Tag Archives: material culture

ONLINE SEMINAR: Material Culture and Identity: The Moriscos in Early Modern Iberia, 02 March 2021, 12.30-2.00pm

Image: Christoph Weiditz, The Morisco Dance, Das Trachtenbuch (1529). Germanisches Nationalmuseum, Nuremberg.

The Centres for Iberian and Latin American Visual Studies (CILAVS) & for Medieval and Early Modern Worlds (CMEMW) warmly invite you to the seminar 

 Material Culture and Identity: The Moriscos in Early Modern Iberia  

Professor Borja Franco (Honorary Research Fellow at CILAVS) 

Chair and mini response: Michael Pope (Cultures & Languages, PhD student) 

Tuesday, 02 March 2021 from 12.30 to 2.00pm Live Online  

Book your place now. 

The Christian conquest of Granada (1492) triggered the conversion and acculturation of Muslims living in the Iberian Peninsula, who were henceforth known as “Moriscos”. As this process did not unfold in a uniform fashion, Christian doctrine was unevenly assimilated across the territory. Records of material culture in Morisco homes can shed light on the extent of religious conversion in the different geographical areas.   

Inventories of New Christian homes were traditionally compiled without reference to their counterparts among Old Christians who were subjecting and converting the Moriscos to Christianity. It is therefore important to study Old and New Christian inventories in parallel to identify any points of contact between them. On the one hand, this research will reveal how Moriscos projected their identity onto personal possessions, including devotional figures which would in fact have represented very unusual choices among Old Christians. On the other, it will show a clear hybridization of customs, as evidenced by the many objects associated to Medieval Islamic tradition found in Old Christian homes, such as adargas (shields), almalafas (robes), ‘Morisco style’ furniture, etc. The aim of this presentation is, firstly, to explore the defining features that set these two communities apart as revealed by both Old and New Christian material culture; and secondly, to learn how such objects were perceived, based on extant descriptions. Taken in combination, these sources can shed light on aspects of daily life among these coexisting communities, the way they made their different identities visible, and their emotional practices. 

Borja Franco Llopis is a Professor at the Department of Art History in the UNED (Spain). His research is devoted to the visual and literary representation of the otherness in Southern Europe. He has been a visiting scholar in several prestigious institutions such as the School of History and Archaeology in Rome, the Instituto Storico per el Medievo (Rome), the Warburg Institute (London), Johns Hopkins University, University of California (Berkeley), Harvard University, Columbia University, Universidade Nova of Lisbon and NYU; and Visiting Professor at the University of Genoa. He is Associate Professor at the Department of Art History in the UNED (Spain), the PI of the research group “Before Orientalism. Images of the Muslim Other in Iberia (15-17th Centuries) and their Mediterranean connections” and working Group Leader of the Cost Action 18129: Islamic Legacy: Narratives East, West, South, North of the Mediterranean. He has recently published the monographs titled: Pintando al converso: la imagen del morisco en la peninsula ibérica (1492-1614) (Cátedra, 2019), and Etnicità e conversione. Immagini di moriscos nella cultural visuale dell’età moderna (Affinità Elettive, 2020). He has also co-edited the book: Muslim and Jews made Visible in Christian Iberia and beyond (14-18th centuries) (Brill 2019). 

The event is free, but booking is required.

What’s your favourite book of 2018? The Mr. and Mrs. Raymond J. Horowitz Book Prize, deadline 1 March 2019

Horowitz_2018Bard Graduate Center welcomes submissions for the 2018 Mr. and Mrs. Raymond J. Horowitz Book Prize, awarded annually to the best book on the decorative arts, design history, or material culture of the Americas. The prize will reward scholarly excellence and commitment to cross-disciplinary conversation. Eligible titles include monographs, exhibition catalogues, and collections of essays in any language, published in print or in digital format. The winning author(s) or editor(s) will be chosen by a committee of Bard Graduate Center faculty and will be honored with a symposium on the subject of the book. Submissions must have a 2018 publication date.

Three copies of each print title should be sent to the below address along with an entry submission form. For digital publications, please email a copy of the form along with a link to the publication and a PDF of the publication to horowitz.prize@bgc.bard.edu.

Horowitz Book Prize Committee
Bard Graduate Center
38 West 86th Street
New York, NY 10024

Submissions must be postmarked by March 1, 2019. There is no limit to the number of submissions, but please note we are unable to return items submitted for review. Incomplete submissions will not be considered. Shipping is the responsibility of the applicant and we are not able to confirm receipt of submissions. The winning title will be announced in later summer 2019.

For questions, contact Laura Minsky, Assistant Director for Research Programs, at horowitz.prize@bgc.bard.edu.

Click here for more information