Tag Archives: Arts

Conference: Collecting Spain: Spanish decorative arts in Britain and Spain, V&A, London, 8th–9th June 2018

V&ASpanish art has been collected in the UK since the 17th century. This conference will explore collecting practices, attitudes to and perceptions of Spanish decorative arts in Britain and Spain, and how these attitudes influenced the development of museums and museum collections in both countries. The case studies will be drawn from the V&A and Spanish museum collections.

The conference is organized in joint sessions dealing with the same subject from Spanish and then British perspectives. The first day considers the collecting of particular media, while the second day focuses on the dissemination, display and conservation of these collections. The conference will include poster session during the coffee breaks.

Opening remarks on the history of collecting Spanish Decorative Arts by medium: Collecting, Display & Dissemination: the changing face of the decorative arts collection at South Kensington (1852-1873), Dr Susanna Avery-Quash (Senior Research Curator, History of Collecting, National Gallery)

  • Ceramics: Lusterware:
    M. Rosser-Owen (Asian Department, V&A): Collecting Spanish lustreware by the Victoria and Albert MuseumJaume Coll (Museo Nacional de Cerámica, Valencia): A survey and history of collecting Spanish Decorative Arts: Lusterware 
  •  Textiles:
    Ana Cabrera (Marie S.-Curie Fellow, V&A): Following the thread: collecting Spanish textiles at the Victoria and Albert Museum Spanish case

    Silvia Carbonell (Centro de Documentación Museo Textil, Tarrasa): Textile collecting in Catalonia
  • Silver:
    Kirstin Kennedy (Metalwork Department, V&A): The Scholar, the scoundrel and the skater: How the V&A collections of Hispanic silver were formed

    Jesús Rivas (Universidad de Murcia): Collecting Spanish silverwork
  • Furniture:
    Nick Humphrey (Furniture, Textiles and Fashion department, V&A): Collecting Spanish Furniture, Woodwork and Leatherwork, 1850-1950

    Sofía Rodríguez (Museo Nacional de Artes Decorativas, Madrid): Collecting Spanish Furniture in Madrid (1880-1920)
  • Sculpture and Plaster Cast:
    Xavier Bray (Wallace Collection): A Vogue for St Francis

    Holly Trusted (Sculpture Department, V&A): Spanish Monuments Displayed at South Kensington: Raising the profile of Spanish Art through Plaster CastsMaria Bolaños (Museo Nacional de Escultura, Valladolid): Electrical treasuries: the Decorative Arts collection from Antiquity at the Museo Nacional de Reproducciones (1881-1915)

     

  •  Fashion:
    Oriole Cullen (Furniture, Textiles and Fashion Department, V&A): Fashion and Spain at the Victoria and Albert Museum

    Helena López del Hierro (Museo del Traje, Madrid): From Dress to Fashion:the collection of The Museo del Traje

  • Displaying, interpreting and conserving collections of Spanish decorative arts:
    Isabel Rodríguez (Museo Nacional de Artes Decorativas, Madrid): Displaying Decorative Arts in Britain and Spain. A Comparative AnalysisCorinna Gardner and
    Johanna Agerman Ross (Design, Architecture and Digital, V&A): 20th century Galleries at the V&A

    Lesley Miller (Furniture, Textiles and Fashion, V&A): Spain in the Europe 1600-1815 Galleries

    Victor Borges (Conservation Department, V&A): The Conservation of the Cast Courts. New discoveries on the Spanish Casts

  • Closing speaker: Dr Edward Payne (Head Curator: Spanish Art, Auckland Castle): Collecting in Action: Building a Spanish Gallery in Bishop Auckland
  • Closing remarks: Joanna Norman, Head of the Victoria and Albert Research Institute (VARI)

Booking required: click here

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Conference: Inmaculada Hispánica. Imaginarios visuales en una monarquía confesional, EEHAR, Rome, 6 June 2018

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The Catholic Church did not define the mystery of the Immaculate Conception of Mary as a dogma until 1854. Yet as early as 1616 Felipe III created the Real Junta de la Inmaculada and proclaimed the Spanish Crown as the greatest supporter of the doctrine. Ever since, the Spanish Monarchy was at the centre of an intense propaganda campaign intended to promote belief in the immaculate conception. Art played a key role in this project.

