Category Archives: ARTES

Several spaces still available for the ‘Bomberg and Spain’ discussion with exhibition curator Richard Cork at the National Gallery on Tuesday 25 February, 10:05 to 11 am [RSVP by Friday 21st]

You are cordially invited to an informal study morning in the exhibition Young Bomberg and the Old Masters (27 November 2019 – 1 March 2020)

David Bomberg
Study for ‘Sappers at Work: A Canadian Tunnelling Company, Hill 60, St Eloi’, about 1918–9
Oil on canvas
304.2 × 243.8 cm
Tate, London (T00319)
Purchased 1959
© Tate

10:05 am            

Meet at the exhibition in Gallery 1 (accessible via the Getty Entrance to the right of the main portico on Trafalgar Square).

Self-led tour of the exhibition and discussion (coordinated by National Gallery Spanish Paintings Curatorial Fellow Akemi Herráez). The discussion will take place during normal museum opening hours so please be mindful of other visitors.

10:30 – 11:00 am

Followed by curator Richard Cork’s overview of the exhibition and further discussion with a presentation including Bomberg’s paintings of Spain in the Wilkins Boardroom, Wilkins Building (Akemi Herráez will take the group from the exhibition to the conference room).

Attendees may check their belongings into one of the Gallery’s cloakrooms. Large bags and suitcases may not be brought into the Gallery. There is a bench in the exhibition for those who wish to sit. Please note that this study morning is by invitation only. Numbers are strictly limited to a quota of 13 people and places will be allocated on a first-come, first-served basis.

We kindly ask you to RSVP to akemi.herraezvossbrink@ng-london.org.uk by Friday 21 February 2020.

ARTES Members’ Event: Discussion on Bomberg and Spain, The National Gallery, London, 25 February 2020, 10:05–11:00am (RSVP by 21 February)

You are cordially invited to an informal study morning in the exhibition Young Bomberg and the Old Masters (27 November 2019 – 1 March 2020)

David Bomberg
Study for ‘Sappers at Work: A Canadian Tunnelling Company, Hill 60, St Eloi’, about 1918–9
Oil on canvas
304.2 × 243.8 cm
Tate, London (T00319)
Purchased 1959
© Tate

10:05 am            

Meet at the exhibition in Gallery 1 (accessible via the Getty Entrance to the right of the main portico on Trafalgar Square).

Self-led tour of the exhibition and discussion (coordinated by National Gallery Spanish Paintings Curatorial Fellow Akemi Herráez). The discussion will take place during normal museum opening hours so please be mindful of other visitors.

10:30 – 11:00 am

Followed by curator Richard Cork’s overview of the exhibition and further discussion with a presentation including Bomberg’s paintings of Spain in the Wilkins Boardroom, Wilkins Building (Akemi Herráez will take the group from the exhibition to the conference room).

Attendees may check their belongings into one of the Gallery’s cloakrooms. Large bags and suitcases may not be brought into the Gallery. There is a bench in the exhibition for those who wish to sit. Please note that this study morning is by invitation only. Numbers are strictly limited to a quota of 13 people and places will be allocated on a first-come, first-served basis.

We kindly ask you to RSVP to akemi.herraezvossbrink@ng-london.org.uk by Friday 21 February 2020.

Professor Trevor Dadson, 1948-2020

ARTES records with regret the death of Professor Trevor Dadson in January 2020. As Editor-in-Chief of the Hispanic Research Journal from 2012 to 2017, Trevor was a tremendous enthusiast of the annual visual arts issue, and a great supporter of its editors, Tom Nickson and Sarah Symmons.

Trevor was also an incredibly distinguished scholar whose work encompassed cultural, literary and social history. He dedicated his career to the study of the Spanish Golden Age, becoming one of the world’s foremost experts on the era. He  published dozens of books, chapters and research papers throughout his career and was made a Fellow of the British Academy in 2008. In that same year, the Spanish town of Villarrubia de los Ojos named a new street after him, and in 2015 he was awarded the title of Encomienda de la Orden de Isabel la Católica by King Felipe VI of Spain for his services to Spanish culture. In 2016, he was elected a Corresponding Fellow of the Real Academia Española and the Real Academia de la Historia.

