Tag Archives: Travel

Tomorrow: Artistic Trade between Spain and its Viceroyalties from 1500 to 1800, King’s College, Cambridge, 22 June 2018

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This is the first conference in the United Kingdom devoted to artistic trade between Spain and its viceroyalties. Referring to Cambridge’s Spanish and colonial art collections and with the indispensable support of the Nigel Glendinning studentship for Spanish studies, this conference brings together scholars specialized in the art from the Spanish Viceroyalties. The speakers will trace the artworks from their production, their movement with the help of agents and their collection and display at their destination. Such approach avoids setting an epicentre and periphery but establishes an equalitarian platform on the movement of art within the Spanish Empire.

8:30- 9:15 – Registration.

Introductory remarks:

9:15- 9:30 – Akemi Herráez Vossbrink (University of Cambridge)

Keynote speaker:

9:30- 10:00 – Luisa Elena Alcalá (Universidad Autónoma de Madrid)

Passageways of Art in the Atlantic world: Artists, Patrons and Agents.

  1. Workshops and Artists Producing Art for the Spanish Viceroyalties and Transitory Spaces.

Chaired by Akemi Herráez Vossbrink (University of Cambridge)

10:00- 10:30 – Holly Trusted (Victoria and Albert Museum), Shipwrecked Ivories: The Confluence of East and West.

10:30- 11:00 – Piers Baker Bates (The Open University), Traveling between the Viceroyalties: Artistic Translation in the Sixteenth-century Hispanic World.

11:00- 11:30 – Escardiel González Estevez (Universidad de Sevilla), Alonso Vázquez between Seville, Mexico and Manila (1603-1608): The Paradigm of a “Global Artist”.

11:30- 12:00- Questions.

12:00-13:30- Lunch break.

  1. The Role of Agents Commercializing Artworks between Spain and its Viceroyalties

Chaired by José Ramón Marcaida López (University of Saint Andrews)

13:30-14:00 – Sandra Van Ginhoven (Getty Research Institute, Research Associate), Spanish Transatlantic Agents and the Flemish Guilliam Forchondt in the Overseas Paintings Trade.

14:00- 14:30 – Corinna Gramatke (Technical University of Munich Chair of Conservation-Restoration), “The Portable Europe”: European Artworks for the Jesuit Province of Paraguay (1608-1767).

14:30-15:00 – Eduardo Lamas Delgado (Royal Institute for Cultural Heritage, Brussels), Madrilenian Painters and America: Artistic Production for Overseas Trade Networks and their possible Agents.

15:00- 16:00- Questions followed by a coffee break.

  1. Collecting and Display in Private, Civil and Religious Spaces in the Spanish Viceroyalties.

Chaired by Jean Michel Massing (University of Cambridge)

16:00-16:30 – Kathryn Santner (Leverhulme Trust Fellow, ILAS, London), Conventual Art Collections and Artistic Exchange in the Colonial Viceroyalties.

16:30-17:00 – Isabel Oleas Mogollón (University of Delaware), The Divine and the Self: Uses and Meanings of Mirrors in Quito’s Jesuit Church.

17:00-17:30 – Veronika Winkler (Ludwig-Maximilians-Universität, München), Witnessing the Saint’s Life: Patrons and Hagiographical Painting Cycles of Viceregal Peru.

17:30- 18:00- Final questions and closing remarks.

For further information please contact Akemi Herráez Vossbrink at alh64@cam.ac.uk.

To book your place, please click here

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Conference: Artistic Trade between Spain and its Viceroyalties from 1500 to 1800, King’s College, Cambridge, 22 June 2018

https3a2f2fcdn-evbuc-com2fimages2f423725462f680690561952f12foriginal

This is the first conference in the United Kingdom devoted to artistic trade between Spain and its viceroyalties. Referring to Cambridge’s Spanish and colonial art collections and with the indispensable support of the Nigel Glendinning studentship for Spanish studies, this conference brings together scholars specialized in the art from the Spanish Viceroyalties. The speakers will trace the artworks from their production, their movement with the help of agents and their collection and display at their destination. Such approach avoids setting an epicentre and periphery but establishes an equalitarian platform on the movement of art within the Spanish Empire.

8:30- 9:15 – Registration.

