Tag Archives: early modern

The Maius Workshop’s Second Meeting: Sacred Encounters, 11 December 2017 6-7:30pm, The Courtauld Institute of Art

Morgan Beatus Angel Sun Rev 19The Maius Workshop is an interdisciplinary group that brings together graduate students and early-career scholars dealing with Hispanic art (broadly considered to include literature, theatre, music, etc.) and history from the Middle Ages to the Early Modern Period. The Maius Workshop is kindly supported by ARTES.

The first meeting of the Maius Workshop took place in October at the Warburg Institute. The Maius Workshop’s second meeting will take place on Monday 11 December 2017 from 6.00 to 7.30 pm at the Research Forum Seminar Room of the Courtauld Institute.

We hope attendees will share documents, images and problems from their research related to this topic. While some members have already volunteered to present their research, there are still a few spaces left for informal presentations of 5 to 10 minutes. If you would like to present material from your research, please get in touch with us by Friday 8 December. 

If you are interested in presenting your evidence, please drop us an email by Friday 8 December. You can present your evidence in Powerpoint or handout format. If you would like us to print out your evidence to share with the group, please email it to us by Saturday 9. Secondary readings for discussion are also very welcome.

Otherwise, please come along for a lively discussion!

If you are planning to attend this event, please register on Eventbrite at https://www.eventbrite.co.uk/e/the-maius-workshop-2nd-meeting-11-december-2017-tickets-39407191972

If you wish to contact us please use our email address, maiusworkshop@gmail.com

For more info visit: https://maiusworkshop.wordpress.com/ or https://www.facebook.com/groups/120148888676292/

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Research Seminar: Aparencia y razón en el reinado de Felipe III. Las artes y la arquitectura al servicio de un nuevo gusto, 29 November-1 December 2017, Madrid

vista20jardines20casa20de20campo20con20la20estatua20de20felipe20iii201Los últimos veinticinco años han conocido una notable renovación y ampliación de las investigaciones centradas en aspectos diversos del reinado de Felipe III (1598-1621), especialmente, en lo que respecta al estudio del valimiento de Lerma y su influencia cortesana, política y cultural. Se han revisado, además, múltiples cuestiones de la política exterior de la Monarquía en este periodo conocido como la Pax Hispanica. Ahora, en 2017, nos hallamos en Madrid inmersos en la celebración de la construcción de uno de los espacios más emblemáticos de la capital: su Plaza Mayor. Parece este un momento excelente para reflexionar sobre cuáles son los rasgos propios de este periodo, que tantas veces queda ensombrecido por la proyección desmesurada de los longevos reinados que le preceden y que le suceden.

Este seminario nace con el objetivo de debatir en torno a los rasgos específicos y los procesos que definen el nuevo gusto que se aprecia en el reinado de Felipe III, prestando particular atención a los cambios que experimentan las artes y la arquitectura en la corte y en otros espacios cortesanos de su monarquía. Uno de los ejes vertebradores lo constituye el análisis del gusto por la apariencia, tanto en la configuración de los espacios como en las formas de auto-representación a través de ceremonias, usos y fiestas. La grandeza de la monarquía y del poder se refleja de manera mesurada y armónica a través de su arquitectura. El deleite de los sentidos y del ingenio se pone de manifiesto en el diseño funcional de palacios de recreo con galerías, huertas, jardines, parques y bosques. La materialidad terrenal basada en un lujo suntuario se combina con el retiro de la clausura y el rigor de las prácticas devocionales en la concepción misma de los conjuntos palaciegos. Se verifica, además, una verdadera proliferación de fundaciones religiosas y benéficas que transforman el tejido urbano.

