Tag Archives: Mexico

Opens today: Frida Kahlo: Making Her Self Up, V&A Museum, London

640Open until 4 November 2018, this exhibition presents an extraordinary collection of personal artefacts and clothing belonging to the iconic Mexican artist Frida Kahlo. Locked away for 50 years after her death, this collection has never before been exhibited outside Mexico. Click here to book tickets and see related events.

 

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Featured Exhibition: Painted in Mexico, 1700–1790: Pinxit Mexici, Metropolitan Museum of Art, New York, until 22 July 2018

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Juan Patricio Morlete Ruiz (Mexican, 1713–1772). Portrait of Doña Tomasa Durán López de Cárdenas (detail), c. 1762. Galería Coloniart, Collection of Felipe Siegel, Anna and Andrés Siegel, Mexico City. Photo © Rafael Doniz

The vitality and inventiveness of artists in eighteenth-century New Spain (Mexico) is the focus of Pinxit Mexici, an exhibition which presents some 110 works of art (primarily paintings), many of which are unpublished and newly restored. The exhibition surveys the most important artists and stylistic developments of the period and highlights the emergence of new pictorial genres and subjects. It is the first major exhibition devoted to this neglected topic.

The exhibition is divided in thematic sections: Great Masters; Masters Storytellers and the Art of Expression; Noble Pursuits and the Academy; Paintings of the Land; The Power of Portraiture; The Allegorical World; Imagining the Sacred.

Click here to find out more.

Closing Soon: Leo Matiz (1917-1998) muralista de la lente

quijote-leomatizLeo Matiz (1917-1998) muralista de la lente, Antiguo Colegio de San Ildefonso, Mexico City. Closes 17 September 2017

Exhibition of 81 photographs by Colombian photographer and photojournalist Leo Matiz. Matiz established his reputation with his work in Mexico between 1941 and 1947, when he photographed artists and muralists such as Diego Rivera, Frieda Kahlo and David Siqueiros and became a close friends with José Clemente Orozco, as well as Latin American film stars and intellectuals and Spanish film directors such as Luís Buñuel. He subsequently mounted photographic campaigns in his native Colombia and in Venezuela in the 1950s, which were reproduced in periodicals such as Life and Paris Match. The exhibition also includes drawings, caricatures and Matiz’s notes to provide a context for his work.

For more information see the exhibition’s website

Conference: Digital Imaginaries of the South: Stories of Belonging and Uprooting in Hispanic Cinemas

maxresdefaultInternational Film Conference (IV TECMERIN Academic Meeting): Digital Imaginaries of the South: Stories of Belonging and Uprooting in Hispanic Cinemas, October 18-20, 2017, Universidad Carlos III de Madrid / Casa de América (Madrid)

Over the past twenty years, digital technology has become the standard in the film production, circulation, and consumption processes. Within this context, Hispanic cinemas have undergone deep changes, both within the countries with an established cinematic tradition, as well as in those that, due to several reasons, had not developed a robust cinematography throughout the 20th century. The analogue paradigm became deeply contested and a new digital framework, which was widely discussed by institutions, film critics, and academics, emerged. This moment coincides with the widespread generalization of national and transnational neoliberal policies that, far from backing diversity, have increased the gap between those “connected” and those “disconnected” (to draw upon Néstor García Canclini’s term); a gap also experienced by those that, even if connected, still occupy subaltern positions.
The speeding of these processes has resulted in an increase of mobility, at work both in the geographical displacement of film professionals and in the emergence of new narrative models that deal with questions of belonging and uprooting, springing precisely from these experiences of displacement. The cinemas of the Global South, and, most specifically, Hispanic cinemas, have actively taken part in these processes, ultimately playing a relevant role in terms of narrative and aesthetic models, and the production, circulation and consumption of film.
Following the main research axes of the R+D project “Transnational relations in Hispanic digital cinemas: the axes of Spain, Mexico, and Argentina” (CSO2014-52750-P), the International Conference Digital Imaginaries of the South: Stories of Belonging and Uprooting in Hispanic Cinemas conference will discuss these themes:
  • The representation of migrations, displacements, exile, and diaspora.
  • Transnational flows of cultural, economic, and human capital in the production and circulation of cinema.
  • The reconfiguration of the regional, national, and transnational Hispanic interactions within the new century.
  • Public discourses and film policies within the region.
  • Hybridization and identity in the narratives on colonization, decolonization, and revolutionary processes.
  • Activism and digital praxis.
  • Genres, authors, stars.
  • Film cultures and cinephilia: festivals, publications, and digital platforms.
  • Minor cinemas: indigenismo, experimental, and/or militant cinemas.
  • Historiographic, theoretical, and methodological problems of so-called Hispanic, Iberian, and Latin American cinemas.

Featured Exhibition: Leo Matiz (1917-1998) muralista de la lente

quijote-leomatizLeo Matiz (1917-1998) muralista de la lente, Antiguo Colegio de San Ildefonso, Mexico City. Closes 17 September 2017

Exhibition of 81 photographs by Colombian photographer and photojournalist Leo Matiz. Matiz established his reputation with his work in Mexico between 1941 and 1947, when he photographed artists and muralists such as Diego Rivera, Frieda Kahlo and David Siqueiros and became a close friends with José Clemente Orozco, as well as Latin American film stars and intellectuals and Spanish film directors such as Luís Buñuel. He subsequently mounted photographic campaigns in his native Colombia and in Venezuela in the 1950s, which were reproduced in periodicals such as Life and Paris Match. The exhibition also includes drawings, caricatures and Matiz’s notes to provide a context for his work.

For more information see the exhibition’s website

Leonora Carrington at Edge Hill University (Ormskirk)

 

LEONORA CARRINGTON CENTENARY SYMPOSIUM

30 JUNE 2017
EDGE HILL UNIVERSITY (Ormskirk)

Considered a ‘national treasure’ in her adopted country of Mexico, Leonora, whose background was strongly Irish, was originally from Clayton Le Woods, Chorley, Lancashire. Symposium speakers, artists, film makers, writers, curators and academics at the symposium will celebrate her in her home setting.

Guest Speaker, Joanna Moorhead, cousin of Leonora, will discuss her new book, ‘The Surreal Life of Leonora Carrington’ (Little, Brown, 2017).

The Symposium Programme is available to download. (Schedule is subject to change).

Mesoamerican Manuscripts, Oxford

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Mesoamerican Manuscripts: New Scientific Approaches and Interpretations

Conference, exhibition and workshop

31 May – 2 June
Weston Library, University of Oxford

Display and discussion of the Bodleian Library’s five pre-Colonial and early Colonial Mexican manuscripts: Codex Selden, Codex Bodley, Codex Mendoza, Codex Laud and The Roll of the New Fire (or Selden Roll).

Presents recent findings on the making and historical significance of the Bodleian’s and other early, pictorial Mesoamerican manuscripts, situating them in the context of the pre-Columbian and colonial societies that produced them, describing the world they depict, and reflecting upon their meaning in contemporary Mexico and beyond.

More information (including Programme and Registration): Click here.