This seminar will explore the different aspects of this marketing operation in the Iberian kingdoms, in the Italian Viceroyalties and in Rome itself. From Madrid, Palermo and Seville, the speakers will unveil the images of one of the most striking campaigns of visual propaganda in history.

Coordinator: Rafael Valladares (EEHAR-CSIC)

Director: Pablo González Tornel (Universitat Jaume I)

Participants:

Pablo González Tornel (Universitat Jaume I): Inmaculada Hispánica. Propaganda y persuasión en la España del Seiscientos.
Piers Baker-Bates (Open University, London): Inmaculada Hispánica in Rome: visual propaganda in the service of doctrine.
Maurizio Vitella (Università degli Studi di Palermo): Iconografia della Purissima Regina nel Viceregno di Sicilia.
Benito Navarrete Prieto (Universidad de Alcalá): La Inmaculada como instrumento político desde Murillo al nacionalcatolicismo.

Location: Escuela Española de Historia y Arqueología en Roma. Via di Sant’Eufemia 13. 00187 Roma.
Date and time: miércoles 6 de junio de 2018, 16:00 horas.

Click here for the programme in Spanish and Italian.

Call for Papers: Theorizing the Spiritual Past: Critical Approaches to Early Iberian Hagiography

New Picture (2)Theorizing the Spiritual Past: Critical Approaches to Early Iberian Hagiography College of St Hild and St Bede, Durham, 7‒8 July 2014

Over the last decade there has been a striking upsurge in the volume of critical interest in Iberian hagiography in all of its manifold forms. In painting and the fine arts through to poetic and narrative treatments composed in Castilian, Catalan, and Portuguese, the legacies of Christ, Mary, and the saints have been approached from a number of perspectives and subjected to detailed critical scrutiny. This work has been informed by a series of theoretical approaches, from issues of gendered identity in the analysis of Mary and the typology of female sanctity, through to questions of corporeality and the extent to which the expression and experience of popular piety is rooted in the body. This conference, which focuses specifically on the application of theoretical and methodological approaches to analysis, asks what scholars of early Iberian hagiography can bring to the analysis of the sacred past and how the study of the discipline can be taken forward innovatively in the future. It seeks in particular to explore interdisciplinary methodologies and the ways in which they intersect with broader discourses in other branches of research.

Proposals are invited for 30-minute papers on any theoretically-informed aspect of Iberian hagiography. Titles and brief abstracts (of no more than 200 words) should be sent to the conference organizer before 7 April 2014.

For further information, please contact:
Dr Andy Beresford
School of Modern Languages and Cultures
Durham University
Elvet Riverside
New Elvet
Durham DH1 3JT
United Kingdom
(a.m.beresford@durham.ac.uk)

The Juan Facundo Riaño Essay Medal: Call for Submissions

Spanish embassy logoTo encourage emerging scholars that are based in the UK, ARTES, in collaboration with the Embassy of Spain, awards an annual essay medal to the author of the best art-historical essay on a Hispanic theme, which must be submitted in competition and judged by a reading Sub-Committee. The medal is named after Juan Facundo Riaño (1829-1901), the distinguished art historian who was partly responsible for a growing interest in Spanish culture in late nineteenth-century Britain. The winner is also awarded a cash prize of £400, and the runner-up is awarded a certificate and prize of £100 – both prizes are generously sponsored by the Office for Cultural and Scientific Affairs of the Embassy of Spain. Prize-winners also receive a year’s free membership to ARTES, and the winning essays are considered for publication in the annual visual arts issue of Hispanic Research Journal. See the information about eligibility and rules of competition. The deadline is 31st January 2019. 