Miércoles 29 de noviembre de 2017

Inauguración – Presentación institucional a las 16.00 horas.
Introducción al seminario (Alfonso Rodríguez G. de Ceballos y Bernardo García García)
I. Idea y configuración de la corte
16.00-20.00 / Salón de Actos – Fundación Universitaria Española (calle Alcalá 93)
Arquitectura e imagen en la corte de Valladolid
Jesús Urrea Fernández (Universidad de Valladolid)
El valido-arquitecto. La construcción de la grandeza de los Sandovales
Bernardo J. García García (Universidad Complutense de Madrid y Fundación Carlos de Amberes)
Discusión
Pausa
Tras la estela de Antonio Moro. La construcción de la imagen regia durante el reinado de Felipe III
Álvaro Pascual Chenel (Universidad de Valladolid)
«No había Pintor eminente en España, de quien haya tantas Pinturas en público, como de Vicencio Carducho». La decoración de los espacios de la corte.
Ángel Rodríguez Rebollo (Fundación Universitaria Española)
Discusión
Jueves 30 de noviembre de 2017
II. El arte de representar. Imagen, fiesta y Ritual
9.30-13.30 / Salón de Actos – Fundación Universitaria Española (calle Alcalá 93)
La correspondencia de Annibale Iberti: sobre viajes, pinturas, fiestas y un carrozzino en los espacios cortesanos de Valladolid
Alicia Cámara Muñoz (Universidad Nacional de Educación a Distancia)
Francisco de Mora, arquitecto de la Corte y la Villa de Madrid
Beatriz Blasco Esquivias (Universidad Complutense de Madrid)
Discusión
Pausa
«Por escalones de vidrio… subido a la alta esfera». El mecenazgo del primer marqués de Siete Iglesias: un modelo efímero de construcción de la identidad nobiliaria (1599-1621)
Santiago Martínez Hernández (Universidad Complutense de Madrid)
La carrera de un dramaturgo cortesano durante el reinado de Felipe III: el caso de Luis Vélez de Guevara
George Peale (California State University, Fullerton)
Discusión
Jueves 30 de noviembre de 2017
III. Mujeres y redes de familia
16.00-20.00 / Salón de Actos – Fundación Universitaria Española (calle Alcalá 93)
Fundaciones religiosas en la corte. La familia de Lerma y Margarita de Austria según confesores y predicadores
Alfonso Rodríguez G. de Ceballos (Fundación Universitaria Española)
La emperatriz María en el cuarto real de las Descalzas y el duque de Lerma
María Ángeles Toajas (Universidad Complutense de Madrid)
Discusión
Pausa
El Monasterio de la Encarnación de Madrid: red de mujeres, y mujeres en red
Leticia Sánchez Hernández (Patrimonio Nacional)
«En tierra ajena, lexos de mi Rey». Giovanna d’Austria, entre la corte de Felipe III y la de los virreyes de Nápoles y Sicilia
Ida Mauro (Universitat de Barcelona)
Discusión
Viernes 1 de diciembrede 2017
10.30-13.30 – Visita de estudio
[Reservada a organizadores y ponentes hasta 25 personas]
IV. La Monarquía Hispánica y la proyección del poder real
16.00-20.00 / Auditorio de la Fundación Carlos de Amberes (calle Claudio Coello, 99)
Mecenazgo y coleccionismo en tiempos de guerra: los marqueses de la Hinojosa y Villafranca en el gobierno de Milán (1612-1618)
Francisco Javier Álvarez García (Universidad Complutense de Madrid) y Odette D’Albo (Università Cattolica del Sacro Cuore y CREDEM)
Nápoles y Sicilia. La iniciativa cultural de los virreyes en el tránsito de Felipe II a Felipe III. Una perspectiva comparada
Joan Lluís Palos (Universitat de Barcelona)
Discusión
Pausa
Architectural exchanges between the Low Countries and Spain during the reign of the Archdukes: the impact of the high nobility
Sanne Maekelberg (KU Leuven)
Las exequias reales, la proyección del poder real, y la creación de un tiempo imperial en la Monarquía Hispánica de Felipe III
Alejandra B. Osorio (Wellesley College)
Discusión final
Clausura

CFP: Wider Worlds: Art and Audience Under the Spanish Crown, The Frick Collection, New York, April 5, 2018

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Call for Papers: 
Wider Worlds: Art and Audience Under the Spanish Crown, The Frick Collection, New York, April 5, 2018
Deadline: Dec 12, 2017

Symposium
The Frick Collection, New York

The Frick Collection is pleased to invite submissions for “Wider Worlds: Art and Audience under the Spanish Crown,” a public symposium inspired by the special exhibition Zurbarán: Jacob and His Twelve Sons, Paintings from Auckland Castle (January 31 to April 22, 2018). Co-organized with the Meadows Museum, in Dallas, where the paintings are currently on view, this exhibition marks the first time that Francisco de Zurbarán’s set of thirteen monumental canvases depicting the family of the biblical prophet Jacob will be displayed in the Americas.

Zurbarán’s paintings were probably commissioned in the 1640s for a monastery in colonial Spanish Peru, where the popularity of this particular iconography drew on histories positing the indigenous inhabitants of the Americas as “lost descendants” of the twelve tribes of Israel. The works traveled to England and, in 1756, entered the collection of the bishop Richard Trevor, an advocate for the rights of Jewish people. This history, as well as the apocryphal story of the paintings’ seizure by pirates, prompts us to think seriously about the afterlives of objects, anticipated versus accidental receptions, and art’s capacity for generating multivalent, sometimes competing, interpretations. For Jacob and His Twelve Sons, those interpretations range from justifying the enterprises of one colonial empire to serving as symbols of religious tolerance in another.

