Category Archives: Uncategorized

Featured Exhibition: Fortuny (1838-1874), Museo Nacional del Prado, Madrid, until 18 March 2018

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Mariano Fortuny,
Idyll, 1868, watercolour and gouache on paper, Museo Nacional del Prado

The Museo Nacional del Prado has recently opened an exhibition on Mariano Fortuny y Marsal (1838-1874). This artist, who achieved international renown in the last third of the 19th century, was a skilled painter and draughtsman who excelled in watercolour. He was also a graphic artist and a passionate collector of antiquities.
As with previous monographic exhibitions held at the Prado, Mariano Fortuny (1838-1874) offers a reassessment of the artist’s finest works, drawn from both the the Prado’s extensive holdings and from international lenders, including the more than 30 rarely-seen works from the Museo Fortuny in Venice.

Click here for more information.

 

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Opens Today: Murillo at the Meadows: A 400th Anniversary Celebration, December 6, 2017 – December 2, 2018

Bartolomé Esteban Murillo (Spanish, 1617–1682), "Saint Justa," c. 1665. Oil on canvas. Meadows Museum, SMU, Dallas. Algur H. Meadows Collection, MM.72.04. Photo by Michael BodycombDecember of 2017 will witness the 400th birthday of Bartolomé Esteban Murillo (1617–1682), one of the outstanding painters of Golden Age Seville. The Meadows Museum, which holds more paintings by the artist than any other collection in the United States, will celebrate his anniversary with a special exhibition. The display will celebrate the Meadows’ extraordinary holdings of artworks by the artist, and pair them with paintings by Murillo’s Sevillian contemporaries, thus highlighting the artistic context with which he remains so intimately associated.

Click here for more information on this exhibition.

 

Job: Curator for Latin American, Iberian, and Latino Studies, New York Public Library

new-york-public-library-nyplThe New York Public Library is seeking to appoint a Curator for Latin American, Iberian, and Latino Studies. Click here for more information and how to apply.

With a collection that exceeds 46 million items, and a mission to advance knowledge and inspire lifelong learning, the New York Public Library stands as one of the world’s great public research libraries. Its four research centers provide opportunities for engagement with in-depth and unique collections, inspirational reading rooms, exhibitions, programs, and a range of research services.

NYPL’s collections on Latin America, Iberia, and the Hispanic experience in the United States constitute an international resource of considerable importance, measured by the depth and variety of the research materials held, and the large numbers of unique and scarce materials in the collections. The Latin American collections span the history of the region from the earliest rarities to present-day publications and are rich in primary source documents, literary texts, ephemera, and many other resources that serve both the scholar and student. Collections on Spain and Portugal are equally extensive, with particular strengths in literature and history, including manuscripts and rare books from the Golden Age through the Age of Discovery and the Spanish and Portuguese colonial period in the Americas. Building on these historic strengths, the Library has continued to document the history and literature of Latinos in the United States, particularly in New York City. The broad scope of NYPL’s collecting over the years has resulted in a collection that provides extraordinary opportunities for interdisciplinary research across the full range of humanities and social science topics, and, consequently, within each of its four research centers.

The Curator for Latin American, Iberian, and Latino Studies provides essential leadership in the development, management, and promotion of the Library’s research collections in these areas. Based within the Collections and Research Services department, which is responsible for establishing a unified strategic vision for NYPL’s Research Collections, the Curator works collaboratively with staff across the Research Libraries to coordinate the development of the collection and the delivery of research services that help position the Library as a vital resource to support learning, creativity, scholarship, and enterprise.

 

The Curator will provide strong and effective subject expertise and leadership in developing and promoting the Library’s collections documenting Latin American, Iberian, and Latino culture, serving as the primary spokesperson for the collection, and undertaking activities that advance expanded use and other strategic goals.

 In support of teaching, learning, and scholarship, the Curator will contextualize the collections in a variety of ways, including through exhibitions and publications, and will facilitate digital humanities and other scholarly projects, and collaborate on the development of public programming and educational resources.  The Curator is responsible for raising awareness of the collections and cultivating new communities of users, including a supportive donor base. The Curator will actively engage in fundraising activities to support the needs of the collection, fellowships for researchers, and new initiatives.

 Drawing on an understanding of the collection’s historical strengths, its use, and scholarly trends, the Curator will plan for, communicate, and implement strategies to build and shape the collections, and will investigate and make specific recommendations for special collections acquisitions across the Library, including the cultivation and pursuit of major new archival acquisitions.

The Curator will maintain and strengthen existing institutional partnerships and identify and initiate opportunities to collaborate on new approaches to building collections and promoting their use to both a national and international audience.

