Tag Archives: News

More News from ARTES Scholars

ARTES warmly congratulates Ignacio J. López Hernández on a successful viva of his PhD thesis, and on the publication of a monograph based on his doctoral research, Ingeniería e ingenieros en Matanzas. Defensa y obras públicas entre 1693 y 1868 (Seville: Athenaica, 2019). Ignacio’s research was supported by ARTES through an ARTES Coll&Cortés Travel Scholarship which allowed him to conduct research at the University of Lincoln in 2017. This stay in the UK also helped Ignacio shape his current postdoctoral project at the Politecnico di Torino.

ARTES accepts applications for a number of awards each year, including an essay prize and travel scholarships. We also collaborate with CEEH to support PhD scholarships at The Courtauld Institute of Art and Durham University. Click here for more information on our awards. 

ARTES is a Registered Charity (no. 1112883) dedicated to raising awareness and understanding of Iberian and Latin American Visual Culture. You can support our work by becoming a member of our friendly, enthusiastic and international community.


Featured Exhibition: Painted in Mexico, 1700–1790: Pinxit Mexici, Metropolitan Museum of Art, New York, until 22 July 2018

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Juan Patricio Morlete Ruiz (Mexican, 1713–1772). Portrait of Doña Tomasa Durán López de Cárdenas (detail), c. 1762. Galería Coloniart, Collection of Felipe Siegel, Anna and Andrés Siegel, Mexico City. Photo © Rafael Doniz

The vitality and inventiveness of artists in eighteenth-century New Spain (Mexico) is the focus of Pinxit Mexici, an exhibition which presents some 110 works of art (primarily paintings), many of which are unpublished and newly restored. The exhibition surveys the most important artists and stylistic developments of the period and highlights the emergence of new pictorial genres and subjects. It is the first major exhibition devoted to this neglected topic.

The exhibition is divided in thematic sections: Great Masters; Masters Storytellers and the Art of Expression; Noble Pursuits and the Academy; Paintings of the Land; The Power of Portraiture; The Allegorical World; Imagining the Sacred.

Click here to find out more.

Marvel or monster? Madrid’s Torres Colón to become protected architectural heritage

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El País reports that the Colón Towers, two high-rise buildings in the vicinity of Madrid’s Plaza de Colón and Biblioteca Nacional, may soon become listed. Designed by Antonio Lamela (December 1, 1926–April 1, 2017), the towers’ suspended structure was innovative at the time of their construction, between 1967 and 1976. In the 1990s new fire regulations resulted in the construction of an art nouveau roof, known as ‘el enchufe’ (‘the plug’), which links the towers and provides access to an emergency staircase.  

According to the Asociación para la Protección de las Torres Colón, which is campaigning for the recognition of the towers’ architectural importance, ‘su valor arquitectónico, del que su sistema estructural es parte indiscutible y esencial, además de su proyección nacional e internacional, merece ser reconocido como parte del patrimonio arquitectónico madrileño.’

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Extended: Murillo: The Self-Portraits now on until February 11, 2018

 

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Bartolomé Esteban Murillo, Diego Ortiz de Zúñiga, ca. 1655, oil on canvas, private collection, United Kingdom; image courtesy of Sotheby’s

Until February 11, the Frick Collection in New York is celebrating Bartolomé Esteban Murillo, one of the outstanding painters of the Spanish Golden Age, who will turn 400 years old on 31 December. Well known for his religious paintings and his extraordinary depictions of street urchins, he was also an ingenious painter of portraits. This genre remains, however, the least studied aspect of his work. Inspired by the self-portraits in their holdings, New York’s Frick Collection and London’s National Gallery have co-organized a show which will move to London from February 28 through May 21, 2018.

As widely reported by the media, including the Guardian, an exceptional self-portrait by Murillo just discovered at Penrhyn Castle in Wales has been added to the show on account of its exceptionality.
Click here for more information on the show.

Extended: Murillo: The Self-Portraits now on until February 11, 2018

 

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Bartolomé Esteban Murillo, Diego Ortiz de Zúñiga, ca. 1655, oil on canvas, private collection, United Kingdom; image courtesy of Sotheby’s

Until February 11, the Frick Collection in New York is celebrating Bartolomé Esteban Murillo, one of the outstanding painters of the Spanish Golden Age, who will turn 400 years old on 31 December. Well known for his religious paintings and his extraordinary depictions of street urchins, he was also an ingenious painter of portraits. This genre remains, however, the least studied aspect of his work. Inspired by the self-portraits in their holdings, New York’s Frick Collection and London’s National Gallery have co-organized a show which will move to London from February 28 through May 21, 2018.

As widely reported by the media, including the Guardian, an exceptional self-portrait by Murillo just discovered at Penrhyn Castle in Wales has been added to the show on account of its exceptionality.
Click here for more information on the show.

El Greco on Sale at Christie’s

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According to The Art Newspaper, El Greco’s Saint Francis and Leo (around 1600) is one of the highlights of the upcoming London sales. With an estimated sale price of £5m-£7m, the work is one of 51 from the collection of the late Stanford Rothschild consigned for sale to Christie’s. The sale will take place on 7 December. Click here for more information about this painting.

News: The Centre for Spain in America will sponsor a New Fellowship at the Clark Art Institute, Williamstown, Massachusetts

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Bartolomé Esteban Murillo, Fray Julián of Alcalá’s Vision of the Ascension of the Soul of King Philip II of Spain, 1645-46, Clark Art Institute

The Clark Art Institute’s Research and Academic Programme recently received a $150,000 grant from the Center for Spain in America that provides funds to host a series of fellowships over the next three to six years to encourage the study of Spanish art. The first fellowship, available for the 2018–19 academic year, is open to candidates from all nations.

The Center for Spain in America (CSA) promotes advanced study and public awareness of Spanish art and visual culture in the United States, also focusing on the history of Spanish presence and the influence of Spanish art and culture on North America. CSA cooperates with universities, libraries, archives, museums, and other educational or cultural institutions fostering academic excellence in the field of Spanish studies in the United States and supporting activities such as symposia, lecture series, exhibitions, and publications.

The CSA Fellowship at the Clark will focus on the study of all aspects of Spanish art from the early medieval period to the beginning of the twentieth century, and on the worldwide impact of Spanish art and artists. The programme is open to scholars or museum professionals researching individual Spanish artists or specific works of art; pursuing projects that include particular periods, geographic regions, subjects, or themes in Spanish art; studying the collecting and connoisseurship of Spanish art, particularly in the Americas; and examining the influence and importance of Spanish art and its reception throughout the world. It is anticipated that CSA Fellows may undertake publishing projects and/or exhibition research activities during their tenure at the Clark.

The Center for Spain in America is affiliated with the Madrid-based Centro de Estudios Europa Hispánica. José Luis Colomer, a noted scholar of Spanish art, directs both organizations and has worked closely with Olivier Meslay, Felda and Dena Hardymon Director of the Clark, to establish the new programme.

The CSA Fellowship underscores the Clark’s international initiatives. Over the last decade, the Research and Academic Programme has hosted a number of leading Spanish scholars as fellows, including several curators from the Museo del Prado, Madrid. The Clark and the Prado have also forged a strong collaborative curatorial relationship. In 2010, the Clark lent its entire collection of works by Pierre-Auguste Renoir to the Prado for the highly successful exhibition Pasión por Renoir. In 2016, the Prado reciprocated by lending many of its finest works to the Clark for the exhibition Splendor, Myth, and Vision: Nudes from the Prado.

ARTES will post more information on the fellowship as it becomes available.