We welcome proposals for twenty-minute papers on the status of the art object and the circulation of objects and ideas in the early modern Hispanic world. Please send a C.V. and 250-word abstract by Tuesday, December 12, 2017, to academic@frick.org. Submissions from emerging scholars, including early career university and museum professionals and advanced doctoral students, are particularly encouraged. Possible lines of inquiry include:

• How artists, patrons, and audiences dealt with anxieties around distance, delay, and the conveyance of meaning in the diverse and multilingual early modern Hispanic world;
• Re-signification and/or halted trajectories in the biographies of objects, especially in a global context;
• The imaging of origin myths and master narratives;
• How Iberia’s Jewish and Islamic pasts were interrogated and reinterpreted in Catholic image practices;
• The issue of workshops, masters, and authorship and their relationship to global markets;
• The global and material turns in art-historical scholarship.

“Wider Worlds: Art and Audience under the Spanish Crown” is convened by Caitlin Henningsen (The Frick Collection) and Adam Jasienski (Southern Methodist University). Susan Grace Galassi (Senior Curator, The Frick Collection) will preside.

Introducing the Maius Workshop

Morgan Beatus Angel Sun Rev 19The Maius Workshop is an interdisciplinary group that brings together graduate students and early career scholars dealing with Hispanic art (broadly considered to include literature, theatre, music, etc.) and history from the Middle Ages to the Early Modern Period. The aim of the Maius Workshop is to encourage dialogue among specialists in different stages of their academic life and to provide a forum for discussing methods of information gathering and research news. The group is kindly supported by ARTES.

The workshop is named after the tenth-century painter of the Morgan Beatus manuscript as it wishes to create an interdisciplinary space where scholars of art and history can interact. Through a series of reading group meetings, the Workshop aims to bring together young researchers tackling the study of Hispanic culture and history and to create a strong network of specialists of Medieval and Early Modern Iberia and Latin America.

Thanks to the new connections that the group will create, the meetings will develop current research rather than present finished projects. The group’s activities are directed to the diffusion of the interest in Iberian and Latin American cultural creations, with the long-term aim of establishing a permanent community open to all students of Hispanic art and history.

The Maius Workshop’s first meeting will take place on Monday 16 October at 6 pm at the Warburg Institute. This will be an informal meeting and an opportunity to meet postgraduate researchers with similar interests, to discuss how these interests can be drawn together in a reading group setting. The meeting is open to MA, PhD and early career researchers. Refreshments will be provided.

If you are interested in the activities of this research group or would like to attend the meeting, please fill in this form

Call For Papers: Fashion, Costume, and Consumer Culture in Iberia and Latin America: A Session in Honor of Gridley McKim-Smith, CAA conference, 21-24 February 2018, Los Angeles

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María Cristina de Borbon, Queen of Spain, Vicente López Portaña ©Museo Nacional del Prado

For the next annual conference of the College Art Association (CAA), scheduled for 21-24 February 2018 in Los Angeles, the American Society for Hispanic Art Historical Studies is organizing a panel in memory of the Hispanist Gridley McKim-Smith (1943-2013).  The chairs, Mey-Yen Moriuchi and Mark Castro, invite paper proposals by August 14.

