Coordinators: Ana Cabrera and Lesley Miller
This conference explores collecting practices, attitudes to and perceptions of Spanish decorative arts in Britain and Spain from the 19thcentury onwards, and how these attitudes influenced the development of museums and museum collections in both countries. The case studies aredrawnfrom the British and Spanish museum collections.
The conference is organisedin joint sessions dealing with the same subject from British and then Spanish perspectives. The first day considers the collecting of particular media while the second day focuses on the dissemination, display and conservation of these collections. The conference includes poster sessions during the coffee breaks.
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Friday, 8thJune 2008: Collecting Spanish Decorative Arts
10.00 Registration and collecting of conference packs; displaying of posters
Ana Cabrera, V&A
10:30 Collecting, Display & Dissemination: The Changing Face of the Decorative Arts Collection at South Kensington, 1852-1873
Susanna Avery-Quash, National Gallery, London
Lustreware and Furniture
Chair: Holly Trusted, V&A
11.00 Collecting Spanish Lustreware at the Victoria and Albert Museum
Mariam Rosser-Owen, Asian Department, V&A
11:30 A Survey and History of the Collecting of Spanish Decorative Arts: Lustreware
Jaume Coll, Museo Nacional de Cerámica, Valencia
12.00-12.30. COFFEE BREAK
12:30 Collecting Spanish Furniture, Woodwork and Leatherwork, 1850-1950
Nick Humphrey, Furniture, Textiles and Fashion department, V&A
13:00 Collecting Spanish Furniture in Madrid, 1880-1920
Sofía Rodríguez, Museo Nacional de Artes Decorativas, Madrid
Textiles and Fashion
Chair: Sonnet Stanfill, V&A
14:30 Following the Thread: Collecting Spanish Textiles at the Victoria and Albert Museum
Ana Cabrera, Marie S.-Curie Fellow, V&A
15:30 Textile Collecting in Catalonia
Silvia Carbonell, Centre de Documentació i Museu Tèxtil, Terrasa
16:00 Fashion and Spain at the Victoria and Albert Museum
Oriole Cullen, Furniture, Textiles and Fashion Department, V&A
16:30 From Dress to Fashion: The Collection of The Museo del Traje
Helena López del Hierro, Museo del Traje, Madrid
16.30-17.00 TEA BREAK
Sculpture and Plaster Casts
Chair: Edward Payne, Auckland Castle Project
17.00 A Vogue for St Francis
Xavier Bray, Wallace Collection, London
17:30 Spanish Monuments Displayed at South Kensington: Raising the Profile of Spanish Art through Plaster Casts
Holly Trusted, Sculpture, Metalwork, Ceramics and Glass Department, V&A
18:00 Electrical Treasuries: The Decorative Arts Collection from Antiquity at the Museo Nacional de Reproducciones, 1881-1915
María Bolaños, Museo Nacional de Escultura, Valladolid
Saturday, 9thJune 2008: Collecting Spanish decorative arts continued
Chair: Antonia Boström, V&A
10:15 The Scholar, the Scoundrel and the Skater: How the V&A Collections of Hispanic Silver were formed
Kirstin Kennedy, Sculpture, Metalwork, Ceramics and Glass Department, V&A
10:45 Collecting Spanish Silver
Jesús Rivas, Universidad de Murcia
Displaying, Interpreting and Conserving Spanish Decorative Arts
Chair: Christopher Wilk, V&A
11.45 Displaying Decorative Arts in Britain and Spain. A Comparative Analysis
Isabel Rodríguez, Museo Nacional de Artes Decorativas, Madrid
12.15 Spain in the Europe 1600-1815 Galleries at the V&A
Lesley Miller, Furniture, Textiles and Fashion Department, V&A
12.45 The20th-century Galleries at the V&A
Corinna Gardner and Johanna Agerman Ross, Design, Architecture and Digital Department, V&A
Displaying, Interpreting and conserving Spanish decorative arts
Chair: Joanna Norman, V&A
14.15 The Conservationof the Cast Courts. New Discoveries from Spanish Casts
Victor Borges, Conservation Department, V&A
14:45 Collecting in Action: Building a Spanish Gallery in Bishop Auckland
Edward Payne, The Auckland Project
15.15 Closing remarks
Joanna Norman, Head of the Victoria and Albert Research Institute (VARI)
Miguel González Suela, Directorate of the State Museum, Spanish Ministry of Education, Culture and Sports
Short, informal papers are invited for the next meeting of The Maius Workshop, a community of graduate students and early career researchers working on Iberian and Latin American arts, histories and cultures. For more information about the group, please visit their website.
