New Publication: Carmen Fracchia, ‘”Black but Human” Slavery and Visual Arts in Hapsburg Spain, 1480–1700’ (Oxford and New York: Oxford University Press, 2019)

In ‘Black but Human’ Carmen Fracchia, Reader in Hispanic Art History at Birkbeck, explores the emergence of the slave and freed slave subjects in the visual form of Imperial Spain. The book considers the links between visual regimes and early modern Spanish discourses on slavery and human diversity that are the historic roots of contemporaryContinue reading “New Publication: Carmen Fracchia, ‘”Black but Human” Slavery and Visual Arts in Hapsburg Spain, 1480–1700’ (Oxford and New York: Oxford University Press, 2019)”

Featured Exhibition: Michel Sittow. Estonian Painter at the Courts of Renaissance Europe, until 16 September at The Kumu Museum, Tallinn

Born in Tallinn, Michel Sittow, studied in the studio of his father Clawes van der Sittow, a respected painter and wood carver. In 1484, the young artist headed to Bruges, the art centre of the Netherlands at the time, probably to work in the studio of Hans Memling, a German who was the town’s mostContinue reading “Featured Exhibition: Michel Sittow. Estonian Painter at the Courts of Renaissance Europe, until 16 September at The Kumu Museum, Tallinn”