His monographs include a major study in Spanish of the Moriscos of the Campo de Calatrava in Spain (2007), a history of the printing of the ‘Rimas’ by Lupercio and Bartolomé Leonardo de Argensola (2010), a study of Diego de Silva y Mendoza, Count of Salinas (2011), and an edition in Spanish of the travel diaries of Elizabeth Lady Holland and the novelist George Eliot, who both visited Spain in the nineteenth century (2012). Other books include the letters memorials of the Count of Salinas (Marcial Pons-CEEH, 2015), an edition of the Count’s unedited poetry based on the autograph originals (Real Academia Española, 2016), and a revised and updated second edition of his book on the Moriscos of Villarrubia de los Ojos (Iberoamericana-Vervuert.

In 2014 he published a book in English on the Moriscos of the Campo de Calatrava: Tolerance and Coexistence in Early Modern Spain (Tamesis Books); a revised edition of this work in Spanish was published by Cátedra in 2017. His latest projects included an edition of the more than 500 letters the Count of Salinas sent as Viceroy from Lisbon between 1617 and 1622, as well as editing a volume of studies on Islamic Culture in Spain to 1614 by L. P. Harvey (former Professor of Spanish at Queen Mary).

Trevor will be remembered as an exceptional scholar and energetic scholar. Our thoughts are with his family at this time.

[this obituary is adapted from one published by Queen Mary, where Trevor taught for many years: https://www.qmul.ac.uk/sllf/news/stories/remembering-trevor-dadson.html%5D

 

Book launch for ‘Gothic Architecture in Spain: Invention and Imitation’, Courtauld Institute of Art, 12th February, 6.30-8pm

Please join us for the launch of Gothic Architecture in Spain: Invention and Imitation, eds Tom Nickson and Nicola Jennings: https://courtauld.ac.uk/event/gothic-architecture-in-spain-invention-and-imitation-book-launch 

6.30pm, Research Forum South Room, Courtauld Institute of Art, Vernon Square, Penton Rise, London WC1X 9EW

From the dazzling spectacle of Burgos Cathedral to the cavernous nave of Palma Cathedral or the lacy splendour of San Juan de los Reyes, Spain preserves a remarkable variety of inventive but little understood Gothic buildings. Yet Gothic architecture in Spain and the Spanish kingdoms has traditionally been assessed in terms of its imitation of northern European architecture, dismissed for its ‘old-fashioned’ or provincial quality, and condemned for its passive receptivity to ‘Islamic influence’. But did imitation really triumph over invention in the architecture of medieval Iberia? Are the two incompatible? Can inventio and imitatio offer useful or valid analytical tools for understanding Gothic architecture? And to what extent are invention or imitation determined by patrons, architects, materials or technologies? This essay collection brings together leading scholars to examine Gothic architecture from across Iberia from the thirteenth to the sixteenth century, and provides the first significant account of Spanish Gothic architecture to be published in English since 1865.

The launch directly follows a Medieval Work-in-Progress Seminar by Beate Fricke, ‘Colour and Chaos’, starting at 5pm in the same room. Attendance is free and all are welcome to attend. Details here: https://courtauld.ac.uk/event/colour-and-chaos

Call for submissions: ARTES Essay Prize and CEEH scholarships, deadline 31 January 2020

The deadline for the ARTES’ annual essay prize is fast approaching at the end of January: further details here

 

 

 

31 January is also the deadline for our annual scholarships, including

More News from ARTES Scholars

ARTES warmly congratulates Ignacio J. López Hernández on a successful viva of his PhD thesis, and on the publication of a monograph based on his doctoral research, Ingeniería e ingenieros en Matanzas. Defensa y obras públicas entre 1693 y 1868 (Seville: Athenaica, 2019). Ignacio’s research was supported by ARTES through an ARTES Coll&Cortés Travel Scholarship which allowed him to conduct research at the University of Lincoln in 2017. This stay in the UK also helped Ignacio shape his current postdoctoral project at the Politecnico di Torino.

ARTES accepts applications for a number of awards each year, including an essay prize and travel scholarships. We also collaborate with CEEH to support PhD scholarships at The Courtauld Institute of Art and Durham University. Click here for more information on our awards. 

