Tag Archives: Museo del Prado

Museum Reopening Update: The Prado

Watch the installation of Reunited (6/6/20 – 13/9/20), as the Prado’s director, Miguel Falomir, discusses the exhibition on the museum’s Youtube channel

The Prado has reopened a quarter of its gallery space with Reunited, a new display of nearly 200 paintings from its permanent collection. The exhibition will run until 13 September 2020. The museum’s masterpieces are displayed in novel juxtapositions, offering a new perspective on the permanent collection. For example, for the first time Rubens’ 17th-century “Saturn Devouring His Son” will be adjacent to Francisco Goya’s depiction of the same subject, painted nearly 200 years later. See the Prado’s website for more details on the works included, the new pairings, and additional videos on the exhibition.

The Prado has reopened with a limited capacity of only 1,800 people per day, compared to 15,000 on peak days last year. Visitors will have to book at least 24 hours in advance, have their temperatures checked at the entrance, wear masks throughout the visit, and there will be markings on the floor to indicate safe distances. The museum’s finances remain a concern despite reopening. Ticket prices will be halved until September 13th, and as the museum receives approximately half its funding from ticket sales. Furthermore, foreign tourists usually represent 70-80% of its visitors. The director of the Prado, Miguel Falomir, plans to showcase the museum’s permanent collection, which will help lower costs. Like many in the art world, he is concerned about the sustainability of the expensive ‘blockbuster exhibition’ model, which relies on loans from international collections and includes high insurance costs. However, in an interview with AFP, Falomir ended on a positive note, stating ‘It will take a while, but tourists will once again fill up the museums’.

Information for this post was taken from AFP Relax News, Hoy es arte, and El Museo Nacional del Prado.

Celebrating the Prado: A Day of Special Events at the National Gallery, London, 30 September 2019

The National Gallery will celebrate the 200th anniversary of Spain’s foremost artistic institution, the Museo del Prado in Madrid, with a day of special events. Read below or click here to discover what’s on.

In conversation: Celebrating 200 years of the Prado

Lunchtime talk, Sainsbury Wing Theatre, National Gallery, London, Monday 30 September 2019, 1–1.45pm

Miguel Falomir © Archivo Fotográfico. Museo Nacional del Prado, Madrid

Discover Madrid’s Prado Museum: past, present and future. Miguel Falomir, Director of the Prado Museum, Madrid, joins Gabriele Finaldi, Director of the National Gallery, to discuss the history and dynamic future of Spain’s most eminent art museum, which celebrates its bicentenary this year.

Click here for more information.

Picasso and the Prado

Lunchtime talk, Sainsbury Wing Theatre, National Gallery, London, Monday 30 September 2019, 2–2.45pm

Pablo Picasso in Antibes, Summer 1946

The Prado Museum in Madrid held a special place in Picasso’s heart and mind. As a young artist he visited the museum many times, drawn to the world of El Greco and Velázquez. Later, in 1936, the Spanish Republic awarded him the title of Honorary Director-in-Exile of the Prado Museum in gratitude for his support. In 1957 he created a series of 58 variations of Velázquez’s ‘Las Meninas’, the iconic work in the Prado. Art historian Gijs van Hensbergen tells the story of Picasso’s life-long relationship with the Prado.

Click here for more information.

Black and light: Discover the mystique of the Prado Museum by night

Film Screening and Q&A, Sainsbury Wing Theatre, National Gallery, London, Monday 30 September 2019, 3–5.20pm

© 2017- Alvaro Perdices

Join award-winning film-maker Álvaro Perdices for a screening of his stunning 2015 film ‘Negro y Luz’, an artistic essay on darkness and light exploring the Prado Museum at night.

3 pm Introduction to the film with Álvaro Pedrices
3.10 pm Film showing of Negro y Luz (2015)
5.30 pm Q&A with Álvaro Perdices
5.40 pm Close

Click here for more information.

“A Lifelong Involvement with the Museo del Prado”: a lecture by Sir John Elliott at the Embassy of Spain, London, 23 May 2019

On 23 May 2019, 6pm–8.30pm, the Honorary President of ARTES, Sir John Elliott (Regius Professor Emeritus, University of Oxford), will deliver a lecture in celebration of the 200th anniversary of the Museo del Prado. The lecture will take place at the Embassy of Spain, 24 Belgrave Square, London SW1X 8QA. A limited number of tickets are available to ARTES members by emailing the Spanish Embassy (emb.londres.ofc@maec.es).  

A Guest from Lima: ‘Marriages of Martín de Loyola to Beatriz Ñusta and Juan de Borja to Lorenza Ñusta de Loyola’ at the Museo Nacional del Prado, until 28 April 2019

Marriages of Martín de Loyola to Beatriz Ñusta and Juan de Borja to Lorenza Ñusta de Loyola
Anonymous artist from Cusco
Oil on canvas, 175,2 x 168,3 cm
1718
Lima, Museo Pedro de Osma. Fundación Pedro y Angélica de Osma Gildemeister

The Prado’s ‘Invited Work’ is a large painting on canvas showing the double Marriages of Martin de Loyola to Beatriz Ñusta and Juan de Borja to Lorenza Ñusta de Loyola painted in 1718 by an anonymous artist from Cusco. On loan from the Museo Pedro de Osma in Lima, it will be on display in Madrid until 28 April 2019. The scene depicted brings together two weddings that actually occurred at different times and places with the purpose of showing the blood ties between the Inca dynasty and descendants of two of the founders of the Society of Jesus, Saint Ignatius Loyola and Saint Francis Borja. The symbolic aim being to represent the conquest of southern America as a harmonious union between Spanish vanquishers and the vanquished. 

