Tag Archives: Rome

Closing Soon: ‘Olga Picasso’, Museo Picasso Málaga, until 2 June

Pablo Picasso, Olga Pensive (winter 1923), Musée national Picasso-Paris (c) RMN-Grand Palais (Musée national Picasso-Paris)/Mathieu Rabeau, Sucesión Pablo Picasso, VEGAP, Madrid, 2018

The Museo Picasso Málaga presents Picasso’s first wife Olga Khokhlova and her story in the first show of its 2019 exhibition calendar. The exhibition Olga Picasso was inspired by the letters and photographs found in the travel trunk of the Russian dancer, Bernard Ruiz-Picasso’s grandmother. The exhibition focuses on the years of Olga’s relationship with Picasso. It offers context on the creation of some of Picasso’s greatest works, connecting them with a personal story that developed alongside another, political and social, story.

Olga Khokhlova (Nezhin, Ukraine, 1891– Cannes, France, 1955) was the daughter of a colonel in the Russian Imperial Army. In 1911 she joined the prestigious and innovative Ballet Russes company, which was at that time highly successful in Europe under the direction of Serguei Diaghilev. She first met Pablo Picasso in Rome in the spring of 1917, when the artist was designing the sets and costumes for the ballet Parade. They were married in Paris, on 12th July 1918, and their first and only child, Paul, was born in February 1921. The couple separated in 1935, although they remained married until Olga’s death in Cannes, in 1955.

The Russian ballerina’s travel trunk, which her son received when he inherited the chateau of Boisgeloup—currently owned by the Fundación Almine y Bernard Ruiz-Picasso para el Arte (FABA)—contained previously unseen letters and photographs. For many years, the drawers harboured Kodak envelopes full of photos that told the story of Bernard’s grandparents, their life together, their travels, Picasso’s ateliers and more. In other compartments lay hundreds of letters in French and Russian, tied with little pink or blue silk ribbons. Olga’s trunk, engraved with her initials, also held her dance attire, ballet shoes, tutus, programmes and such personal objects as a Crucifix and a Russian Orthodox Bible. The contents of the trunk, which was the only personal belonging Olga kept after her separation from Picasso, revealed new aspects of the artist’s work during their relationship.

Approximately 350 items will be shown in the exhibition, including paintings, works on paper, photographs, letters, documents and films. It has been jointly curated by Émilia Philippot, conservator of the Musée national Picasso-Paris; Joachim Pissarro, professor of art history and director of Hunter College Art Gallery (New York); and Bernard Ruiz-Picasso, co-chair of the Fundación Almine y Bernard Ruiz-Picasso para el Arte, FABA, president of the Executive Board of Museo Picasso Málaga and member of its Board of Trustees. The exhibition has been adapted for Museo Picasso Málaga by José Lebrero, the museum’s artistic director, and Sofía Díaz, its exhibitions coordinator.

Click here for more information.

The exhibition will travel from Málaga to Madrid, where it will be on show at the CaixaForum from 19 June to 22 September 2019. Click here for details.

Advertisements

Job: Assistant Professor (Research): Pemberton Fellowship for the Study of Spanish Art, Zurbarán Centre for Spanish and Latin American Art, University of Durham, UK

NNP-DURHAM_CONGREGATION_48This post is full-time and fixed term (1 September 2018 – 31 August 2019).

The Zurbarán Centre for Spanish and Latin American Art seeks to appoint an outstanding candidate to a one-year fixed-term Research Fellowship in Spanish and/or Neapolitan Art of the early modern period (1550-1750). This posts offer an exciting opportunity to make a major contribution to the development of research at the Zurbarán Centre in relation to Durham Castle (University College) at Durham University. The successful candidates will be expected to undertake internationally excellent research. There will also be the opportunity to contribute to teaching in the School of Modern Languages and Cultures, with which the candidate will be administratively associated, to a maximum of 6 hours per week. The appointment is tenable from 1 September 2018 or as soon as possible thereafter.

We welcome applications from exceptional scholars with research interests Spanish art of the Golden Age and/or Italian art of the Classical and Baroque period, with a particular focus on major artistic centres such as Rome and Naples; in addition to painting, sculpture and architecture, we welcome applications centred also on decorative arts and garden history. The Pemberton Fellow will be associated with University College, located in Durham Castle, which houses a remarkable artistic collection which includes Spanish and Italian 17th-century art. The candidate will enjoy full board at Durham Castle (including meals and accommodation, subject to income tax and National Insurance deductions) as well as a contribution towards research related expenses.

