This post is full-time and fixed term (1 September 2018 – 31 August 2019).
The Zurbarán Centre for Spanish and Latin American Art seeks to appoint an outstanding candidate to a one-year fixed-term Research Fellowship in Spanish and/or Neapolitan Art of the early modern period (1550-1750). This posts offer an exciting opportunity to make a major contribution to the development of research at the Zurbarán Centre in relation to Durham Castle (University College) at Durham University. The successful candidates will be expected to undertake internationally excellent research. There will also be the opportunity to contribute to teaching in the School of Modern Languages and Cultures, with which the candidate will be administratively associated, to a maximum of 6 hours per week. The appointment is tenable from 1 September 2018 or as soon as possible thereafter.
We welcome applications from exceptional scholars with research interests Spanish art of the Golden Age and/or Italian art of the Classical and Baroque period, with a particular focus on major artistic centres such as Rome and Naples; in addition to painting, sculpture and architecture, we welcome applications centred also on decorative arts and garden history. The Pemberton Fellow will be associated with University College, located in Durham Castle, which houses a remarkable artistic collection which includes Spanish and Italian 17th-century art. The candidate will enjoy full board at Durham Castle (including meals and accommodation, subject to income tax and National Insurance deductions) as well as a contribution towards research related expenses.
The Catholic Church did not define the mystery of the Immaculate Conception of Mary as a dogma until 1854. Yet as early as 1616 Felipe III created the Real Junta de la Inmaculada and proclaimed the Spanish Crown as the greatest supporter of the doctrine. Ever since, the Spanish Monarchy was at the centre of an intense propaganda campaign intended to promote belief in the immaculate conception. Art played a key role in this project.
This seminar will explore the different aspects of this marketing operation in the Iberian kingdoms, in the Italian Viceroyalties and in Rome itself. From Madrid, Palermo and Seville, the speakers will unveil the images of one of the most striking campaigns of visual propaganda in history.
Coordinator: Rafael Valladares (EEHAR-CSIC)
Director: Pablo González Tornel (Universitat Jaume I)
Pablo González Tornel (Universitat Jaume I): Inmaculada Hispánica. Propaganda y persuasión en la España del Seiscientos.
Piers Baker-Bates (Open University, London): Inmaculada Hispánica in Rome: visual propaganda in the service of doctrine.
Maurizio Vitella (Università degli Studi di Palermo): Iconografia della Purissima Regina nel Viceregno di Sicilia.
Benito Navarrete Prieto (Universidad de Alcalá): La Inmaculada como instrumento político desde Murillo al nacionalcatolicismo.
Location: Escuela Española de Historia y Arqueología en Roma. Via di Sant’Eufemia 13. 00187 Roma. Date and time: miércoles 6 de junio de 2018, 16:00 horas.
Madrid: Centro de Estudios Europa Hispánica (CEEH), 2017
392 pp, 130 colour, pb.
33.66€ + VAT
A study of the canonisations, religious festivals, political celebrations and royal funerals commemorated by the Spanish community in Rome from the late fifteenth century and throughout the Baroque period.
Professor González Tornel’s previous publications are:
Los Habsburgo: Arte y propaganda en la colección de grabados de la Biblioteca Casanatense de Roma (2013)
La fiesta barroca: los reinos de Nápoles y Sicilia (2014)
Cuatro reyes para Sicilia: Proclamaciones y coronaciones en Palermo 1700-1735 (2016).
ARTES Committee Member Dr Piers Baker-Bates has published an examination of Sebastiano’s career as a transcultural artist through an analysis of his Spanish patrons in Rome.
This book will prove to be an important tool to the greater appreciation of the artist in advance of the National Gallery London’s forthcoming exhibition Michelangelo & Sebastiano (see link) curated by Matthias Wivel, from 15 March – 26 June 2017.
A discount is available to those ARTES members who would like to buy a copy. Please contact email@example.com for details.
La Escuela Española de Historia y Arqueología en Roma-CSIC y el Museo Nacional del Prado comienzan una colaboración científica para promover iniciativas dirigidas a jóvenes investigadores en los campos de la Historia, la Historia del Arte y las Ciencias Humanas. La primera de ellas es la organización de un Taller dedicado a las Geografías de la pintura barroca, un encuentro entre especialistas de este campo y jóvenes investigadores que tendrá lugar en la Escuela Española de Historia y Arqueología en Roma entre los días 10 y 12 de mayo de 2016.
For more information, click here.
Frida Kahlo, Scudiere del Quirinale, Rome, 20 March – 13 July 2014. Exhibition incorporating major paintings by Kahlo alongside photographs of the artist (taken mainly in the 1940s) and focussing especially on the theme of ‘self-depiction’ both in the form of traditional self-portraits and in the development of the Kahlo iconography and ‘legend’. Both the exhibition and the accompanying catalogue are by Helga Prignitz-Poda, one of the three authors of the Kahlo catalogue raisonne published in 1988.