ARTES is a Registered Charity (no. 1112883) dedicated to raising awareness and understanding of Iberian and Latin American Visual Culture. You can support our work by becoming a member of our friendly, enthusiastic and international community.


200 Years of the Museo del Prado, 1819–2019

On 19 November 1819 Ferdinand VII of Spain inaugurated the Museo Real de Pinturas. Over the following two centuries, the new institution would turn into the Museo Nacional del Prado, one of the world’s most visited museums with an unparalleled collection of around 8,200 drawings, 7,600 paintings, 4,800 prints, and 1,000 sculptures.

The Museum will celebrate its anniversary with several exhibitions and events over the course of the year. Highlights of the programme are:

Current exhibitions

Museo del Prado 1819–2019. A place of memory, Museo Nacional del Prado, Madrid, until 10 March 2019

lmd8988This exhibition opens the anniversary celebrations by offering a survey of the museum’s history that focuses on the dialogue between the Museum and society; heritage policies in Spain; the trends that have guided the growth of the museum’s collection and its transformation into a place that has allowed Spanish and foreign writers, intellectuals and artists to reflect on the country’s past and its collective identity.

Velázquez and the Golden AgeCaixaForum, Barcelona, until 3 March 2019

1aec4fcf-3625-450e-bf34-d074d781c69bArt at the court of Philip IV was an international language devoid of local boundaries. The work of Velázquez after 1623 is best understood in this international context. He was deeply influenced by paintings in the royal collections, especially works by Titian, Tintoretto and Rubens. One of his key experiences was the trip to Rome in 1629 where he encountered classical and Renaissance art and established contacts with his contemporaries in Italy. The exhibition underscores such internationalism through a selection of 61 paintings associated with Velázquez, the Spanish royal collections and the Spanish Golden Age. More than twenty of these works were painted by Italian, Flemish and French artists, including Titian, Rubens, Luca Giordano, Jan Brueghel, Anthonis Mor, Giovanni Lanfranco, Claude Lorrain, Salvator Rosa, Massimo Stanzione and Guido Reni. Spanish artists are represented through works by Ribera, Zurbarán, Murillo, Alonso Cano, Pereda, Maíno, Sánchez Coello, Mazo, Van der Hamen and others.

Forthcoming exhibitions

El maestro de papel. Cartillas españolas para aprender a dibujar de los siglos XVII y XVIII [The paper teacher. Spanish Drawing Manuals of the 17th and 18th Centuries], Museo Nacional del Prado, Madrid, from 15 October 2019 to 2 February 2020

2f86f58c9a8eaae8237c3c1faff98bc8This exhibition focuses on Spanish drawing manuals of the 17th and 18th centuries, locating them in their international context. These rare and innovative manuals responded to changing trends in the theory and practice of art. While such learning aids were produced across Europe, this exhibition will highlight the unique features of Spanish examples through works by José de Ribera, Pedro de Villafranca y Malagón, José García Hidalgo, Friar Matías de Irala and José López Enguídanos.

Solo la voluntad me sobra. Drawings by Goya, Museo Nacional del Prado, Madrid, from 19 November 2019 to 16 February 2020

d70b6af5-5b03-b189-cd11-ca0040d4325fThis exhibition is the result of the research undertaken for the publication of a new catalogue raisonné of Goya’s drawings, a subject to which the Museo del Prado has always devoted particular attention and which is one of the keystones of its collection. The exhibition will bring together more than 100 drawings by Goya from the Prado’s own collections and from public and private ones around the world. It will be presented as an extensive chronological survey of the master’s oeuvre, ranging from the Italian Sketchbook to the Bordeaux Albums. It will also offer an up-to-date vision of the ideas that recurrently appear in Goya’s work, revealing the ongoing and long-lasting relevance of his thinking.

Sofonisba Anguissola y Lavinia Fontana. Dos modelos de mujeres artistasMuseo Nacional del Prado, Madrid 22 October 2019 to 2 February 2020

39265f92-e9b3-6f56-3ee3-54fcbb8bab6cThe exhibition will reveal the artistic personality of two of the most outstanding women artists in western art. Through a total of 60 works and for the first time, the Museo del Prado will jointly present the most important paintings by Sofonisba Anguissola (c. 1535–1625) and Lavinia Fontana (1552–1614). The two artists achieved recognition and fame among their contemporaries for and despite their status as female painters. Both were able to break away from the prevailing stereotypes assigned to women in relation to artistic practice and the deep-rooted scepticism regarding women’s creative and artistic abilities. In particular, Sofonisba Anguissola had close connections with the Spanish court as tutor to Queen Elizabeth of Valois and later official court painter to King Philip II.

