For more information or to purchase a printed or digital copy of this month’s issue, please click here
Art in Translation has announced the publication of a special issue on Spain and Orientalism, vol. 9:1 (2017), co-edited by Claudia Hopkins (University of Edinburgh) and Anna McSweeney (Warburg Institute).
This is the first English-language journal issue dedicated to Spanish Orientalism in art and visual culture in the 19th and 20th centuries. The peer-reviewed articles, drawn from a panel at the Association of Art Historians conference in 2016, examine Spain’s complex relationship with her Islamic past and with Morocco, through art, architecture, photography and material culture. They address a range of topics including patterns of collecting, the reproduction of Islamic art and architecture for private and public spaces, the role of Spain’s Islamic heritage in the construction of a national identity as exemplified in Spanish exhibition pavilions, the intersections between art and colonialism, and the role of Spanish art and visual culture in the wider debates about Orientalism.
Table of Contents:
Editorial: Spain and Orientalism, by Anna McSWEENEY and Claudia HOPKINS
The Arab Room of the Palacio de Cerralbo, by Ariane VARELA BRAGA
Reconstructing the Alhambra: Rafael Contreras and the Architectural Models of the Alhambra in the Nineteenth Century, by Asun GONZALEZ PEREZ
Mudéjar and the Alhambresque: Spanish Pavilions at the Universal Expositions and the Invention of a National Style, by Anna McSWEENEY
Vision, Lamentation and Nineteenth-Century Representations of the End of al-Andalus, by Oscar E. VÁZQUEZ
Allende el Estrecho (Beyond the Straits): The Photographic Gaze on the Orient in Andalusia and Morocco, by David SÁNCHEZ CANO
Visualizing ‘Moorish’ Traces within Spain: Orientalism and Medievalist Nostalgia in Spanish Colonial Photojournalism 1909-33, by Elisabeth BOLORINOS ALLARD
The Politics of Spanish Orientalism: Distance and Proximity in Tapiró and Bertuchi, by Claudia HOPKINS
Select Bibliography: Spain and Orientalism
The issue can be accessed online through Taylor and Francis Online.
The Graduate School of Arts and Humanities at Bristol University seeks submissions for the newt issue of their postgraduate journal HARTS and Minds, which will be dedicated to Chromatography or Colour Studies and will be published March 2018. This Special Issue aims to renegotiate the idea that colour is rooted solely in the visual.
HARTS and Minds welcomes articles, book reviews, exhibition reviews, and creative writing pieces.
For articles please send a 300 word abstract by the 10th of September 2017 to firstname.lastname@example.org. Accepted articles of 6,000 words will be due October 31st 2017.
Suggested topics include:
The materiality of colour
The significance of colour in different cultures
The effect of colour science and optics on the humanities
Synaesthesia, or hearing/tasting/smelling colour
Black and white or ‘the absence of colour’
Language and naming colour
Gendering, queer or so called ‘perverse’ colours
Colour and the emotions and the senses
Architectural color and the environment
Natural vs. synthetic or unnatural colour
Colour in advertising and media
The psychology of colour
Please click here for the full CFP
Liz Renes (Editor in Chief) and Jade Boyd (Special Editor)