Early modern artistic literature is a crucial source for the study of art between the fifteenth and eighteenth centuries. Treatise writers such as Vasari, Pacheco, Baldinucci, and Palomino were crucial to the construction and future interpretation of art and their texts, most of them of hagiographical nature, provide insight into early modern artistic theory and practice, while offering a glimpse of the lives and works of artists.
This session focuses instead on the readers and owners of these texts, many of whom have left annotations, scribbles, drawings, and poems on the book. Much can be learned from these comments written in the margins. For instance, the copies of Vasari’s Vite which were annotated by El Greco, Scamozzi, or Carracci, indicate how artists interpreted the text. Thus, through an interdisciplinary approach, the session seeks to deepen the study of art treatises (whether in their original language or translated) as key factors of knowledge transfer and we invite proposals that examine either manuscripts or printed books as an object, their readers in the early modern period (up to 1850), or their annotations.
If interested, please email Mario Zamora Pérez (firstname.lastname@example.org) and Patricia Manzano Rodríguez (email@example.com) with a title and abstract (250 words maximum) for a 20-minute paper, your name and institutional affiliation (if any). Please make sure the title is concise and reflects the contents of the paper because the title is what appears online, in social media and in the digital programme. You should receive an acknowledgement of receipt of your submission within two
Deadline for submissions: 11 November 2022