Fashion, Costume, and Consumer Culture in Iberia and Latin America: A Session in Honor of Gridley McKim-Smith
“Material splendor—rare and exquisite fabrics, dazzling displays of wealth and sartorial beauty—is a compelling value in Hispanic-American clothing” (McKim-Smith, Lexikon of the Hispanic Baroque 2013, 111).  Gridley McKim-Smith (1943–2013) argued that the “profound materiality and sensuality of costume is crucial in Spain’s American possessions, where only stuffs recognized as prestigious can insulate the wearer from public disgrace and where the most sumptuous silks or alpacas, sometimes interwoven with precious metals, can make the wearer both admired and desired.” (114)  In honor of the late McKim-Smith’s research interests and scholarship this session will consider representations of dress and fashion in Iberia and Latin America.  In the Spanish- and Portuguese-speaking worlds, depictions of costumes in paintings, sculptures, prints, and other visual media, as well as the creation of textiles and garments, demonstrate the power of dress in the construction of social, racial, gender, and cultural identities.  The existence of extensive global trade networks facilitated the exchange and synthesis of artistic practices and craftsmanship permitting unique garments and objects which revealed the wearer’s style, aesthetic preferences, and social status.  We seek papers from broad geographical and chronological periods, from Pre-Columbian to Modern, that consider the role of fashion, costume, and consumer culture in the Spanish- and Portuguese-speaking worlds.  How do clothes mediate identity, ideology, social rank, and subjectivity?  What is the relationship between consumer culture and conspicuous consumption in Iberia and Latin America?  How did dimensions of lived experience—psychological, performative, and political—survive in articles of dress?
Chairs: Mey-Yen Moriuchi, La Salle University, moriuchi@lasalle.edu; Mark Castro, Philadelphia Museum of Art, mcastro@philamuseum.org
The deadline for submissions is Monday, August 14. Click here for CAA’s proposal guidelines, which indicate that speakers on the panel must be members of CAA.  Decisions on the proposals will be sent by Monday, August 28.  If you have questions, please reach out to the chairs.

Conference: Visual culture and women’s political identity in the early modern Iberian world II

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Diego Velázquez, Queen Isabel of Bourbon, 1634-35, Oil on canvas, 301 x 314 cm, Museo del Prado, Madrid. Source: Web Gallery of Art

Conference: Visual culture and women’s political identity in the early modern Iberian world II, Department of Spanish, Portuguese and Latin American Studies at the University of Nottingham, 21-22 September 2017


Following the opening conference devoted to this theme, held at CHAM, in November 2016, this second conference brings together an international group of researchers from a range of scholarly perspectives to explore, discuss and debate a series of case studies on the visual construction and projection of women’s political identity in medieval and early modern Spain and Portugal. The papers explore a number of critical perspectives that range from the portrayal of Queens and their household to the discourse on female piety and spirituality, both in the court and beyond to lower social strata. The role of women’s agency within the structures of patriarchal society and discourse that underscored much of visual culture is addressed in a number of insightful ways. Furthermore, the range of papers engages with prescient methodological issues facing the study of the visual dimensions of female political identity.

In addition this conference is pleased to announce a plenary lecture by Juliet Perkins, King’s College London.

Programme
Thursday 21st September

9:15 Welcome
9:30-11:00 Session 1) Iconographies of authority 
Chair: Jean Andrews
María Morrás, Departament d’Humanitats, Universitat Pompeu Fabra
La iconografía mariana en la Corona de Aragón y la orden de la Jarra

Inmaculada Rodríguez Moya, Universitat Jaume I
Reinas Fuertes: Poder, Religión Y Familia En La Representación De Las Mujeres Habsburgo

11:00-11:30 Coffee

11:30 – 1:00 Session 2) Religious identity in word and image
Chair: Jeremy Roe

Jean Andrews, University of Nottingham
Josefa in Óbidos: painting under the sign of Luisa de Guzmán 

Joana Serrado, University of Oxford
Six characters in search of a Canon: Saintliness as Feminist Subjectivity in the Early Modern Portuguese Empire

Lunch 1:00-2:00

2:00 – 4:00 Session 3) Iberian Queens and their courts
Chair: Carla Alferes Pinto, Universidade Nova de Lisboa

Laura Oliván, Universidad de Granada
Dresses, Portraits and Spaces: Female Identities at the Alcázar (1621-1665)

Mercedes Llorente, Universidade Nova de Lisboa
The portrayal of two Iberian Queens: Luisa Gusmão and Mariana of Austria

Susana Varela Flor, Universidade Nova de Lisboa
Catherine of Braganza: the iconographic strategies of a Catholic Queen in a Protestant Kingdom (1662-1693)

4:00-4:30 Tea

4:30 Plenary Lecture

Juliet Perkins, King’s College London
Guilherme Debrie’s engravings for Theatro Comico Portuguez

Friday 22nd September

9:30-11:00 Session 4) The Queen’s household
Chair: Jeremy Lawrance

Vanessa de Cruz Medina, Universitat Pompeu Fabra
Objects and Agency: Visual Culture and the Political Identity of Ladies-in-Waiting to the Habsburg Courts

Jeremy Roe, Universidade Nova de Lisboa
Luisa de Gusmão and the staging of political identity 

11:00- 11:30 Coffee

11:30-1:00 Session 5) Discussion
Concluding address: Jeremy Lawrance, University of Nottingham
Roundtable discussion

For enquiries please contact Jeremy Roe, jeremy.roe@fcsh.unl.pt