The Department of History of Art of the University of Oxford is delighted to announce the Slade Professor for 2021 is Jerrilynn D. Dodds, Harlequin Adair Dammann Professor, Faculty of Art History, Sarah Lawrence College. Professor Dodds’ scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal (Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).
Material Histories from Medieval Iberia
An Agonistic History of Art (Wednesday 28 April 2021)
The Great Mosque of Cordoba as Center and Periphery (Wednesday 5 May 2021)
Babylon in Flames (Wednesday 19 May 2021)
Mudejar and Romanesque. Romanesque and Islam (Wednesday 26 May 2021)
The Virgin as Colonial Agent (Wednesday 2 June 2021)
Hunting in the Borderlands: Conversions and Translations (Wednesday 9 June 2021)
Details of where and how the lectures will be delivered will be made available as soon as possible.
CILAVS warmly invites you to the seminar The destruction of images in the medieval and early modern world: Jews, Muslims, Protestants and Catholics in Iberia Professor Borja Franco Friday, 20 November 2020 from 6 to 7.30pm Live Online
In this paper, Prof Borja Franco presents the main written and visual sources that captured trials for iconoclastic behaviour in medieval and early modern Iberia. He shall explore the reasons for these actions and their political and religious repercussions. A comparative study of the various socio-religious groups reveals that the theological discourse behind each iconoclastic action varied with each case study. Furthermore, it will be shown that iconoclastic attitudes were not the exclusive territory of ‘heretics’ or ‘infidels’ and that even Catholics were persecuted for their hostile attitudes to images.
Borja Franco Llopis is a Professor at the Department of Art History in the UNED (Spain). His research is devoted to the visual and literary representation of the otherness in Southern Europe. He has been a visiting scholar in several prestigious institutions such as the School of History and Archaeology in Rome, the Instituto Storico per el Medievo (Rome), the Warburg Institute (London), Johns Hopkins University, University of California (Berkeley), Harvard University, Columbia University, Universidade Nova of Lisbon and NYU; and Visiting Professor at the University of Genoa. He is Associate Professor at the Department of Art History in the UNED (Spain), the PI of the research group “Before Orientalism. Images of the Muslim Other in Iberia (15-17th Centuries) and their Mediterranean connections” and working Group Leader of the Cost Action 18129: Islamic Legacy: Narratives East, West, South, North of the Mediterranean. He has recently published the monographs titled: Pintando al converso: la imagen del morisco en la peninsula ibérica (1492-1614) (Cátedra, 2019), and Etnicità e conversione. Immagini di moriscos nella cultural visuale dell’età moderna (Affinità Elettive, 2020). He has also co-edited the book: Muslim and Jews made Visible in Christian Iberia and beyond (14-18th centuries) (Brill 2019).
The event is free, although you will need to book.
In general terms the conference design will be maintained as it was, but specific dates and any other changes will be circulated shortly in a revised CFP. In the meantime, the Call for Papers remains open.
The Gregorian Reform led to a reframing of the role of bishops and diocesan institutions that cemented their power and ultimately permitted the construction of the great Gothic cathedrals of Europe. To mark the 800th anniversary of the Cathedral of Burgos, we propose to explore the dynamics, strategies, institutions and personnel behind the construction of the medieval diocese leading to the building of the temples we admire today. Our focus will be on the period 1150-1250, culminating as it does in the construction of the Cathedral of Burgos, but we welcome papers on other parts of Europe and set in other medieval periods that explore the following themes related to the emergence of the mature medieval diocese:
Territorial consolidation: diocesan borders, inter-diocesan hierarchies and conflicts.
Structural consolidation: network of parishes, fiscality, ecclesiastical offices and benefices
Institutional consolidation: cathedral chapters, use of archdeaconries, archpriesthoods and secular abbeys.
Intra-diocesan conflict: monasteries, collegial churches etc.
The agents: bishops, chapter, clergy (bishop-chapter conflict, patronage and client networks, diocesan reforms, education, cultural production)
Submissions: proposals no longer than 300 words for either individual papers or panels should be submitted by August 1st to email@example.com
Languages: Spanish, English Registration Fee: 50 euros
Deadline for submissions, August 1st
Confirmation of acceptance, September 15th
Registration opens, October 1st
Registration ends, November 30th
Venue: Facultad de Humanidades, Universidad de Burgos
Convenors: Susana Guijarro (Univ. Cantabria), David Peterson (Univ. Burgos)
Organised by: Área de Historia Medieval (Univ. de Burgos) & Grupo de I+D de la Universidad Cantabria Cultura, Sociedad y Poder en la Castilla Medieval y Moderna.
Journal of Medieval Iberian Studies: Best Article Prize (2015). The editors of the Journal of Medieval Iberian Studies (JMIS) and Routledge announce the first annual $500 prize for the most outstanding article published in JMIS in 2015.
All articles published in JMIS in 2015 will automatically be considered for the Best Article Prize, and all submissions received during the calendar year 2014 will be considered for publication in 2015.
We welcome work that engages peninsular Iberia in relation to other parts of the ‘post-classical’ world, which explores links of colonization and exchange with the Maghreb, addresses Iberia’s presence in the Mediterranean, or adopts a transatlantic frame.
The prize will be awarded by a panel of judges appointed by the Editor-in-Chief of JMIS. The judges’ decision will be final, and no correspondence will be entered into.
All submissions should be uploaded electronically through our online submission system (http://mc.manuscriptcentral.com/jmis).
The Journal of Medieval Iberian Studies (JMIS) is an interdisciplinary journal for innovative scholarship on the multiple languages, cultures, and historical processes of the Iberian Peninsula, and the zones with which it was in contact. We encourage submission of all innovative scholarship of interest to the community of medievalists and Iberianists. JMIS, which aims to bring theoretically informed approaches into creative contact with more empirically minded scholarship, encompasses archaeology, art and architecture, music, philosophy and religious studies, as well as history, codicology, manuscript studies and the multiple Arabic, Latin, Romance, and Hebrew linguistic and literary traditions of Iberia.
Please direct any inquiries to Simon R. Doubleday, Hofstra University.