The meeting will take place in the Research Forum, The Courtauld Institute, London WC2R 0RN on June 11 2018, 6:00–7:30pm
The theme of the meeting is ‘Imagining Spain and Latin America abroad.’ Discussion may consider exchange, trade, and the foreign reception of Spanish and Latin American art and culture.
Informal presentations should last no longer than 15 minutes.
The Maius Workshop endeavours to create a supportive environment to present new ideas and talk through problems and open questions. Collaborative research is central to the group’s ethos, and it aims to encourage dialogue rather than showcase fully-resolved material.
If you are interested in attending or presenting your work, please email firstname.lastname@example.org before May 15, 2018.
The Maius Workshop is an interdisciplinary group that brings together graduate students and early-career scholars dealing with Hispanic art (broadly considered to include literature, theatre, music, etc.) and history from the Middle Ages to the Early Modern Period. The Maius Workshop is kindly supported by ARTES.
The first meeting of the Maius Workshop took place in October at the Warburg Institute. The Maius Workshop’s second meeting will take place on Monday 11 December 2017 from 6.00 to 7.30 pm at the Research Forum Seminar Room of the Courtauld Institute.
We hope attendees will share documents, images and problems from their research related to this topic. While some members have already volunteered to present their research, there are still a few spaces left for informal presentations of 5 to 10 minutes. If you would like to present material from your research, please get in touch with us by Friday 8 December.
If you are interested in presenting your evidence, please drop us an email by Friday 8 December. You can present your evidence in Powerpoint or handout format. If you would like us to print out your evidence to share with the group, please email it to us by Saturday 9. Secondary readings for discussion are also very welcome.
Otherwise, please come along for a lively discussion!
If you are planning to attend this event, please register on Eventbrite at https://www.eventbrite.co.uk/e/the-maius-workshop-2nd-meeting-11-december-2017-tickets-39407191972
If you wish to contact us please use our email address, email@example.com
Los últimos veinticinco años han conocido una notable renovación y ampliación de las investigaciones centradas en aspectos diversos del reinado de Felipe III (1598-1621), especialmente, en lo que respecta al estudio del valimiento de Lerma y su influencia cortesana, política y cultural. Se han revisado, además, múltiples cuestiones de la política exterior de la Monarquía en este periodo conocido como la Pax Hispanica. Ahora, en 2017, nos hallamos en Madrid inmersos en la celebración de la construcción de uno de los espacios más emblemáticos de la capital: su Plaza Mayor. Parece este un momento excelente para reflexionar sobre cuáles son los rasgos propios de este periodo, que tantas veces queda ensombrecido por la proyección desmesurada de los longevos reinados que le preceden y que le suceden.
Este seminario nace con el objetivo de debatir en torno a los rasgos específicos y los procesos que definen el nuevo gusto que se aprecia en el reinado de Felipe III, prestando particular atención a los cambios que experimentan las artes y la arquitectura en la corte y en otros espacios cortesanos de su monarquía. Uno de los ejes vertebradores lo constituye el análisis del gusto por la apariencia, tanto en la configuración de los espacios como en las formas de auto-representación a través de ceremonias, usos y fiestas. La grandeza de la monarquía y del poder se refleja de manera mesurada y armónica a través de su arquitectura. El deleite de los sentidos y del ingenio se pone de manifiesto en el diseño funcional de palacios de recreo con galerías, huertas, jardines, parques y bosques. La materialidad terrenal basada en un lujo suntuario se combina con el retiro de la clausura y el rigor de las prácticas devocionales en la concepción misma de los conjuntos palaciegos. Se verifica, además, una verdadera proliferación de fundaciones religiosas y benéficas que transforman el tejido urbano.
