf der Iberischen Halbinsel und in Lateinamerika vom 19. bis zum 21. Jahrhundert Dresden, Technische Universität, Institut für Kunst und Musikwissenschaft, Raum ABS/E08/H, 26. – 27.10.2018 Tagung der Technischen Universität Dresden, Institut für Kunst- und Musikwissenschaft der Philosophischen Fakultät in Zusammenarbeit mit der Carl Justi-Vereinigung e.V. Immer wieder werden imContinue reading “Conference: Gotik global – kolonial – postkolonial, Dresden, October 26–7, 2018”

CFP: The Saint Enshrined: European Tabernacle-altarpieces, c.1150-1400, Valladolid, June 7–8, 2019

Almost every Medieval church had one or more sculptures of saints, many of which were placed on altars, in wall niches or in so-called tabernacle-altarpieces. This last category refers to three-dimensional, canopied structures, embellished with bright colours and equipped with movable wings that housed cult images of the Virgin and Child or saints. This early type of altarpieceContinue reading “CFP: The Saint Enshrined: European Tabernacle-altarpieces, c.1150-1400, Valladolid, June 7–8, 2019”