Introductory remarks:

9:15- 9:30 – Akemi Herráez Vossbrink (University of Cambridge)

Keynote speaker:

9:30- 10:00 – Luisa Elena Alcalá (Universidad Autónoma de Madrid)

Passageways of Art in the Atlantic world: Artists, Patrons and Agents.

  1. Workshops and Artists Producing Art for the Spanish Viceroyalties and Transitory Spaces.

Chaired by Akemi Herráez Vossbrink (University of Cambridge)

10:00- 10:30 – Holly Trusted (Victoria and Albert Museum), Shipwrecked Ivories: The Confluence of East and West.

10:30- 11:00 – Piers Baker Bates (The Open University), Traveling between the Viceroyalties: Artistic Translation in the Sixteenth-century Hispanic World.

11:00- 11:30 – Escardiel González Estevez (Universidad de Sevilla), Alonso Vázquez between Seville, Mexico and Manila (1603-1608): The Paradigm of a “Global Artist”.

11:30- 12:00- Questions.

12:00-13:30- Lunch break.

  1. The Role of Agents Commercializing Artworks between Spain and its Viceroyalties

Chaired by José Ramón Marcaida López (University of Saint Andrews)

13:30-14:00 – Sandra Van Ginhoven (Getty Research Institute, Research Associate), Spanish Transatlantic Agents and the Flemish Guilliam Forchondt in the Overseas Paintings Trade.

14:00- 14:30 – Corinna Gramatke (Technical University of Munich Chair of Conservation-Restoration), “The Portable Europe”: European Artworks for the Jesuit Province of Paraguay (1608-1767).

14:30-15:00 – Eduardo Lamas Delgado (Royal Institute for Cultural Heritage, Brussels), Madrilenian Painters and America: Artistic Production for Overseas Trade Networks and their possible Agents.

15:00- 16:00- Questions followed by a coffee break.

  1. Collecting and Display in Private, Civil and Religious Spaces in the Spanish Viceroyalties.

Chaired by Jean Michel Massing (University of Cambridge)

16:00-16:30 – Kathryn Santner (Leverhulme Trust Fellow, ILAS, London), Conventual Art Collections and Artistic Exchange in the Colonial Viceroyalties.

16:30-17:00 – Isabel Oleas Mogollón (University of Delaware), The Divine and the Self: Uses and Meanings of Mirrors in Quito’s Jesuit Church.

17:00-17:30 – Veronika Winkler (Ludwig-Maximilians-Universität, München), Witnessing the Saint’s Life: Patrons and Hagiographical Painting Cycles of Viceregal Peru.

17:30- 18:00- Final questions and closing remarks.

For further information please contact Akemi Herráez Vossbrink at alh64@cam.ac.uk.

To book your place, please click here

Conference: Artistic Trade between Spain and its Viceroyalties from 1500 to 1800, King’s College, Cambridge, 22 June 2018

https3a2f2fcdn-evbuc-com2fimages2f423725462f680690561952f12foriginal

This is the first conference in the United Kingdom devoted to artistic trade between Spain and its viceroyalties. Referring to Cambridge’s Spanish and colonial art collections and with the indispensable support of the Nigel Glendinning studentship for Spanish studies, this conference brings together scholars specialized in the art from the Spanish Viceroyalties. The speakers will trace the artworks from their production, their movement with the help of agents and their collection and display at their destination. Such approach avoids setting an epicentre and periphery but establishes an equalitarian platform on the movement of art within the Spanish Empire.

8:30- 9:15 – Registration.

Introductory remarks:

9:15- 9:30 – Akemi Herráez Vossbrink (University of Cambridge)

Keynote speaker:

9:30- 10:00 – Luisa Elena Alcalá (Universidad Autónoma de Madrid)

Passageways of Art in the Atlantic world: Artists, Patrons and Agents.

  1. Workshops and Artists Producing Art for the Spanish Viceroyalties and Transitory Spaces.

Chaired by Akemi Herráez Vossbrink (University of Cambridge)

10:00- 10:30 – Holly Trusted (Victoria and Albert Museum), Shipwrecked Ivories: The Confluence of East and West.

10:30- 11:00 – Piers Baker Bates (The Open University), Traveling between the Viceroyalties: Artistic Translation in the Sixteenth-century Hispanic World.

11:00- 11:30 – Escardiel González Estevez (Universidad de Sevilla), Alonso Vázquez between Seville, Mexico and Manila (1603-1608): The Paradigm of a “Global Artist”.

