Exhibition of more than 200 photographs by twentieth-century Latin American artists, selected from the extensive holdings of the London and Morocco-based collectors Leticia and Stanislas Poniatowski. The exhibition was first shown at the Rencontres d’Arles festival 2017. Among the photographs are monochrome works by the contemporary Mexican photographer Carlos Somonte, who is a lifelong friend and colleague of the film director Alfonso Cuarón, and covered the shoot of Cuarón’s black and white Oscar-winning film Roma.
The Catholic Church did not define the mystery of the Immaculate Conception of Mary as a dogma until 1854. Yet as early as 1616 Felipe III created the Real Junta de la Inmaculada and proclaimed the Spanish Crown as the greatest supporter of the doctrine. Ever since, the Spanish Monarchy was at the centre of an intense propaganda campaign intended to promote belief in the immaculate conception. Art played a key role in this project.
This seminar will explore the different aspects of this marketing operation in the Iberian kingdoms, in the Italian Viceroyalties and in Rome itself. From Madrid, Palermo and Seville, the speakers will unveil the images of one of the most striking campaigns of visual propaganda in history.
Coordinator: Rafael Valladares (EEHAR-CSIC)
Director: Pablo González Tornel (Universitat Jaume I)
Pablo González Tornel (Universitat Jaume I): Inmaculada Hispánica. Propaganda y persuasión en la España del Seiscientos.
Piers Baker-Bates (Open University, London): Inmaculada Hispánica in Rome: visual propaganda in the service of doctrine.
Maurizio Vitella (Università degli Studi di Palermo): Iconografia della Purissima Regina nel Viceregno di Sicilia.
Benito Navarrete Prieto (Universidad de Alcalá): La Inmaculada como instrumento político desde Murillo al nacionalcatolicismo.
Location: Escuela Española de Historia y Arqueología en Roma. Via di Sant’Eufemia 13. 00187 Roma. Date and time: miércoles 6 de junio de 2018, 16:00 horas.