The Museu Nacional d’Art de Catalunya has made two major acquisition during the summer.
At an auction held in Barcelona on 31 May 2017 they acquired a panel painting representing the Decapitation of Saint Baudilus, painted by Lluís Dalmau for the old Gothic high altarpiece in the parish church of Sant Boi de Llobregat (Baix Llobregat), one of the few works by the painter to have been conserved.
Lluís Dalmau was one of the principal artists working in Barcelona in the mid 15th century, and was employed at the court of King Alfonso IV. There are only two surviving documented works by this outstanding painter: the famous Virgin of the “Consellers”, made between 1443 and 1445, and the altarpiece from Sant Boi, dated to 1448. The Museu Nacional was able to purchase this exceptional work thanks to a donation by the Palarq Foundation. It will certainly become a well-loved masterpiece of the Museum’s impressive collection of Catalan Gothic painting.
They also acquired 200 photographs by Catalan photographer Oriol Maspons (Barcelona, 1928-2013), thanks to the Nando and Elsa Peretti Foundation. The new acquisition will enable the organisation of a major retrospective dedicated to this photographer in 2019. Moreover, the generosity of the Nando and Elsa Peretti fundation will enable researchers to study the over 7000 photographs and other photographic material deposited at the Museum by the photographer in 2010.
The Coll & Cortés Medieval Spain Seminar in the Research Forum South Room in the Courtauld Institute of Art, London. By Dr Encarna Montero, University of Valencia
6-7pm, Monday 18th January, followed by a drinks reception. Free attendance, open to all
Model for a pinnacle, Valencia, c. 1442. Valencia Municipal museum
A significant number of sources for the study of architectural practise survive from medieval Spanish kingdoms when compared to other European territories. Apprenticeship contracts, drawings, sketches and masons’ inventories shed light on the means by which architectural knowledge was transmitted in the Iberian peninsula between 1370 and 1450. This body of evidence – much of it newly discovered – also challenges many long-held assumptions, even if several key problems remain unresolved: the training requirements for masons’ apprentices, the specific skills that defined a master, or the role of drawing in the building process.
This is the second in the Coll & Cortés Medieval Spain Seminars, which take the theme of ‘Gothic Architecture, New Approaches’ from 2015-17. The first lecture in the series was delivered by Eduardo Carrero in October 2015.
The first in a series of lectures on Spanish medieval architecture, hosted by the Courtauld Institute, and sponsored by Coll & Cortes
Since the late 19th century, scholarship on 13th– and 14th-century Spanish architecture has largely depended on formal analysis and systems of cataloguing. From this have emerged fundamental studies of cathedrals, including those of Burgos, León and Toledo, of monasteries such as Las Huelgas in Burgos, or of parish churches such as Santa Maria del Mar in Barcelona. But what are the premises of such approaches? As interest in gothic architecture wanes amongst early 21st-century art historians, some of Spain’s most significant buildings still lack basic analysis. And yet perhaps the biggest problem is not the absence of studies but their methods, mediated by contemporary contexts.
The lecture is open to all and free to attend, though it is recommended that you arrive by 5.20 in order to secure a seat.
Call for PapersII International Conference. Sevilla, 1514: Arquitectos tardogóticos en la encrucijada Seville, November 12-15, 2014 Deadline: 31 May 2014
After the I International Conference Arquitectura tardogótica en la Corona de Castilla held in Santander in 2010, the II International Conference. Sevilla, 1514: Arquitectos Tardogóticos en la encrucijada, aims to serve as a forum for discussion on the latest research developed in this thematic area in an international context.
The conference will be celebrated as a joint activity between the Universities of Cantabria, Seville, Lisbon (Portugal) and Palermo (Italy) and will be held in the city of Seville during the month of November, 2014, with a duration of 4 days distributed into scientific sessions and guided visits. The scientific sessions will focus on the following topics:
Magister: Biographies and trajectories of the Late Gothic master builders.
The role of promoters and patrons.
1514 as a milestone: the Late Gothic period and the “Franciscan, German and Moorish skeins”.
The councils of master builders in the Late Gothic period.
Science, technique and archaeology.
Engravings, treatise and microarchitectures.
Those interested in presenting a paper must send the title and abstract in Spanish or in English (max. 1,000 characters) before the 31st of May, 2014, along with their personal information (full name, e-mail address, mailing address and telephone number) to the following e-mail address: firstname.lastname@example.org (only one paper will be admitted per person).