Tag Archives: andalusia

Workshop and Lecture: Music of the Three Andalusias, The Warburg Institute, London, 27 September 2019, 14:00–19:00

Workshop: 14:00–16:00
Lecture and reception: 17:00–19:00  

A lecture and recital by musician, writer and teacher Marc Loopuyt on Muslim, Jewish and Christian music of Medieval Spain, focusing on the rabab and the oud, and on articulation techniques. Articulation in stringed musical instruments from the East will be put in relation with Paganini’s Suonare Parlante, with bird song and the mythical language of the birds. 

The evening lecture will be preceded by an afternoon workshop on the practical foundations of traditional mode based improvisation and ornamentation—details to be finalised. 

Born in France in 1947, with French, Dutch, English and Caucasian roots, Marc Loopuyt discovered the flamenco guitar via immigrant Spanish workers, and subsequently spent three years in Spain learning how to play it. Interested in the strong “colours” in flamenco singing, he crossed the Mediterranean and settled for nine years in Morocco, learning to play the oud. Attracted by the art of the Turkish master Cinuçen Tanrıkorur, he became his disciple and spent many years travelling and living in Turkey and the Middle East, as well as staying for one year in Azerbaijan with the singer Agha Karim Bey. Marc Loopuyt taught for 25 years in the Music Conservatory of Lyon, and has published, performed and recorded widely.

Click here for an excerpt from his flamenco-influenced piece Farruca
Supported by the Cassal Trust, the Matheson Trust.

Click here for more information about this event


Featured Exhibition: Descubriendo a Luis Masson, Museo Lázaro Galdiano, Madrid, until 26 August

luis_masson-_interior_de_plaza_de_toros_y_catedral_de_sevilla-_1868_aprox

As part of the 20thanniversary edition of the mass photography display of contemporary and historic works, PHotoESPAÑA (6 June-26 August 2018, venues across Madrid, Barcelona and in Valencia), the Museo Lázaro Galdiano in Madrid will open an exhibition Descubriendo a Luis Masson commemorating the work of the French 19th-century photographer Luis Masson (born 1825), who produced a complete topographical photographic study of Spain and was also noted for his photographic reproductions of the works of Murillo. Masson established himself in Seville in 1858 with his wife, Lorenza Simonin, with whom he worked over the next eight years producing a wide range of architectural photographs, some stereoscopic, of Seville and other Andalucian cities and monuments, working in particular for the Duque de Montpensier. In 1866 he moved to Madrid, recording from there the cities of Toledo, Ávila, Valladolid, Salamanca and Burgos, before returning to Seville at the end of the 1870s, where he was last recorded in 1881.The photographs are selected from the private Colección Fernández Rivero de Fotografía Antigua, which owns about 35,000 original photographs ranging from the 1840s through to the early decades of the 20thcentury. It focuses its collections on Spanish images and in particular photographs created in Andalucia, with a special section on Málaga and its province.  The exhibition was previously shown (January-March 2018) at the Centro Andaluz de la Fotografía, Almería. An accompanying monograph by Juan Antonio Fernández Rivero and María Teresa García Ballesteros, Descubriendo a Luis Masson, fotógrafo en la España del XIX which inventories 511 of Masson’s photographs was published by  Ediciones del Genal, Málaga in 2017.

Art in Translation Special Issue: Spain and Orientalism

f-13259Art in Translation has announced the publication of a special issue on Spain and Orientalism, vol. 9:1 (2017), co-edited by Claudia Hopkins (University of Edinburgh) and Anna McSweeney (Warburg Institute).

This is the first English-language journal issue dedicated to Spanish Orientalism in art and visual culture in the 19th and 20th centuries. The peer-reviewed articles, drawn from a panel at the Association of Art Historians conference in 2016, examine Spain’s complex relationship with her Islamic past and with Morocco, through art, architecture, photography and material culture. They address a range of topics including patterns of collecting, the reproduction of Islamic art and architecture for private and public spaces, the role of Spain’s Islamic heritage in the construction of a national identity as exemplified in Spanish exhibition pavilions, the intersections between art and colonialism, and the role of Spanish art and visual culture in the wider debates about Orientalism.

Table of Contents:

Editorial: Spain and Orientalism, by Anna McSWEENEY and Claudia HOPKINS

The Arab Room of the Palacio de Cerralbo, by Ariane VARELA BRAGA

Reconstructing the Alhambra: Rafael Contreras and the Architectural Models of the Alhambra in the Nineteenth Century, by Asun GONZALEZ PEREZ

Mudéjar and the Alhambresque: Spanish Pavilions at the Universal Expositions and the Invention of a National Style, by Anna McSWEENEY

Vision, Lamentation and Nineteenth-Century Representations of the End of al-Andalus, by Oscar E. VÁZQUEZ

Allende el Estrecho (Beyond the Straits): The Photographic Gaze on the Orient in Andalusia and Morocco, by David SÁNCHEZ CANO

Visualizing ‘Moorish’ Traces within Spain: Orientalism and Medievalist Nostalgia in Spanish Colonial Photojournalism 1909-33, by Elisabeth BOLORINOS ALLARD

The Politics of Spanish Orientalism: Distance and Proximity in Tapiró and Bertuchi, by Claudia HOPKINS

Select Bibliography: Spain and Orientalism

The issue can be accessed online through Taylor and Francis Online.