Featured Exhibitions: Lucio Fontana. On the Threshold, Met Breuer/Lucio Fontana: Spatial Environment (1968), El Museo del Barrio, New York, until 14 April 2019

The first major survey of Lucio Fontana (1899–1968) in the United States in more than forty years, this exhibition will reexamine the career of one of the most innovative artists of the twentieth century. The Argentine-Italian artist is widely known for his Cuts series, slashed paintings that became symbols of the postwar era. The exhibitionContinue reading “Featured Exhibitions: Lucio Fontana. On the Threshold, Met Breuer/Lucio Fontana: Spatial Environment (1968), El Museo del Barrio, New York, until 14 April 2019”

Closing Soon: Cristina Iglesias: entrǝspacios/interspaces, Fundación Botín, Santander, closes 3 March 2019

A recipient of Spain’s National Visual Arts Award in 1999, Cristina Iglesias (San Sebastián, 1956) is an internationally renowned Spanish artist. This exhibition consists of a huge collection of pieces that will be on display on the second floor of the west wing of the Centro Botín. Well-known for her sculptural pieces with hanging pavilions,Continue reading “Closing Soon: Cristina Iglesias: entrǝspacios/interspaces, Fundación Botín, Santander, closes 3 March 2019”

CFP: The Saint Enshrined: European Tabernacle-altarpieces, c.1150-1400, Valladolid, June 7–8, 2019

Almost every Medieval church had one or more sculptures of saints, many of which were placed on altars, in wall niches or in so-called tabernacle-altarpieces. This last category refers to three-dimensional, canopied structures, embellished with bright colours and equipped with movable wings that housed cult images of the Virgin and Child or saints. This early type of altarpieceContinue reading “CFP: The Saint Enshrined: European Tabernacle-altarpieces, c.1150-1400, Valladolid, June 7–8, 2019”

Call for Applications: Sculptural Workshops, Botín Foundation, Santander, 17–28 September 2018—deadline 10 August

Since 1994, the Sculptural Workshops of the Botín Foundation have brought together in Santander young artists from all over the world, to work alongside major figures from the art world. For its next edition, which will take place between September 17 and 28, 2018, the sculptor Cristina Iglesias (San Sebastián, 1958) proposes a research workshopContinue reading “Call for Applications: Sculptural Workshops, Botín Foundation, Santander, 17–28 September 2018—deadline 10 August”

A New Acquisition on Display at the Museo Nacional de Escultura, Valladolid

Now on display at the Museo Nacional de Escultura in Valladolid the museum’s newly acquired group of 19 individual polychrome sculptures by the Seville-born Luisa Roldán (1652-1706), forming the unusual subject of the Cavalcade of the Kings. These small-scale cedar-wood painted and gilded figures were acquired in December 2017 after being export-stopped and are theContinue reading “A New Acquisition on Display at the Museo Nacional de Escultura, Valladolid”

Fellowships for Spanish Colonial Art

  Marilynn Thoma Fellowship  The Marilynn Thoma Fellowship is the only unrestricted research funding in the United States devoted exclusively to the field of Spanish Colonial art. Each year from May 1 to October 15, pre- and post-doctoral scholars from across the world are invited to apply for research support in the amounts of $45,000Continue reading “Fellowships for Spanish Colonial Art”

Updated Programme: COLLECTING SPAIN: SPANISH DECORATIVE ARTS IN BRITAIN AND SPAIN, Hochhauser Auditorium, Victoria and Albert Museum, 8 and 9 June 2018

Coordinators: Ana Cabrera and Lesley Miller This conference explores collecting practices, attitudes to and perceptions of Spanish decorative arts in Britain and Spain from the 19thcentury onwards, and how these attitudes influenced the development of museums and museum collections in both countries. The case studies aredrawnfrom the British and Spanish museum collections. The conference isContinue reading “Updated Programme: COLLECTING SPAIN: SPANISH DECORATIVE ARTS IN BRITAIN AND SPAIN, Hochhauser Auditorium, Victoria and Albert Museum, 8 and 9 June 2018”

Conference: Collecting Spain: Spanish decorative arts in Britain and Spain, V&A, London, 8th–9th June 2018

Spanish art has been collected in the UK since the 17th century. This conference will explore collecting practices, attitudes to and perceptions of Spanish decorative arts in Britain and Spain, and how these attitudes influenced the development of museums and museum collections in both countries. The case studies will be drawn from the V&A andContinue reading “Conference: Collecting Spain: Spanish decorative arts in Britain and Spain, V&A, London, 8th–9th June 2018”

Forthcoming Exhibition: ‘Memory, Mind, Matter: The Sculpture of Eduardo Chillida’ at the Meadows Museum, Dallas

This spring, the Meadows Museum will present Dallas’s first exhibition dedicated exclusively to the work of Eduardo Chillida (1924–2002). Chillida, one of Spain’s most celebrated modern sculptors, is famous for his monumental iron and stone sculptures that shape both urban and rural landscapes. This exhibition includes 66 of the artist’s works, from his sculptures, to his drawings, collages, gravitations, graphicContinue reading “Forthcoming Exhibition: ‘Memory, Mind, Matter: The Sculpture of Eduardo Chillida’ at the Meadows Museum, Dallas”

Opening soon: Intacta María. Política y religiosidad en la España barroca, 30 November 2017 – 8 April 2018, Museo de Bellas Artes de Valencia

The exhibition Intacta María. Política y religiosidad en la España barroca, opening on 30 November  2017, analyses the process through which devotion to the Immaculate conception was created and popularised in early modern Spain. While the Immaculate Conception only became dogma in 1854, as early as 1616 the Spanish Monarchy became a staunch supporter ofContinue reading “Opening soon: Intacta María. Política y religiosidad en la España barroca, 30 November 2017 – 8 April 2018, Museo de Bellas Artes de Valencia”