CFP: ‘Decentering Realisms, 1750–Now’, Virtual Conference (The Courtauld Institute of Art), with a related online reading group (details below)

Conference date: Friday 12 and Saturday 13 March 2021 Proposals due: 16 November 2020 This conference will explore realism in art across the world, from the mid-eighteenth century to the present day. Seeking to decentre conventional art histories of realism which anchor the concept in nineteenth-century Europe and to open it up to redefinition, thisContinue reading “CFP: ‘Decentering Realisms, 1750–Now’, Virtual Conference (The Courtauld Institute of Art), with a related online reading group (details below)”

New Publication: Carmen Fracchia, ‘”Black but Human” Slavery and Visual Arts in Hapsburg Spain, 1480–1700’ (Oxford and New York: Oxford University Press, 2019)

In ‘Black but Human’ Carmen Fracchia, Reader in Hispanic Art History at Birkbeck, explores the emergence of the slave and freed slave subjects in the visual form of Imperial Spain. The book considers the links between visual regimes and early modern Spanish discourses on slavery and human diversity that are the historic roots of contemporaryContinue reading “New Publication: Carmen Fracchia, ‘”Black but Human” Slavery and Visual Arts in Hapsburg Spain, 1480–1700’ (Oxford and New York: Oxford University Press, 2019)”