As part of the 20thanniversary edition of the mass photography display of contemporary and historic works, PHotoESPAÑA (6 June-26 August 2018, venues across Madrid, Barcelona and in Valencia), the Museo Lázaro Galdiano in Madrid will open an exhibition Descubriendo a Luis Masson commemorating the work of the French 19th-century photographer Luis Masson (born 1825), who produced a complete topographical photographic study of Spain and was also noted for his photographic reproductions of the works of Murillo. Masson established himself in Seville in 1858 with his wife, Lorenza Simonin, with whom he worked over the next eight years producing a wide range of architectural photographs, some stereoscopic, of Seville and other Andalucian cities and monuments, working in particular for the Duque de Montpensier. In 1866 he moved to Madrid, recording from there the cities of Toledo, Ávila, Valladolid, Salamanca and Burgos, before returning to Seville at the end of the 1870s, where he was last recorded in 1881.The photographs are selected from the private Colección Fernández Rivero de Fotografía Antigua, which owns about 35,000 original photographs ranging from the 1840s through to the early decades of the 20thcentury. It focuses its collections on Spanish images and in particular photographs created in Andalucia, with a special section on Málaga and its province. The exhibition was previously shown (January-March 2018) at the Centro Andaluz de la Fotografía, Almería. An accompanying monograph by Juan Antonio Fernández Rivero and María Teresa García Ballesteros, Descubriendo a Luis Masson, fotógrafo en la España del XIX which inventories 511 of Masson’s photographs was published by Ediciones del Genal, Málaga in 2017.
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Luis Paret y Alcázar (Madrid, 1746‒1799) has been hailed as a ‘spontaneous and joyful’ painter who allowed himself to be ‘overly’ influenced by French art. Labelled as the ‘Spanish Watteau’ and the most genuine representative of Rococo painting in the
