Tag Archives: Travel

New Exhibition and CEEH Publication: VALENTÍN CARDERERA Y SOLANO, Biblioteca Nacional de España, Madrid, September 27, 2019 – January 12, 2020

VALENTÍN CARDERERA Y SOLANO (Huesca, 1796 – Madrid, 1880) was a painter, scholar, communicator, collector and traveller. His life was marked by his efforts to safeguard Spain’s historical heritage and he journeyed around much of the Spanish mainland to bear witness in his drawings and watercolours to significant monuments, many at risk of disappearance as a result of the modernising drive ushered in by the new liberal order. Member of the Romantic generation and friends with the Madrazo family, Carderera was also in contact with some other figures like Richard Ford and Prosper Mérimée, with whom he shared the same nostalgia for the past and the need to define his position in the complex debate between tradition and progress.

The exhibition—featuring more than a hundred pieces including paintings, drawings, engravings, manuscripts, books, maps and objects—pays tribute to Carderera’s work and the significant legacy he left in the Biblioteca Nacional de España. In 1867 the Spanish State adquired his collection of drawings and prints: more than 45.000 pieces which enriched the department of Fine Arts with engravings of Mantegna, Dürer and Rembrandt, among others, along with one of the very few drawings attributed to Velázquez. Click here for more information.

The exhibition opens on 27 September in the Biblioteca Nacional de España’s Sala Hipóstila. It was curated by José María Lanzarote Guiral and organised by the Biblioteca Nacional de España and Centro de Estudios Europa Hispánica.

It is accompanied by a an exhibition catalogue which reconstructs Carderera’s intense life in six thematic sections, published by CEEH. Until 25 September, the catalogue can be purchased from the CEEH website at special discount price. Click here for more information.

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Thoma Foundation Grants in Spanish Colonial Art, deadline 25 October 2019

MARILYNN THOMA FELLOWSHIP IN SPANISH COLONIAL ART

The Carl & Marilynn Thoma Art Foundation offers Pre-doctoral and Post-doctoral fellowships annually in support of projects and research initiatives that will advance the field of Spanish colonial art. The Marilynn Thoma Fellowship is the only unrestricted research funding in the United States devoted exclusively to the field of Spanish Colonial art. Scholars may come from any discipline, but all projects must relate to the study of art and art history. Exceptionally accomplished scholars holding an MA may also apply. International scholars, particularly from Latin America, are strongly encouraged to apply. 

Applicants should propose projects that exhibit original scholarship and/or will make a significant contribution to the understanding of colonial Spanish American art and its history. Fellowships range in duration from one to two years, and eventuate in major measurable outcomes, including museum exhibitions, dissertations, book publications, scholarly essays, and lecture series. Projects will be considered from all of Spanish colonial Latin America and the Caribbean, however the Foundation will give strong preference to projects that make specific contributions to the history of painting and sculpture in colonial South America. 

Pre-doctoral Dissertation Research Fellowship–$45,000 (1–year award) 

Post-doctoral Fellowship–$60,000/year (1–2 year award; indicate project length in application)
*Applicants should hold a PhD conferred between 2009-2019 

Applications are open from May 15 to October 25, 2019. Click here for more information.


THOMA FOUNDATION RESEARCH AND TRAVEL AWARDS IN SPANISH COLONIAL ART

Congruent with the Marilynn Thoma Fellowship, the Thoma Foundation offers annual grants to scholars, curators, art historians and advanced graduate students working on MA or PhD dissertations in support of projects and research initiatives that will advance the field of colonial art of Spanish America. These grants are meant to help defray the costs of research-related expenses. Funding is provided each year to several scholars selected by an international jury of undisclosed experts in the field, with travel commencing within one year + one month from the date of notification. 

Grants of up to $25,000 are available for projects lasting up to six months. 

Applications are open from May 15 to October 25, 2019. Click here for more information.