Miércoles 29 de noviembre de 2017
Call for Papers: Wider Worlds: Art and Audience Under the Spanish Crown, The Frick Collection, New York, April 5, 2018
Deadline: Dec 12, 2017
The Frick Collection, New York
The Frick Collection is pleased to invite submissions for “Wider Worlds: Art and Audience under the Spanish Crown,” a public symposium inspired by the special exhibition Zurbarán: Jacob and His Twelve Sons, Paintings from Auckland Castle (January 31 to April 22, 2018). Co-organized with the Meadows Museum, in Dallas, where the paintings are currently on view, this exhibition marks the first time that Francisco de Zurbarán’s set of thirteen monumental canvases depicting the family of the biblical prophet Jacob will be displayed in the Americas.
Zurbarán’s paintings were probably commissioned in the 1640s for a monastery in colonial Spanish Peru, where the popularity of this particular iconography drew on histories positing the indigenous inhabitants of the Americas as “lost descendants” of the twelve tribes of Israel. The works traveled to England and, in 1756, entered the collection of the bishop Richard Trevor, an advocate for the rights of Jewish people. This history, as well as the apocryphal story of the paintings’ seizure by pirates, prompts us to think seriously about the afterlives of objects, anticipated versus accidental receptions, and art’s capacity for generating multivalent, sometimes competing, interpretations. For Jacob and His Twelve Sons, those interpretations range from justifying the enterprises of one colonial empire to serving as symbols of religious tolerance in another.
We welcome proposals for twenty-minute papers on the status of the art object and the circulation of objects and ideas in the early modern Hispanic world. Please send a C.V. and 250-word abstract by Tuesday, December 12, 2017, to firstname.lastname@example.org. Submissions from emerging scholars, including early career university and museum professionals and advanced doctoral students, are particularly encouraged. Possible lines of inquiry include:
• How artists, patrons, and audiences dealt with anxieties around distance, delay, and the conveyance of meaning in the diverse and multilingual early modern Hispanic world;
• Re-signification and/or halted trajectories in the biographies of objects, especially in a global context;
• The imaging of origin myths and master narratives;
• How Iberia’s Jewish and Islamic pasts were interrogated and reinterpreted in Catholic image practices;
• The issue of workshops, masters, and authorship and their relationship to global markets;
• The global and material turns in art-historical scholarship.
“Wider Worlds: Art and Audience under the Spanish Crown” is convened by Caitlin Henningsen (The Frick Collection) and Adam Jasienski (Southern Methodist University). Susan Grace Galassi (Senior Curator, The Frick Collection) will preside.
The Maius Workshop is an interdisciplinary group that brings together graduate students and early career scholars dealing with Hispanic art (broadly considered to include literature, theatre, music, etc.) and history from the Middle Ages to the Early Modern Period. The aim of the Maius Workshop is to encourage dialogue among specialists in different stages of their academic life and to provide a forum for discussing methods of information gathering and research news. The group is kindly supported by ARTES.
The workshop is named after the tenth-century painter of the Morgan Beatus manuscript as it wishes to create an interdisciplinary space where scholars of art and history can interact. Through a series of reading group meetings, the Workshop aims to bring together young researchers tackling the study of Hispanic culture and history and to create a strong network of specialists of Medieval and Early Modern Iberia and Latin America.
Thanks to the new connections that the group will create, the meetings will develop current research rather than present finished projects. The group’s activities are directed to the diffusion of the interest in Iberian and Latin American cultural creations, with the long-term aim of establishing a permanent community open to all students of Hispanic art and history.
The Maius Workshop’s first meeting will take place on Monday 16 October at 6 pm at the Warburg Institute. This will be an informal meeting and an opportunity to meet postgraduate researchers with similar interests, to discuss how these interests can be drawn together in a reading group setting. The meeting is open to MA, PhD and early career researchers. Refreshments will be provided.
If you are interested in the activities of this research group or would like to attend the meeting, please fill in this form