11:30- 12:00- Questions.

12:00-13:30- Lunch break.

  1. The Role of Agents Commercializing Artworks between Spain and its Viceroyalties

Chaired by José Ramón Marcaida López (University of Saint Andrews)

13:30-14:00 – Sandra Van Ginhoven (Getty Research Institute, Research Associate), Spanish Transatlantic Agents and the Flemish Guilliam Forchondt in the Overseas Paintings Trade.

14:00- 14:30 – Corinna Gramatke (Technical University of Munich Chair of Conservation-Restoration), “The Portable Europe”: European Artworks for the Jesuit Province of Paraguay (1608-1767).

14:30-15:00 – Eduardo Lamas Delgado (Royal Institute for Cultural Heritage, Brussels), Madrilenian Painters and America: Artistic Production for Overseas Trade Networks and their possible Agents.

15:00- 16:00- Questions followed by a coffee break.

  1. Collecting and Display in Private, Civil and Religious Spaces in the Spanish Viceroyalties.

Chaired by Jean Michel Massing (University of Cambridge)

16:00-16:30 – Kathryn Santner (Leverhulme Trust Fellow, ILAS, London), Conventual Art Collections and Artistic Exchange in the Colonial Viceroyalties.

16:30-17:00 – Isabel Oleas Mogollón (University of Delaware), The Divine and the Self: Uses and Meanings of Mirrors in Quito’s Jesuit Church.

17:00-17:30 – Veronika Winkler (Ludwig-Maximilians-Universität, München), Witnessing the Saint’s Life: Patrons and Hagiographical Painting Cycles of Viceregal Peru.

17:30- 18:00- Final questions and closing remarks.

For further information please contact Akemi Herráez Vossbrink at alh64@cam.ac.uk.

To book your place, please click here

Conference: Artistic Trade between Spain and its Viceroyalties from 1500 to 1800, King’s College, Cambridge, 22 June 2018

https3a2f2fcdn-evbuc-com2fimages2f423725462f680690561952f12foriginal

This is the first conference in the United Kingdom devoted to artistic trade between Spain and its viceroyalties. Referring to Cambridge’s Spanish and colonial art collections and with the indispensable support of the Nigel Glendinning studentship for Spanish studies, this conference brings together scholars specialized in the art from the Spanish Viceroyalties. The speakers will trace the artworks from their production, their movement with the help of agents and their collection and display at their destination. Such approach avoids setting an epicentre and periphery but establishes an equalitarian platform on the movement of art within the Spanish Empire.

8:30- 9:15 – Registration.

Introductory remarks:

9:15- 9:30 – Akemi Herráez Vossbrink (University of Cambridge)

Keynote speaker:

9:30- 10:00 – Luisa Elena Alcalá (Universidad Autónoma de Madrid)

Passageways of Art in the Atlantic world: Artists, Patrons and Agents.

  1. Workshops and Artists Producing Art for the Spanish Viceroyalties and Transitory Spaces.

Chaired by Akemi Herráez Vossbrink (University of Cambridge)

10:00- 10:30 – Holly Trusted (Victoria and Albert Museum), Shipwrecked Ivories: The Confluence of East and West.

10:30- 11:00 – Piers Baker Bates (The Open University), Traveling between the Viceroyalties: Artistic Translation in the Sixteenth-century Hispanic World.

11:00- 11:30 – Escardiel González Estevez (Universidad de Sevilla), Alonso Vázquez between Seville, Mexico and Manila (1603-1608): The Paradigm of a “Global Artist”.

11:30- 12:00- Questions.

12:00-13:30- Lunch break.

  1. The Role of Agents Commercializing Artworks between Spain and its Viceroyalties

Chaired by José Ramón Marcaida López (University of Saint Andrews)

13:30-14:00 – Sandra Van Ginhoven (Getty Research Institute, Research Associate), Spanish Transatlantic Agents and the Flemish Guilliam Forchondt in the Overseas Paintings Trade.

14:00- 14:30 – Corinna Gramatke (Technical University of Munich Chair of Conservation-Restoration), “The Portable Europe”: European Artworks for the Jesuit Province of Paraguay (1608-1767).

14:30-15:00 – Eduardo Lamas Delgado (Royal Institute for Cultural Heritage, Brussels), Madrilenian Painters and America: Artistic Production for Overseas Trade Networks and their possible Agents.