Click here for the Thoma Foundation website

Edilia and François-Auguste de Montêquin Fellowship, Society of Architectural Historians, deadline September 30, 2019

The latern tower of Teruel cathedral. By Escarlati – ACDSee for Pentax, CC BY 2.5, https://commons.wikimedia.org/w/index.php?curid=1284830

Purpose
This award provides support for travel related to research on Spanish, Portuguese, or Ibero-American architecture.  

The Awards
The awards consist of a $2,000 fellowship for an advanced graduate student and a $6,000 fellowship for a senior or emerging scholar. The awardees will be notified in December and will be recognized at the SAH 73rd Annual International Conference in Seattle, Washington (April 29–May 2, 2020). The awards also will be announced in the May 2020 issue of the SAH Newsletter. 

Criteria for Application

These annual fellowships are intended to support the research of graduate students who have completed their coursework and are engaged in doctoral dissertation research, and senior or emerging scholars who have completed their PhD or equivalent terminal degree. The research to be supported must focus on Spanish, Portuguese, or Ibero-American architecture, including colonial architecture produced by the Spaniards in the Philippines and what is today the United States. The applicant must be a current member of SAH. 

Reporting Requirements
Following completion of travel and research supported by the fellowship, each de Montêquin Fellowship awardee must submit a written report summarizing their research and explaining what travel was undertaken and how funds were spent. The report will be submitted to the SAH office no later than three months following the completion of work related to the fellowship. Awardees are required to upload images to SAHARA (a minimum of 50 for junior scholars and a minimum of 150 for senior scholars).  

Application Details
You will need two recommendations to apply for this fellowship, a description of the research project on Iberian or Ibero-American architecture to be funded (500 words maximum), a current curriculum vitae (5 pages max), and a statement of purpose.

SAH is accepting applications for the 2020 Edilia and François-Auguste de Montêquin Fellowship. The application deadline is September 30, 2019.

Visit sah.org/research-fellowships to apply.

ARTES Members’ Visit to the Año Murillo in Seville (30 November – 2 December 2018)

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ARTES have organised a trip to Seville for members from 30th November to 2nd December 2018, the main aim being a curator-led tour of the exhibition Murillo IV Centenario, opening that week, as well as visits to the Cathedral, Hospital de los Venerables and de la Caridad, Alcázar, Casa de Pilatos and other sites of art historical significance.

Members must make their own travel and accommodation arrangements but should plan to arrive by Friday evening. A full programme (from Friday night to Sunday early evening) will be posted nearer the time.

murilloII

 ARTES members wishing to join the trip should RSVP to artesiberia@gmail.com.    Places will be limited to 15 and will be allocated on a first come first serve basis.*

*We may ask for a deposit to secure a place with the money put towards the cost of dinner on Saturday night.


Images: Moses Striking the Rock at Horeb, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad

Jesus Multiplies the Loaves and Fishes, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad

ARTES Members’ Visit to the Año Murillo in Seville (30 November – 2 December 2018)

murillo

ARTES have organised a trip to Seville for members from 30th November to 2nd December 2018, the main aim being a curator-led tour of the exhibition Murillo IV Centenario, opening that week, as well as visits to the Cathedral, Hospital de los Venerables and de la Caridad, Alcázar, Casa de Pilatos and other sites of art historical significance.

Members must make their own travel and accommodation arrangements but should plan to arrive by Friday evening. A full programme (from Friday night to Sunday early evening) will be posted nearer the time.

murilloII

 ARTES members wishing to join the trip should RSVP to artesiberia@gmail.com.    Places will be limited to 15 and will be allocated on a first come first serve basis.*

*We may ask for a deposit to secure a place with the money put towards the cost of dinner on Saturday night.


Images: Moses Striking the Rock at Horeb, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad

Jesus Multiplies the Loaves and Fishes, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad

ARTES Members’ Visit to the Año Murillo in Seville (30 November – 2 December 2018)

murillo

ARTES have organised a trip to Seville for members from 30th November to 2nd December 2018, the main aim being a curator-led tour of the exhibition Murillo IV Centenario, opening that week, as well as visits to the Cathedral, Hospital de los Venerables and de la Caridad, Alcázar, Casa de Pilatos and other sites of art historical significance.

