SACRED IMAGES IN THE IBERIAN AMERICAS UNTIL 1700: PROCESSES, STRATEGIES AND AGENTS
This panel proposes an approach to the phenomenon of sacred images through three main elements: processes, strategies and agents. The mark of the sacred and the miraculous was achieved by different procedures: hierophanies, thaumaturgy, paranormal phenomena (sweating, weeping, mobility). Definitely, the agency of the sculpture or the painting of religious images blossomed in the Iberian Americas, in need of tradition and sacralization.
Texts about the inventio, the hierophany and other manifestations of the image relate the processes of creation and the evolution of these images until marked by the sacred. In most cases, they follow patterns, repeated to the point of being able to establish a rhetoric of the sacred image. In many cases, these stories, regardless of their historical veracity, provide us valuable information about the strategies devised by the agents. Empowered by their sacred image, these agents (religious orders, patrons…) are in a position to get economic benefits (charity, exemptions), political ones (preferential treatment), and they can build an identity at various levels (territorial, ethnic, political…). The huge amount of textual and visual sources allows to deal with case studies in order to understand the crucial role of the image, through the sacred, in the Ibero-American space of this time.
We invite submissions of proposals for 20 minutes presentations that explore case-studies or some of the many aforementioned aspects of sacred images in the Iberian Americas (also Iberian Asia can be considered) between 16th and 17th century.
Please submit abstracts (200 words maximum), along with a title and a CV (300 word maximum including full name, current affiliation and email address) to Escardiel González (firstname.lastname@example.org) and Daniel Expósito Sánchez (email@example.com) by August 10, 2018.
More information in: https://www.rsa.org/blogpost/1696697/Art-History-CfPs-for-RSA-2019-Toronto