10:00 Campion Hall, Brewer St, Oxford OX1 1QS — http://www.campion.ox.ac.uk
Established in 1896, Campion Hall holds extensive collections, including in the areas of Iberian & Latin American art.
Visit Led by Professor Peter Davidson, Senior Research Fellow & Archivist
***Attendees are asked to arrive punctually, as late arrivals may be difficult to accommodate***
12:00 Taylor Institution
St. Giles’, Oxford, OX1 3NA — https://www.bodleian.ox.ac.uk/taylor & http://blogs.bodleian.ox.ac.uk/taylorian
Established through the legacy of architect Sir Robert Taylor (1714-1788), the ‘Taylorian’ is the University’s centre for the study of Modern European languages and literatures, other than English.
AGM and Prize Giving — Sandwich lunch provided
15:00 Magdalen College
High Street, Oxford, OX1 4 AU — http://www.magd.ox.ac.uk
Founded by William Waynflete in 1458, the College holds wide-ranging art collections. Visit Led by the Dean, the Revd Dr Jonathan Arnold: Chapel altarpiece, Christ Carrying the Cross (attrib. Valdés Leal/Seville School, 17thC; for in situ discussion)
Venues can accommodate limited numbers only, so book early to avoid disappointment. To book, please email firstname.lastname@example.org, stating
(1) Whether you will arrive in time for the Campion Hall visit
(2) Your membership status
Once your place has been confirmed please pay a small charge to cover costs: £7 for members, or £20 for non-members
Fernando Gutiérrez Baños (University of Valladolid), ‘Images, devotion and emotion in 13th- and 14th-century Castile’.
5pm, Wednesday 18th April 2018. Courtauld Institute of Art
What was the role of images in the religious experience of Castilian people of the 13th and 14th centuries? There is no clear answer, and the scarcity of written evidence has prompted much problematic speculation. However, on the basis of the images themselves and of relevant literary sources, including the well-known Cantigas de Santa María and works by 14th-century authors such as Juan Ruiz and Juan Manuel, it is possible to explore a number of key issues. The talk will be divided into three sections. One focuses on the 13thcentury: ‘Active images: the Cantigas de Santa María and their aftermath’. Another looks to the 14th century: ‘Passive images: the reception and dissemination of the Crucifixus dolorosus in Castile’. And it concludes by looking ‘beyond’ Art History. In the 1960s a Spanish politician coined the (in)famous tourist slog, ‘Spain is different’. His aim was to encourage foreigners to visit Spain, but the slogan is representative of a commonplace that has been repeated time and again since the Romantic era. Ultimately, my talk offers an invitation to reconsider whether Castilian and Spanish devotional practices are really so very different from those recorded elsewhere in medieval western Europe.
Fernando Gutiérrez Baños is Senior Lecturer in the Department of Art History of the University of Valladolid (Spain). He has been Frances A. Yates Short-Term Research Fellow at London’s Warburg Institute (2006) and Visiting Fellow at Princeton’s Index of Christian Art (2013). He specialises in art of the 13th and 14th centuries, focusing mainly on painting and art patronage. He is currently developing a research project on Castilian tabernacle-altarpieces of the Late Middle Ages, funded by the Spanish Ministry of Economy, Industry and Competitiveness and by the European Union through the ERDF (reference HAR2017-82949-P).
This is the second lecture in the Coll & Cortes Medieval Spain Seminar Series 2018-20, focused on images and devotion in late medieval Spain.
Felipe Pereda (Harvard), will give the inaugural lecture for the 2018-19 Coll & Cortes Medieval Spain Seminar Series at 4pm on Thursday 25th January in the Kenneth Clark Lecture Theatre of the Courtauld Institute of Art, London.
An old narrative tradition going back to Ancient Egypt but documented across the Mediterranean – from the Middle East to Greece — shows women attending funerals performing theatrical, but also highly ritualized gestures that express unbearable pain. This visual trope corresponds to a practice that was surveyed and prosecuted in this part of the world well before the arrival of Christianity. The practice continued in Iberia throughout the Middle Ages, producing from the 12th century onwards an extraordinary tradition of painting and monumental sculpture. This lecture will explore the persistence, survival and repression of this practice and discuss the contribution of the visual arts to the production of cultural memory.
Felipe Pereda is Fernando Zóbel de Ayala Professor of Spanish Art at Harvard University. Born in Madrid, he studied at the Universidad Complutense, and the Autónoma University where he received his PhD (1995) and taught until 2011. In more recent years, he has also taught at the Instituto de Investigaciones Estéticas (Universidad Autónoma de México), and Johns Hopkins University (2011-15). He has worked on Spanish late medieval and early modern art, art theory, image theory and history of architecture.
His books include, La arquitectura elocuente (1999), El atlas del Rey Planeta (3rd. ed. 2003), and Images of Discord. Poetics and Politics of the Sacred Image in 15th century Spain (Spanish ed. 2007; English translation, Harvey Miller, forthcoming). He has recently published on artists such as Luis de Morales, Ribera, or Zurbarán.
ISLAMIC ART CIRCLE at SOAS
The Palace of Pedro I in Seville, ‘very much like the residence of the Muslim kings’?
Dr Tom Nickson
Wednesday, 11 October 2017
7.00 p.m., Khalili Lecture Theatre, Main Building, SOAS
Chaired by Professor Hugh Kennedy
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