This post was written by Melanie Lenz, the V&A’s Curator of Digital Art. In this blog entry, posted to coincide with the 200th anniversary of Argentina’s independence, Melanie explores a small but remarkable number of the V&A’s digital artworks made in Argentina in the late 1960s.
The V&A’s extensive collection of early digital artworks were primarily made by practitioners working in Britain, France, Germany, Spain and the United States. The prohibitive costs of the emerging new technology meant that initially sites of artistic production were largely limited to European and North American research laboratories and universities that could afford the required equipment. However, a small but intriguing number of early computer-generated works were created by Argentine artists associated with the Centro de Arte y Comunicación (CAyC). The full blog post explores the fascinating history behind these artworks and looks at how they ended up in the V&A’s collection.
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