Tag Archives: Santiago de Compostela

Roundtable: Pilgrimage, Travel and Migration across Time and Space (Lincoln, 20 March 2017)

On the Road: Pilgrimage, Travel and Migration across Time and Space
Roundtable, Monday 20th March, 6pm

David Chiddick Building, DCB 1101
(n. 18 on this map: http://www.lincoln.ac.uk/campusmap/)

Introduction by Francisco Singul (Xunta de Galicia)
Short presentations by Dr Antonella Liuzzo Scorpo, Dr Sarah Longair, Dr Robert Portass, Dr Michele Vescovi and Dr Jamie Wood
Wine reception

Exhibition: Hospitality on the Road to Santiago de Compostela
14th March – 2nd April 2017
Chapter House, Lincoln Cathedral

 For more information on this event and/or the exhibition, please contact: aliuzzoscorpo@lincoln.ac.uk

 

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Madrid: Master Mateo at the Prado

2016-11-mastermateo2016-11-mastermateo-text-jpgMaster Mateo and his work for the cathedral in Santiago de Compostela

Madrid, Museo del Prado, Villanueva Building

The exhibition brings together an exceptional group of fourteen works that were removed in the past from their original location (the west façade and choir of the Cathedral in Santiago de Compostela) and are now housed in the cathedral museum and in different institutions and private collections.

Notable among them are the recently restored sculptures of David and Solomon, and a Statue-column of a male figure holding a cartouche that was found last October inside the cathedral’s south tower, a discovery that represents an enormous advance in our knowledge of Master Mateo’s activities in the cathedral of Santiago de Compostela.

Co-organised with the Real Academia Gallega de Bellas Artes, and the Fundación Catedral de Santiago.

Corpus of Romanesque Sculpture in Britain and Ireland: Annual Lecture, 2015 : Tessa Garton, 28 April 2015

2015-04-CrpusRsqeScGB-IrelandCorpus of Romanesque Sculpture in Britain and Ireland (CRSBI) Annual Lecture 2015
Tuesday 28 April 2015
17.30, Kenneth Clark Lecture Theatre, Courtauld Institute of Art
Tessa Garton (Professor Emerita, College of Charleston, South Carolina):
Evidence Set in Stone? Twelfth-century Sculptors and Workshop Practices in Northern Palencia, Spain
Open to all, free admission

The northern region of Palencia, close to the pilgrimage route to Santiago de Compostela, contains a remarkable number of well-preserved and richly carved Romanesque churches, concentrated in the region around Aguilar de Campoo, and close to quarries with excellent quality stone for sculpture. The repetition of similar designs at many different locations suggests a system of professional production by a workshop engaged on multiple commissions, and the mass-production of standard motifs. Signatures and inscriptions provide evidence of the increasingly professional status of sculptors; most remarkable is the portal at Revilla de Santullan, where Micaelis depicts himself next to the apostles and in the act of carving the tablecloth for the Last Supper. The discovery of marginal engravings on a group of sculptures recently removed from the church at Santa Maria de Piasca, in Cantabria, provides further insights into the working practices of the masons.

Tessa Garton studied History of Art at the University of East Anglia with Peter Lasko and Eric Fernie, and at The Courtauld Institute of Art with George Zarnecki, writing her PhD on Early Romanesque Sculpture in Apulia. She taught at the University of Aberdeen and at the College of Charleston, South Carolina, and has recently retired. Her major area of interest is Romanesque sculpture; she served as an investigator for the Corpus of Romanesque Sculpture in Ireland, and has studied Romanesque sculpture in Apulia, Scotland, Ireland, France and Spain. Her recent research has been focused on northern Spain, on the pilgrimage route to Santiago de Compostela and the region of northern Palencia.

 

 

 

 

Myths of Medieval Spain. Symposium, Courtauld Institute, 11 March

Detail of the Portico de la Gloria, Santiago de Compostela, late twelfth century

LAST MINUTE SPACES NOW AVAILABLE!

Myths of Medieval Spain. Symposium, Research Forum, Courtauld Institute of Art, 2-6.30, Weds 11 March 2015.

Attendance is free, but spaces are limited so you must register – NOW OPEN!

Four papers offer new ideas on a group of well-known sculptures and manuscripts from twelfth- and thirteenth-century Spain, exploring tensions between local and international concerns.

2: Introductory remarks, Tom Nickson (Courtauld Institute of Art)

2.10: Rose Walker (Courtauld Institute of Art)

Beatus manuscripts during the reign of Alfonso VIII of Castile and Leonor of England: a response to the fall of Jerusalem?

2.40: Rosa Rodríguez Porto (University of York)

Tvrpinus Domini gratia archiepiscopus: Notes on the Codex Calixtinus

3.10: James D’Emilio (University of South Florida)

The West Portals at Compostela and the Book of St. James: Artistic Eclecticism at a Cosmopolitan Shrine

3.40: discussion

4.15-5.15: tea

5.30-6.30:

Javier Martínez de Aguirre (Universidad Complutense de Madrid)

The voices and the echoes: Saint James, Gregory the Great and Diego Gelmírez in Santiago de Compostela’s Puerta de Platerías

6.30: drinks reception