Tag Archives: Metropolitan Museum of Art

Featured Exhibition: Painted in Mexico, 1700–1790: Pinxit Mexici, Metropolitan Museum of Art, New York, until 22 July 2018

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Juan Patricio Morlete Ruiz (Mexican, 1713–1772). Portrait of Doña Tomasa Durán López de Cárdenas (detail), c. 1762. Galería Coloniart, Collection of Felipe Siegel, Anna and Andrés Siegel, Mexico City. Photo © Rafael Doniz

The vitality and inventiveness of artists in eighteenth-century New Spain (Mexico) is the focus of Pinxit Mexici, an exhibition which presents some 110 works of art (primarily paintings), many of which are unpublished and newly restored. The exhibition surveys the most important artists and stylistic developments of the period and highlights the emergence of new pictorial genres and subjects. It is the first major exhibition devoted to this neglected topic.

The exhibition is divided in thematic sections: Great Masters; Masters Storytellers and the Art of Expression; Noble Pursuits and the Academy; Paintings of the Land; The Power of Portraiture; The Allegorical World; Imagining the Sacred.

Click here to find out more.

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Closing Soon: Lygia Pape: A Multitude of Forms @ Met Breuer, New York, 21 March – 23 July 2017

The first monographic exhibition in the United States devoted to Brazilian artist Lygia Pape (1927–2004). A critical figure in the development of Brazilian modern art, and a pioneer of the Neo-Concrete movement. Pape combined geometric abstraction with notions of body, time, and space in unique ways that radically transformed the nature of the art object in the late 1950s and early 1960s. Covering a prolific career that spanned five decades, this exhibition examines Pape’s rich oeuvre as manifest across varied media—from sculpture, prints, and painting to installation, photography, performance, and film.

For more information visit: Lygia Pape: A Multitude of Forms

Image Caption: Lygia Pape (Brazilian, 1927–2004). Divisor (Divider), 1968. Performance at Museu de Arte Moderna, Rio de Janeiro, 1990. Photo by Paula Pape. © Projeto Lygia Pape. Source: Metropolitan Museum.

Exhibition: Collecting the Arts of Mexico (New York)

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Collecting the Arts of Mexico

Metropolitan Museum of Art, New York
Exhibition: July 17, 2015–August 7, 2016

Includes five recently acquired eighteenth-century paintings on copper by the Mexican artist Nicolás Enríquez for a Spanish patron.

Association of Art Historians – Annual Conference April 2015 – Call for Papers – Deadline 10 November 2014

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AAH2015
41st Annual Conference & Bookfair
Sainsbury Institute for Art, UEA, Norwich
9 – 11 April 2015

Portraiture and the Unworthy Subject in the Early Modern World

Paper proposals, to be sent to the session convenor in accordance with proposal guidelines.

Paper proposal deadline: 10 November 2014

Session convenor: Carmen Fracchia, Birkbeck, University of London, c.fracchia@bbk.ac.uk

In the early modern period, the production of portraiture was governed by restrictive conventions. According to the first European treatise on portraiture since antiquity (Francisco de Holanda’s Do tirar polo natural [On Taking Portraits from Life], 1548), the essence of the genre was the worthy sitter’s moral or intellectual prestige. Thus, the main function of the portrait image was to immortalise the worthy elite, with the implicit moral understanding that there could be no room for the portrayal of the unworthy subject. What are the political and visual implications of this belief about portraiture? What are the notions of human diversity that prevent the portrayal of undeserving subjects? How are these concepts negotiated in the production of the portrait image outside Europe?

This session aims to build on research by historians of art, literature and the colonial world, and work on slave narratives that illuminate the paradoxical nature of ‘slave portraits’ in the Atlantic World. It intends to explore a wider spectrum of what were considered ‘unworthy subjects’, and the complexity of the mutually exclusive categories of ‘portraiture’ and ‘undeserving subject’. It also seeks to tackle the oxymoronic categories of ‘self-portraiture’ and ‘unworthy subject’, and investigate how notions of human diversity might challenge the boundaries of traditional portraiture and self-portraiture.

Contributions are invited that address the portrayal of ‘undeserving people’ across different media and cultures in the early modern world, as well as the historical context of social inferiority and the ‘undeserving’ between the 15th and the 18th centuries.
– See more at: http://www.aah.org.uk/annual-conference/sessions2015/session24#sthash.8VY0zg3x.dpuf

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Diego Rodríguez de Silva y Velázquez
Portrait of Juan de Pareja, 1650
oil on canvas
Metropolitan Museum of Art, New York