15:00- 16:00- Questions followed by a coffee break.

  1. Collecting and Display in Private, Civil and Religious Spaces in the Spanish Viceroyalties.

Chaired by Jean Michel Massing (University of Cambridge)

16:00-16:30 – Kathryn Santner (Leverhulme Trust Fellow, ILAS, London), Conventual Art Collections and Artistic Exchange in the Colonial Viceroyalties.

16:30-17:00 – Isabel Oleas Mogollón (University of Delaware), The Divine and the Self: Uses and Meanings of Mirrors in Quito’s Jesuit Church.

17:00-17:30 – Veronika Winkler (Ludwig-Maximilians-Universität, München), Witnessing the Saint’s Life: Patrons and Hagiographical Painting Cycles of Viceregal Peru.

17:30- 18:00- Final questions and closing remarks.

For further information please contact Akemi Herráez Vossbrink at alh64@cam.ac.uk.

To book your place, please click here

ARTES Coll & Cortes 2015 Travel Scholarship report

Maeve O’Donnell, PhD candidate, Courtauld Institute of Art, reports on her travels sponsored by this scholarship

11738044_10104134174208549_4216571105197211521_nThe ARTES Coll y Cortes Travel Scholarship allowed me to complete archival research central to my doctoral thesis. Textual sources have been indispensable to my investigation into thirteenth- and fourteenth-century Castilian altars because many of these altars and their furnishings have been lost or disassembled. By carefully combing through primary sources — many of which have not been published in full and are hidden away in cathedral archives — I have been able to reconstruct a detailed picture of the thirteenth- and fourteenth-century altar from this kingdom. Inventories, wills, receipts, statutes, and letters both describe the objects that made up the altar at this time and point to its various usages. More than a liturgical focal point, altars were sites for the expression of the surrounding communities’ identities. This identity was reflected, for instance, by personal items bequeathed to the altar or through furnishings ornamented with political or royal symbols.

In early 2015, I spent several weeks in the archives of Burgos and Toledo cathedrals. Although I P1030659was able to find useful primary documents at these sites, my thesis would not have properly represented Castilian medieval art without close investigation into Seville cathedral’s thirteenth- and fourteenth-century altars. The ARTES Coll y Cortes Travel Scholarship allowed me to spend three weeks researching in the archive of Seville cathedral. It was especially useful to spend time looking through early modern collections of cathedral statutes in which medieval regulations are cited. The Estatutos y Constituciones de la Santa Iglesia de Sevilla, for instance, contained notes in its margins that identified the medieval sources of some of its entries. Viewing this source firsthand has allowed me to engage more critically with its usage in current scholarship. It was similarly of value to my project to read through a late fourteenth-century set of regulations for the cathedral’s original royal chapel, which described the ceremonies performed around the altar of this important royal tomb. It was also very instructive to conduct this archival research while regularly visiting the cathedral’s works of art. For instance, a striking reliquary cross in the cathedral’s collection has often been connected to documents in the archive that seem to allude to it. Reading through such documents and then visiting the work in person allowed me to appreciate the problems set forth by these textual sources.

A 090Without the help of this travel scholarship, my dissertation would have been limited to northern and central Castile and would have fallen short of capturing the full range of cultural and artistic transformations taking place in this kingdom during the thirteenth and fourteenth centuries. By comparing extant objects with contemporary descriptions found in documents from the archive of Seville cathedral, my PhD project will provide a comprehensive picture of the medieval Castilian altar and its furnishings so far missing in scholarship on medieval Iberian art.

ARTES Coll & Cortes Scholarships Awards, 6.45pm, Wednesday 28th October 2015. Courtauld Institute of Art

collcortes_logoThe 2015 ARTES Coll & Cortes scholars will be announced at a special drinks reception at the Courtauld Institute of Art on Wednesday 28th October, starting at approximately 6.45pm. The scholarships, generously supported by the art dealers Coll & Cortes, were set up in 2014 in order to encourage and reward young scholars studying visual culture in Spain, Portugal and Latin America.2014-06-Courtauld-Somerset House All are welcome, no need to book.

The deadline for submissions for the 2016 scholarships is 31st January 2016: see further details here.

The ceremony follows the first in a series of lectures on Spanish medieval architecture, also sponsored by Coll & Cortes. Further details here.