Members must make their own travel and accommodation arrangements but should plan to arrive by Friday evening. A full programme (from Friday night to Sunday early evening) will be posted nearer the time.

murilloII

 ARTES members wishing to join the trip should RSVP to artesiberia@gmail.com.    Places will be limited to 15 and will be allocated on a first come first serve basis.*

*We may ask for a deposit to secure a place with the money put towards the cost of dinner on Saturday night.


Images: Moses Striking the Rock at Horeb, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad

Jesus Multiplies the Loaves and Fishes, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad

Tomorrow: Artistic Trade between Spain and its Viceroyalties from 1500 to 1800, King’s College, Cambridge, 22 June 2018

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This is the first conference in the United Kingdom devoted to artistic trade between Spain and its viceroyalties. Referring to Cambridge’s Spanish and colonial art collections and with the indispensable support of the Nigel Glendinning studentship for Spanish studies, this conference brings together scholars specialized in the art from the Spanish Viceroyalties. The speakers will trace the artworks from their production, their movement with the help of agents and their collection and display at their destination. Such approach avoids setting an epicentre and periphery but establishes an equalitarian platform on the movement of art within the Spanish Empire.

8:30- 9:15 – Registration.

Introductory remarks:

9:15- 9:30 – Akemi Herráez Vossbrink (University of Cambridge)

Keynote speaker:

9:30- 10:00 – Luisa Elena Alcalá (Universidad Autónoma de Madrid)

Passageways of Art in the Atlantic world: Artists, Patrons and Agents.

  1. Workshops and Artists Producing Art for the Spanish Viceroyalties and Transitory Spaces.

Chaired by Akemi Herráez Vossbrink (University of Cambridge)

10:00- 10:30 – Holly Trusted (Victoria and Albert Museum), Shipwrecked Ivories: The Confluence of East and West.

10:30- 11:00 – Piers Baker Bates (The Open University), Traveling between the Viceroyalties: Artistic Translation in the Sixteenth-century Hispanic World.

11:00- 11:30 – Escardiel González Estevez (Universidad de Sevilla), Alonso Vázquez between Seville, Mexico and Manila (1603-1608): The Paradigm of a “Global Artist”.

11:30- 12:00- Questions.

12:00-13:30- Lunch break.

  1. The Role of Agents Commercializing Artworks between Spain and its Viceroyalties

Chaired by José Ramón Marcaida López (University of Saint Andrews)

13:30-14:00 – Sandra Van Ginhoven (Getty Research Institute, Research Associate), Spanish Transatlantic Agents and the Flemish Guilliam Forchondt in the Overseas Paintings Trade.

14:00- 14:30 – Corinna Gramatke (Technical University of Munich Chair of Conservation-Restoration), “The Portable Europe”: European Artworks for the Jesuit Province of Paraguay (1608-1767).

14:30-15:00 – Eduardo Lamas Delgado (Royal Institute for Cultural Heritage, Brussels), Madrilenian Painters and America: Artistic Production for Overseas Trade Networks and their possible Agents.

15:00- 16:00- Questions followed by a coffee break.

  1. Collecting and Display in Private, Civil and Religious Spaces in the Spanish Viceroyalties.

Chaired by Jean Michel Massing (University of Cambridge)

16:00-16:30 – Kathryn Santner (Leverhulme Trust Fellow, ILAS, London), Conventual Art Collections and Artistic Exchange in the Colonial Viceroyalties.

16:30-17:00 – Isabel Oleas Mogollón (University of Delaware), The Divine and the Self: Uses and Meanings of Mirrors in Quito’s Jesuit Church.

17:00-17:30 – Veronika Winkler (Ludwig-Maximilians-Universität, München), Witnessing the Saint’s Life: Patrons and Hagiographical Painting Cycles of Viceregal Peru.

17:30- 18:00- Final questions and closing remarks.

For further information please contact Akemi Herráez Vossbrink at alh64@cam.ac.uk.

To book your place, please click here