  • Promotes scholarly, educational, and general use of the collections in collaboration with divisions across the Research Libraries, in particular, the Manuscripts, Archives and Rare Books Division, the Wallach Division of Art, Prints and Photographs, the Schomburg Center for Research in Black Culture, and the Library for the Performing Arts
  • Participates in the ongoing evaluation and assessment of the collections to identify and build on collection strengths
  • Identifies and makes recommendations for the acquisition of special collections. Explores new areas for further development of the collection and cultivates potential donors of materials; manages an acquisitions budget; coordinates a collaborative team approach for ongoing development of the general research collections
  • Actively engages with researchers by providing consultative services; cultivates and builds strong relationships with the academic community through classes, outreach, and strategic partnerships
  • Works closely with the Development staff on fundraising activities by identifying new opportunities, cultivating donor relationships, and preparing grant proposals, and other reports
  • Identifies, evaluates, and prioritizes materials for digitization initiatives and helps facilitate the use of digital collections
  • Collaborates with the Exhibition staff on the preparation of exhibitions that highlight the collections; develops thematic narratives, selects materials, prepares interpretive materials, and supporting publications
  • Keeps abreast of the changing needs of researchers in the field, as well as emerging trends in research libraries, higher education, and humanities and social science scholarship in general
  • Establishes a record of participation in and contributions to the profession by serving on committees and representing the Library at professional organizations, conferences, and various public meetings
 Managerial/ Supervisory Responsibilities
  • Evaluates and makes selections of collection materials in languages other than English, in particular, special collections, including archives, rare books, and other formats.
  • Engages in fundraising and donor relations.
  • Develops concept and content for exhibitions.
  • Prepares scholarly articles and other interpretive materials for publication; prepares donor reports and grant applications.
  • Analyzes and prioritizes opportunities for collaboration in outreach and digitization projects.

Key Competencies

  • Accountability and Professionalism – Demonstrates enthusiasm for and commitment to the position and accepts responsibility for personal actions.
  • Customer Service – Commits to meeting the expectations of internal and external customers.Listens and responds effectively to customer questions; resolves customer problems to the customer’s satisfaction; respects all internal and external customers.
  • Collaboration and Teamwork – Supports a positive team environment in which members participate, respect and cooperate with each other to receive desired results.
  • Job-Specific Knowledge and Skills – Plans, prioritizes, and organizes work effectively to produce measurable results; keeps current with and effectively applies new work methods, skills and technologies to complete work.
 Minimum Qualifications
  • Ph.D. in topic related to Latin American history or Hispanic literary studies, or an MLS from an ALA-accredited program and advanced relevant subject degree.
  • Minimum of five years of relevant professional experience in an academic or research library, or cultural organization setting or equivalent combination of education and experience.
  •  

    Excellent oral, written, and interpersonal skills, including the ability to speak and write effectively in both English and Spanish.

  • Fluency in English and Spanish.
  • Demonstrated knowledge of current practices and emerging trends in humanities and social sciences scholarship and research libraries in general.
  • Successfully demonstrated experience in public speaking, as well as teaching and instruction that promotes the use of primary source documents.
  • Successfully demonstrated ability to work effectively in a collaborative team environment.
  • Demonstrated knowledge of special collections, including archival research.
  • Record of professional engagement and contribution, such as research, publication, and involvement in pertinent professional and scholarly organizations.
  • Successfully demonstrated analytical skills and familiarity with various assessment methodologies.

Preferred Qualifications

  • Working knowledge of Portuguese and at least one other Western European language.
  • Familiarity with library preservation practices.
  • Experience with the preparation and curation of exhibitions.

 

El Greco on Sale at Christie’s

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According to The Art Newspaper, El Greco’s Saint Francis and Leo (around 1600) is one of the highlights of the upcoming London sales. With an estimated sale price of £5m-£7m, the work is one of 51 from the collection of the late Stanford Rothschild consigned for sale to Christie’s. The sale will take place on 7 December. Click here for more information about this painting.

The Maius Workshop’s Second Meeting: Sacred Encounters, 11 December 2017 6-7:30pm, The Courtauld Institute of Art

Morgan Beatus Angel Sun Rev 19The Maius Workshop is an interdisciplinary group that brings together graduate students and early-career scholars dealing with Hispanic art (broadly considered to include literature, theatre, music, etc.) and history from the Middle Ages to the Early Modern Period. The Maius Workshop is kindly supported by ARTES.

The first meeting of the Maius Workshop took place in October at the Warburg Institute. The Maius Workshop’s second meeting will take place on Monday 11 December 2017 from 6.00 to 7.30 pm at the Research Forum Seminar Room of the Courtauld Institute.

We hope attendees will share documents, images and problems from their research related to this topic. While some members have already volunteered to present their research, there are still a few spaces left for informal presentations of 5 to 10 minutes. If you would like to present material from your research, please get in touch with us by Friday 8 December. 

If you are interested in presenting your evidence, please drop us an email by Friday 8 December. You can present your evidence in Powerpoint or handout format. If you would like us to print out your evidence to share with the group, please email it to us by Saturday 9. Secondary readings for discussion are also very welcome.