Entering the Essay Competition

The judges will be looking for evidence of originality of thought and high academic and literary quality. Essays must focus on the production or reception of the art, architecture or visual culture of the Hispanic world, defined in the broadest possible terms.

As a permanent reminder of the winner’s achievement, an essay medal is awarded, together with a cash prize of £400. The winning essay will be considered for publication in the annual visual arts issue of Hispanic Research Journal. The runner-up may be awarded the ARTES commendation certificate, together with a prize of £100, and an essay so commended may also be considered for publication in Hispanic Research Journal. Both prize-winners also receive a year’s free membership to ARTES.

Essays are submitted by 31st January each year, and are read by the Essay Medal Committee, appointed by ARTES. The decision of the Committee shall be final. Presentation of the medal is usually made at a special ceremony in London in July the same year, and the result is announced on the ARTES website.

Previous Winners

2018: Javier Vicente Arenas, a Masters student at the Warburg Institute, for ‘Constructing a “Transmediterranean” Identity: Rodrigo de Borgia’s Italian Angels in Valencia Cathedral (1472-81)’.

2017: David Cambronero, a MA student at The Courtauld, for ‘Lighting the Great Mosque of Cordoba in the Caliphal Period’.

2016: Leah McBride, a PhD student at Glasgow University, for ‘‘The grave is only half full; who will help us fill it?’: The Politics of Trauma in Alfredo Jaar’s Rwanda Project‘.

2015: Rebekah Lee, a PhD student at the University of York, for ‘Catherine of Austria, Queen of Portugal and the Courtly Portrayal of Middle Age’.

2014: Lesley Thornton-Cronin, a first year PhD student at Glasgow University, for ‘Image-Making by Means of Metaphoric Transposition in the Work of Joan Miró’.

2013: Maite Usoz, a third year PhD student at King’s College, London, for  ‘Sex and the City: Urban Eroticism in Rodrigo Muñoz Ballester’s Manuel Series’.

Regulations for the Essay Medal

1. Essays must be anonymous. Entrants must select a pseudonym under which to submit their text, with a sealed envelope bearing the pseudonym and containing their real name, address and telephone number. Please note that because of the anonymity of the submissions, no acknowledgement of receipt will normally be sent. If a receipt is required, please send a stamped envelope addressed to your pseudonym or to a friend.

2. There is no age limit for entrants, but the Essay Medal Committee reserves the right to give preference to entrants who have not previously published in the field of Hispanic visual arts. We welcome submissions from researchers in a variety of circumstances, but envisage that most essays will be submitted from early career scholars, post-graduate students or undergraduates with exceptionally good end-of-degree dissertations. Details of degrees or qualifications, as well as previous publications, must be submitted with the entrant’s real name and address. Entrants should ideally be resident or studying in the UK, but exceptions may be made if entrants can demonstrate sustained engagement with students, scholars, objects or materials in the UK.

3. The Hispanic world is defined in its broadest sense to include all Hispanic and Lusophone regions (including, for example, Latin America). Visual arts are defined in their broadest sense to include all material and visual culture, including film and photography.

4. The essay must not have been previously published and must not have been awarded any national or international prize. A note of any departmental prizes awarded to it must accompany the entrant’s real name and address.

5. Essays may be up to 8,000 words in length, including bibliography (though this is not not necessary if full footnotes are given), all notes and appendices. Entrants are encouraged to submit shorter pieces, however. Shorter submissions will not be penalised on grounds of length, but overlength essays will be refused. A word count and a summary of up to 250 words (additional to the work total) must be included.

6. The essay should demonstrate original thinking. It may be based on a dissertation, and may involve original research, although essays based on a survey of secondary material will also be considered if they are of suitable quality. However, the essay should be self-contained and especially prepared for this competition.

7. Entries must be written in English. They must be typed or printed, double-spaced, and contained in a simple folder. Pages should not be stapled or bound together, and each page should be numbered. Diagrams or illustrations may be included and should be captioned. They may take the form of photocopies, provided they can be easily read. Sources of information and images must be acknowledged. Entrants are advised that their essays and illustrations will need to be photocopied.