Click here for more information about this display.

Closing Soon: Antonio María Esquivel (1806-1857): his religious paintings, Museo Nacional del Prado, Madrid, until 20 January

a5493bac-737a-4370-a42f-fafd1725c7dbThe Museo del Prado has restored three paintings considered to be among the most important religious compositions by the leading Spanish Romantic artist Antonio María Esquivel. Esquivel’s work as the creator of religious paintings is barely known despite being among his principal artistic concerns. Now visitors can see The Fall of Lucifer, Christ the Saviour and other works, including a Self-Portrait. The exhibition has been curated by Javier Barón, Prado Senior Curator Nineteenth-century Painting at the Prado. 

Click here to find out more.

Opens today: Bartolomé Bermejo at the Prado Museum, Madrid

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Open until 27 January 2019, this exhibition explores the career of Bartolomé Bermejo, one of the most fascinating figures within Spanish art of the second half of the 15th century. Bringing together a remarkable group of paintings from Spanish, European and American museums, the Prado is able to present this survey exhibition, which has been organized with the collaboration of the Museu Nacional d’Art de Catalunya and, for the first time, allows for an appreciation of the technical virtuosity and distinctive visual universe of this Cordovan painter active in the Kingdom of Aragon.

For more information, click here.

Opens 9 October: Bartolomé Bermejo at the Prado Museum, Madrid

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Open until 27 January 2019, this exhibition explores the career of Bartolomé Bermejo, one of the most fascinating figures within Spanish art of the second half of the 15th century. Bringing together a remarkable group of paintings from Spanish, European and American museums, the Prado is able to present this survey exhibition, which has been organized with the collaboration of the Museu Nacional d’Art de Catalunya and, for the first time, allows for an appreciation of the technical virtuosity and distinctive visual universe of this Cordovan painter active in the Kingdom of Aragon.

For more information, click here.

Three new acquisitions on show at the Prado Museum

Three important new acquisitions are temporarily on display at the Prado Museum in Madrid:

Saint John the Baptist in a Landscape, an oil on copper by Juan Bautista Maíno (1581–1649), strongly influenced by the artist’s Roman period.

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The copper plate for a print portraying an auto da fé in Madrid’s Plaza Mayor, engraved by in 1680 by Flemish artist Gregorio Fosman, one of the outstanding printmakers of the seventeenth century. The print is related to Francisco Rizi’s famous painting of the same subject, also in the Prado.

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Luis Paret’s A celestina [procuress] and the lovers, a work of 1784, inspired by the famous play La Celestina by Francisco de Rojas (1499), which foreshadows the satire of interpersonal relationships characteristic of Goya’s Caprichos 12129_1

 

New Pre-Doctoral Fellowship for the Study of Spanish Art, Museo Nacional del Prado/Meadows Museum

recortadab-2The Meadows Museum at SMU in Dallas and the Museo Nacional del Prado in Madrid have announced a new pre-doctoral fellowship, part of the unique international partnership that unites these two leading museums. A grant from the Center for Spain in America (CSA) supports now the pre-doctoral Meadows/Prado Fellowship, designed to provide students with an intensive scholarly, professional, and international experience in curatorial work. The fellowships are an annual exchange with one appointment made by each institution.

The CSA and its Spanish counterpart, the CEEH, have collaborated with the Meadows Museum on several projects prior to this announcement, including the exhibition and catalogue for The Lost Manuscripts from the Sistine Chapel: An Epic Journey from Rome to Toledo (2011); the exhibition and catalogue for The Spanish Gesture: Drawings From Murillo to Goya in the Hamburger Kunsthalle (2014); Sorolla in America: Friends and Patrons (2015); and the exhibition catalogue Zurbarán: Jacob and His Twelve Sons, Paintings from Auckland Castle (2017).

Applications accepted until March 23, 2018

Featured Exhibition: Drawings by Rosario Weiss

litoBiblioteca Nacional de España, Madrid, until 22 April 2018

This exhibition features more than a hundred drawings by Rosario Weiss (Madrid, 1814‒1843) as well as a few prints and paintings. It sets out to show the work of an outstanding draughtswoman who is better known for her relationship with Francisco de Goya (1746‒1828) than for her artistic career.

Weiss was one of the few women to join the San Fernando Royal Academy of Fine Arts—as an academician of merit for History Painting—and she achieved her highest distinction in 1842 when she was appointed as drawing instructor to Isabella II and her sister, the Infanta Luisa Fernanda. She held this post for a very short time, as she died of cholera the following year.

Curated by Carlos Sánchez Díez, the display brings together works from the Biblioteca Nacional, the Museo Lázaro Galdiano, the Bibliothèque municipale de Bordeaux, the Museo del Prado, the Museo del Romanticismo and private collections, as well as pieces from other museums and Spanish public institutions.

This exhibition has been organised by the Biblioteca Nacional de España, Museo Lázaro Galdiano and Centro de Estudios Europa Hispánica.

Click here for more information.

The exhibition catalogue, About the exhibition catalogue, authored by Carlos Sánchez Díez, can be purchased on the CEEH’s website with 10% discount on online orders until 15 February.