Tag Archives: 1700

CFP: Sacred Images in the Iberian Americas until 1700: Processes, Strategies and Agents, Renaissance Society of America Annual Meeting, Toronto, 17-19 March 2019

1024px-our_lady_of_guadalupeSACRED IMAGES IN THE IBERIAN AMERICAS UNTIL 1700: PROCESSES, STRATEGIES AND AGENTS

This panel proposes an approach to the phenomenon of sacred images through three main elements: processes, strategies and agents. The mark of the sacred and the miraculous was achieved by different procedures: hierophanies, thaumaturgy, paranormal phenomena (sweating, weeping, mobility). Definitely, the agency of the sculpture or the painting of religious images blossomed in the Iberian Americas, in need of tradition and sacralization.
Texts about the inventio, the hierophany and other manifestations of the image relate the processes of creation and the evolution of these images until marked by the sacred. In most cases, they follow patterns, repeated to the point of being able to establish a rhetoric of the sacred image. In many cases, these stories, regardless of their historical veracity, provide us valuable information about the strategies devised by the agents. Empowered by their sacred image, these agents (religious orders, patrons…) are in a position to get economic benefits (charity, exemptions), political ones (preferential treatment), and they can build an identity at various levels (territorial, ethnic, political…). The huge amount of textual and visual sources allows to deal with case studies in order to understand the crucial role of the image, through the sacred, in the Ibero-American space of this time.
We invite submissions of proposals for 20 minutes presentations that explore case-studies or some of the many aforementioned aspects of sacred images in the Iberian Americas (also Iberian Asia can be considered) between 16th and 17th century.
Please submit abstracts (200 words maximum), along with a title and a CV (300 word maximum including full name, current affiliation and email address) to Escardiel González (escardielge@gmail.com) and Daniel Expósito Sánchez (daniel.exposito@upr.edu) by August 10, 2018.

More information in: https://www.rsa.org/blogpost/1696697/Art-History-CfPs-for-RSA-2019-Toronto

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EXHIBITION Art in Naples, a Golden Age 20 June – 11 Oct 2015 Musée Fabre, Montepellier, France

The Musée Fabre is showing Art in Naples, a Golden Age from 20 June to 11 October 2015. This follows on from the highly successful Caravaggio exhibition held in 2012.

In the XVIIth century Naples – second to Paris – was the most populated city in Europe and nearly Paris’ equal as a centre of art and culture. It was in Naples, rather than in Rome, that the naturalistic forms, monochrome palette and sharply directed ‘cellar’ lighting invented by Caravaggio and introduced by him to the city by in 1606, evolved and developed, primarily in the work of Caracciolo, Stanzione and, above all, Ribera, who, with his immediate followers dominated Neapolitan art in the first half of the century. These artists, whose best paintings are of great, often tragic, intensity, coexisted with painters of highly-finished exquisite canvases, often on a small scale, such as Cavallino and Guarino, whose approach ultimately derived from an earlier, less intense and more voluptuous phase of Caravaggio’s work. But, in the second half of the century, painters such as Mattia Preti, Luca Giordano, and, in the genre of still-life, Giovanni Battista Recco, moved away from the extreme severity and concentration of the Caravaggesque tradition and gradually came to terms with the exuberance and amplitude of the Baroque with its sensual and fluid employment of colour and its grand patterns of movement, a development that culminated in the European-wide triumph of Solimena in the years around 1700.

The exhibition also illustrates the close connections between Neapolitan art and the city’s turbulent history, from the eruption of Vesuvius in 1631, through Masaniello’s revolt of 1647, to the devastating plague of 1656.

For more information about the exhibition and the Musée Fabre see:
Art in Naples a Golden Age – The Musée Fabre, Montpellier

musée fabre expo été naples
 
Musée Fabre
39 boulevard Bonne Nouvelle
34000 Montpellier
France
TEL: 00 33 4 67 14 83 00
Tram Line 1 Comédie or Corum
Tram Line 2 Corum

Opening times Tuesday to Sunday, 10am to 7pm
Closed Mondays. Open on July 14th and August 15th (Bank Holidays)
Entrance fee 10€   Concessionary fee 8€

Guided tours & times every day except Monday
In June, July & August at 11am & at 4pm
In September & October at 11am, 1pm & 4pm
Prices 13 €   With a Pass’Agglo/Pass’Métropole 10,50€   Concessionary rate 9,50€

expo naples fabre 2015
© Jusepe de Ribera, Le Pied Bot, 1642, huile sur toile, 164 x 93,5 cm, Paris, musée du Louvre, Photo © RMN-Grand Palais / Stéphane Maréchalle
 
expo naples 2015 musée fabre
© Bernardo Cavallino, Judith, vers 1650, huile sur toile, 101 x 94 cm, Stockholm, Nationalmuseum, Photo © Nationalmuseum, Stockholm