Tag Archives: Q&A

Book Launch: ‘Black but Human’: Slavery and Visual Arts in Hapsburg Spain, 1480–1700′ by Carmen Fracchia, Peltz Gallery, Birkbeck University of London, 23 November 2019, 3–5pm

A book launch and Q&A will be held on the 23 November3–5pm, at the Peltz Gallery, Birkbeck University of London.

In this book launch, Birkbeck scholar Mpalive Msiska will interview Dr Carmen Fracchia, from the Department of Cultures and Languages, about her new book Black but Human: Slavery and Visual Arts in Hapsburg Spain, 1480–1700 (OUP, 2019). This will be followed by a brief conversation between the author and the visual artist Victoria Burgher, who will give a short presentation of her work.

Carmen Fracchia is a Paraguayan academic trained originally in Italian and Spanish Art History at the Universities of Siena and University College London. She is a Reader in Hispanic Art History at Birkbeck. Her work focuses on the visual articulations of Hispanic intellectual, political, and religious thought about local Spanish and transatlantic slavery, freedom, subjectivity, race, and hybridity, with special emphasis to the visual representations of Africans and Afro-Hispanic enslaved and liberated people, such as Juan de Pareja (Antequera, c.1610-Madrid, c.1670).

Mpalive Msiska is a Malawian academic who is a Reader in English and Humanities at Birkbeck where he teaches courses and supervises research work on Post-colonial and Global literatures as well as interdisciplinary subjects. He has previously taught at Bath Spa University and the University of Malawi, among others. His publications include Post-Colonial Identity in Wole Soyinka (2007), Wole Soyinka (1998), Writing and Africa (1997) and The Quiet Chameleon:  A Study of Poetry from Central Africa (1992) and the most recent chapter ‘Divine Ways of Cognition: the Burden of the Poet-Seer in Soyinka’s Idanre,’ in The Soyinka Impulse, eds Duro Oni and Bisi Adigun. He is a member of the Caine Prize Advisory Board, the Council of the British Institute in Eastern Africa as well as the Editorial Board of the Journal of Southern African Studies.

Victoria Burgher is a multi-disciplinary artist who lives and works in East London. She studied at Goldsmiths College (MA) and her politically engaged practice ranges from sculptural installations and site-specific interventions to collaborative community projects. She is interested in art’s ability to challenge histories and a fascination with materials and process inform her approach to making. Current work uses colonial commodities to decolonise the nostalgic narrative of Empire. She exhibits regularly in the UK and Europe.


Attendance is free but booking is necessary. Please click here to book and here for more information.

Celebrating the Prado: A Day of Special Events at the National Gallery, London, 30 September 2019

The National Gallery will celebrate the 200th anniversary of Spain’s foremost artistic institution, the Museo del Prado in Madrid, with a day of special events. Read below or click here to discover what’s on.

In conversation: Celebrating 200 years of the Prado

Lunchtime talk, Sainsbury Wing Theatre, National Gallery, London, Monday 30 September 2019, 1–1.45pm

Miguel Falomir © Archivo Fotográfico. Museo Nacional del Prado, Madrid

Discover Madrid’s Prado Museum: past, present and future. Miguel Falomir, Director of the Prado Museum, Madrid, joins Gabriele Finaldi, Director of the National Gallery, to discuss the history and dynamic future of Spain’s most eminent art museum, which celebrates its bicentenary this year.

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Picasso and the Prado

Lunchtime talk, Sainsbury Wing Theatre, National Gallery, London, Monday 30 September 2019, 2–2.45pm

Pablo Picasso in Antibes, Summer 1946

The Prado Museum in Madrid held a special place in Picasso’s heart and mind. As a young artist he visited the museum many times, drawn to the world of El Greco and Velázquez. Later, in 1936, the Spanish Republic awarded him the title of Honorary Director-in-Exile of the Prado Museum in gratitude for his support. In 1957 he created a series of 58 variations of Velázquez’s ‘Las Meninas’, the iconic work in the Prado. Art historian Gijs van Hensbergen tells the story of Picasso’s life-long relationship with the Prado.

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Black and light: Discover the mystique of the Prado Museum by night

Film Screening and Q&A, Sainsbury Wing Theatre, National Gallery, London, Monday 30 September 2019, 3–5.20pm

© 2017- Alvaro Perdices

Join award-winning film-maker Álvaro Perdices for a screening of his stunning 2015 film ‘Negro y Luz’, an artistic essay on darkness and light exploring the Prado Museum at night.

3 pm Introduction to the film with Álvaro Pedrices
3.10 pm Film showing of Negro y Luz (2015)
5.30 pm Q&A with Álvaro Perdices
5.40 pm Close

Click here for more information.