Otherwise, please come along for a lively discussion!

If you are planning to attend this event, please register on Eventbrite at https://www.eventbrite.co.uk/e/the-maius-workshop-2nd-meeting-11-december-2017-tickets-39407191972

If you wish to contact us please use our email address, maiusworkshop@gmail.com

For more info visit: https://maiusworkshop.wordpress.com/ or https://www.facebook.com/groups/120148888676292/

Book Launch: A new edition of Goya and his Critics by Nigel Glendinning, Instituto Cervantes, London, 7-8.30pm, 12 December 2017

10355_i_imagen20autorretratoWe celebrate with ARTES (Iberian and Latin American Visual Culture Group) the publication of a new edition of Nigel Glendinning’s Goya and his Critics by Dr Sarah Symmons and Dr Jesusa Vega.

Nigel Glendinning’s Goya and His Critics was first published in English in 1977 and appeared in Spanish some five years later. This was the first great synthesis of the reception of Goya as an artist and this new edition assesses the importance of Glendinning’s research not only for Goya studies but for Hispanic art and culture in general. This study includes essays by Jesusa Vega and Sarah Symmons, a foreword by Valeriano Bozal and analyses Glendinning’s mission to reveal the mysterious and evocative art of Goya to a culture which found the artist’s originality disturbing as well as inspiring.

Sarah Symmons-Goubert has won numerous awards for her academic work. She has published five books on art history, including Art & Ideas, Goya (Phaidon Press, 1998) and Goya, a life in letters (Pimlico, Random House, 2004).

In English

Free admission. RSVP http://bit.ly/goyacritics

New Publication: El Greco comes to America: the Discovery of a Modern Old Master (CEEH, Center for Spain in America and Frick Collection, 2017)

greco-666x800El Greco comes to America: The Discovery of a Modern Old Master, directed by Inge Reist and José Luis Colomer
Este libro es un homenaje a los soberbios ejemplos de la obra del Greco
conservados en Estados Unidos. El estilo tan personal del artista tenía
un aire de modernidad que atraía a los coleccionistas de aquel país,
gracias a lo cual los museos americanos poseen muchos de los mejores
Grecos que hay fuera de España. Once especialistas abordan el estudio
de coleccionistas particulares como Arabella Huntington, Louisine
Havemeyer, Henry Clay Frick, Peter Widener y Duncan Phillips, pero
analizan también el impacto de las exposiciones en las que pudieron
verse obras del cretense y el papel que desempeñaron artistas-asesores
como Mary Cassatt, John Singer Sargent y Roger Fry.

Partiendo de una rica documentación de archivo, en gran parte inédita
hasta ahora, los autores de este volumen demuestran el denuedo con el
que los coleccionistas americanos compitieron por las obras del Greco y
el lugar tan destacado que concedieron en sus casas a los cuadros del
cretense, que a menudo colgaron junto a otros de pintores más modernos
como Degas o Manet. Al hacerlo, y al fomentar la compra de cuadros del
Greco por parte de las instituciones públicas que financiaban, forjaron
la reputación internacional de este artista entre el público
contemporáneo, garantizando un aprecio por su estilo único que se
mantiene todavía.

SOBRE LOS DIRECTORES [10]

INGE REIST, doctora por la Universidad de Columbia, donde dio clase
durante unos años, es directora del Center for the History of
Collecting de la Frick Art Reference Library. Dirigió también el
Archivo Fotográfico de la Frick Collection y fue presidenta de la
Association of Research Institutes in Art History. Es experta en
historia del coleccionismo, tema sobre el que ha publicado trabajos y
dado conferencias en numerosos museos y congresos. Ha coeditado con Gail
Feigenbaum _Provenance: An Alternative Art History_ (2012), aunque sigue
interesándose por otras cuestiones, como prueba su «_All the World’s a
Stage: The Theater Conceit in Early Modern Italy_» para el Blackwell
Companion to Renaissance and Baroque Art (2012).

JOSÉ LUIS COLOMER es doctor en Literatura Comparada por la Universidad
de Bolonia y licenciado en Historia del Arte por la Sorbona. Actualmente
dirige el Centro de Estudios Europa Hispánica y el Center for Spain in
America. Sus investigaciones abordan las relaciones culturales entre
España e Italia en el siglo XVII a través de agentes diplomáticos y
del intercambio de regalos artísticos entre las cortes europeas y los
reyes de España, así como el segundo viaje a Roma de Velázquez y sus
vínculos con personajes italianos en la corte de Madrid. En 2012
codirigió con Inge Reist el libro Collecting Spanish Art: Spain’s
Golden Age and America’s Gilded Age.

264 páginas; 156 ilustraciones
ISBN: 978-84-15245-73-5
50 €
Until 15 December, 10% online discount, http://www.ceeh.es