Click here for more information

Conference: Inmaculada Hispánica. Imaginarios visuales en una monarquía confesional, EEHAR, Rome, 6 June 2018

pietrodelpo-catedraltoledo__-890x395_c

The Catholic Church did not define the mystery of the Immaculate Conception of Mary as a dogma until 1854. Yet as early as 1616 Felipe III created the Real Junta de la Inmaculada and proclaimed the Spanish Crown as the greatest supporter of the doctrine. Ever since, the Spanish Monarchy was at the centre of an intense propaganda campaign intended to promote belief in the immaculate conception. Art played a key role in this project.

This seminar will explore the different aspects of this marketing operation in the Iberian kingdoms, in the Italian Viceroyalties and in Rome itself. From Madrid, Palermo and Seville, the speakers will unveil the images of one of the most striking campaigns of visual propaganda in history.

Coordinator: Rafael Valladares (EEHAR-CSIC)

Director: Pablo González Tornel (Universitat Jaume I)

Participants:

Pablo González Tornel (Universitat Jaume I): Inmaculada Hispánica. Propaganda y persuasión en la España del Seiscientos.
Piers Baker-Bates (Open University, London): Inmaculada Hispánica in Rome: visual propaganda in the service of doctrine.
Maurizio Vitella (Università degli Studi di Palermo): Iconografia della Purissima Regina nel Viceregno di Sicilia.
Benito Navarrete Prieto (Universidad de Alcalá): La Inmaculada como instrumento político desde Murillo al nacionalcatolicismo.

Location: Escuela Española de Historia y Arqueología en Roma. Via di Sant’Eufemia 13. 00187 Roma.
Date and time: miércoles 6 de junio de 2018, 16:00 horas.

Click here for the programme in Spanish and Italian.

New Publication: Roma Hispánica, by Pablo González Tornel

Pablo González Tornel (Universitat Jaume I, Castellon)

Roma Hispánica. Cultura festiva española en la capital del Barroco

Madrid: Centro de Estudios Europa Hispánica (CEEH), 2017

ISBN 9788415245582
392 pp, 130 colour, pb.
33.66€ + VAT

A study of the canonisations, religious festivals, political celebrations and royal funerals commemorated by the Spanish community in Rome from the late fifteenth century and throughout the Baroque period.

Professor González Tornel’s previous publications are:

Los Habsburgo: Arte y propaganda en la colección de grabados de la Biblioteca Casanatense de Roma (2013)

La fiesta barroca: los reinos de Nápoles y Sicilia (2014)

Cuatro reyes para Sicilia: Proclamaciones y coronaciones en Palermo 1700-1735 (2016).

Book Launch – Sebastiano del Piombo & the World of Spanish Rome by Piers Baker-Bates

ARTES Committee Member Dr Piers Baker-Bates has published an examination of Sebastiano’s career as a transcultural artist through an analysis of his Spanish patrons in Rome.

This book will prove to be an important tool to the greater appreciation of the artist in advance of the National Gallery London’s forthcoming exhibition Michelangelo & Sebastiano (see link) curated by Matthias Wivel, from 15 March – 26 June 2017.

A discount is available to those ARTES members who would like to buy a copy. Please contact artesiberia@gmail.com for details.

2-piers-book_000001

Applications deadline, 18 March 2016: EEHAR-CSIC / Museo Nacional del Prado

Abierta la convocatoria de ayudas EEHAR-CSIC / Museo Nacional del Prado

EEHAR-CSIC / Museo Nacional del Prado

Deadline: Friday, 18 March 2016!

La Escuela Española de Historia y Arqueología en Roma-CSIC y el Museo Nacional del Prado comienzan una colaboración científica para promover iniciativas dirigidas a jóvenes investigadores en los campos de la Historia, la Historia del Arte y las Ciencias Humanas. La primera de ellas es la organización de un Taller dedicado a las Geografías de la pintura barroca, un encuentro entre especialistas de este campo y jóvenes investigadores que tendrá lugar en la Escuela Española de Historia y Arqueología en Roma entre los días 10 y 12 de mayo de 2016.
For more information, click here.

Frida Kahlo, Rome

2014-05-FridaKahlo-Rome
Frida Kahlo, Scudiere del Quirinale, Rome, 20 March – 13 July 2014. Exhibition incorporating major paintings by Kahlo alongside photographs of the artist (taken mainly in the 1940s) and focussing especially on the theme of ‘self-depiction’ both in the form of traditional self-portraits and in the development of the Kahlo iconography and ‘legend’. Both the exhibition and the accompanying catalogue are by Helga Prignitz-Poda, one of the three authors of the Kahlo catalogue raisonne published in 1988.