Tag Archives: 19th century

Featured Exhibition: Descubriendo a Luis Masson, Museo Lázaro Galdiano, Madrid, until 26 August

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As part of the 20thanniversary edition of the mass photography display of contemporary and historic works, PHotoESPAÑA (6 June-26 August 2018, venues across Madrid, Barcelona and in Valencia), the Museo Lázaro Galdiano in Madrid will open an exhibition Descubriendo a Luis Masson commemorating the work of the French 19th-century photographer Luis Masson (born 1825), who produced a complete topographical photographic study of Spain and was also noted for his photographic reproductions of the works of Murillo. Masson established himself in Seville in 1858 with his wife, Lorenza Simonin, with whom he worked over the next eight years producing a wide range of architectural photographs, some stereoscopic, of Seville and other Andalucian cities and monuments, working in particular for the Duque de Montpensier. In 1866 he moved to Madrid, recording from there the cities of Toledo, Ávila, Valladolid, Salamanca and Burgos, before returning to Seville at the end of the 1870s, where he was last recorded in 1881.The photographs are selected from the private Colección Fernández Rivero de Fotografía Antigua, which owns about 35,000 original photographs ranging from the 1840s through to the early decades of the 20thcentury. It focuses its collections on Spanish images and in particular photographs created in Andalucia, with a special section on Málaga and its province.  The exhibition was previously shown (January-March 2018) at the Centro Andaluz de la Fotografía, Almería. An accompanying monograph by Juan Antonio Fernández Rivero and María Teresa García Ballesteros, Descubriendo a Luis Masson, fotógrafo en la España del XIX which inventories 511 of Masson’s photographs was published by  Ediciones del Genal, Málaga in 2017.

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Featured Exhibition: Drawings by Rosario Weiss

litoBiblioteca Nacional de España, Madrid, until 22 April 2018

This exhibition features more than a hundred drawings by Rosario Weiss (Madrid, 1814‒1843) as well as a few prints and paintings. It sets out to show the work of an outstanding draughtswoman who is better known for her relationship with Francisco de Goya (1746‒1828) than for her artistic career.

Weiss was one of the few women to join the San Fernando Royal Academy of Fine Arts—as an academician of merit for History Painting—and she achieved her highest distinction in 1842 when she was appointed as drawing instructor to Isabella II and her sister, the Infanta Luisa Fernanda. She held this post for a very short time, as she died of cholera the following year.

Curated by Carlos Sánchez Díez, the display brings together works from the Biblioteca Nacional, the Museo Lázaro Galdiano, the Bibliothèque municipale de Bordeaux, the Museo del Prado, the Museo del Romanticismo and private collections, as well as pieces from other museums and Spanish public institutions.

This exhibition has been organised by the Biblioteca Nacional de España, Museo Lázaro Galdiano and Centro de Estudios Europa Hispánica.

Click here for more information.

The exhibition catalogue, About the exhibition catalogue, authored by Carlos Sánchez Díez, can be purchased on the CEEH’s website with 10% discount on online orders until 15 February.

Casa Vicens, a home designed by Gaudí, now open to the public in Barcelona

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© Casa Vicens, Barcelona 2016. Photo: Pol Viladoms

The first home designed by Catalan architect Antoni Gaudí has recently opened to the public. Built between 1883 and 1885 as a summer house for the Vicens family, it is a masterpiece of riotous colour in an eclectic neo-moorish style. After over a century of transformations at the hands of various different owners, the World Heritage Site has been returned to its original disposition, while an addition constructed in 1925 has been transformed into a museum. Located in the Gràcia district and surrounded by a verdant garden, the house is open everyday, from 10 am to 8 pm.

Carrer de les Carolines, 20, 08012 Barcelona, Spain
Open daily from 10 am to 8 pm except 25 December, 1 and 6 January

 

News: Meadows Museum acquires last painting by Spanish master Mariano Fortuny y Marsal

 

Mariano Fortuny y Marsal (Spanish, 1838–1874), Beach at Portici, 1874. Oil on canvas, 27 x 51 ¼ in. (68.6 x 130.2 cm). Meadows Museum, SMU, Dallas.

Beach at Portici by Mariano Fortuny y Marsal (1838- 1874)
Oil on canvas, 27 x 51 ¼ in. (68.6 x 130.2 cm). Meadows Museum, SMU, Dallas.

The Southern Methodist University’s Website announced today that The Meadows Museum has acquired Beach at Portici, the last painting of famed Spanish artist Mariano Fortuny y Marsal (1838-1874).

This large-scale, unfinished work depicts the carefree atmosphere of a bbeautiful summer day at the beach, demonstrating Fortuny’s hallmark ability to capture light in paint.

Fortuny was an especially popular artist with 19th-century American collectors and audiences, as revealed by the American provenance of this work. Indeed, it was featured prominently in the American Pavilion’s “Loan Collection of Foreign Masterpieces Owned in the United States” at the 1893 World’s Columbian Exposition in Chicago, one of the most important international exhibitions of the 19th century.

Beach at Portici will be on view at the Meadows Museum beginning January 19, 2018. From June 24 through September 23, it will be the subject of a focused exhibition, At the Beach: Mariano Fortuny y Marsal and William Merritt Chase. 

 

Featured Exhibition: Fortuny (1838-1874), Museo Nacional del Prado, Madrid, until 18 March 2018

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Mariano Fortuny,
Idyll, 1868, watercolour and gouache on paper, Museo Nacional del Prado

The Museo Nacional del Prado has recently opened an exhibition on Mariano Fortuny y Marsal (1838-1874). This artist, who achieved international renown in the last third of the 19th century, was a skilled painter and draughtsman who excelled in watercolour. He was also a graphic artist and a passionate collector of antiquities.
As with previous monographic exhibitions held at the Prado, Mariano Fortuny (1838-1874) offers a reassessment of the artist’s finest works, drawn from both the the Prado’s extensive holdings and from international lenders, including the more than 30 rarely-seen works from the Museo Fortuny in Venice.

Click here for more information.

 

Closing Soon: Lightness and Boldness. Goya’s Drawings

 

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Francisco de Goya, I am still learning. Album G, 54
Ca. 1826. Black chalk, Lithographic crayon on grey laid paper, 192 x 145 mm.

Ligereza y atrevimiento. Dibujos de Goya, Centro Botín, Santander. Closes 24 September 2017.
One of the first exhibition’s in the  recently opened Renzo Piano designed Centro Botín, this show is curated by the Prado’s Head of Drawings and Prints, José Manuel Matilla, and the Chief Curator of the Goya and 18th-century Art Department, Manuela Mena. The exhibition includes 80 drawings, from the Prado’s holdings of some 520, selected as representative of the different periods of Goya’s artistic activity from 1796 to his death in 1828. Also shown are preparatory drawings for a selection of prints from his series, Sueños, Caprichos, Desastres de la guerra, Tauromaquia and Disparates. This exhibition is the result of an ambitious research and cataloguing project based on the drawings of Francisco de Goya, thanks to the collaboration agreement entered into by the Fundación Botín and  Prado Museum in 2014. The first volume of the catalogue raisonné is due to appear later in 2017 and a larger exhibition is provisionally scheduled at the Prado in 2019.