Their Majesties’ Retiring Room, Museo Nacional del Prado, Madrid 9 April 2019 to 24 November 2019

bfb4ca28-f763-c08f-97af-55b7416e5c2eThis exhibition project will recreate the original aspect of Room 39, known as Their Majesties’ Retiring Room. First opened in 1828, it was intended as a portrait gallery of the Bourbon Dynasty. The images on display were accompanied by still lifes, floral compositions and landscapes and by other paintings that depict events from the reigns of Charles III and Ferdinand VII. This installation will recreate the hanging of the paintings at different heights and will include some of the furnishings made for this space, including Ferdinand VII’s toilet.

Velázquez, Rembrandt, Vermeer. Miradas afines en España y Holanda [Velázquez, Rembrandt, Vermeer. Shared perspectives in Spain and the Low Countries], Museo Nacional del Prado, 25 June 2019 to 29 September 2019

0c80874a-3a0c-89ed-ff82-003ecc34c090This exhibition on late 16th- and early 17th-century Dutch and Spanish painting is the result of an extensive and important research project on the part of the Museum arising from a collaborative agreement with the Rijksmuseum in Amsterdam, which will be lending a significant group of works. The exhibition will offer a reflection on the pictorial traditions represented by Spain and the Low Countries. While Dutch art-historical literature has considered these traditions as essentially different, this exhibition will aim to juxtapose the historical myths and artistic realities of the two countries and to reflect on the numerous traits that they share. In order to appreciate these parallels the exhibition will include major works by artists such as Velázquez, Rembrandt, Ribera, Frans Hals and Vermeer.

Permanent Displays and Other Projects

Prado 200Museo Nacional del Prado and online, from 1 November 2019

6a2874c8-2b1b-2995-ea7b-6a627c68ad6aPrado 200 is a new feature within the museum’s permanent display. This installation is presented as nine chronological sections which will present the museum’s history with an emphasis on its architecture, public image and its principal exhibitions and activities. Curated by Victor Cageao, it will include works of art and documentary material from the permanent collection and from the holdings of the Museum’s archive and library (paintings, sculptures, prints, photographs, documents, architectural models, plans, etc.), displayed in Rooms 100, 101 and 102 of the Villanueva Building. It will be accompanied by a specially designed online timeline providing access to graphic and technical documentation on the Museum’s history.

Memoria audiovisual del Museo del Prado and Voces del Prado. Una historia oral 

5de6837c-abd5-4b88-a4b5-478989db5e35

The video Memoria audiovisual del Museo del Prado present a selection of films and other television programmes filmed in the Museo del Prado, from 1907 to today. Voces del Prado. Una historia oral collects the oral history of the museum through interviews with employees, from the 1940s to today.

 

 

On Tour through Spain, various locations, until 8 December 2019screenshot 2019-01-22 at 12.19.26

As part of the project De gira por España, important works from the Prado collection will be on loan to a series of provincial museums, one for each of Spain’s autonomous regions or autonomous cities. Click here to find an interactive map of the loans.

 

 

And ARTES?

ARTES plans to join the party and organise events to celebrate the Prado’s birthday, for example in this year’s Glendinning lecture, by Javier Barón, Two Masters of the Prado: Velázquez, El Greco and Modern Painting. We have also changed our cover image to El Museo Del Prado, a painting by José Franco Cordero dated to c. 1890. The work, in the collection of the Madrid’s history museum, shows the Museum’s north façade before the construction of a new entrance designed by Francisco Jareño and completed around 1892. The church of San Jerónimo el Real is visible in the background. Click here for more information on this work.

Prado.jpg

José Franco Cordero, El Museo Del Prado, c. 1890, Museo de Historia, Madrid. Creative Commons – Reconocimiento-NoComercial 2.5 España (CC BY-NC 2.5)