Tag Archives: Gothic Architecture

Conference – ‘Construir la diócesis medieval: Estrategias, agentes y herramientas’, POSTPONED until September 2021

In general terms the conference design will be maintained as it was, but specific dates and any other changes will be circulated shortly in a revised CFP. In the meantime, the Call for Papers remains open.

The Gregorian Reform led to a reframing of the role of bishops and diocesan institutions that cemented their power and ultimately permitted the construction of the great Gothic cathedrals of Europe. To mark the 800th anniversary of the Cathedral of Burgos, we propose to explore the dynamics, strategies, institutions and personnel behind the construction of the medieval diocese leading to the building of the temples we admire today. Our focus will be on the period 1150-1250, culminating as it does in the construction of the Cathedral of Burgos, but we welcome papers on other parts of Europe and set in other medieval periods that explore the following themes related to the emergence of the mature medieval diocese:

  • Territorial consolidation: diocesan borders, inter-diocesan hierarchies and conflicts.
  • Structural consolidation: network of parishes, fiscality, ecclesiastical offices and benefices
  • Institutional consolidation: cathedral chapters, use of archdeaconries, archpriesthoods and secular abbeys.
  • Intra-diocesan conflict: monasteries, collegial churches etc.
  • The agents: bishops, chapter, clergy (bishop-chapter conflict, patronage and client networks, diocesan reforms, education, cultural production)

Submissions: proposals no longer than 300 words for either individual papers or panels should be submitted by August 1st to burgensis2020@gmail.com

Languages: Spanish, English              Registration Fee: 50 euros

Key Dates:

  • Deadline for submissions, August 1st
  • Confirmation of acceptance, September 15th
  • Registration opens, October 1st
  • Registration ends, November 30th

Venue: Facultad de Humanidades, Universidad de Burgos

Convenors: Susana Guijarro (Univ. Cantabria), David Peterson (Univ. Burgos)

Organised by: Área de Historia Medieval (Univ. de Burgos) & Grupo de I+D de la Universidad Cantabria Cultura, Sociedad y Poder en la Castilla Medieval y Moderna.

Click here for information

The text of this post was copied from the Universidad de Burgos website

Open Access Publication: Gothic Architecture in Spain: Invention and Imitation, eds Tom Nickson and Nicola Jennings

Click here to read Gothic Architecture in Spain: Invention and Imitation, eds Tom Nickson and Nicola Jennings (London, 2020)

From the dazzling spectacle of Burgos Cathedral to the cavernous nave of Palma Cathedral or the lacy splendour of San Juan de los Reyes, Spain preserves a remarkable variety of inventive but little understood Gothic buildings. Yet Gothic architecture in Spain and the Spanish kingdoms has traditionally been assessed in terms of its imitation of northern European architecture, dismissed for its ‘old-fashioned’ or provincial quality, and condemned for its passive receptivity to ‘Islamic influence’. But did imitation really triumph over invention in the architecture of medieval Iberia? Are the two incompatible? Can inventio and imitatio offer useful or valid analytical tools for understanding Gothic architecture? And to what extent are invention or imitation determined by patrons, architects, materials or technologies? This essay collection brings together leading scholars to examine Gothic architecture from across Iberia from the thirteenth to the sixteenth century, and provides the first significant account of Spanish Gothic architecture to be published in English since 1865.

Book launch for ‘Gothic Architecture in Spain: Invention and Imitation’, Courtauld Institute of Art, 12th February, 6.30-8pm

Please join us for the launch of Gothic Architecture in Spain: Invention and Imitation, eds Tom Nickson and Nicola Jennings: https://courtauld.ac.uk/event/gothic-architecture-in-spain-invention-and-imitation-book-launch 

6.30pm, Research Forum South Room, Courtauld Institute of Art, Vernon Square, Penton Rise, London WC1X 9EW

From the dazzling spectacle of Burgos Cathedral to the cavernous nave of Palma Cathedral or the lacy splendour of San Juan de los Reyes, Spain preserves a remarkable variety of inventive but little understood Gothic buildings. Yet Gothic architecture in Spain and the Spanish kingdoms has traditionally been assessed in terms of its imitation of northern European architecture, dismissed for its ‘old-fashioned’ or provincial quality, and condemned for its passive receptivity to ‘Islamic influence’. But did imitation really triumph over invention in the architecture of medieval Iberia? Are the two incompatible? Can inventio and imitatio offer useful or valid analytical tools for understanding Gothic architecture? And to what extent are invention or imitation determined by patrons, architects, materials or technologies? This essay collection brings together leading scholars to examine Gothic architecture from across Iberia from the thirteenth to the sixteenth century, and provides the first significant account of Spanish Gothic architecture to be published in English since 1865.

The launch directly follows a Medieval Work-in-Progress Seminar by Beate Fricke, ‘Colour and Chaos’, starting at 5pm in the same room. Attendance is free and all are welcome to attend. Details here: https://courtauld.ac.uk/event/colour-and-chaos

International Symposium, Girona, October 2016

OLYMPUS DIGITAL CAMERAObra congrua, 1416
Girona, 19, 20, 21 October 2016

Registration now open

The DOCOGOTHIC Network, together with the CATS research group and the IRH-2014 SGR 110 Project, call on the national and International scientific community to participate in the symposium ‘Obra Congrua’ to commemorate 600 years of the famous consultation on the construction of Girona Cathedral, in which it was debated whether the Cathedral should be built with three naves instead of only one, the widest nave of the Gothic period. This will be an International symposium of multidisciplinary character open to historians, architects, and engineers in which  Spanish and European Gothic buildings will be analysed, taking as a reference the  Girona Cathedral master builders’ consultation held in 1416. Papers will be evaluated by a scientific committee following peer review. It is our intention to publish both guest papers and accepted papers.

Programme