8. The winning essay may be  considered for publication in the visual arts issue of Hispanic Research Journal, subject to the usual process of refereeing, and to acceptance by the Editors, whose decision on this is final. In the event of the essay being accepted for publication, some reworking may be required. Essays may not be offered for publication elsewhere while they are sub judice.

9. In the case of any dispute about the award, the decision of the ARTES Essay Medal Committee shall be final.

10. ARTES reserves the right to make no award if none of the entries is considered worthy.

11. The closing date for entries is 31st January each year. Essays received after this date will not be considered.

12. Two identical copies of the essay should be sent to: Dr Tom Nickson, Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN, UK. Envelopes should be clearly marked ‘Artes Essay Medal’. Electronic copies cannot be accepted.

13. Any queries should be directed to tom.nickson@courtauld.ac.uk

Artes Coll & Cortés Travel Scholarships

collcortes_logoARTES is delighted to announce that thanks to the generous support of art dealers Coll & Cortés, we can now award a number of travel scholarships to final year undergraduates and postgraduate students registered for a full or part-time degree course at a UK university who are working on any aspect of Spanish, Portuguese or Latin American visual culture before 1800. The deadline for all applications is 31st January and the Scholarship Committee usually informs successful applicants by 1st March. Winners are normally expected to attend a special awards ceremony at the Spanish Embassy in London in July. Students may apply for up to £600 towards the costs of travel to Spain, Portugal or Latin America for research purposes (which may include field work, attendance at a conference, or other recognised forms of research). Please read the guidelines below.

Scholarship application guidelines.

  1. Applications should be made in English as a single MS Word or PDF file and sent to artesscholarships@gmail.com . Applicants are requested to include ‘Travel Scholarship’ in the email subject, but should not expect acknowledgement of receipt.
  2. All applications should include: a) project title, b) a max 100-word project summary, c) a max 600-word explanation of the research to be conducted (including explanation of the necessity of travel); d) a short breakdown of how the money will be spent, together with details of any other funding received; e) an academic CV. Applicants should ensure that an academic advisor sends a reference to the same email address by the 31st January deadline: this may be in English, Spanish or Portuguese. Applications without a reference will not be considered.
  3. Candidates may apply for any other scholarship or award offered by ARTES, but are unlikely to be successful in more than one category in any one year.
  4. Application is open to any student or scholar who can demonstrate compliance with the criteria set out above, other than employees of Coll & Cortés, committee members of ARTES, or their immediate families. Scholarships are not awarded to students who have not yet begun their programme of study, are valid for one year only, and are not renewable. Applications may be submitted for travel conducted in the 12 months prior to the submission deadline, though funding for such trips is likely to be considered less urgent than for forthcoming trips that would not be possible without funding.
  5. Applications will be assessed according to the following criteria: Originality of research, significance of research, feasibility of successful completion, academic rigour (command of the field, spelling, fluency etc), potential of the applicant (an assessment of the strength of the CV, taking into account the student’s current status), financial need, value for money, strength of reference, necessity of travel.
  6. Successful scholarship winners are normally informed by 1st March, and are invited to attend a presentation in London in July (exceptions may be made if the costs of attendance at this event are prohibitive). They are required to write a 600-word report on their funded research project, to be sent to artesscholarships@gmail.com within nine months of receipt of the scholarship.
  7. Any publications arising from research supported by these scholarships should include acknowledgement of ARTES.
  8. The scholarships come with no institutional affiliation, and ARTES and Coll & Cortés cannot take responsibility for the support or welfare of scholarship holders.
  9. The decision of the Scholarship Committee shall be final. The Committee reserves the right to make no awards in cases where it deems that applications are not of satisfactory quality. Coll & Cortés and ARTES accept no legal responsibility to any applicant or third party arising from this notice, or the award or otherwise of a scholarship.  The Scholarship Committee will not enter into correspondence with unsuccessful applicants or their academic advisors regarding its decisions.